CH-Bu F III 33

Öffentliche Bibliothek der Universität, Basel, Switzerland

non-music MS with added polyphony: 13th century

Archive Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark F III 33
Image Availability The images on this record are linked using IIIF.
Surface Parchment
Numbering System Foliation
Format portrait
Measurements 26 x 18,5 cm
Other Identifiers
  • olim (Former shelfmark): Predigerkloster (Basel), a 1 4 (alt)
Relationships
External Links
Provenance
  • Basel,
Contents Contains 4 compositions, 1 from 1 composer, 3 are anonymous.
General Description

57v–58r, 59v–60r & 61v, rough ars antiqua notation in a practised hand, seemingly written with a plummet or some such, c. 1300 in the blank foot margin.

Host volume: This volume was written in the 13th century, probably by two alternating hands from France; it contains various astrological writings of Hellenistic-Arabic origin in the Latin translation of John of Seville, such as the Centiloquium Ptolemaei, as well as texts by Māšā'allāh, Alfraganus and Albumasar. This manuscript was part of the chained library of the Dominican Convent of Basel. (gam/flr)

Paul Shannon 2019; e-codices 2019
Extent

86 ff

DIAMM, 2019
Binding
  1. Jahrhundert, gelbliches weiches Leder; zwei nach hinten greifende Langriemenschliessen fehlen; Spiegel abgelöst (durch modernes Papier ersetzt) und als F X 37 aufgestellt: Fragmente mehrstimmiger liturgischer Musik der Pariser Schule, s. Arlt, Wolf und Max Haas. - Pariser modale Mehrstimmigkeit in einem Fragment der Basler Universitätsbibliothek (Forum Musicologicum 1 = Basler Studien zur Musikgeschichte 1). - Basel 1975, 223-272; ehemals Catenatus (Spuren am vorderen Deckel unten und auf 1r); Bl. I im Bund auf den Vorderdeckel geklebt; auf dem hinteren Deckel altes Pergament-Titelschild mit Signatur.

from https://ub.unibas.ch/digi/a100/kataloge/mscr/mscrf/BAU5000082587cat.pdf

Unibas Manuscript Catalog, before 2019
Decoration

Rote Titel (die längeren in abgeschrägten Feldern rechts) Initialen: 2-4-zeilige rote und blaue Lombarden Initialen mit Fleuronné in der Gegenfarbe 1r, 16r, 20r, 26r 35r, 47r (47v), 50v, 55r: 2-5-zeilige rot-blau ornamental gespaltene Lombarden mit rotem und blauem Fleuronné, meistens mit Fleuronné-Stab 28v: 7-zeilige rot-blau ornamental gespaltene Lombarden mit rotem und blauem Fleuronné mit Fleuronné-Stab

from https://ub.unibas.ch/digi/a100/kataloge/mscr/mscrf/BAU5000082587cat.pdf

Unibas Manuscript Catalog, before 2019
DIAMM Note

Notified by Paul Shannon, 2019

DIAMM, 2019
Inventory

Some of the items are tenors of motets known from Mo and Tu (see inventory).

  • 59v: Portare tenor found in many pieces (e.g. Plus ioliement/Quant li douz/Portare (Mo, Tu))
  • 60r: Je n’y s’aindrai plus tenor from Les l’ormel/Main se leva/Je n’y s’aindrai (Iv, Ud, Ca, Tu)
  • 61v top: Puerorum caterva — tenor of J’ai mis/Je n’en puis/Puerorum (Mo, Tu, Bes-index) and from a Kyrie trope (Melnicki 24)
  • 61v bottom: Aptatur tenor of Entre Adam/Chies/Aptatur (Mo, Tu, Ba, Vorau, Pn Fr 25566, Bes-index)

Identified 2026 by Michael Scott Asato Cuthbert and Richard Dudas.

Richard Dudas, Michael Scott Asato Cuthbert, 2026

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
59v Plus joliement / Quan li dous / Portare (frag.) - - Anonymous
Appears on: 59v
Genres: Motet
General Note

Tenor only

60r Lés l’ormel a la turele chevauchay / Main se leva sire Garins li clos / Je ne chaindrai mais (frag.) - - Anonymous
Appears on: 60r
Genres: Motet
General Note

Tenor only

61v J'ai mis tote / Je n'en puis / Puerorum caterva (frag.) - - Anonymous
Appears on: 61v
Genres: Motet
General Note

Tenor only

61v Entre Adam et Haniqal / Chiés bien cheant / Aptatur (frag.) - -
Appears on: 61v
Genres: Motet
General Note

Tenor only

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Images © Öffentliche Bibliotek der Universität, Basel

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