D-Dl MS Mus. 1/D/2 [Quintus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Mus. 1/D/2 [Quintus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Pagination
Measurements	151 x 203 mm
Other Identifiers	CCM: DresSL 1/D/2 olim (Former shelfmark): B. 1272
Notations	black void mensural
Relationships	Butsch Antiquariat, Augsburg (owner)
External Links	images
External Authorities	RISM Online (sources/211002425)
Provenance	Wittenberg, Bavaria, Germany
Contents	13 pieces from 3 composers

General Description

A Quintus partbook from a set of 5. Copied by several scribes. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2023

Extent

D 29ff, A 31ff, T 25ff, B 25ff, Q 7ff.

DIAMM, 2023

Binding

Rebound in grey cardboard covers.

DIAMM, 2023

Notation

black void mensural

DIAMM, 2023

Date

Ca. 1550-60 (SteudeMS); ca. 1575 (KirschQM).

DIAMM, 2023

Foliation

Modern pencil pagination, continuous from book to book.

DIAMM, 2023

Surface

paper

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 1 Mass Proper section, 2 Te Deums (1 in German), 1 Canticle, 2 psalms, 1 processional hymn, 8 motets, 1 German sacred piece = 17

Crecquillon-1, Deiss-1, (Ducis)-1, Pöpel-1, Senfl-3, Stoltzer-4, anon-6

5 paper partbooks (D-29 folios, A-31, T-25, B-25, Q-7), 151 x 203. Modern pencil foliation. Rebound in gray cardboard covers. Copied by several scribes.

Ca. 1550-60 (SteudeMS); ca. 1575 (KirschQM). Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
214–215	Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi	Thomas Stoltzerus	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 214–215 Genres: Motet Source Attribution: Thomas Stoltzerus
215	Gloria laus et honor - 2a pars (of 7): Israel es tu rex	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 2a pars (of 7): Israel es tu rex Stoltzer, Thomas (ca. 1480–1526) Appears on: 215 Genres: Motet
215–216	Gloria laus et honor - 3a pars (of 7): Cetus in excelsis	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 3a pars (of 7): Cetus in excelsis Stoltzer, Thomas (ca. 1480–1526) Appears on: 215–216 Genres: Motet
216–217	Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 216–217 Genres: Motet
217	Gloria laus et honor - 5a pars (of 7): Hi tibi passuro	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 5a pars (of 7): Hi tibi passuro Stoltzer, Thomas (ca. 1480–1526) Appears on: 217 Genres: Motet
217–218	Gloria laus et honor - 6a pars (of 7): Hi placuere tibi	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 6a pars (of 7): Hi placuere tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 217–218 Genres: Motet
218	Gloria laus et honor - 7a pars (of 7): Gloria laus et honor	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 7a pars (of 7): Gloria laus et honor Stoltzer, Thomas (ca. 1480–1526) Appears on: 218 Genres: Motet
219–220	Laudate Dominum in sanctis eius laudate	-	Anonymous
Laudate Dominum in sanctis eius laudate Anonymous Appears on: 219–220 Genres: Motet
221–222	Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Thomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 221–222 Genres: Motet Source Attribution: Thomas Stoltzer
222–223	Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 222–223 Genres: Motet
223–224	Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 223–224 Genres: Motet
224–226	Honorabile est inter omnes	-	Anonymous
Honorabile est inter omnes Anonymous Appears on: 224–226 Genres: Motet
227	Kyrie Vita in ligno	-	Anonymous
Kyrie Vita in ligno Anonymous Appears on: 227 Genres: Kyrie eleison, Mass Ordinary General Note C.f in long notes in Quintus, underlaid with text: (Kyrie I) Vita in ligno moritur; (Christe) Infernus ex morsu despoliatur; (Kyrie II) Ero mors tua, o mors

Composer	Compositions
Anonymous	Honorabile est inter omnes – 224–226 Kyrie Vita in ligno – 227 Laudate Dominum in sanctis eius laudate – 219–220
Reitveltus, Bartholomaeus	(?) Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 221–222 (?) Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 222–223 (?) Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 223–224
Stoltzer, Thomas (ca. 1480–1526)	Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi – 214–215 Gloria laus et honor - 2a pars (of 7): Israel es tu rex – 215 Gloria laus et honor - 3a pars (of 7): Cetus in excelsis – 215–216 Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi – 216–217 Gloria laus et honor - 5a pars (of 7): Hi tibi passuro – 217 Gloria laus et honor - 6a pars (of 7): Hi placuere tibi – 217–218 Gloria laus et honor - 7a pars (of 7): Gloria laus et honor – 218 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 221–222 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 222–223 Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 223–224

Composition	Composers (? Uncertain)	Folios / Pages
Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi	Stoltzer, Thomas (ca. 1480–1526)	214–215
Gloria laus et honor - 2a pars (of 7): Israel es tu rex	Stoltzer, Thomas (ca. 1480–1526)	215
Gloria laus et honor - 3a pars (of 7): Cetus in excelsis	Stoltzer, Thomas (ca. 1480–1526)	215–216
Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi	Stoltzer, Thomas (ca. 1480–1526)	216–217
Gloria laus et honor - 5a pars (of 7): Hi tibi passuro	Stoltzer, Thomas (ca. 1480–1526)	217
Gloria laus et honor - 6a pars (of 7): Hi placuere tibi	Stoltzer, Thomas (ca. 1480–1526)	217–218
Gloria laus et honor - 7a pars (of 7): Gloria laus et honor	Stoltzer, Thomas (ca. 1480–1526)	218
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	221–222
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	222–223
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	223–224
Honorabile est inter omnes	Anonymous	224–226
Kyrie Vita in ligno	Anonymous	227
Laudate Dominum in sanctis eius laudate	Anonymous	219–220

Set: MS Mus. 1/D/2

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/2 [Altus]

No images available

D-Dl MS Mus. 1/D/2 [Bassus]

No images available

D-Dl MS Mus. 1/D/2 [Discantus]

No images available

D-Dl MS Mus. 1/D/2 [Quintus]

No images available

D-Dl MS Mus. 1/D/2 [Tenor]

‡ denotes primary source study

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93. London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 19-20. Notes: physical description (partial); contents list; concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Notes: physical description; mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 303. Notes: mention of MS.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies. Brooklyn. Pages: II, xiv; IV, plate xxvi. Notes: concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 131-2. Notes: concordances (partial); incipits (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI, 173; XCIX,91,95. Notes: physical description (partial); contents list (partial); transcription (partial).

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 62-3. Notes: contents list.

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