Contents: f. 1-4 and 105-117 Memorial de libri grandi che si canta in coro (Addendum of the 16th century); f.5ff . Kyriale; f. 20vff. Exultet; f. 31ff. Improperia and Adoratio crucis; f. 35vff. Psalm tones, responsorial Gloria and the opening melody Venite f. 40ff; Benedicamus domino (as well as on f. 35; see Incipit list); f. 43ff. Procession on Palm Sunday; f. 52ff. Mandatum for Maundy Thursday, f. 60 and 63-responsories procession for Easter and Ascension Day, f. 67 and 71v-responsories procession for Purificatio and Assumptio BMV f. 93ff. various prayers. From an Italian Dominican monastery according to Frere and van Dijk (see literature). Among the usual monophonic liturgical chants, there are two 2-voice Benedicamus dominos (see Incipit list), of which the second piece is a shorter version of the first.

pressed leather; probably 16th century

black and (for the two-voice pieces) black and red, non-mensural square

5 red four-line systems per page

35, 40

Modern pencil foliation at t.r.r.

i parchment + iii paper + 117 parchment + i paper + xii

RISM B/IV 4: 15. Jh., 117 Blätter Pergament + 4 Vorsatz- (1 Pergament- und 3 Papier-) und 13 Nachstoß-Blätter. (1 Pergament- und 12 Papier-Blätter.), 165 x 120 mm. Moderne Bleistift-Foliierung an der oberen, rechten Ecke der Seite. Je Seite 5 rote Vierliniensysteme mit schwarzer und, bei den zweistimmigen Stücken, schwarzer und roter, nicht-mensural Quadratnotation auf dem gleichen System. - Einband: vermutlich 16. Jh.; gepreßtes Leder.

Diese Handschrift., ein Processionale, Kyriale und Rituale, stammt nach Frere und van Dijk (vergleiche Literatur) aus einem italienischen Dominikanerinnenkloster. Unter den üblichen einstimmigen liturgischen Gesängen befinden sich zwei 2-stimmige Benedicamus domino-Sätze (vergleiche Incipitverzeichnis), von denen das zweite Stück eine kürzere Version des ersten darstellt.

Inhalt: f. 1-4 und 105-117 Memorial de libri grandi che si canta in coro (Nachtrag des 16. Jh.); f. 5ff. Kyriale; f. 20vff. Exultet; f. 31ff. Improperia und Adoratio crucis; f. 35vff. Psalmtöne, responsoriales Gloria und Eröffnungsmelodie zum Venite; f. 40ff. Benedicamus domino (desgleichen auf f. 35; vergleiche Incipitverzeichnis); f. 43ff. Prozession zum Palmsonntag; f. 52ff. Mandatum für Gründonnerstag; f. 60 und 63 Prozessions-Responsorien für Ostern und Christi Himmelfahrt; f. 67 und 71v Prozessions-Responsorien für Purificatio und Assumptio B.M.V.; f. 93ff. verschiedene Gebete.

[Translation] 15th century. 117 parchment sheets + 4 front- (1 parchment and 3 paper) and 13 back flyleaves. (1 parchment and 12 paper), 165 x 120 mm. Modern pencil foliation at the top right corner of the page. 5 red four-line systems per page with black and, for the two-voice pieces, black and red, non-mensural square notation on the same system. - Binding: probably 16th Century; pressed leather.

This manuscript, a Processional, Kyriale and Rituale, originates from an Italian Dominican monastery according to Frere and van Dijk (see literature). Among the usual monophonic liturgical chants, there are two 2-voice Benedicamus dominos (see Incipit list), of which the second piece is a shorter version of the first.

Contents: f. 1-4 and 105-117 Memorial de libri grandi che si canta in coro (Addendum of the 16th century); f.5ff . Kyriale; f. 20vff. Exultet; f. 31ff. Improperia and Adoratio crucis; f. 35vff. Psalm tones, responsorial Gloria and the opening melody Venite f. 40ff; Benedicamus domino (as well as on f. 35; see Incipit list); f. 43ff. Procession on Palm Sunday; f. 52ff. Mandatum for Maundy Thursday, f. 60 and 63-responsories procession for Easter and Ascension Day, f. 67 and 71v-responsories procession for Purificatio and Assumptio BMV f. 93ff. various prayers.

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