D-Z Mu 1871-1877 [Bassus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Last third of 16th century

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	Mu 1871-1877 [Bassus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	None
Measurements	203 x 163 mm
Other Identifiers	CCM: ZwiR 41/73 Other catalogues/source: VollBM [see bibliography] 25 olim (Former shelfmark): MS XLI,73 olim (Former shelfmark): MS 41,73
Notations	black void mensural
Copyists	Freundt, Cornelius (1535–1591) Music
Relationships	Church of St. Mary (copied at)
Provenance	Church of St. Mary , Zwickau, Saxony, Germany
Contents	11 pieces from 4 composers

General Description

A Bassus partbook from a set of four. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (Call). Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2022

Binding

No covers; first folio in each book inscribed with voice designation

DIAMM, 2022

Notation

black void mensural

DIAMM, 2022

Foliation

No foliation or pagination

DIAMM, 2022

Foliation

Other numberings: Modern pencil numbering of pieces, 1-7, counts tertia pars of one motet and secunda pars of another motet as separate pieces.

DIAMM, 2022

Decoration

No decorative initials; text incipits for first three pieces in red.

DIAMM, 2022

Surface

paper

DIAMM, 2022

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 motets

(Clemens non Papa)-2, (Crecquillon)-1, (Josquin)-1, anon-1

4 paper partbooks (DTB-16 folios each, A-14), 203 x 163. No foliation or pagination. Modern pencil numbering of pieces, 1-7, counts tertia pars of one motet and secunda pars of another motet as separate pieces. No covers; first folio in each book inscribed with voice designation. No index. Copied by Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (Call); see general index for other manuscripts copied by the same scribe. No decorative initials; text incipits for first three pieces in red.

Last third of 16th century. Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2–2v	Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 2–2v Genres: Motet
3–3v	Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui	-	Crecquillon, Thomas (ca. 1505–ca. 1557)
Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui Crecquillon, Thomas (ca. 1505–ca. 1557) Appears on: 3–3v Genres: Motet
3v–5	Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi	-	Despres, Josquin (ca. 1450–1521)
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi Despres, Josquin (ca. 1450–1521) Appears on: 3v–5 Genres: Motet
5–6v	Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum	-	Despres, Josquin (ca. 1450–1521)
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum Despres, Josquin (ca. 1450–1521) Appears on: 5–6v Genres: Motet
6v–7v	Miserere mei Domine - 1a pars (of 2): Miserere mei Domine quoniam infirmus sum	-	Anonymous
Miserere mei Domine - 1a pars (of 2): Miserere mei Domine quoniam infirmus sum Anonymous Appears on: 6v–7v Genres: Motet
7v–8v	Miserere mei Domine - 2a pars (of 2): Et anima mea turbata est valde	-	Anonymous
Miserere mei Domine - 2a pars (of 2): Et anima mea turbata est valde Anonymous Appears on: 7v–8v Genres: Motet
8v–9	Exaudi Domine - 1a pars (of 3): Exaudi Domine orationem meam et ne contemne	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Exaudi Domine - 1a pars (of 3): Exaudi Domine orationem meam et ne contemne Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 8v–9 Genres: Motet
9v–10	Exaudi Domine - 2a pars (of 3): Contristatus sum in cogitatione mea	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Exaudi Domine - 2a pars (of 3): Contristatus sum in cogitatione mea Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 9v–10 Genres: Motet
10–11	Exaudi Domine - 3a pars (of 3): Deduc me Domine ad portum salutis	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Exaudi Domine - 3a pars (of 3): Deduc me Domine ad portum salutis Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 10–11 Genres: Motet
11–12	Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 11–12 Genres: Motet
12–13	Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 12–13 Genres: Motet

Composer	Compositions
Anonymous	Miserere mei Domine - 1a pars (of 2): Miserere mei Domine quoniam infirmus sum – 6v–7v Miserere mei Domine - 2a pars (of 2): Et anima mea turbata est valde – 7v–8v
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Exaudi Domine - 1a pars (of 3): Exaudi Domine orationem meam et ne contemne – 8v–9 Exaudi Domine - 2a pars (of 3): Contristatus sum in cogitatione mea – 9v–10 Exaudi Domine - 3a pars (of 3): Deduc me Domine ad portum salutis – 10–11 Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore – 11–12 Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare – 12–13
Crecquillon, Thomas (ca. 1505–ca. 1557)	Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien – 2–2v Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui – 3–3v
Despres, Josquin (ca. 1450–1521)	Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi – 3v–5 Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum – 5–6v

Composition	Composers (? Uncertain)	Folios / Pages
Cum deambularet Dominus - 1a pars (of 2): Cum deambularet Dominus ad auram post meridien	Crecquillon, Thomas (ca. 1505–ca. 1557)	2–2v
Cum deambularet Dominus - 2a pars (of 2): Vocem tuam audivi in paradiso et timui	Crecquillon, Thomas (ca. 1505–ca. 1557)	3–3v
Exaudi Domine - 1a pars (of 3): Exaudi Domine orationem meam et ne contemne	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	8v–9
Exaudi Domine - 2a pars (of 3): Contristatus sum in cogitatione mea	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	9v–10
Exaudi Domine - 3a pars (of 3): Deduc me Domine ad portum salutis	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	10–11
Miserere mei Domine - 1a pars (of 2): Miserere mei Domine quoniam infirmus sum	Anonymous	6v–7v
Miserere mei Domine - 2a pars (of 2): Et anima mea turbata est valde	Anonymous	7v–8v
Qui habitat 18.7 - 1a pars (of 2): Qui habitat in adjutorio altissimi	Despres, Josquin (ca. 1450–1521)	3v–5
Qui habitat 18.7 - 2a pars (of 2): Non accedat ad te malum	Despres, Josquin (ca. 1450–1521)	5–6v
Vide Domine - 1a pars (of 2): Vide Domine afflictionem nostram et in tempore	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	11–12
Vide Domine - 2a pars (of 2): Sed veni Domine et noli tardare	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	12–13

‡ denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 58. Notes: contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 42. Notes: physical description (partial); contents list.

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