Hymnal, Use of Salisbury, survives in good condition.
Copied in 1542 by William Forrest as a donation from Robert King, Abbot of Thame and Bishop of Osney, to his short-lived diocesan cathedral: the obscured inscription on f. iii verso reads ‘Ex dono reverendissimo patris et domini domini [sic] Roberti kyn[ge hu]ius Ecclesiae cathedralis Oseneyae primi Antistis Anno Domini MCCCCCxlii’ (Hanna, Catalogue).
Forrest may have studied at Cardinal College, Oxford, around 1530, but probably learnt calligraphy and music as a monk of Cistercian Thame Abbey where he is listed among the monks at its surrender in November 1539 (See GB-Lna E 322/222: Surrender, Thame Abbey, 16 November 1539). Forrest was then a petty canon of Osney Cathedral from 1542 until its dissolution in 1545 when he was awarded an annual pension of £6. He apparently returned to Thame as vicar of St Mary’s church in 1551-2; the church had paid him 20s. for a Hymnal (almost certainly MS 60) in 1545. He was admitted vicar of Bledlow, Bucks, on 1 July 1556; he resigned this living in 1576.
As well as MS 60, Forrest copied now-lost polyphony while at Oxford: for Magdalen College (1541-2), All Souls and New College (both 1544-5). He owned, and copied the second layer of, GB-Ob Mus. Sch. e. 376-381, the (Forrest-Heather Partbooks); and he also assumed ownership of Thame Abbey’s manuscript miscellany GB-Lbl Burney 357, at the abbey’s surrender in 1539.
Click here to download inventory in excel format by Magnus Williamson.
Magnus Williamson, June 2020