D-Dl MS Mus. 1/D/2 [Tenor]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Mus. 1/D/2 [Tenor]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Pagination
Measurements	151 x 203 mm
Other Identifiers	CCM: DresSL 1/D/2 olim (Former shelfmark): B. 1272
Notations	black void mensural
Relationships	Butsch Antiquariat, Augsburg (owner)
External Links	images
External Authorities	RISM Online (sources/211002425)
Provenance	Wittenberg, Bavaria, Germany
Contents	28 pieces from 10 composers

General Description

A Tenor partbook from a set of 5. Copied by several scribes. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2023

Extent

D 29ff, A 31ff, T 25ff, B 25ff, Q 7ff.

DIAMM, 2023

Binding

Rebound in grey cardboard covers.

DIAMM, 2023

Notation

black void mensural

DIAMM, 2023

Date

Ca. 1550-60 (SteudeMS); ca. 1575 (KirschQM).

DIAMM, 2023

Foliation

Modern pencil pagination, continuous from book to book.

DIAMM, 2023

Surface

paper

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 1 Mass Proper section, 2 Te Deums (1 in German), 1 Canticle, 2 psalms, 1 processional hymn, 8 motets, 1 German sacred piece = 17

Crecquillon-1, Deiss-1, (Ducis)-1, Pöpel-1, Senfl-3, Stoltzer-4, anon-6

5 paper partbooks (D-29 folios, A-31, T-25, B-25, Q-7), 151 x 203. Modern pencil foliation. Rebound in gray cardboard covers. Copied by several scribes.

Ca. 1550-60 (SteudeMS); ca. 1575 (KirschQM). Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
121–123	Spiritus Domini replevit orbem terrarum	-	Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?)
Spiritus Domini replevit orbem terrarum Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 121–123 Genres: Motet
123–124	Dum steteritis ante reges et praesides	Lud: Senf:	Senfl, Ludwig (ca. 1486–ca. 1543)
Dum steteritis ante reges et praesides Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 123–124 Genres: Motet Source Attribution: Lud: Senf:
124	Pater manifestavi	-	Stoltzer, Thomas (ca. 1480–1526)
Pater manifestavi Stoltzer, Thomas (ca. 1480–1526) Appears on: 124 Genres: Motet
125	Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi	Thomas Stoltzerus	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 125 Genres: Motet Source Attribution: Thomas Stoltzerus
125–126	Gloria laus et honor - 2a pars (of 7): Israel es tu rex	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 2a pars (of 7): Israel es tu rex Stoltzer, Thomas (ca. 1480–1526) Appears on: 125–126 Genres: Motet
126	Gloria laus et honor - 3a pars (of 7): Cetus in excelsis	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 3a pars (of 7): Cetus in excelsis Stoltzer, Thomas (ca. 1480–1526) Appears on: 126 Genres: Motet
126–127	Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 126–127 Genres: Motet
127	Gloria laus et honor - 5a pars (of 7): Hi tibi passuro	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 5a pars (of 7): Hi tibi passuro Stoltzer, Thomas (ca. 1480–1526) Appears on: 127 Genres: Motet
127–128	Gloria laus et honor - 6a pars (of 7): Hi placuere tibi	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 6a pars (of 7): Hi placuere tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 127–128 Genres: Motet
128	Gloria laus et honor - 7a pars (of 7): Gloria laus et honor	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 7a pars (of 7): Gloria laus et honor Stoltzer, Thomas (ca. 1480–1526) Appears on: 128 Genres: Motet
128–130	O spes hominum	-	Anonymous
O spes hominum Anonymous Appears on: 128–130 Genres: Motet
130–131	Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 130–131 Genres: Canticle
131–132	Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 131–132 Genres: Canticle
133–134	Contingat illis turturum concordia cor meum	-	Anonymous
Contingat illis turturum concordia cor meum Anonymous Appears on: 133–134 Genres: Motet
134–136	Laudate Dominum in sanctis eius laudate	-	Anonymous
Laudate Dominum in sanctis eius laudate Anonymous Appears on: 134–136 Genres: Motet
136–137	Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Thomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 136–137 Genres: Motet Source Attribution: Thomas Stoltzer
137–138	Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 137–138 Genres: Motet
138	Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 138 Genres: Motet
139–141	Verbum caro factum est	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Verbum caro factum est Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 139–141 Genres: Motet Source Attribution: Thomas Crequillon
141–142	Ecce concipies et paries filium et vocabis	Thomas Pöpell	Popel, Thomas
Ecce concipies et paries filium et vocabis Popel, Thomas Appears on: 141–142 Genres: Motet Source Attribution: Thomas Pöpell
143–145	Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit	Thomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526)
Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit Stoltzer, Thomas (ca. 1480–1526) Appears on: 143–145 Genres: Motet Source Attribution: Thomas Stoltzer
145–148	Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam	-	Stoltzer, Thomas (ca. 1480–1526)
Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam Stoltzer, Thomas (ca. 1480–1526) Appears on: 145–148 Genres: Motet
148–155	O Gott wir loben dich [German Te Deum] [K.744]	-	Ducis, Benedictus
O Gott wir loben dich [German Te Deum] [K.744] Ducis, Benedictus Appears on: 148–155 Genres: Te Deum
155–163	Te Deum laudamus	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Te Deum laudamus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 155–163 Genres: Liturgical work, Te Deum General Note (The Bassus is missing)
163–164	Honorabile est inter omnes	-	Anonymous
Honorabile est inter omnes Anonymous Appears on: 163–164 Genres: Motet
164–166	Kyrie Vita in ligno	-	Anonymous
Kyrie Vita in ligno Anonymous Appears on: 164–166 Genres: Kyrie eleison, Mass Ordinary General Note C.f in long notes in Quintus, underlaid with text: (Kyrie I) Vita in ligno moritur; (Christe) Infernus ex morsu despoliatur; (Kyrie II) Ero mors tua, o mors
167–169	Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine	Michaël Deiss	Deiss, Michael
Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine Deiss, Michael Appears on: 167–169 Genres: Motet Source Attribution: Michaël Deiss
169–170	Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi	-	Deiss, Michael
Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi Deiss, Michael Appears on: 169–170 Genres: Motet General Note 2a pars incomplete (the leaf after p.170 is lost). The whole pars is crossed through.

Composer	Compositions
Anonymous	Contingat illis turturum concordia cor meum – 133–134 Honorabile est inter omnes – 163–164 Kyrie Vita in ligno – 164–166 Laudate Dominum in sanctis eius laudate – 134–136 O spes hominum – 128–130
Crecquillon, Thomas (ca. 1505–ca. 1557)	Verbum caro factum est – 139–141
Deiss, Michael	Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine – 167–169 Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi – 169–170
Ducis, Benedictus	O Gott wir loben dich [German Te Deum] [K.744] – 148–155
Isaac, Heinrich (ca. 1450–1517)	(?) Spiritus Domini replevit orbem terrarum – 121–123
Mouton, Jean (ca. 1459–1522)	Spiritus Domini replevit orbem terrarum – 121–123
Popel, Thomas	Ecce concipies et paries filium et vocabis – 141–142
Reitveltus, Bartholomaeus	(?) Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 136–137 (?) Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 137–138 (?) Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 138
Senfl, Ludwig (ca. 1486–ca. 1543)	Dum steteritis ante reges et praesides – 123–124 Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine – 130–131 Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam – 131–132 Te Deum laudamus – 155–163
Stoltzer, Thomas (ca. 1480–1526)	Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit – 143–145 Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam – 145–148 Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi – 125 Gloria laus et honor - 2a pars (of 7): Israel es tu rex – 125–126 Gloria laus et honor - 3a pars (of 7): Cetus in excelsis – 126 Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi – 126–127 Gloria laus et honor - 5a pars (of 7): Hi tibi passuro – 127 Gloria laus et honor - 6a pars (of 7): Hi placuere tibi – 127–128 Gloria laus et honor - 7a pars (of 7): Gloria laus et honor – 128 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 136–137 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 137–138 Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 138 Pater manifestavi – 124

Composition	Composers (? Uncertain)	Folios / Pages
Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit	Stoltzer, Thomas (ca. 1480–1526)	143–145
Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam	Stoltzer, Thomas (ca. 1480–1526)	145–148
Contingat illis turturum concordia cor meum	Anonymous	133–134
Dum steteritis ante reges et praesides	Senfl, Ludwig (ca. 1486–ca. 1543)	123–124
Ecce concipies et paries filium et vocabis	Popel, Thomas	141–142
Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi	Stoltzer, Thomas (ca. 1480–1526)	125
Gloria laus et honor - 2a pars (of 7): Israel es tu rex	Stoltzer, Thomas (ca. 1480–1526)	125–126
Gloria laus et honor - 3a pars (of 7): Cetus in excelsis	Stoltzer, Thomas (ca. 1480–1526)	126
Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi	Stoltzer, Thomas (ca. 1480–1526)	126–127
Gloria laus et honor - 5a pars (of 7): Hi tibi passuro	Stoltzer, Thomas (ca. 1480–1526)	127
Gloria laus et honor - 6a pars (of 7): Hi placuere tibi	Stoltzer, Thomas (ca. 1480–1526)	127–128
Gloria laus et honor - 7a pars (of 7): Gloria laus et honor	Stoltzer, Thomas (ca. 1480–1526)	128
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	136–137
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	137–138
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	138
Honorabile est inter omnes	Anonymous	163–164
Kyrie Vita in ligno	Anonymous	164–166
Laudate Dominum in sanctis eius laudate	Anonymous	134–136
Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine	Senfl, Ludwig (ca. 1486–ca. 1543)	130–131
Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam	Senfl, Ludwig (ca. 1486–ca. 1543)	131–132
O Gott wir loben dich [German Te Deum] [K.744]	Ducis, Benedictus	148–155
O spes hominum	Anonymous	128–130
Pater manifestavi	Stoltzer, Thomas (ca. 1480–1526)	124
Spiritus Domini replevit orbem terrarum	Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?)	121–123
Te Deum laudamus	Senfl, Ludwig (ca. 1486–ca. 1543)	155–163
Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine	Deiss, Michael	167–169
Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi	Deiss, Michael	169–170
Verbum caro factum est	Crecquillon, Thomas (ca. 1505–ca. 1557)	139–141

Set: MS Mus. 1/D/2

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/2 [Altus]

No images available

D-Dl MS Mus. 1/D/2 [Bassus]

No images available

D-Dl MS Mus. 1/D/2 [Discantus]

No images available

D-Dl MS Mus. 1/D/2 [Quintus]

No images available

D-Dl MS Mus. 1/D/2 [Tenor]

‡ denotes primary source study

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93. London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 19-20. Notes: physical description (partial); contents list; concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Notes: physical description; mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 303. Notes: mention of MS.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies. Brooklyn. Pages: II, xiv; IV, plate xxvi. Notes: concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 131-2. Notes: concordances (partial); incipits (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI, 173; XCIX,91,95. Notes: physical description (partial); contents list (partial); transcription (partial).

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 62-3. Notes: contents list.

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