S-V Molér 68 (24) [Altus 1]

Stadsbiblioteket, Västeras, Sweden

partbook: Late 16th century-first half of 17th century

Archive Stadsbiblioteket, Västeras, Sweden (S-V)
Shelfmark Molér 68 (24) [Altus 1]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 160 x 200 mm
Other Identifiers
  • CCM: VastS 68
  • olim (Former shelfmark): 24
Notations
  • black void mensural
Copyists
External Links
Provenance
  • Västeras, Sweden
Contents 55 pieces from 9 composers
General Description

An Altus 1 partbook from a set of 8, copied by several scribes, including Olaus Andreae Walliander (ca. 1577-1648), named inside front cover of most books. Copied in Västerås.

DIAMM, 2022
Extent

44 ff

DIAMM, 2022
Binding

Original parchment covers cut from chant manuscript.

DIAMM, 2022
Notation

black void mensural

DIAMM, 2022
Date

date 1598 in manuscript

DIAMM, 2022
Ruling

Staff height ca. 13-17 (variable)

DIAMM, 2022
Foliation

No foliation. Original numbering of pieces, 1-34, but there are some inconsistencies in numbering among books.

DIAMM, 2022
Decoration

Inked initials in plain block and calligraphic styles.

DIAMM, 2022
Index

Original indices at beginning of D1, D2, A1, T1, and T2 books list pieces in order of appearance.

DIAMM, 2022
Surface

paper

DIAMM, 2022
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 1 Kyrie-Gloria pair, 22 motets, 3 German sacred pieces, 2 Swedish sacred pieces, 5 Latin secular pieces = 38

(Bischoff)-1, Crappius-1, (Grothusius)-1, (Händl)-8, (B. Kellner)-1, (Lassus)-11, (Meiland)-3, (Phinot)-2, (Rhyacander)-2, anon-8

8 paper partbooks (D1-45 folios, D2-47, Al-44, A2-36, T1-48, T2-48, B1-44, B2-39), ca. 160 x 200. No foliation or pagination. Original numbering of pieces, 1-34 (some inconsistencies in numbering among books). Original parchment covers cut from chant manuscript. Original indices at beginning of D1, D2, A1, T1, and T2 books list pieces in order of appearance. Copied by several scribes, including Olaus Andreae Walliander (ca. 1577-1648), named inside front cover of most books. Staff height ca. 13-17 (variable). Inked initials in plain block and calligraphic styles.

Late 16th century-first half of 17th century (date 1598 in manuscript). Copied in Västerås.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
i index - -

index

Appears on: i
1–1v Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua -
Appears on: 1–1v
Genres: Motet
1v–2v Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi -
Appears on: 1v–2v
Genres: Motet
2v–3v Missa Quam dilecta (8vv): Kyrie - Anonymous
Appears on: 2v–3v
Genres: Kyrie eleison, Mass Ordinary
3v–4v Missa Quam dilecta (8vv): Gloria - Anonymous
Appears on: 3v–4v
Genres: Gloria (et in terra pax), Mass Ordinary
4v–5 Missa Quam dilecta (8vv): Sanctus - Anonymous
Appears on: 4v–5
Genres: Mass Ordinary, Sanctus [& Benedictus]
5–5v Missa Quam dilecta (8vv): Agnus Dei - Anonymous
Appears on: 5–5v
Genres: Agnus Dei, Mass Ordinary
5v–6v Deus misereatur nostri et benedicat nobis -
Appears on: 5v–6v
Genres: Motet
6v–7v Missa Deus misereatur: Kyrie -
Appears on: 6v–7v
Genres: Kyrie eleison, Mass Ordinary
7v–8v Missa Deus misereatur: Gloria -
Appears on: 7v–8v
Genres: Gloria (et in terra pax), Mass Ordinary
8v–10v Missa Deus misereatur: Credo -
Appears on: 8v–10v
Genres: Credo (patrem omnipotentem), Mass Ordinary
11–11v Deus misereatur nostri et benedicat nobis -
Appears on: 11–11v
Genres: Motet
11v–12v Sancta Trinitas unus Deus miserere nobis (8vv) -
Appears on: 11v–12v
Genres: Motet
12v–13v Jam non dicam vos servos sed amicos (8vv) -
Appears on: 12v–13v
Genres: Motet
13v–15 Dixit Dominus (8vv) - Anonymous
Appears on: 13v–15
Genres: Motet
15–15v Congregati sunt inimici nostri (8vv) -
Appears on: 15–15v
Genres: Motet
15v–16 Laus et perennis gloria Deo patri et filio (8vv) -
Appears on: 15v–16
Genres: Motet
16–16v Confitebor tibi Domine in toto corde (8vv, LV189) -
Appears on: 16–16v
Genres: Motet
16v–17 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 16v–17
Genres: Motet
General Note

1a pars only

17–17v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 17–17v
Genres: Motet
General Note

Note: the inventory is correct; the scribe copied the 1a pars twice, instead of 1a then 2a!

17v–18 Delectare in Domino et dabit tibi peticiones -
Appears on: 17v–18
Genres: Motet
18–18v Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius -
Appears on: 18–18v
Genres: Motet
18v–19 Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius -
Appears on: 18v–19
Genres: Motet
19–19v Surge propera - 1a pars (of 2): Surge propera amica mea columba mea -
Appears on: 19–19v
Genres: Motet
19v–20 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 19v–20
Genres: Motet
20 Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius -
Appears on: 20
Genres: Motet
20v Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant -
Appears on: 20v
Genres: Alleluia
20v–21v Domine Dominus noster quam admirabile est (6vv) -
Appears on: 20v–21v
Genres: Motet
21v–22 Decantabat populus Israel alleluia (7vv) -
Appears on: 21v–22
Genres: Motet
22–23 Vulnerasti cor meum (6vv) - Anonymous
Appears on: 22–23
Genres: Motet
Concordances

Concordances in D-HN Mc 15, D-WRha Neustadt 39; D-B Mus.ms. 30437 (all anonymous)

23–23v Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum -
Appears on: 23–23v
Genres: Motet
General Note

Only the 1a pars, the model for the mass, is copied

23v–24v Missa Lauda Jerusalem (6vv): Kyrie -
Appears on: 23v–24v
Genres: Kyrie eleison, Mass Ordinary
24v–25 Missa Lauda Jerusalem (6vv): Gloria -
Appears on: 24v–25
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'

25–25v Missa Lauda Jerusalem (6vv): Sanctus -
Appears on: 25–25v
Genres: Mass Ordinary, Sanctus [& Benedictus]
25v–26 Missa Lauda Jerusalem (6vv): Agnus Dei -
Appears on: 25v–26
Genres: Agnus Dei, Mass Ordinary
26–27 Gaudete filiae Jerusalem nam flores apparuerunt -
Appears on: 26–27
Genres: Motet
27–28 Missa Gaudete filiae (6vv): Kyrie - Anonymous
Appears on: 27–28
Genres: Kyrie eleison, Mass Ordinary
28–28v Missa Gaudete filiae (6vv): Gloria - Anonymous
Appears on: 28–28v
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'. Note at end, in T1: "Sanctus ut Kyrie; Agnus ut Christe"

28v–29v Veni in hortum meum -
Appears on: 28v–29v
Genres: Motet
29v Missa Veni in ortum meum: Kyrie -
Appears on: 29v
Genres: Kyrie eleison, Mass Ordinary
30–30v Missa Veni in ortum meum: Et in terra [Gloria] -
Appears on: 30–30v
Genres: Gloria (et in terra pax), Mass Ordinary
30v–31 Missa Veni in ortum meum: Sanctus -
Appears on: 30v–31
Genres: Mass Ordinary, Sanctus [& Benedictus]
31–31v Missa Veni in ortum meum: Agnus Dei -
Appears on: 31–31v
Genres: Agnus Dei, Mass Ordinary
31v–32 Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque -
Appears on: 31v–32
Genres: Motet
General Note

Only the 1a pars, the model for the mass, is copied

32–33 Missa Non auferetur: Kyrie autore Andrea Crappio
Appears on: 32–33
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: autore Andrea Crappio
33–33v Missa Non auferetur: Gloria -
Appears on: 33–33v
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'

34 Missa Non auferetur: Sanctus -
Appears on: 34
Genres: Mass Ordinary, Sanctus [& Benedictus]
34v Missa Non auferetur: Agnus Dei -
Appears on: 34v
Genres: Agnus Dei, Mass Ordinary
34v–35 Diversos diversa iuvant (8vv) -
Appears on: 34v–35
Genres: Motet
35–35v Tempore felici multi numerantur (8vv) -
Appears on: 35–35v
Genres: Motet
35v Usibus edocto (8vv) - 2a pars (of 2): Crede mihi bene -
Appears on: 35v
Genres: Motet
36 Sperne lucrum vexat (8vv) -
Appears on: 36
Genres: Motet
36v Usibus edocto (8vv) - 1a pars (of 2): Usibus edocto -
Appears on: 36v
Genres: Motet
37 Cede repugnanti (8vv) -
Appears on: 37
Genres: Motet
37v–43v [blank pages] - -

[blank pages]

Appears on: 37v–43v
Composer Compositions
Anonymous
Bischoff, Melchior
Crappius, Andreas (ca. 1542–1623)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Handl (Gallus), Jacobus (1550–1591)
Kellner, Bartholomaeus
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Phinot, Dominique
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant 20v
Cede repugnanti (8vv) 37
Confitebor tibi Domine in toto corde (8vv, LV189) 16–16v
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius 18–18v
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius 18v–19
Congregati sunt inimici nostri (8vv) 15–15v
Cum inducerent puerum - 1a pars (of 2): Cum inducerent puerum Jesum parentes eius 20
Decantabat populus Israel alleluia (7vv) 21v–22
Delectare in Domino et dabit tibi peticiones 17v–18
Deus misereatur nostri et benedicat nobis 5v–6v
Deus misereatur nostri et benedicat nobis 11–11v
Diversos diversa iuvant (8vv) 34v–35
Dixit Dominus (8vv) Anonymous 13v–15
Domine Dominus noster quam admirabile est (6vv) 20v–21v
Gaudete filiae Jerusalem nam flores apparuerunt 26–27
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 16v–17
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 17–17v
Jam non dicam vos servos sed amicos (8vv) 12v–13v
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum 23–23v
Laus et perennis gloria Deo patri et filio (8vv) 15v–16
Missa Deus misereatur: Credo 8v–10v
Missa Deus misereatur: Gloria 7v–8v
Missa Deus misereatur: Kyrie 6v–7v
Missa Gaudete filiae (6vv): Gloria Anonymous 28–28v
Missa Gaudete filiae (6vv): Kyrie Anonymous 27–28
Missa Lauda Jerusalem (6vv): Agnus Dei 25v–26
Missa Lauda Jerusalem (6vv): Gloria 24v–25
Missa Lauda Jerusalem (6vv): Kyrie 23v–24v
Missa Lauda Jerusalem (6vv): Sanctus 25–25v
Missa Non auferetur: Agnus Dei 34v
Missa Non auferetur: Gloria 33–33v
Missa Non auferetur: Kyrie 32–33
Missa Non auferetur: Sanctus 34
Missa Quam dilecta (8vv): Agnus Dei Anonymous 5–5v
Missa Quam dilecta (8vv): Gloria Anonymous 3v–4v
Missa Quam dilecta (8vv): Kyrie Anonymous 2v–3v
Missa Quam dilecta (8vv): Sanctus Anonymous 4v–5
Missa Veni in ortum meum: Agnus Dei 31–31v
Missa Veni in ortum meum: Et in terra [Gloria] 30–30v
Missa Veni in ortum meum: Kyrie 29v
Missa Veni in ortum meum: Sanctus 30v–31
Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque 31v–32
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua 1–1v
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi 1v–2v
Sancta Trinitas unus Deus miserere nobis (8vv) 11v–12v
Sperne lucrum vexat (8vv) 36
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 19–19v
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 19v–20
Tempore felici multi numerantur (8vv) 35–35v
Usibus edocto (8vv) - 1a pars (of 2): Usibus edocto 36v
Usibus edocto (8vv) - 2a pars (of 2): Crede mihi bene 35v
Veni in hortum meum 28v–29v
Vulnerasti cor meum (6vv) Anonymous 22–23

Set: S-V 68

Type: Partbooks

No images available

S-V Molér 68 (24) [Altus 1]

No images available

S-V Molér 68 (24) [Altus 2]

No images available

S-V Molér 68 (24) [Bassus 1]

No images available

S-V Molér 68 (24) [Bassus 2]

No images available

S-V Molér 68 (24) [Discantus 1]

No images available

S-V Molér 68 (24) [Discantus 2]

No images available

S-V Molér 68 (24) [Tenor 1]

No images available

S-V Molér 68 (24) [Tenor 2]

denotes primary source study

Lundberg, Mattias. 2012. Motetter till mässan i Västerås domkyrka och skola kring sekelskiftet 1600. Liturgihistoriska implikationer. Svenskt gudstjänstliv: Årsbok för liturgi, kyrkokonst, kyrkomusik och homileti, 27-56.

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe.  Kassel and Basel. Pages: XII, xv, xvii liii. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Molér, Wilhelm. 1917. Förteckning över Musikalier i Västerås Högre Allm. Läroverks Bibliotek t. o. m. 1850.  Västerås. Pages: 13-4. Notes: physical description (partial); contents list.

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