S-V Molér 68 (24) [Tenor 2]

Stadsbiblioteket, Västeras, Sweden

partbook: Late 16th century-first half of 17th century

Archive Stadsbiblioteket, Västeras, Sweden (S-V)
Shelfmark Molér 68 (24) [Tenor 2]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 160 x 200 mm
Other Identifiers
  • CCM: VastS 68
  • olim (Former shelfmark): 24
Notations
  • black void mensural
Copyists
External Links
Provenance
  • Västeras, Sweden
Contents 50 pieces from 7 composers
General Description

A Tenor 2 partbook from a set of 8, copied by several scribes, including Olaus Andreae Walliander (ca. 1577-1648), named inside front cover of most books. Copied in Västerås.

DIAMM, 2022
Extent

48 ff

DIAMM, 2022
Binding

Original parchment covers cut from chant manuscript.

DIAMM, 2022
Notation

black void mensural

DIAMM, 2022
Date

date 1598 in manuscript

DIAMM, 2022
Ruling

Staff height ca. 13-17 (variable)

DIAMM, 2022
Foliation

No foliation. Original numbering of pieces, 1-34, but there are some inconsistencies in numbering among books.

DIAMM, 2022
Decoration

Inked initials in plain block and calligraphic styles.

DIAMM, 2022
Index

Original indices at beginning of D1, D2, A1, T1, and T2 books list pieces in order of appearance.

DIAMM, 2022
Surface

paper

DIAMM, 2022
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Masses, 1 Kyrie-Gloria pair, 22 motets, 3 German sacred pieces, 2 Swedish sacred pieces, 5 Latin secular pieces = 38

(Bischoff)-1, Crappius-1, (Grothusius)-1, (Händl)-8, (B. Kellner)-1, (Lassus)-11, (Meiland)-3, (Phinot)-2, (Rhyacander)-2, anon-8

8 paper partbooks (D1-45 folios, D2-47, Al-44, A2-36, T1-48, T2-48, B1-44, B2-39), ca. 160 x 200. No foliation or pagination. Original numbering of pieces, 1-34 (some inconsistencies in numbering among books). Original parchment covers cut from chant manuscript. Original indices at beginning of D1, D2, A1, T1, and T2 books list pieces in order of appearance. Copied by several scribes, including Olaus Andreae Walliander (ca. 1577-1648), named inside front cover of most books. Staff height ca. 13-17 (variable). Inked initials in plain block and calligraphic styles.

Late 16th century-first half of 17th century (date 1598 in manuscript). Copied in Västerås.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
inside front cover Gud vare torsk orf lof - Anonymous
Appears on: inside front cover
Genres: Hymn
i index - -

index

Appears on: i
1 [blank staves] - -

[blank staves]

Appears on: 1
General Note

blank staves, all crossed through

2 Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua -
Appears on: 2
Genres: Motet
2v–3 Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi -
Appears on: 2v–3
Genres: Motet
General Note

Incipit given incorrectly as "Domine [for Deus] vir:"

3–3v Missa Quam dilecta (8vv): Kyrie - Anonymous
Appears on: 3–3v
Genres: Kyrie eleison, Mass Ordinary
3v–4v Missa Quam dilecta (8vv): Gloria - Anonymous
Appears on: 3v–4v
Genres: Gloria (et in terra pax), Mass Ordinary
4v–5 Missa Quam dilecta (8vv): Sanctus - Anonymous
Appears on: 4v–5
Genres: Mass Ordinary, Sanctus [& Benedictus]
5 Missa Quam dilecta (8vv): Agnus Dei - Anonymous
Appears on: 5
Genres: Agnus Dei, Mass Ordinary
5v–6 Deus misereatur nostri et benedicat nobis -
Appears on: 5v–6
Genres: Motet
6–6v Missa Deus misereatur: Kyrie -
Appears on: 6–6v
Genres: Kyrie eleison, Mass Ordinary
7–8 Missa Deus misereatur: Gloria -
Appears on: 7–8
Genres: Gloria (et in terra pax), Mass Ordinary
8–9v Missa Deus misereatur: Credo -
Appears on: 8–9v
Genres: Credo (patrem omnipotentem), Mass Ordinary
10–10v Deus misereatur nostri et benedicat nobis -
Appears on: 10–10v
Genres: Motet
11–11v Sancta Trinitas unus Deus miserere nobis (8vv) -
Appears on: 11–11v
Genres: Motet
11v–12 Jam non dicam vos servos sed amicos (8vv) -
Appears on: 11v–12
Genres: Motet
12–13v Dixit Dominus (8vv) - Anonymous
Appears on: 12–13v
Genres: Motet
13v–14 Congregati sunt inimici nostri (8vv) -
Appears on: 13v–14
Genres: Motet
14–14v Laus et perennis gloria Deo patri et filio (8vv) -
Appears on: 14–14v
Genres: Motet
14v In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion -
Appears on: 14v
Genres: Motet
General Note

1a pars only

15–15v Confitebor tibi Domine in toto corde (8vv, LV189) -
Appears on: 15–15v
Genres: Motet
15v–16 Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius -
Appears on: 15v–16
Genres: Motet
16–16v Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius -
Appears on: 16–16v
Genres: Motet
16v–17 Decantabat populus Israel alleluia (7vv) -
Appears on: 16v–17
Genres: Motet
17–17v Domine Dominus noster quam admirabile est (6vv) -
Appears on: 17–17v
Genres: Motet
17v–18 Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat -
Appears on: 17v–18
Genres: Alleluia, Motet
18–18v Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant -
Appears on: 18–18v
Genres: Alleluia
18v Surge propera - 1a pars (of 2): Surge propera amica mea columba mea -
Appears on: 18v
Genres: Motet
19 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 19
Genres: Motet
19v Delectare in Domino et dabit tibi peticiones -
Appears on: 19v
Genres: Motet
20–20v Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque -
Appears on: 20–20v
Genres: Motet
General Note

Only the 1a pars, the model for the mass, is copied

20v–21 Missa Non auferetur: Kyrie autore Andrea Crappio
Appears on: 20v–21
Genres: Kyrie eleison, Mass Ordinary
Source Attribution: autore Andrea Crappio
21–21v Missa Non auferetur: Gloria -
Appears on: 21–21v
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'

21v–22 Missa Non auferetur: Sanctus -
Appears on: 21v–22
Genres: Mass Ordinary, Sanctus [& Benedictus]
22–22v Missa Non auferetur: Agnus Dei -
Appears on: 22–22v
Genres: Agnus Dei, Mass Ordinary
22v–23v Gaudete filiae Jerusalem nam flores apparuerunt -
Appears on: 22v–23v
Genres: Motet
General Note

The scribe began copying the wrong part of 'Gaudete filiae' on f. 22v, then crossed it out & began again at the top of f. 23

23v–24v Missa Gaudete filiae (6vv): Kyrie - Anonymous
Appears on: 23v–24v
Genres: Kyrie eleison, Mass Ordinary
24v–25 Missa Gaudete filiae (6vv): Gloria - Anonymous
Appears on: 24v–25
Genres: Gloria (et in terra pax), Mass Ordinary
General Note

Ends at '...filius patris'. Note at end, in T1: "Sanctus ut Kyrie; Agnus ut Christe"

25v–26 Veni in hortum meum -
Appears on: 25v–26
Genres: Motet
26–26v Missa Veni in ortum meum: Kyrie -
Appears on: 26–26v
Genres: Kyrie eleison, Mass Ordinary
26v–27 Missa Veni in ortum meum: Et in terra [Gloria] -
Appears on: 26v–27
Genres: Gloria (et in terra pax), Mass Ordinary
27–27v Missa Veni in ortum meum: Sanctus -
Appears on: 27–27v
Genres: Mass Ordinary, Sanctus [& Benedictus]
27v Missa Veni in ortum meum: Agnus Dei -
Appears on: 27v
Genres: Agnus Dei, Mass Ordinary
28 Diversos diversa iuvant (8vv) -
Appears on: 28
Genres: Motet
28–28v Tempore felici multi numerantur (8vv) -
Appears on: 28–28v
Genres: Motet
28v–29 Usibus edocto (8vv) - 2a pars (of 2): Crede mihi bene -
Appears on: 28v–29
Genres: Motet
29–29v Sperne lucrum vexat (8vv) -
Appears on: 29–29v
Genres: Motet
29v–30 Usibus edocto (8vv) - 1a pars (of 2): Usibus edocto -
Appears on: 29v–30
Genres: Motet
30–30v Cede repugnanti (8vv) -
Appears on: 30–30v
Genres: Motet
31–46v [blank pages] - -

[blank pages]

Appears on: 31–46v
Composer Compositions
Anonymous
Bischoff, Melchior
Crappius, Andreas (ca. 1542–1623)
Handl (Gallus), Jacobus (1550–1591)
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Phinot, Dominique
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat 17v–18
Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant 18–18v
Cede repugnanti (8vv) 30–30v
Confitebor tibi Domine in toto corde (8vv, LV189) 15–15v
Confitemini Domino (5vv) - 1a pars (of 2): Confitemini Domino et invocate nomen eius 15v–16
Confitemini Domino (5vv) - 2a pars (of 2): Narrate omnia mirabilia eius 16–16v
Congregati sunt inimici nostri (8vv) 13v–14
Decantabat populus Israel alleluia (7vv) 16v–17
Delectare in Domino et dabit tibi peticiones 19v
Deus misereatur nostri et benedicat nobis 5v–6
Deus misereatur nostri et benedicat nobis 10–10v
Diversos diversa iuvant (8vv) 28
Dixit Dominus (8vv) Anonymous 12–13v
Domine Dominus noster quam admirabile est (6vv) 17–17v
Gaudete filiae Jerusalem nam flores apparuerunt 22v–23v
Gud vare torsk orf lof Anonymous inside front cover
In convertendo Dominus - 1a pars (of 2): In convertendo Dominus captivitatem Sion 14v
Jam non dicam vos servos sed amicos (8vv) 11v–12
Laus et perennis gloria Deo patri et filio (8vv) 14–14v
Missa Deus misereatur: Credo 8–9v
Missa Deus misereatur: Gloria 7–8
Missa Deus misereatur: Kyrie 6–6v
Missa Gaudete filiae (6vv): Gloria Anonymous 24v–25
Missa Gaudete filiae (6vv): Kyrie Anonymous 23v–24v
Missa Non auferetur: Agnus Dei 22–22v
Missa Non auferetur: Gloria 21–21v
Missa Non auferetur: Kyrie 20v–21
Missa Non auferetur: Sanctus 21v–22
Missa Quam dilecta (8vv): Agnus Dei Anonymous 5
Missa Quam dilecta (8vv): Gloria Anonymous 3v–4v
Missa Quam dilecta (8vv): Kyrie Anonymous 3–3v
Missa Quam dilecta (8vv): Sanctus Anonymous 4v–5
Missa Veni in ortum meum: Agnus Dei 27v
Missa Veni in ortum meum: Et in terra [Gloria] 26v–27
Missa Veni in ortum meum: Kyrie 26–26v
Missa Veni in ortum meum: Sanctus 27–27v
Non auferetur sceptrum - 1a pars (of 2): Non auferetur sceptrum de Juda neque 20–20v
Quam dilecta - 1a pars (of 2): Quam dilecta tabernacula tua 2
Quam dilecta - 2a pars (of 2): Domine Deus virtutum exaudi 2v–3
Sancta Trinitas unus Deus miserere nobis (8vv) 11–11v
Sperne lucrum vexat (8vv) 29–29v
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 18v
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 19
Tempore felici multi numerantur (8vv) 28–28v
Usibus edocto (8vv) - 1a pars (of 2): Usibus edocto 29v–30
Usibus edocto (8vv) - 2a pars (of 2): Crede mihi bene 28v–29
Veni in hortum meum 25v–26

Set: S-V 68

Type: Partbooks

No images available

S-V Molér 68 (24) [Altus 1]

No images available

S-V Molér 68 (24) [Altus 2]

No images available

S-V Molér 68 (24) [Bassus 1]

No images available

S-V Molér 68 (24) [Bassus 2]

No images available

S-V Molér 68 (24) [Discantus 1]

No images available

S-V Molér 68 (24) [Discantus 2]

No images available

S-V Molér 68 (24) [Tenor 1]

No images available

S-V Molér 68 (24) [Tenor 2]

denotes primary source study

Lundberg, Mattias. 2012. Motetter till mässan i Västerås domkyrka och skola kring sekelskiftet 1600. Liturgihistoriska implikationer. Svenskt gudstjänstliv: Årsbok för liturgi, kyrkokonst, kyrkomusik och homileti, 27-56.

Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe.  Kassel and Basel. Pages: XII, xv, xvii liii. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Molér, Wilhelm. 1917. Förteckning över Musikalier i Västerås Högre Allm. Läroverks Bibliotek t. o. m. 1850.  Västerås. Pages: 13-4. Notes: physical description (partial); contents list.

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