E-Tc Ms. 8

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: 1591, with later additions c1600

Archive	Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain (E-Tc)
Shelfmark	Ms. 8
Image Availability	DIAMM does not have images of this source.
Surface	Mixed Paper and Parchment
Numbering System	Foliation
Measurements	550mm x 400mm
Copyists	Gascon, Alonso Text and Music Morata, Alonso de Music Morata, Antonio de Music
Relationships	Toledo Cathedral (owner) Toledo Cathedral (copied at)
External Links	Books of Hispanic Polyphony
Provenance	Toledo Cathedral , Toledo, Spain
Contents	28 pieces from 4 composers

General Description

A composite book made up of at least 4 separate mss. Bound together after 1600, and first inventoried in this form 1649. Several folios missing, 117 folios remain. All up to 101r copied by Alonso Gascon in 1591, remainder by Antonio de Morata c1600

DIAMM, 2018

Binding

light brown leather with brass studs, probably original, over wooden boards

DIAMM, 2018

Foliation

modern Arabic numbers in pencil

DIAMM, 2018

Surface

folios 1-90 paper, 91-117 parchment

DIAMM, 2018

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–7r	Laudate Dominum	-	Navarro 'of Seville/Hispalensis', Juan
Laudate Dominum Navarro 'of Seville/Hispalensis', Juan Appears on: 1v–7r Genres: Psalm
8v–26r	Missa Quarti toni: Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 8v–26r Genres: Kyrie eleison, Mass Ordinary
8v–26r	Missa Quarti toni: Gloria	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 8v–26r Genres: Gloria (et in terra pax), Mass Ordinary
8v–26r	Missa Quarti toni: Credo	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 8v–26r Genres: Credo (patrem omnipotentem), Mass Ordinary
8v–26r	Missa Quarti toni: Sanctus	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Sanctus Victoria, Tomas Luis de (1548–1611) Appears on: 8v–26r Genres: Mass Ordinary, Sanctus [& Benedictus]
8v–26r	Missa Quarti toni: Agnus Dei	-	Victoria, Tomas Luis de (1548–1611)
Missa Quarti toni: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 8v–26r Genres: Agnus Dei, Mass Ordinary
27v–47r	Missa Ascendens Christus: Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 27v–47r Genres: Kyrie eleison, Mass Ordinary
27v–47r	Missa Ascendens Christus: Gloria	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 27v–47r Genres: Gloria (et in terra pax), Mass Ordinary
27v–47r	Missa Ascendens Christus: Credo	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 27v–47r Genres: Credo (patrem omnipotentem), Mass Ordinary
27v–47r	Missa Ascendens Christus: Sanctus	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Sanctus Victoria, Tomas Luis de (1548–1611) Appears on: 27v–47r Genres: Mass Ordinary, Sanctus [& Benedictus]
27v–47r	Missa Ascendens Christus: Agnus Dei	-	Victoria, Tomas Luis de (1548–1611)
Missa Ascendens Christus: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 27v–47r Genres: Agnus Dei, Mass Ordinary
48v–66r	Missa Vidi speciosam: Kyrie	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Kyrie Victoria, Tomas Luis de (1548–1611) Appears on: 48v–66r Genres: Kyrie eleison, Mass Ordinary
48v–66r	Missa Vidi speciosam: Gloria	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Gloria Victoria, Tomas Luis de (1548–1611) Appears on: 48v–66r Genres: Gloria (et in terra pax), Mass Ordinary
48v–66r	Missa Vidi speciosam: Credo	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Credo Victoria, Tomas Luis de (1548–1611) Appears on: 48v–66r Genres: Credo (patrem omnipotentem), Mass Ordinary
48v–66r	Missa Vidi speciosam: Sanctus	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Sanctus Victoria, Tomas Luis de (1548–1611) Appears on: 48v–66r Genres: Mass Ordinary, Sanctus [& Benedictus]
48v–66r	Missa Vidi speciosam: Agnus Dei	-	Victoria, Tomas Luis de (1548–1611)
Missa Vidi speciosam: Agnus Dei Victoria, Tomas Luis de (1548–1611) Appears on: 48v–66r Genres: Agnus Dei, Mass Ordinary
67r–90r	Missa In te Domine speravi: Kyrie	-	Anonymous
Missa In te Domine speravi: Kyrie Anonymous Appears on: 67r–90r Genres: Kyrie eleison, Mass Ordinary General Note first verso (left-hand page of first opening) missing
67r–90r	Missa In te Domine speravi: Gloria	-	Anonymous
Missa In te Domine speravi: Gloria Anonymous Appears on: 67r–90r Genres: Gloria (et in terra pax), Mass Ordinary
67r–90r	Missa In te Domine speravi: Credo	-	Anonymous
Missa In te Domine speravi: Credo Anonymous Appears on: 67r–90r Genres: Credo (patrem omnipotentem), Mass Ordinary
67r–90r	Missa In te Domine speravi: Sanctus	-	Anonymous
Missa In te Domine speravi: Sanctus Anonymous Appears on: 67r–90r Genres: Mass Ordinary, Sanctus [& Benedictus]
67r–90r	Missa In te Domine speravi: Agnus Dei	-	Anonymous
Missa In te Domine speravi: Agnus Dei Anonymous Appears on: 67r–90r Genres: Agnus Dei, Mass Ordinary
91v–94r	Laudate pueri (8o tono)	-	Boluda, Ginés de
Laudate pueri (8o tono) Boluda, Ginés de Appears on: 91v–94r Genres: Motet
94v–95r	Laudate Dominum (8o tono)	-	Boluda, Ginés de
Laudate Dominum (8o tono) Boluda, Ginés de Appears on: 94v–95r Genres: Motet
95v–98v	Lauda Jerusalem (8o tono)	-	Boluda, Ginés de
Lauda Jerusalem (8o tono) Boluda, Ginés de Appears on: 95v–98v Genres: Motet General Note last recto missing
99r	Christe redemptor omnium conserva	-	Anonymous
Christe redemptor omnium conserva Anonymous Appears on: 99r Genres: Motet General Note first verso (first half of piece) missing
99v–101r	Ave maris stella	-	Anonymous
Ave maris stella Anonymous Appears on: 99v–101r Genres: Ave maris stella, Motet
102r–108r	De lamentatione. Heth - Cogitavit	-	Anonymous
De lamentatione. Heth - Cogitavit Anonymous Appears on: 102r–108r Genres: Lamentations General Note opening verso missing
108v–117r	De lamentatione. Heth - Misericordiae	-	Anonymous
De lamentatione. Heth - Misericordiae Anonymous Appears on: 108v–117r Genres: Lamentations General Note bottom of last recto missing

Composer	Compositions
Anonymous	Ave maris stella – 99v–101r Christe redemptor omnium conserva – 99r De lamentatione. Heth - Cogitavit – 102r–108r De lamentatione. Heth - Misericordiae – 108v–117r Missa In te Domine speravi: Agnus Dei – 67r–90r Missa In te Domine speravi: Credo – 67r–90r Missa In te Domine speravi: Gloria – 67r–90r Missa In te Domine speravi: Kyrie – 67r–90r Missa In te Domine speravi: Sanctus – 67r–90r
Boluda, Ginés de	Lauda Jerusalem (8o tono) – 95v–98v Laudate Dominum (8o tono) – 94v–95r Laudate pueri (8o tono) – 91v–94r
Navarro 'of Seville/Hispalensis', Juan	Laudate Dominum – 1v–7r
Victoria, Tomas Luis de (1548–1611)	Missa Ascendens Christus: Agnus Dei – 27v–47r Missa Ascendens Christus: Credo – 27v–47r Missa Ascendens Christus: Gloria – 27v–47r Missa Ascendens Christus: Kyrie – 27v–47r Missa Ascendens Christus: Sanctus – 27v–47r Missa Quarti toni: Agnus Dei – 8v–26r Missa Quarti toni: Credo – 8v–26r Missa Quarti toni: Gloria – 8v–26r Missa Quarti toni: Kyrie – 8v–26r Missa Quarti toni: Sanctus – 8v–26r Missa Vidi speciosam: Agnus Dei – 48v–66r Missa Vidi speciosam: Credo – 48v–66r Missa Vidi speciosam: Gloria – 48v–66r Missa Vidi speciosam: Kyrie – 48v–66r Missa Vidi speciosam: Sanctus – 48v–66r

Composition	Composers (? Uncertain)	Folios / Pages
Ave maris stella	Anonymous	99v–101r
Christe redemptor omnium conserva	Anonymous	99r
De lamentatione. Heth - Cogitavit	Anonymous	102r–108r
De lamentatione. Heth - Misericordiae	Anonymous	108v–117r
Lauda Jerusalem (8o tono)	Boluda, Ginés de	95v–98v
Laudate Dominum	Navarro 'of Seville/Hispalensis', Juan	1v–7r
Laudate Dominum (8o tono)	Boluda, Ginés de	94v–95r
Laudate pueri (8o tono)	Boluda, Ginés de	91v–94r
Missa Ascendens Christus: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	27v–47r
Missa Ascendens Christus: Credo	Victoria, Tomas Luis de (1548–1611)	27v–47r
Missa Ascendens Christus: Gloria	Victoria, Tomas Luis de (1548–1611)	27v–47r
Missa Ascendens Christus: Kyrie	Victoria, Tomas Luis de (1548–1611)	27v–47r
Missa Ascendens Christus: Sanctus	Victoria, Tomas Luis de (1548–1611)	27v–47r
Missa In te Domine speravi: Agnus Dei	Anonymous	67r–90r
Missa In te Domine speravi: Credo	Anonymous	67r–90r
Missa In te Domine speravi: Gloria	Anonymous	67r–90r
Missa In te Domine speravi: Kyrie	Anonymous	67r–90r
Missa In te Domine speravi: Sanctus	Anonymous	67r–90r
Missa Quarti toni: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	8v–26r
Missa Quarti toni: Credo	Victoria, Tomas Luis de (1548–1611)	8v–26r
Missa Quarti toni: Gloria	Victoria, Tomas Luis de (1548–1611)	8v–26r
Missa Quarti toni: Kyrie	Victoria, Tomas Luis de (1548–1611)	8v–26r
Missa Quarti toni: Sanctus	Victoria, Tomas Luis de (1548–1611)	8v–26r
Missa Vidi speciosam: Agnus Dei	Victoria, Tomas Luis de (1548–1611)	48v–66r
Missa Vidi speciosam: Credo	Victoria, Tomas Luis de (1548–1611)	48v–66r
Missa Vidi speciosam: Gloria	Victoria, Tomas Luis de (1548–1611)	48v–66r
Missa Vidi speciosam: Kyrie	Victoria, Tomas Luis de (1548–1611)	48v–66r
Missa Vidi speciosam: Sanctus	Victoria, Tomas Luis de (1548–1611)	48v–66r

‡ denotes primary source study

Noone, Michael John. 2006. Toledo Cathedral's lost "magnifique livre de messes" recovered, and 'new' works by Boluda, Palomares and Navarro. Early Music, 561-585. Pages: 572-577.

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E-Tc Ms. 8

Archivio y Biblioteca Capitulares de la Catedral Metropolitana, Toledo, Spain

manuscript of polyphony: 1591, with later additions c1600

General Description

Binding

Foliation

Surface

General Note

General Note

General Note

General Note

General Note