S-V Molér 68 (24) [Tenor 1]

Stadsbiblioteket, Västeras, Sweden

partbook: Late 16th century-first half of 17th century

Archive Stadsbiblioteket, Västeras, Sweden (S-V)
Shelfmark Molér 68 (24) [Tenor 1]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 160 x 200 mm
Other Identifiers
  • CCM: VastS 68
  • olim (Former shelfmark): 24
Notations
  • black void mensural
Copyists
External Links
Provenance
  • Västeras, Sweden
Contents 56 pieces from 8 composers
General Description

A Tenor 1 partbook from a set of 8, copied by several scribes, including Olaus Andreae Walliander (ca. 1577-1648), named inside front cover of most books. Copied in Västerås.

DIAMM, 2022
Extent

48 ff

DIAMM, 2022
Binding

Original parchment covers cut from chant manuscript.

DIAMM, 2022
Notation

black void mensural

DIAMM, 2022
Date

date 1598 in manuscript

DIAMM, 2022
Ruling

Staff height ca. 13-17 (variable)

DIAMM, 2022
Foliation

No foliation. Original numbering of pieces, 1-34, but there are some inconsistencies in numbering among books.

DIAMM, 2022
Decoration

Inked initials in plain block and calligraphic styles.

DIAMM, 2022
Index

Original indices at beginning of D1, D2, A1, T1, and T2 books list pieces in order of appearance.

DIAMM, 2022
Surface

paper

DIAMM, 2022
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 1 Kyrie-Gloria pair, 22 motets, 3 German sacred pieces, 2 Swedish sacred pieces, 5 Latin secular pieces = 38

(Bischoff)-1, Crappius-1, (Grothusius)-1, (Händl)-8, (B. Kellner)-1, (Lassus)-11, (Meiland)-3, (Phinot)-2, (Rhyacander)-2, anon-8

8 paper partbooks (D1-45 folios, D2-47, Al-44, A2-36, T1-48, T2-48, B1-44, B2-39), ca. 160 x 200. No foliation or pagination. Original numbering of pieces, 1-34 (some inconsistencies in numbering among books). Original parchment covers cut from chant manuscript. Original indices at beginning of D1, D2, A1, T1, and T2 books list pieces in order of appearance. Copied by several scribes, including Olaus Andreae Walliander (ca. 1577-1648), named inside front cover of most books. Staff height ca. 13-17 (variable). Inked initials in plain block and calligraphic styles.

Late 16th century-first half of 17th century (date 1598 in manuscript). Copied in Västerås.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
inside front cover–i index - -

index

Appears on: inside front cover–i
General Note

rough notes of contents, noting (inter alia) which motets can be substituted for which mass movements

Item Bibliography

Lundberg, Mattias. 2012. Motetter till mässan i Västerås domkyrka och skola kring sekelskiftet 1600. Liturgihistoriska implikationer. Svenskt gudstjänstliv: Årsbok för liturgi, kyrkokonst, kyrkomusik och homileti, 27-56. Pages: 28-29.

i fragment - Anonymous

fragment

Anonymous
Appears on: i
Genres: fragment, Song
ii–ii_v index - -

index

Appears on: ii–ii_v
1–2 Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua -
Appears on: 1–2
Genres: Motet
2–3 Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi -
Appears on: 2–3
Genres: Motet
3–3v Missa Quam dilecta (8vv): Kyrie - Anonymous
Appears on: 3–3v
Genres: Kyrie eleison, Mass Ordinary
3v–5 Missa Quam dilecta (8vv): Gloria - Anonymous
Appears on: 3v–5
Genres: Gloria (et in terra pax), Mass Ordinary
5–5v Missa Quam dilecta (8vv): Sanctus - Anonymous
Appears on: 5–5v
Genres: Mass Ordinary, Sanctus [& Benedictus]
5v–6 Missa Quam dilecta (8vv): Agnus Dei - Anonymous
Appears on: 5v–6
Genres: Agnus Dei, Mass Ordinary
6–7 Deus misereatur nostri et benedicat nobis -
Appears on: 6–7
Genres: Motet
7–8 Missa Deus misereatur: Kyrie -
Appears on: 7–8
Genres: Kyrie eleison, Mass Ordinary
8–9 Missa Deus misereatur: Gloria -
Appears on: 8–9
Genres: Gloria (et in terra pax), Mass Ordinary
9–11v Missa Deus misereatur: Credo -
Appears on: 9–11v
Genres: Credo (patrem omnipotentem), Mass Ordinary
11v–12 Deus misereatur nostri et benedicat nobis -
Appears on: 11v–12
Genres: Motet
12v–13 Sancta Trinitas unus Deus miserere nobis (8vv) -
Appears on: 12v–13
Genres: Motet
13–14 Jam non dicam vos servos sed amicos (8vv) -
Appears on: 13–14
Genres: Motet
14–15 Dixit Dominus (8vv) - Anonymous
Appears on: 14–15
Genres: Motet
15–15v Congregati sunt inimici nostri (8vv) -
Appears on: 15–15v
Genres: Motet
16 Laus et perennis gloria Deo patri et filio (8vv) -
Appears on: 16
Genres: Motet
16–16v Confitebor tibi Domine in toto corde (8vv, LV189) -
Appears on: 16–16v
Genres: Motet
16v–17 In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 16v–17
Genres: Motet
General Note

1a pars only

17–17v Decantabat populus Israel alleluia (7vv) -
Appears on: 17–17v
Genres: Motet
18 Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius -
Appears on: 18
Genres: Motet
18v Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius -
Appears on: 18v
Genres: Motet
18v–19 Delectare in Domino et dabit tibi peticiones -
Appears on: 18v–19
Genres: Motet
19–19v Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat -
Appears on: 19–19v
Genres: Alleluia, Motet
19v Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant -
Appears on: 19v
Genres: Alleluia
20–20v Domine Dominus noster quam admirabile est (6vv) -
Appears on: 20–20v
Genres: Motet
20v Surge propera - 1a pars (of 2): Surge propera amica mea columba mea -
Appears on: 20v
Genres: Motet
21 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 21
Genres: Motet
21v–22 Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque -
Appears on: 21v–22
Genres: Motet
General Note

Only the 1a pars, the model for the mass, is copied

22–22v Missa Non auferetur: Kyrie autore Andrea Crappio
Appears on: 22–22v
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: autore Andrea Crappio
22v–23 Missa Non auferetur: Gloria -
Appears on: 22v–23
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'

23v Missa Non auferetur: Sanctus -
Appears on: 23v
Genres: Mass Ordinary, Sanctus [& Benedictus]
24 Missa Non auferetur: Agnus Dei -
Appears on: 24
Genres: Agnus Dei, Mass Ordinary
24–25 Gaudete filiae Jerusalem nam flores apparuerunt -
Appears on: 24–25
Genres: Motet
25–26 Missa Gaudete filiae (6vv): Kyrie - Anonymous
Appears on: 25–26
Genres: Kyrie eleison, Mass Ordinary
26–26v Missa Gaudete filiae (6vv): Gloria - Anonymous
Appears on: 26–26v
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'. Note at end: "Sanctus ut Kyrie; Agnus ut Christe"

26v–27v Veni in hortum meum -
Appears on: 26v–27v
Genres: Motet
27v Missa Veni in ortum meum: Kyrie -
Appears on: 27v
Genres: Kyrie eleison, Mass Ordinary
27v–28v Missa Veni in ortum meum: Et in terra [Gloria] -
Appears on: 27v–28v
Genres: Gloria (et in terra pax), Mass Ordinary
28v–29 Missa Veni in ortum meum: Sanctus -
Appears on: 28v–29
Genres: Mass Ordinary, Sanctus [& Benedictus]
29–29v Missa Veni in ortum meum: Agnus Dei -
Appears on: 29–29v
Genres: Agnus Dei, Mass Ordinary
29v–30 Vulnerasti cor meum (6vv) - Anonymous
Appears on: 29v–30
Genres: Motet
Concordances

Concordances in D-HN Mc 15, D-WRha Neustadt 39; D-B Mus.ms. 30437 (all anonymous)

30–30v Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum -
Appears on: 30–30v
Genres: Motet
General Note

Only the 1a pars, the model for the mass, is copied

30v–31v Missa Lauda Jerusalem (6vv): Kyrie -
Appears on: 30v–31v
Genres: Kyrie eleison, Mass Ordinary
31v–32 Missa Lauda Jerusalem (6vv): Gloria -
Appears on: 31v–32
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'

32–32v Missa Lauda Jerusalem (6vv): Sanctus -
Appears on: 32–32v
Genres: Mass Ordinary, Sanctus [& Benedictus]
32v–33 Missa Lauda Jerusalem (6vv): Agnus Dei -
Appears on: 32v–33
Genres: Agnus Dei, Mass Ordinary
33–33v Diversos diversa iuvant (8vv) -
Appears on: 33–33v
Genres: Motet
33v–34 Tempore felici multi numerantur (8vv) -
Appears on: 33v–34
Genres: Motet
34–34v Usibus edocto (8vv) - 2a pars (of 2): Crede mihi bene -
Appears on: 34–34v
Genres: Motet
34v–35 Sperne lucrum vexat (8vv) -
Appears on: 34v–35
Genres: Motet
35–35v Usibus edocto (8vv) - 1a pars (of 2): Usibus edocto -
Appears on: 35–35v
Genres: Motet
35v–36 Cede repugnanti (8vv) -
Appears on: 35v–36
Genres: Motet
36v–46v [blank pages] - -

[blank pages]

Appears on: 36v–46v
Composer Compositions
Anonymous
Bischoff, Melchior
Crappius, Andreas (ca. 1542–1623)
Handl (Gallus), Jacobus (1550–1591)
Kellner, Bartholomaeus
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Phinot, Dominique
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat 19–19v
Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant 19v
Cede repugnanti (8vv) 35v–36
Confitebor tibi Domine in toto corde (8vv, LV189) 16–16v
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius 18
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius 18v
Congregati sunt inimici nostri (8vv) 15–15v
Decantabat populus Israel alleluia (7vv) 17–17v
Delectare in Domino et dabit tibi peticiones 18v–19
Deus misereatur nostri et benedicat nobis 6–7
Deus misereatur nostri et benedicat nobis 11v–12
Diversos diversa iuvant (8vv) 33–33v
Dixit Dominus (8vv) Anonymous 14–15
Domine Dominus noster quam admirabile est (6vv) 20–20v
fragment Anonymous i
Gaudete filiae Jerusalem nam flores apparuerunt 24–25
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 16v–17
Jam non dicam vos servos sed amicos (8vv) 13–14
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum 30–30v
Laus et perennis gloria Deo patri et filio (8vv) 16
Missa Deus misereatur: Credo 9–11v
Missa Deus misereatur: Gloria 8–9
Missa Deus misereatur: Kyrie 7–8
Missa Gaudete filiae (6vv): Gloria Anonymous 26–26v
Missa Gaudete filiae (6vv): Kyrie Anonymous 25–26
Missa Lauda Jerusalem (6vv): Agnus Dei 32v–33
Missa Lauda Jerusalem (6vv): Gloria 31v–32
Missa Lauda Jerusalem (6vv): Kyrie 30v–31v
Missa Lauda Jerusalem (6vv): Sanctus 32–32v
Missa Non auferetur: Agnus Dei 24
Missa Non auferetur: Gloria 22v–23
Missa Non auferetur: Kyrie 22–22v
Missa Non auferetur: Sanctus 23v
Missa Quam dilecta (8vv): Agnus Dei Anonymous 5v–6
Missa Quam dilecta (8vv): Gloria Anonymous 3v–5
Missa Quam dilecta (8vv): Kyrie Anonymous 3–3v
Missa Quam dilecta (8vv): Sanctus Anonymous 5–5v
Missa Veni in ortum meum: Agnus Dei 29–29v
Missa Veni in ortum meum: Et in terra [Gloria] 27v–28v
Missa Veni in ortum meum: Kyrie 27v
Missa Veni in ortum meum: Sanctus 28v–29
Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque 21v–22
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua 1–2
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi 2–3
Sancta Trinitas unus Deus miserere nobis (8vv) 12v–13
Sperne lucrum vexat (8vv) 34v–35
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 20v
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 21
Tempore felici multi numerantur (8vv) 33v–34
Usibus edocto (8vv) - 1a pars (of 2): Usibus edocto 35–35v
Usibus edocto (8vv) - 2a pars (of 2): Crede mihi bene 34–34v
Veni in hortum meum 26v–27v
Vulnerasti cor meum (6vv) Anonymous 29v–30

Set: S-V 68

Type: Partbooks

No images available

S-V Molér 68 (24) [Altus 1]

No images available

S-V Molér 68 (24) [Altus 2]

No images available

S-V Molér 68 (24) [Bassus 1]

No images available

S-V Molér 68 (24) [Bassus 2]

No images available

S-V Molér 68 (24) [Discantus 1]

No images available

S-V Molér 68 (24) [Discantus 2]

No images available

S-V Molér 68 (24) [Tenor 1]

No images available

S-V Molér 68 (24) [Tenor 2]

denotes primary source study

Lundberg, Mattias. 2012. Motetter till mässan i Västerås domkyrka och skola kring sekelskiftet 1600. Liturgihistoriska implikationer. Svenskt gudstjänstliv: Årsbok för liturgi, kyrkokonst, kyrkomusik och homileti, 27-56.

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe.  Kassel and Basel. Pages: XII, xv, xvii liii. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Molér, Wilhelm. 1917. Förteckning över Musikalier i Västerås Högre Allm. Läroverks Bibliotek t. o. m. 1850.  Västerås. Pages: 13-4. Notes: physical description (partial); contents list.

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