D-Dl MS Mus. 1/D/2 [Altus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1550-60

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Mus. 1/D/2 [Altus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Pagination
Measurements	151 x 203 mm
Other Identifiers	CCM: DresSL 1/D/2 olim (Former shelfmark): B. 1272
Notations	black void mensural
Relationships	Butsch Antiquariat, Augsburg (owner)
External Links	images
External Authorities	RISM Online (sources/211002425)
Provenance	Wittenberg, Bavaria, Germany
Contents	28 pieces from 10 composers

General Description

An Altus partbook from a set of 5. Copied by several scribes. Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

DIAMM, 2023

Extent

D 29ff, A 31ff, T 25ff, B 25ff, Q 7ff.

DIAMM, 2023

Binding

Rebound in grey cardboard covers.

DIAMM, 2023

Notation

black void mensural

DIAMM, 2023

Date

Ca. 1550-60 (SteudeMS); ca. 1575 (KirschQM).

DIAMM, 2023

Foliation

Modern pencil pagination, continuous from book to book.

DIAMM, 2023

Surface

paper

DIAMM, 2023

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Kyrie, 1 Mass Proper section, 2 Te Deums (1 in German), 1 Canticle, 2 psalms, 1 processional hymn, 8 motets, 1 German sacred piece = 17

Crecquillon-1, Deiss-1, (Ducis)-1, Pöpel-1, Senfl-3, Stoltzer-4, anon-6

5 paper partbooks (D-29 folios, A-31, T-25, B-25, Q-7), 151 x 203. Modern pencil foliation. Rebound in gray cardboard covers. Copied by several scribes.

Ca. 1550-60 (SteudeMS); ca. 1575 (KirschQM). Copied in Wittenberg (SteudeU). Purchased from Butsch Antiquariat in Augsburg in 1858.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
59–61	Spiritus Domini replevit orbem terrarum	-	Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?)
Spiritus Domini replevit orbem terrarum Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 59–61 Genres: Motet
61–62	Dum steteritis ante reges et praesides	Lud: S:	Senfl, Ludwig (ca. 1486–ca. 1543)
Dum steteritis ante reges et praesides Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 61–62 Genres: Motet Source Attribution: Lud: S:
62–63	Pater manifestavi	-	Stoltzer, Thomas (ca. 1480–1526)
Pater manifestavi Stoltzer, Thomas (ca. 1480–1526) Appears on: 62–63 Genres: Motet
63–64	Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi	Thomas Stoltzerus	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 63–64 Genres: Motet Source Attribution: Thomas Stoltzerus
64–65	Gloria laus et honor - 2a pars (of 7): Israel es tu rex	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 2a pars (of 7): Israel es tu rex Stoltzer, Thomas (ca. 1480–1526) Appears on: 64–65 Genres: Motet
65–66	Gloria laus et honor - 3a pars (of 7): Cetus in excelsis	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 3a pars (of 7): Cetus in excelsis Stoltzer, Thomas (ca. 1480–1526) Appears on: 65–66 Genres: Motet
66–67	Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 66–67 Genres: Motet
67	Gloria laus et honor - 5a pars (of 7): Hi tibi passuro	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 5a pars (of 7): Hi tibi passuro Stoltzer, Thomas (ca. 1480–1526) Appears on: 67 Genres: Motet General Note tacet in this part
67–68	Gloria laus et honor - 6a pars (of 7): Hi placuere tibi	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 6a pars (of 7): Hi placuere tibi Stoltzer, Thomas (ca. 1480–1526) Appears on: 67–68 Genres: Motet
68	Gloria laus et honor - 7a pars (of 7): Gloria laus et honor	-	Stoltzer, Thomas (ca. 1480–1526)
Gloria laus et honor - 7a pars (of 7): Gloria laus et honor Stoltzer, Thomas (ca. 1480–1526) Appears on: 68 Genres: Motet
68–70	O spes hominum	-	Anonymous
O spes hominum Anonymous Appears on: 68–70 Genres: Motet
71–72	Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 71–72 Genres: Canticle
72–74	Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 72–74 Genres: Canticle
74–75	Contingat illis turturum concordia cor meum	-	Anonymous
Contingat illis turturum concordia cor meum Anonymous Appears on: 74–75 Genres: Motet
76–77	Laudate Dominum in sanctis eius laudate	-	Anonymous
Laudate Dominum in sanctis eius laudate Anonymous Appears on: 76–77 Genres: Motet
78–79	Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Thomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 78–79 Genres: Motet Source Attribution: Thomas Stoltzer
79–80	Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 79–80 Genres: Motet
80–81	Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	-	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?) Appears on: 80–81 Genres: Motet
82–84	Verbum caro factum est	Thomas Crequillon	Crecquillon, Thomas (ca. 1505–ca. 1557)
Verbum caro factum est Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 82–84 Genres: Motet Source Attribution: Thomas Crequillon
85–86	Ecce concipies et paries filium et vocabis	Thomas Pöpell	Popel, Thomas
Ecce concipies et paries filium et vocabis Popel, Thomas Appears on: 85–86 Genres: Motet Source Attribution: Thomas Pöpell
87–90	Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit	Thomas Stoltzer	Stoltzer, Thomas (ca. 1480–1526)
Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit Stoltzer, Thomas (ca. 1480–1526) Appears on: 87–90 Genres: Motet Source Attribution: Thomas Stoltzer
90–93	Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam	-	Stoltzer, Thomas (ca. 1480–1526)
Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam Stoltzer, Thomas (ca. 1480–1526) Appears on: 90–93 Genres: Motet
94–101	O Gott wir loben dich [German Te Deum] [K.744]	-	Ducis, Benedictus
O Gott wir loben dich [German Te Deum] [K.744] Ducis, Benedictus Appears on: 94–101 Genres: Te Deum
102–110	Te Deum laudamus	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Te Deum laudamus Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 102–110 Genres: Liturgical work, Te Deum
110–112	Honorabile est inter omnes	-	Anonymous
Honorabile est inter omnes Anonymous Appears on: 110–112 Genres: Motet
113–115	Kyrie Vita in ligno	-	Anonymous
Kyrie Vita in ligno Anonymous Appears on: 113–115 Genres: Kyrie eleison, Mass Ordinary General Note C.f in long notes in Quintus, underlaid with text: (Kyrie I) Vita in ligno moritur; (Christe) Infernus ex morsu despoliatur; (Kyrie II) Ero mors tua, o mors
116–118	Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine	Michaël Deiss	Deiss, Michael
Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine Deiss, Michael Appears on: 116–118 Genres: Motet Source Attribution: Michaël Deiss
118–120	Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi	-	Deiss, Michael
Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi Deiss, Michael Appears on: 118–120 Genres: Motet

Composer	Compositions
Anonymous	Contingat illis turturum concordia cor meum – 74–75 Honorabile est inter omnes – 110–112 Kyrie Vita in ligno – 113–115 Laudate Dominum in sanctis eius laudate – 76–77 O spes hominum – 68–70
Crecquillon, Thomas (ca. 1505–ca. 1557)	Verbum caro factum est – 82–84
Deiss, Michael	Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine – 116–118 Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi – 118–120
Ducis, Benedictus	O Gott wir loben dich [German Te Deum] [K.744] – 94–101
Isaac, Heinrich (ca. 1450–1517)	(?) Spiritus Domini replevit orbem terrarum – 59–61
Mouton, Jean (ca. 1459–1522)	Spiritus Domini replevit orbem terrarum – 59–61
Popel, Thomas	Ecce concipies et paries filium et vocabis – 85–86
Reitveltus, Bartholomaeus	(?) Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 78–79 (?) Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 79–80 (?) Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 80–81
Senfl, Ludwig (ca. 1486–ca. 1543)	Dum steteritis ante reges et praesides – 61–62 Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine – 71–72 Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam – 72–74 Te Deum laudamus – 102–110
Stoltzer, Thomas (ca. 1480–1526)	Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit – 87–90 Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam – 90–93 Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi – 63–64 Gloria laus et honor - 2a pars (of 7): Israel es tu rex – 64–65 Gloria laus et honor - 3a pars (of 7): Cetus in excelsis – 65–66 Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi – 66–67 Gloria laus et honor - 5a pars (of 7): Hi tibi passuro – 67 Gloria laus et honor - 6a pars (of 7): Hi placuere tibi – 67–68 Gloria laus et honor - 7a pars (of 7): Gloria laus et honor – 68 Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen – 78–79 Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich – 79–80 Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte – 80–81 Pater manifestavi – 62–63

Composition	Composers (? Uncertain)	Folios / Pages
Beatus vir, qui non abiit - 1a pars (of 2): Beatus vir qui non abiit	Stoltzer, Thomas (ca. 1480–1526)	87–90
Beatus vir, qui non abiit - 2a pars (of 2): Non sic impii non sic sed tanquam	Stoltzer, Thomas (ca. 1480–1526)	90–93
Contingat illis turturum concordia cor meum	Anonymous	74–75
Dum steteritis ante reges et praesides	Senfl, Ludwig (ca. 1486–ca. 1543)	61–62
Ecce concipies et paries filium et vocabis	Popel, Thomas	85–86
Gloria laus et honor - 1a pars (of 7): Gloria laus et honor tibi	Stoltzer, Thomas (ca. 1480–1526)	63–64
Gloria laus et honor - 2a pars (of 7): Israel es tu rex	Stoltzer, Thomas (ca. 1480–1526)	64–65
Gloria laus et honor - 3a pars (of 7): Cetus in excelsis	Stoltzer, Thomas (ca. 1480–1526)	65–66
Gloria laus et honor - 4a pars (of 7): Plebs hebraea tibi	Stoltzer, Thomas (ca. 1480–1526)	66–67
Gloria laus et honor - 5a pars (of 7): Hi tibi passuro	Stoltzer, Thomas (ca. 1480–1526)	67
Gloria laus et honor - 6a pars (of 7): Hi placuere tibi	Stoltzer, Thomas (ca. 1480–1526)	67–68
Gloria laus et honor - 7a pars (of 7): Gloria laus et honor	Stoltzer, Thomas (ca. 1480–1526)	68
Herr, wie lang wiltu - 1a pars (of 3): Herr, wie lang wiltu mein so gar vorgessen	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	78–79
Herr, wie lang wiltu - 2a pars (of 3): Schau doch und erhöre mich	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	79–80
Herr, wie lang wiltu - 3a pars (of 3): Ich hoff aber auf Dein güte	Stoltzer, Thomas (ca. 1480–1526) Reitveltus, Bartholomaeus (?)	80–81
Honorabile est inter omnes	Anonymous	110–112
Kyrie Vita in ligno	Anonymous	113–115
Laudate Dominum in sanctis eius laudate	Anonymous	76–77
Nunc dimittis servum tuum - 1a pars (of 2): Nunc dimittis servum tuum Domine	Senfl, Ludwig (ca. 1486–ca. 1543)	71–72
Nunc dimittis servum tuum - 2a pars (of 2): Lumen ad revelationem gentium et gloriam	Senfl, Ludwig (ca. 1486–ca. 1543)	72–74
O Gott wir loben dich [German Te Deum] [K.744]	Ducis, Benedictus	94–101
O spes hominum	Anonymous	68–70
Pater manifestavi	Stoltzer, Thomas (ca. 1480–1526)	62–63
Spiritus Domini replevit orbem terrarum	Mouton, Jean (ca. 1459–1522) Isaac, Heinrich (ca. 1450–1517) (?)	59–61
Te Deum laudamus	Senfl, Ludwig (ca. 1486–ca. 1543)	102–110
Venit Michael - 1a pars (of 2): Venit Michael archangelus cum multitudine	Deiss, Michael	116–118
Venit Michael - 2a pars (of 2): Stetit angelus iuxta aram templi	Deiss, Michael	118–120
Verbum caro factum est	Crecquillon, Thomas (ca. 1505–ca. 1557)	82–84

Set: MS Mus. 1/D/2

Type: Partbooks

No images available

D-Dl MS Mus. 1/D/2 [Altus]

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D-Dl MS Mus. 1/D/2 [Bassus]

No images available

D-Dl MS Mus. 1/D/2 [Discantus]

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D-Dl MS Mus. 1/D/2 [Quintus]

No images available

D-Dl MS Mus. 1/D/2 [Tenor]

‡ denotes primary source study

Hoffmann-Erbrecht, Lothar. 1976. Problems in the Interdependence of Josquin Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 285-93. London, New York, and Toronto. Pages: 288-9. Notes: mention of MS.

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte. Wilhelmshaven. Pages: 19-20. Notes: physical description (partial); contents list; concordances (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Notes: physical description; mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 303. Notes: mention of MS.

Windh, John Ernfrid. 1971. Early Lutheran Masses. University of Illinois, Unpublished D.M.A. thesis. Pages: 106ff. Notes: mention of MS.

Marshall, H Löwen. 1970-71. The Four-Voice Motets of Thomas Crecquillon. Musicological Studies. Brooklyn. Pages: II, xiv; IV, plate xxvi. Notes: concordances (partial); facsimile (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 131-2. Notes: concordances (partial); incipits (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: LXVI, 173; XCIX,91,95. Notes: physical description (partial); contents list (partial); transcription (partial).

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 62-3. Notes: contents list.

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