S-V Molér 68 (24) [Discantus 2]

Stadsbiblioteket, Västeras, Sweden

partbook: Late 16th century-first half of 17th century

Archive Stadsbiblioteket, Västeras, Sweden (S-V)
Shelfmark Molér 68 (24) [Discantus 2]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 160 x 200 mm
Other Identifiers
  • CCM: VastS 68
  • olim (Former shelfmark): 24
Notations
  • black void mensural
Copyists
External Links
Provenance
  • Västeras, Sweden
Contents 55 pieces from 8 composers
General Description

A Discantus 2 partbook from a set of 8, copied by several scribes, including Olaus Andreae Walliander (ca. 1577-1648), named inside front cover of most books. Copied in Västerås.

DIAMM, 2022
Extent

47 ff

DIAMM, 2022
Binding

Original parchment covers cut from chant manuscript.

DIAMM, 2022
Notation

black void mensural

DIAMM, 2022
Date

date 1598 in manuscript

DIAMM, 2022
Ruling

Staff height ca. 13-17 (variable)

DIAMM, 2022
Foliation

No foliation. Original numbering of pieces, 1-34, but there are some inconsistencies in numbering among books.

DIAMM, 2022
Decoration

Inked initials in plain block and calligraphic styles.

DIAMM, 2022
Index

Original indices at beginning of D1, D2, A1, T1, and T2 books list pieces in order of appearance.

DIAMM, 2022
Surface

paper

DIAMM, 2022
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 1 Kyrie-Gloria pair, 22 motets, 3 German sacred pieces, 2 Swedish sacred pieces, 5 Latin secular pieces = 38

(Bischoff)-1, Crappius-1, (Grothusius)-1, (Händl)-8, (B. Kellner)-1, (Lassus)-11, (Meiland)-3, (Phinot)-2, (Rhyacander)-2, anon-8

8 paper partbooks (D1-45 folios, D2-47, Al-44, A2-36, T1-48, T2-48, B1-44, B2-39), ca. 160 x 200. No foliation or pagination. Original numbering of pieces, 1-34 (some inconsistencies in numbering among books). Original parchment covers cut from chant manuscript. Original indices at beginning of D1, D2, A1, T1, and T2 books list pieces in order of appearance. Copied by several scribes, including Olaus Andreae Walliander (ca. 1577-1648), named inside front cover of most books. Staff height ca. 13-17 (variable). Inked initials in plain block and calligraphic styles.

Late 16th century-first half of 17th century (date 1598 in manuscript). Copied in Västerås.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
inside front cover Gud vare torsk orf lof - Anonymous
Appears on: inside front cover
Genres: Hymn
i index - -

index

Appears on: i
1–1v Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua -
Appears on: 1–1v
Genres: Motet
1v–2 Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi -
Appears on: 1v–2
Genres: Motet
2–2v Missa Quam dilecta (8vv): Kyrie - Anonymous
Appears on: 2–2v
Genres: Kyrie eleison, Mass Ordinary
2v–3v Missa Quam dilecta (8vv): Gloria - Anonymous
Appears on: 2v–3v
Genres: Gloria (et in terra pax), Mass Ordinary
3v Missa Quam dilecta (8vv): Sanctus - Anonymous
Appears on: 3v
Genres: Mass Ordinary, Sanctus [& Benedictus]
4 Missa Quam dilecta (8vv): Agnus Dei - Anonymous
Appears on: 4
Genres: Agnus Dei, Mass Ordinary
4–5 Deus misereatur nostri et benedicat nobis -
Appears on: 4–5
Genres: Motet
5–5v Missa Deus misereatur: Kyrie -
Appears on: 5–5v
Genres: Kyrie eleison, Mass Ordinary
5v–6v Missa Deus misereatur: Gloria -
Appears on: 5v–6v
Genres: Gloria (et in terra pax), Mass Ordinary
6v–8 Missa Deus misereatur: Credo -
Appears on: 6v–8
Genres: Credo (patrem omnipotentem), Mass Ordinary
8–8v Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua -
Appears on: 8–8v
Genres: Motet
8v–9 Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi -
Appears on: 8v–9
Genres: Motet
9–9v Congregati sunt inimici nostri (8vv) -
Appears on: 9–9v
Genres: Motet
9v–10 Laus et perennis gloria Deo patri et filio (8vv) -
Appears on: 9v–10
Genres: Motet
10–10v Deus misereatur nostri et benedicat nobis -
Appears on: 10–10v
Genres: Motet
10v–11 Sancta Trinitas unus Deus miserere nobis (8vv) -
Appears on: 10v–11
Genres: Motet
11–11v Jam non dicam vos servos sed amicos (8vv) -
Appears on: 11–11v
Genres: Motet
12–13 Dixit Dominus (8vv) - Anonymous
Appears on: 12–13
Genres: Motet
13–13v Congregati sunt inimici nostri (8vv) -
Appears on: 13–13v
Genres: Motet
General Note

repeat of the piece copied at f. 9

13v Laus et perennis gloria Deo patri et filio (8vv) -
Appears on: 13v
Genres: Motet
General Note

repeat of the part copied at f. 9v

13v–14v Confitebor tibi Domine in toto corde (8vv, LV189) -
Appears on: 13v–14v
Genres: Motet
14v–15 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 14v–15
Genres: Motet
General Note

1a pars only

15–15v Decantabat populus Israel alleluia (7vv) -
Appears on: 15–15v
Genres: Motet
15v–16v Domine Dominus noster quam admirabile est (6vv) -
Appears on: 15v–16v
Genres: Motet
16v Surge propera - 1a pars (of 2): Surge propera amica mea columba mea -
Appears on: 16v
Genres: Motet
17 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 17
Genres: Motet
17v–18v Vulnerasti cor meum (6vv) - Anonymous
Appears on: 17v–18v
Genres: Motet
Concordances

Concordances in D-HN Mc 15, D-WRha Neustadt 39; D-B Mus.ms. 30437 (all anonymous)

18v–19v Missa Gaudete filiae (6vv): Kyrie - Anonymous
Appears on: 18v–19v
Genres: Kyrie eleison, Mass Ordinary
19v–20 Missa Gaudete filiae (6vv): Gloria - Anonymous
Appears on: 19v–20
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

ends at '...filius patris'. Note at end, in T1: "Sanctus ut Kyrie; Agnus ut Christe"

20–21 Gaudete filiae Jerusalem nam flores apparuerunt -
Appears on: 20–21
Genres: Motet
21–21v Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum -
Appears on: 21–21v
Genres: Motet
General Note

Only the 1a pars, the model for the mass, is copied

21v–22v Missa Lauda Jerusalem (6vv): Kyrie -
Appears on: 21v–22v
Genres: Kyrie eleison, Mass Ordinary
22v–23 Missa Lauda Jerusalem (6vv): Gloria -
Appears on: 22v–23
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

ends at '...filius patris'.

23–23v Missa Lauda Jerusalem (6vv): Sanctus -
Appears on: 23–23v
Genres: Mass Ordinary, Sanctus [& Benedictus]
23v–24 Missa Lauda Jerusalem (6vv): Agnus Dei -
Appears on: 23v–24
Genres: Agnus Dei, Mass Ordinary
24v Surge propera - 1a pars (of 2): Surge propera amica mea columba mea -
Appears on: 24v
Genres: Motet
General Note

a different voice-part from the one at f. 16v - this is Discantus 1

24v–25 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 24v–25
Genres: Motet
General Note

a different voice-part from the one at f. 17 - this is Discantus 1

25–25v Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque -
Appears on: 25–25v
Genres: Motet
General Note

Only the 1a pars, the model for the mass, is copied

26–26v Missa Non auferetur: Kyrie autore Andrea Crappio
Appears on: 26–26v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: autore Andrea Crappio
26v–27v Missa Non auferetur: Gloria -
Appears on: 26v–27v
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

ends at '...filius patris'

27v–28 Missa Non auferetur: Sanctus -
Appears on: 27v–28
Genres: Mass Ordinary, Sanctus [& Benedictus]
28 Missa Non auferetur: Agnus Dei -
Appears on: 28
Genres: Agnus Dei, Mass Ordinary
28v–29 Missa Veni in ortum meum: Kyrie -
Appears on: 28v–29
Genres: Kyrie eleison, Mass Ordinary
General Note

(this is the Tenor 2 part)

28v–29v Missa Veni in ortum meum: Et in terra [Gloria] -
Appears on: 28v–29v
Genres: Gloria (et in terra pax), Mass Ordinary
29v–30 Missa Veni in ortum meum: Sanctus -
Appears on: 29v–30
Genres: Mass Ordinary, Sanctus [& Benedictus]
30–30v Missa Veni in ortum meum: Agnus Dei -
Appears on: 30–30v
Genres: Agnus Dei, Mass Ordinary
30v Diversos diversa iuvant (8vv) -
Appears on: 30v
Genres: Motet
31 Tempore felici multi numerantur (8vv) -
Appears on: 31
Genres: Motet
31–31v Usibus edocto (8vv) - 2a pars (of 2): Crede mihi bene -
Appears on: 31–31v
Genres: Motet
32 Usibus edocto (8vv) - 1a pars (of 2): Usibus edocto -
Appears on: 32
Genres: Motet
32v Sperne lucrum vexat (8vv) -
Appears on: 32v
Genres: Motet
33 Cede repugnanti (8vv) -
Appears on: 33
Genres: Motet
33v–46v [blank pages] - -

[blank pages]

Appears on: 33v–46v
Composer Compositions
Anonymous
Bischoff, Melchior
Crappius, Andreas (ca. 1542–1623)
Handl (Gallus), Jacobus (1550–1591)
Kellner, Bartholomaeus
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Phinot, Dominique
Composition Composers (? Uncertain) Folios / Pages
Cede repugnanti (8vv) 33
Confitebor tibi Domine in toto corde (8vv, LV189) 13v–14v
Congregati sunt inimici nostri (8vv) 9–9v
Congregati sunt inimici nostri (8vv) 13–13v
Decantabat populus Israel alleluia (7vv) 15–15v
Deus misereatur nostri et benedicat nobis 4–5
Deus misereatur nostri et benedicat nobis 10–10v
Diversos diversa iuvant (8vv) 30v
Dixit Dominus (8vv) Anonymous 12–13
Domine Dominus noster quam admirabile est (6vv) 15v–16v
Gaudete filiae Jerusalem nam flores apparuerunt 20–21
Gud vare torsk orf lof Anonymous inside front cover
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 14v–15
Jam non dicam vos servos sed amicos (8vv) 11–11v
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum 21–21v
Laus et perennis gloria Deo patri et filio (8vv) 9v–10
Laus et perennis gloria Deo patri et filio (8vv) 13v
Missa Deus misereatur: Credo 6v–8
Missa Deus misereatur: Gloria 5v–6v
Missa Deus misereatur: Kyrie 5–5v
Missa Gaudete filiae (6vv): Gloria Anonymous 19v–20
Missa Gaudete filiae (6vv): Kyrie Anonymous 18v–19v
Missa Lauda Jerusalem (6vv): Agnus Dei 23v–24
Missa Lauda Jerusalem (6vv): Gloria 22v–23
Missa Lauda Jerusalem (6vv): Kyrie 21v–22v
Missa Lauda Jerusalem (6vv): Sanctus 23–23v
Missa Non auferetur: Agnus Dei 28
Missa Non auferetur: Gloria 26v–27v
Missa Non auferetur: Kyrie 26–26v
Missa Non auferetur: Sanctus 27v–28
Missa Quam dilecta (8vv): Agnus Dei Anonymous 4
Missa Quam dilecta (8vv): Gloria Anonymous 2v–3v
Missa Quam dilecta (8vv): Kyrie Anonymous 2–2v
Missa Quam dilecta (8vv): Sanctus Anonymous 3v
Missa Veni in ortum meum: Agnus Dei 30–30v
Missa Veni in ortum meum: Et in terra [Gloria] 28v–29v
Missa Veni in ortum meum: Kyrie 28v–29
Missa Veni in ortum meum: Sanctus 29v–30
Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque 25–25v
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua 1–1v
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua 8–8v
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi 1v–2
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi 8v–9
Sancta Trinitas unus Deus miserere nobis (8vv) 10v–11
Sperne lucrum vexat (8vv) 32v
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 16v
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 24v
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 17
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 24v–25
Tempore felici multi numerantur (8vv) 31
Usibus edocto (8vv) - 1a pars (of 2): Usibus edocto 32
Usibus edocto (8vv) - 2a pars (of 2): Crede mihi bene 31–31v
Vulnerasti cor meum (6vv) Anonymous 17v–18v

Set: S-V 68

Type: Partbooks

No images available

S-V Molér 68 (24) [Altus 1]

No images available

S-V Molér 68 (24) [Altus 2]

No images available

S-V Molér 68 (24) [Bassus 1]

No images available

S-V Molér 68 (24) [Bassus 2]

No images available

S-V Molér 68 (24) [Discantus 1]

No images available

S-V Molér 68 (24) [Discantus 2]

No images available

S-V Molér 68 (24) [Tenor 1]

No images available

S-V Molér 68 (24) [Tenor 2]

denotes primary source study

Lundberg, Mattias. 2012. Motetter till mässan i Västerås domkyrka och skola kring sekelskiftet 1600. Liturgihistoriska implikationer. Svenskt gudstjänstliv: Årsbok för liturgi, kyrkokonst, kyrkomusik och homileti, 27-56.

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe.  Kassel and Basel. Pages: XII, xv, xvii liii. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Molér, Wilhelm. 1917. Förteckning över Musikalier i Västerås Högre Allm. Läroverks Bibliotek t. o. m. 1850.  Västerås. Pages: 13-4. Notes: physical description (partial); contents list.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.