David Chappuis
Friday, 17 August, 2018
Folio 1r : Motetus (Gratissima) + Tenor + Contratenor + 53 notes of a Tenor solus (without Triplum : Vos quid admiramini).
| Archive | Öffentliche Bibliothek (Stadtbibliothek), Aachen, Germany (D-AAst) |
|---|---|
| Shelfmark | Beis E 14 |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Parchment |
| Notations |
|
| Contents | Contains 4 compositions, 3 from 1 composer, 1 is anonymous. |
A collection of four motets including the first musical source for Vitry's Phi milies.
The inventory could not be loaded.
‡ denotes primary source study
Zayaruznaya, Anna. 2018. New voices for Vitry. Early Music, Vol. xlvi No. 3: 375-392.
Zayaruznaya, Anna. 2015. The Monstrous New Art: Divided Forms in the Late Medieval Motet. Cambridge: Cambridge University Press. Notes: Transcription of Phi Miles.
‡ Lüdtke, Joachim. 2001. Kleinüberlieferung mehrstimmiger Musik vor 1550 in deutschem Sprachgebiet, IV: Fragmente und versprengte Überlieferung des 14. bis 16. Jahrhunderts. Nachrichten der Akademie der Wissenschaften in Gottingen: Philologisch-Historische Klasse, vol. 4. 429-436. Göttingen: Vandenhoek & Ruprecht.
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Folio 1r : Motetus (Gratissima) + Tenor + Contratenor + 53 notes of a Tenor solus (without Triplum : Vos quid admiramini).
Petre motet has unique Ct and Solus Tenor
Initial source discovery in Lüdtke including identification of the Vitry work. Further study w/ transcription in Zayaruznaya 2015.
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Order of final 2 items (Post missarum & Vitry motet) was reversed: this is now corrected.