B-Bc MS 27086

Library Conservatoire royal de Bruxelles / Koninklijk Conservatorium Brussel, Brussels, Belgium

choirbook: second half 16th century, c1570s-80s

Archive	Library Conservatoire royal de Bruxelles / Koninklijk Conservatorium Brussel, Brussels, Belgium (B-Bc)
Shelfmark	MS 27086
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	554mm x 410mm
Other Identifiers	CCM: BrusC 27086
Notations	black void mensural
Copyists	Reinschall, Andreas Music
Relationships	Borgia, Juan de (1533–1606) (dedicatee) Church of San Pedro, Lerma (owner) Hiersemann Antiquariat (owner) Olmeda de San Jose, Federico (1865–1909) (owner)
Provenance	Wien (Vienna), Austria
Contents	6 pieces from 4 composers

General Description

Once in the library of Federico Olmeda de San José (1865-1909). Following Olmeda's death, the manuscript was offered for sale by Hiersemann Antiquariat in Leipzig; it was purchased in 1912 by the Brussels Conservatoire.

Opening dedication in large red letters to Juan de Borgia, probably relates only to first fascicle (the 8-voice mass) as it refers to 'hanc missam'. Manuscript perhaps brought from Vienna in 1581 to Spain by Juan de Borgia where it became part of the music collection of the Royal Chapel; later purchased by the Duke of Lerma (Juan de Borja's nephew), appearing in a 1609 inventory of the San Pedro de Lerma collegiate church.

Another inscription indicates (probably) that Andreas Reinschall, 'subcantor et notista', was copyist. He worked at the Habsburg court of Rudolf II, and also copied Vienna 15946.

DIAMM, 2019

Binding

Wooden boards covered in brown leather, floral decorations, brass corner & centrepieces, original clasps missing

DIAMM, 2019

Foliation

modern pencil foliation, 1-157

DIAMM, 2019

Surface

paper

DIAMM, 2019

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2v–32	Missa Un jour l'amant et la mie	-	Flori, Giorgio
Missa Un jour l'amant et la mie Flori, Giorgio Appears on: 2v–32 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
33v–66	Missa 8vv	-	Vaet, Jacobus (ca. 1529–ca. 1567)
Missa 8vv Vaet, Jacobus (ca. 1529–ca. 1567) Appears on: 33v–66 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
67v–99	Missa Confitebor (8vv)	-	Monte, Philippe de
Missa Confitebor (8vv) Monte, Philippe de Appears on: 67v–99 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
100v–132	Missa La dolce vista	-	Monte, Philippe de
Missa La dolce vista Monte, Philippe de Appears on: 100v–132 Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
133v–150	Missa Donna amor chi bella = Missa Chi passa = Missa Amar donna	-	Lassus, Orlande de (ca. 1532–1594)
Missa Donna amor chi bella = Missa Chi passa = Missa Amar donna Lassus, Orlande de (ca. 1532–1594) Appears on: 133v–150 Genres: Mass Ordinary
151v–157	Magnificat Tant vous allez douce Guilemette	-	Lassus, Orlande de (ca. 1532–1594)
Magnificat Tant vous allez douce Guilemette Lassus, Orlande de (ca. 1532–1594) Appears on: 151v–157 Genres: BVM, Canticle, Magnificat

Composer	Compositions
Flori, Giorgio	Missa Un jour l'amant et la mie – 2v–32
Lassus, Orlande de (ca. 1532–1594)	Magnificat Tant vous allez douce Guilemette – 151v–157 Missa Donna amor chi bella = Missa Chi passa = Missa Amar donna – 133v–150
Monte, Philippe de	Missa Confitebor (8vv) – 67v–99 Missa La dolce vista – 100v–132
Vaet, Jacobus (ca. 1529–ca. 1567)	Missa 8vv – 33v–66

Composition	Composers (? Uncertain)	Folios / Pages
Magnificat Tant vous allez douce Guilemette	Lassus, Orlande de (ca. 1532–1594)	151v–157
Missa 8vv	Vaet, Jacobus (ca. 1529–ca. 1567)	33v–66
Missa Confitebor (8vv)	Monte, Philippe de	67v–99
Missa Donna amor chi bella = Missa Chi passa = Missa Amar donna	Lassus, Orlande de (ca. 1532–1594)	133v–150
Missa La dolce vista	Monte, Philippe de	100v–132
Missa Un jour l'amant et la mie	Flori, Giorgio	2v–32

‡ denotes primary source study

Comberiati, Carmelo Peter. 1994. The Copying and Dissemination of Choirbooks containing Settings of the Polyphonic Mass at the Court of Emperor Rudolf II. Studien zur Musikwissenschaft, 57-65. Pages: 59-63. Notes: origins, description.

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