D-Dl MS Mus. 1/D/2 [Bassus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Mus. 1/D/2 [Bassus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Pagination
Measurements	151 x 203 mm
Other Identifiers	CCM: DresSL 1/D/2 olim (Former shelfmark): B. 1272
Notations	black void mensural
Relationships	Butsch Antiquariat, Augsburg (owner)
External Links	images
External Authorities	RISM Online (sources/211002425)
Provenance	Wittenberg, Bavaria, Germany
Contents	29 pieces from 10 composers

General Description

A Bassus partbook from a set of 5. Copied by several scribes. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2023

Extent

D 29ff, A 31ff, T 25ff, B 25ff, Q 7ff.

DIAMM, 2023

Binding

Rebound in grey cardboard covers.

DIAMM, 2023

Notation

black void mensural

DIAMM, 2023

Date

Ca. 1550-60 (SteudeMS); ca. 1575 (KirschQM).

DIAMM, 2023

Foliation

Modern pencil pagination, continuous from book to book.

DIAMM, 2023

Surface

paper

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 1 Mass Proper section, 2 Te Deums (1 in German), 1 Canticle, 2 psalms, 1 processional hymn, 8 motets, 1 German sacred piece = 17

Crecquillon-1, Deiss-1, (Ducis)-1, Pöpel-1, Senfl-3, Stoltzer-4, anon-6

5 paper partbooks (D-29 folios, A-31, T-25, B-25, Q-7), 151 x 203. Modern pencil foliation. Rebound in gray cardboard covers. Copied by several scribes.

Ca. 1550-60 (SteudeMS); ca. 1575 (KirschQM). Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
171–173	Spiritus Domini replevit orbem terrarum	-	Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?)
Spiritus Domini replevit orbem terrarum Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 171–173 Genres: Motet
173–174	Dum steteritis ante reges et praesides	Lud: Senfl.	Senfl, Ludwig (ca. 1486–ca. 1543)
Dum steteritis ante reges et praesides Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 173–174 Genres: Motet Source Attribution: Lud: Senfl.
174–175	Pater manifestavi	-	Stoltzer, Thomas (ca. 1480–1526)
Pater manifestavi Stoltzer, Thomas (ca. 1480–1526) Appears on: 174–175 Genres: Motet
175–176	Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi	Thomas Stoltzerus	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 175–176 Genres: Motet Source Attribution: Thomas Stoltzerus
176–177	Gloria laus et honor - 2a pars (of 7): Israel es tu rex	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 2a pars (of 7): Israel es tu rex Stoltzer, Thomas (ca. 1480–1526) Appears on: 176–177 Genres: Motet
177	Gloria laus et honor - 3a pars (of 7): Cetus in excelsis	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 3a pars (of 7): Cetus in excelsis Stoltzer, Thomas (ca. 1480–1526) Appears on: 177 Genres: Motet
177–178	Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 177–178 Genres: Motet
178	Gloria laus et honor - 5a pars (of 7): Hi tibi passuro	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 5a pars (of 7): Hi tibi passuro Stoltzer, Thomas (ca. 1480–1526) Appears on: 178 Genres: Motet
178–179	Gloria laus et honor - 6a pars (of 7): Hi placuere tibi	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 6a pars (of 7): Hi placuere tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 178–179 Genres: Motet
179	Gloria laus et honor - 7a pars (of 7): Gloria laus et honor	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 7a pars (of 7): Gloria laus et honor Stoltzer, Thomas (ca. 1480–1526) Appears on: 179 Genres: Motet
180–181	O spes hominum	-	Anonymous
O spes hominum Anonymous Appears on: 180–181 Genres: Motet
182–183	Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 182–183 Genres: Canticle
183–184	Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 183–184 Genres: Canticle
184–186	Contingat illis turturum concordia cor meum	-	Anonymous
Contingat illis turturum concordia cor meum Anonymous Appears on: 184–186 Genres: Motet
186–187	Laudate Dominum in sanctis eius laudate	-	Anonymous
Laudate Dominum in sanctis eius laudate Anonymous Appears on: 186–187 Genres: Motet
188	Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Thomas Stoltzer	Reitveltus, Bartholomaeus (?) Stoltzer, Thomas (ca. 1480–1526)
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Reitveltus, Bartholomaeus (?) Stoltzer, Thomas (ca. 1480–1526) Appears on: 188 Genres: Motet Source Attribution: Thomas Stoltzer
189	Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 189 Genres: Motet
190	Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 190 Genres: Motet
191–193	Verbum caro factum est	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Verbum caro factum est Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 191–193 Genres: Motet Source Attribution: Thomas Crequillon
193–195	Ecce concipies et paries filium et vocabis	Thomas Pöpell	Popel, Thomas
Ecce concipies et paries filium et vocabis Popel, Thomas Appears on: 193–195 Genres: Motet Source Attribution: Thomas Pöpell
195–197	Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit	Thomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526)
Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit Stoltzer, Thomas (ca. 1480–1526) Appears on: 195–197 Genres: Motet Source Attribution: Thomas Stoltzer
198–200	Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam	-	Stoltzer, Thomas (ca. 1480–1526)
Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam Stoltzer, Thomas (ca. 1480–1526) Appears on: 198–200 Genres: Motet
201–203	O Gott wir loben dich [German Te Deum] [K.744]	-	Ducis, Benedictus
O Gott wir loben dich [German Te Deum] [K.744] Ducis, Benedictus Appears on: 201–203 Genres: Te Deum General Note Bassus incomplete - untexted, and left unfinished after the 8th section - but the next piece begins on the verso.
204–206	Honorabile est inter omnes	-	Anonymous
Honorabile est inter omnes Anonymous Appears on: 204–206 Genres: Motet
207–209	Kyrie Vita in ligno	-	Anonymous
Kyrie Vita in ligno Anonymous Appears on: 207–209 Genres: Kyrie eleison, Mass Ordinary General Note C.f in long notes in Quintus, underlaid with text: (Kyrie I) Vita in ligno moritur; (Christe) Infernus ex morsu despoliatur; (Kyrie II) Ero mors tua, o mors
209a–209g	[blank staves]	-	-
[blank staves] Appears on: 209a–209g General Note After the Kyrie, 7 ruled pages are left blank before the next piece is copied
210–211	Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine	Michaël Deiss	Deiss, Michael
Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine Deiss, Michael Appears on: 210–211 Genres: Motet Source Attribution: Michaël Deiss
211–213	Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi	-	Deiss, Michael
Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi Deiss, Michael Appears on: 211–213 Genres: Motet
213	responsories	-	Anonymous
responsories Anonymous Appears on: 213 Genres: Responsory General Note Bassus parts for 3 very brief responsories are copied, and crossed out. General Note 3 very brief responsories in bass clef are copied, and crossed out.

Composer	Compositions
Anonymous	Contingat illis turturum concordia cor meum – 184–186 Honorabile est inter omnes – 204–206 Kyrie Vita in ligno – 207–209 Laudate Dominum in sanctis eius laudate – 186–187 O spes hominum – 180–181 responsories – 213 [No description] – 209a–209g
Crecquillon, Thomas (ca. 1505–ca. 1557)	Verbum caro factum est – 191–193
Deiss, Michael	Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine – 210–211 Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi – 211–213
Ducis, Benedictus	O Gott wir loben dich [German Te Deum] [K.744] – 201–203
Isaac, Heinrich (ca. 1450–1517)	(?) Spiritus Domini replevit orbem terrarum – 171–173
Mouton, Jean (ca. 1459–1522)	Spiritus Domini replevit orbem terrarum – 171–173
Popel, Thomas	Ecce concipies et paries filium et vocabis – 193–195
Reitveltus, Bartholomaeus	(?) Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 188 (?) Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 189 (?) Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 190
Senfl, Ludwig (ca. 1486–ca. 1543)	Dum steteritis ante reges et praesides – 173–174 Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine – 182–183 Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam – 183–184
Stoltzer, Thomas (ca. 1480–1526)	Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit – 195–197 Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam – 198–200 Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi – 175–176 Gloria laus et honor - 2a pars (of 7): Israel es tu rex – 176–177 Gloria laus et honor - 3a pars (of 7): Cetus in excelsis – 177 Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi – 177–178 Gloria laus et honor - 5a pars (of 7): Hi tibi passuro – 178 Gloria laus et honor - 6a pars (of 7): Hi placuere tibi – 178–179 Gloria laus et honor - 7a pars (of 7): Gloria laus et honor – 179 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 188 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 189 Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 190 Pater manifestavi – 174–175

Composition	Composers (? Uncertain)	Folios / Pages
Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit	Stoltzer, Thomas (ca. 1480–1526)	195–197
Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam	Stoltzer, Thomas (ca. 1480–1526)	198–200
Contingat illis turturum concordia cor meum	Anonymous	184–186
Dum steteritis ante reges et praesides	Senfl, Ludwig (ca. 1486–ca. 1543)	173–174
Ecce concipies et paries filium et vocabis	Popel, Thomas	193–195
Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi	Stoltzer, Thomas (ca. 1480–1526)	175–176
Gloria laus et honor - 2a pars (of 7): Israel es tu rex	Stoltzer, Thomas (ca. 1480–1526)	176–177
Gloria laus et honor - 3a pars (of 7): Cetus in excelsis	Stoltzer, Thomas (ca. 1480–1526)	177
Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi	Stoltzer, Thomas (ca. 1480–1526)	177–178
Gloria laus et honor - 5a pars (of 7): Hi tibi passuro	Stoltzer, Thomas (ca. 1480–1526)	178
Gloria laus et honor - 6a pars (of 7): Hi placuere tibi	Stoltzer, Thomas (ca. 1480–1526)	178–179
Gloria laus et honor - 7a pars (of 7): Gloria laus et honor	Stoltzer, Thomas (ca. 1480–1526)	179
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Reitveltus, Bartholomaeus (?) Stoltzer, Thomas (ca. 1480–1526)	188
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	189
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	190
Honorabile est inter omnes	Anonymous	204–206
Kyrie Vita in ligno	Anonymous	207–209
Laudate Dominum in sanctis eius laudate	Anonymous	186–187
Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine	Senfl, Ludwig (ca. 1486–ca. 1543)	182–183
Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam	Senfl, Ludwig (ca. 1486–ca. 1543)	183–184
O Gott wir loben dich [German Te Deum] [K.744]	Ducis, Benedictus	201–203
O spes hominum	Anonymous	180–181
Pater manifestavi	Stoltzer, Thomas (ca. 1480–1526)	174–175
responsories	Anonymous	213
Spiritus Domini replevit orbem terrarum	Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?)	171–173
Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine	Deiss, Michael	210–211
Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi	Deiss, Michael	211–213
Verbum caro factum est	Crecquillon, Thomas (ca. 1505–ca. 1557)	191–193

Set: MS Mus. 1/D/2

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/2 [Altus]

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D-Dl MS Mus. 1/D/2 [Bassus]

No images available

D-Dl MS Mus. 1/D/2 [Discantus]

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D-Dl MS Mus. 1/D/2 [Quintus]

No images available

D-Dl MS Mus. 1/D/2 [Tenor]

‡ denotes primary source study

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93. London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 19-20. Notes: physical description (partial); contents list; concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Notes: physical description; mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 303. Notes: mention of MS.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies. Brooklyn. Pages: II, xiv; IV, plate xxvi. Notes: concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 131-2. Notes: concordances (partial); incipits (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI, 173; XCIX,91,95. Notes: physical description (partial); contents list (partial); transcription (partial).

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 62-3. Notes: contents list.

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