DK-Kk R.152 (previously MS Gamle kongelige Samling 1873, 4° [Sextus])

Det Kongelige Bibliotek, Copenhagen (København), Denmark

partbook: 1556

Archive Det Kongelige Bibliotek, Copenhagen (København), Denmark (DK-Kk)
Shelfmark R.152 (previously MS Gamle kongelige Samling 1873, 4° [Sextus])
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements c. 188 x 248 mm
Other Identifiers
  • CCM: CopKB 1873
  • olim (Former shelfmark): MS Gamle kongelige Samling 1873, 4°
Relationships
External Authorities
Provenance
Contents 115 pieces from 38 composers
General Description

A Sextus partbook from a set originally of six volumes. Contents broadly organised in sections by number of voices: 5vv, then 6, 7 and 8vv. Where compositions are in 2 partes, the 2a pars is often separated from the 1a pars. Copied for the Danish court chapel in Copenhagen (CreAC). Much of the repertory was copied from Phalèse prints of 1553-5.

DIAMM, 2025
Extent

D 194ff; T 170ff; B 178ff; Q 177ff; S 163ff.

DIAMM, 2025
Binding

Covers of brown tooled leather on wood, with clasps. Several layers, in several hands.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Old and new foliation

DIAMM, 2017
Foliation

Other numberings: pieces numbered

DIAMM, 2017
Decoration

monogram of King Christian III of Denmark, and monogram of Erhart Herdegen [= Erhart Trommeter, employed at the Danish court chapel - HammD]. Gilt-edged pages.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

62 motets, 13 German sacred pieces, I German/Latin sacred piece (with Latin incipit only in this source), 50 French secular pieces, 5 German secular pieces, 2 Italian secular pieces (all of the preceding have text incipits or titles only), 29 textless pieces = 162

[The second parts for many of the motets are copied in separate groups, but the first and second parts are counted as single pieces in the above summary].

Amsfortius [Franzeisscus]-2, (Baston)-3, (Braetel)-1, (Briant)-1, (Beutel)-1, Canis-3, (Chastelain)-1, Clemens non Papa-20, (Cornel de Milan)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Crecquillon-12, Crespel-6, (Ducis)-1, Eckel-1, (C. Festa)-1, (A. Févin)-1, Gombert-2, (Hellinck)-1, C. Hollander-3, (Janequin/Verdelot)-1, (Jaquet of Mantua)-1, Jhan of Ferrara [Galli]-1, Josquin-8, L'Archier-2, (Lattre)-1, (Le Cocq)-1, Lupi-1, (Manchicourt)-4, Morales-1, Paston-2, (Phinot)-1, (Senfl)-4, Stoltzer-1, Tubal-1, Vinders [Vindtner]-1, (Waelrant)-2, (Walter)-3, (Wannenmacher)-1, (Willaert)-1, (Wismes)-2, anon-62

5 paper partbooks of an original 6 (D-ii + 194 folios, T-ii + 170, B-i + 103, Q-ii + 177, Sii + 164), ca. 188 x 248 (B measures 182 x 256). Old and new foliation; pieces numbered. Covers of brown tooled leather on wood, with clasps. Several layers, in several hands. Gilt-edged pages. Manuscript contains date 1556, monogram of King Christian III of Denmark, and monogram of Erhart Herdegen [= Erhart Trommeter, employed at the Danish court chapel - HammD]. Instruments are specified for some of the pieces. Manuscript is related to CopKB 1872. Much of the repertory was copied from Phalèse prints of 1553-5.

Copying begun in 1556. Copied for the Danish court chapel in Copenhagen (CreAC).

Vol. 4

Contents: 59 motets,* 10 German sacred pieces, 1 German/Latin sacred piece (with Latin incipit only in this source), 52 French secular pieces, 5 German secular pieces, 6 Italian secular pieces (all of preceding have text incipits or titles only, or are without text or title in this source), 31 textless pieces = 164

*Second partes for some motets copied separately in this source, but first and second partes counted as single items in above summary.

Composers: (Abell)-1, Amsfortius [Frantzeisscus]-1, (Appenzeller)-1, (Arcadelt) -1, (Baston)-2, (Baston/Cleve)-1, (Beutel)-1, (Braetel)-1, (Briant)-1, Canis-3, (Chastelain)-1, Clemens non Papa-19, (Clemens non Papa/Crecquillon)-1, (Cornel de Milan)-1, (Courtois)-1, (Craen/C. Festa/A. Févin/Josquin/Morales) -1 [2 voices added by Bruck], Crecquillon-13, Crespel-6, Eckel-1, (C. Festa)-1, (A. Févin)-1, Gombert-3, (Gombert/Josquin)-1, (Grefinger/Senfl)-1, (Hellinck/Senfl/Verdelot)-1, C. Hollander-S, Qanequin-Verdelot)-1, (Jaquet of Mantua)-1, Josquin-8, (Josquin/Senfl)-2, L'Archier-2, (Lassus)-2, (Lattre)-1, Le Cocq [Galli]-1, (Gerard Le Cocq)-1, Lupi-1, (Manchicourt)-4, Morales-1, Paston-2, (Phinot)-1, (Rore)-1, (Senfl)-2, Stoltzer-1, Tubal-1, (Verdelot)-1, Vinders [Ieronimus Vindter]-1, (Waelrant)-2, (Walter)-3, (Wannenmacher)-1, (Willaert)-1, (Wismes)-2, anon-52

DIAMM, 2025

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Engelbocgen dantz Anon. Anonymous

Engelbocgen dantz

Anonymous
Appears on: 1
Genres: Dance
Source Attribution: Anon.
1v En quam honesta et jucunda res est Anon.
Appears on: 1v
Genres: Motet
Source Attribution: Anon.
2 [untexted] Anon. Anonymous

[untexted]

Anonymous
Appears on: 2
Genres: textless
Source Attribution: Anon.
2 Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] [Josquin]
Appears on: 2
Genres: Chanson, Contrafactum, Motet
Source Attribution: [Josquin]
2 Verbum Domini manet in aeternam [Walter]
Appears on: 2
Genres: Motet
Source Attribution: [Walter]
2v Wir glauben all an einen Gott [Credo] (I) (4vv) [Walter]
Appears on: 2v
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: [Walter]
3 D'amour me plains et non de vous m'amie [LvArchier]
Appears on: 3
Genres: Chanson
Source Attribution: [LvArchier]
3v Si par souffrir je puis avoir du bien [Clemens non Papa]
Appears on: 3v
Genres: Chanson
Source Attribution: [Clemens non Papa]
3v Mais languirai-je toujours, vrai Dieu [Waelrant]
Appears on: 3v
Genres: Chanson
Source Attribution: [Waelrant]
4v Celle que m'a tant pourmene a eu pitie [C. Hollander]
Appears on: 4v
Genres: Chanson
Source Attribution: [C. Hollander]
5 J'ai veu le cerf du bois saillir et boire [Crespel]
Appears on: 5
Genres: Chanson
Source Attribution: [Crespel]
5v Me retirer d'elle ne m'est possible [Clemens non Papa]
Appears on: 5v
Genres: Chanson
Source Attribution: [Clemens non Papa]
6 Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) [Clemens non Papa]
Appears on: 6
Genres: Motet
Source Attribution: [Clemens non Papa]
6v Au departir triste deuil a presse Anon. Anonymous
Appears on: 6v
Genres: Chanson
Source Attribution: Anon.
7 Creator omnium Deus (6vv) [Willaert]
Appears on: 7
Genres: Motet
Source Attribution: [Willaert]
7v Pour souhaitter je ne demande mieulx 30.8 [Josquin]
Appears on: 7v
Genres: Chanson
Source Attribution: [Josquin]
7v Petite camusette à la mort m'avez mis 30.7 [Josquin]
Appears on: 7v
Genres: Chanson
Source Attribution: [Josquin]
8 Quant me souvient de ma triste fortune [Briant]
Appears on: 8
Genres: Chanson
Source Attribution: [Briant]
8v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crequillon
Appears on: 8v
Genres: Motet
Source Attribution: Crequillon
9 Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt Gomberth
Appears on: 9
Genres: Motet
Source Attribution: Gomberth
9v Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Morales
Appears on: 9v
Genres: Motet
Source Attribution: Morales
10 Ecce nunc benedicite Dominum omnes servi Domini Matthias Eckel
Appears on: 10
Genres: Motet
Source Attribution: Matthias Eckel
10v Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea Crequillon
Appears on: 10v
Genres: Motet
Source Attribution: Crequillon
11 Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco Gomberth
Appears on: 11
Genres: Motet
Source Attribution: Gomberth
11v Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet Morales
Appears on: 11v
Genres: Motet
Source Attribution: Morales
12 Forte fortune fors un vouloir [C.] Hollandre
Appears on: 12
Genres: Chanson
Source Attribution: [C.] Hollandre
12v Le content est riche en ce monde Crespel
Appears on: 12v
Genres: Chanson
Source Attribution: Crespel
13 Vivre ne puis sur terre car mort suis Galli [= Le Cocq]
Appears on: 13
Genres: Chanson
Source Attribution: Galli [= Le Cocq]
13v Tous les plaisirs qu'en languer je soubstiens Tubal
Appears on: 13v
Genres: Chanson
Source Attribution: Tubal
14 Arousez vous violettes? Anon. Anonymous
Appears on: 14
Genres: Chanson
Source Attribution: Anon.
14v Si me tenes tant de rigueur madame Crequillon
Appears on: 14v
Genres: Chanson
Source Attribution: Crequillon
15 Quem nos merito Periculum ... Inviolata integra Anon. Anonymous
Appears on: 15
Genres: Motet
Source Attribution: Anon.
15 Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Crequillon
Appears on: 15
Genres: Motet
Source Attribution: Crequillon
15v Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine Gombert
Appears on: 15v
Genres: Motet
Source Attribution: Gombert
16 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Jaquet of Mantua]
Appears on: 16
Genres: Motet
Source Attribution: [Jaquet of Mantua]
16v Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Canis
Appears on: 16v
Genres: Motet
Source Attribution: Canis
17 Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt Gombert
Appears on: 17
Genres: Motet
Source Attribution: Gombert
17v Congregati sunt - 2a pars (of 2): Tua est potentia tuum regnum Domine Crequillon
Appears on: 17v
Genres: Motet
Source Attribution: Crequillon
17v–18 Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves [Jaquet of Mantua]
Appears on: 17v–18
Genres: Motet
Source Attribution: [Jaquet of Mantua]
18v Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus Canis
Appears on: 18v
Genres: Motet
Source Attribution: Canis
19 Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum [Manchicourt]
Appears on: 19
Genres: Motet
Source Attribution: [Manchicourt]
19 Verba mea - 1a pars (of 2): Verba mea auribus percipe Domine intellige [Waelrant]
Appears on: 19
Genres: Motet
Source Attribution: [Waelrant]
19v–20 Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris juva Anon. Anonymous
Appears on: 19v–20
Genres: Motet
Source Attribution: Anon.
20v Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna [Clemens non Papa]
Appears on: 20v
Genres: Motet
Source Attribution: [Clemens non Papa]
21 Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient [Manchicourt]
Appears on: 21
Genres: Motet
Source Attribution: [Manchicourt]
21v Verba mea - 2a pars (of 2): Introibo in domum tuam adorabo [Waelrant]
Appears on: 21v
Genres: Motet
Source Attribution: [Waelrant]
22 Sancta Maria succurre - 2a pars (of 2): Beata Dei genitrix Maria virgo Anon. Anonymous
Appears on: 22
Genres: Motet
Source Attribution: Anon.
22–22v Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia [Clemens non Papa]
Appears on: 22–22v
Genres: Motet
Source Attribution: [Clemens non Papa]
23 A qui me dois je retirer Puisque mon ami [Clemens non Papa]
Appears on: 23
Genres: Chanson
Source Attribution: [Clemens non Papa]
23v Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol [Wismes]
Appears on: 23v
Genres: Motet
Source Attribution: [Wismes]
24 Quae est ista - 1a pars (of 2): Quae est ista quae ascendit sicut sol [Manchicourt]
Appears on: 24
Genres: Motet
Source Attribution: [Manchicourt]
24v Si seulle estois plaine de desconfort (?= J'ay veu le cerf) [Lattre]
Appears on: 24v
Genres: Chanson
Source Attribution: [Lattre]
25 Ecce Dominus veniet nolite timere 14.5 [Jonckers/Josquin/ Senfl]
Appears on: 25
Genres: Motet
Source Attribution: [Jonckers/Josquin/ Senfl]
25v Quae est ista - 2a pars (of 2): Sicut dies verni circumdabant eam [Wismes]
Appears on: 25v
Genres: Motet
Source Attribution: [Wismes]
26 Quae est ista - 2a pars (of 2): Ista est speciosa inter filias [Manchicourt]
Appears on: 26
Genres: Motet
Source Attribution: [Manchicourt]
26v In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio Josquin
Appears on: 26v
Genres: Motet
Source Attribution: Josquin
27 Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit quesivimus [Manchicourt]
Appears on: 27
Genres: Motet
Source Attribution: [Manchicourt]
27v Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit [Beutel]
Appears on: 27v
Genres: Motet
Source Attribution: [Beutel]
28 Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu [Clemens non Papa]
Appears on: 28
Genres: Motet
Source Attribution: [Clemens non Papa]
28v Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula [Manchicourt]
Appears on: 28v
Genres: Motet
Source Attribution: [Manchicourt]
29 Sustinuimus pacem - 2a pars (of 2): Nos alium Deum nescimus preter Dominum [Manchicourt]
Appears on: 29
Genres: Motet
Source Attribution: [Manchicourt]
29v Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum [Beutel]
Appears on: 29v
Genres: Motet
Source Attribution: [Beutel]
30 Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari [Clemens non Papa]
Appears on: 30
Genres: Motet
Source Attribution: [Clemens non Papa]
30v Tota pulchra es - 2a pars (of 2): Flores apparuerunt vinee florentes [Manchicourt]
Appears on: 30v
Genres: Motet
Source Attribution: [Manchicourt]
31 Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc Larchier
Appears on: 31
Genres: Motet
Source Attribution: Larchier
31v Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet Clemens non Papa
Appears on: 31v
Genres: Motet
Source Attribution: Clemens non Papa
32 Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quo progrederis quasi [Clemens non Papa]
Appears on: 32
Genres: Motet
Source Attribution: [Clemens non Papa]
32v Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine Cle. non Papa
Appears on: 32v
Genres: Motet
Source Attribution: Cle. non Papa
33 Constitues eos principes super omnem terram [Gombert]
Appears on: 33
Genres: Motet
Source Attribution: [Gombert]
33v Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos Larchier
Appears on: 33v
Genres: Motet
Source Attribution: Larchier
34–34v Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est Clemens non Papa
Appears on: 34–34v
Genres: Motet
Source Attribution: Clemens non Papa
35 Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum Cle. non Papa
Appears on: 35
Genres: Motet
Source Attribution: Cle. non Papa
35v Ave maris stella - 1a pars (of 2): Ave maris stella Dei mater alma atque [Appenzeller]
Appears on: 35v
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
36 Philippe qui videt me alleluia (6vv, M84) [Senfl]
Appears on: 36
Genres: Alleluia, Motet
Source Attribution: [Senfl]
36v Je n'ai quelque cause de joie [Wismes]
Appears on: 36v
Genres: Chanson
Source Attribution: [Wismes]
37 Virgo prudentissima - 2a pars (of 2): Pulchra es amica mea et macula [Clemens non Papa]
Appears on: 37
Genres: Motet
Source Attribution: [Clemens non Papa]
37v Ave maris stella - 2a pars (of 2): Virgo singularis inter omnes mitis [Appenzeller]
Appears on: 37v
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
38 blank page - -

blank page

Appears on: 38
38v Christ ist erstanden von der marter alle Frantzeisscus [Amsfortius]
Appears on: 38v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Frantzeisscus [Amsfortius]
38v Christ ist erstanden von der marter alle Johan Paston
Appears on: 38v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Johan Paston
39–39v Zu Gott mein Trost allein ich stell (2p. Sonst anders kein Heiland nicht ist) Anon. Anonymous
Appears on: 39–39v
Genres: Motet
Source Attribution: Anon.
40 Toujours leal a ma maitresse tant que au corps [Courtois]
Appears on: 40
Genres: Chanson
Source Attribution: [Courtois]
40v, 41v Christ lag in Todesbanden für unser Sünd Johan Paston
Appears on: 40v, 41v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Johan Paston
40v, 41v Congratulamini mihi omnes (2p. Tulerunt Dominum) [Lassus]
Appears on: 40v, 41v
Genres: Motet
Source Attribution: [Lassus]
42 Quare tristis es anima mea [Lassus]
Appears on: 42
Genres: Motet
Source Attribution: [Lassus]
42v Vous qui Anon. Anonymous

Vous qui

Anonymous
Appears on: 42v
Genres: Chanson
Source Attribution: Anon.
43 Se pur ti guardo dolce anima mia Anon. Anonymous
Appears on: 43
Genres: Italian secular
Source Attribution: Anon.
43v Mentre per questi monti Anon. Anonymous
Appears on: 43v
Genres: Chanson
Source Attribution: Anon.
44 Sancta Trinitas unus Deus miserere nobis (6vv) [Craen/C. Festa/ A. Févin/Josquin/ Morales]-[Bruck]
Appears on: 44
Genres: Motet
Source Attribution: [Craen/C. Festa/ A. Févin/Josquin/ Morales]-[Bruck]
44v An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen [Wannenmacher]
Appears on: 44v
Genres: Song
Source Attribution: [Wannenmacher]
44v Ein Kindelein so löbelich / Der Tag ist so freudenreich Anon. Anonymous
Appears on: 44v
Genres: Motet, Sacred Song
Source Attribution: Anon.
45 In dulci jubilo nun singet und seid froh [Abell]
Appears on: 45
Genres: Motet
Source Attribution: [Abell]
45v Gelobet seist Du, Jesu Christ, dass Du Mensch Anon. Anonymous
Appears on: 45v
Genres: Chorale, Sacred Song
Source Attribution: Anon.
46–87 blank pages - -

blank pages

Appears on: 46–87
87v O mors inevitabilis mors amara mors crudelis Ieronimus Vindter [= Vinders]
Appears on: 87v
Genres: Motet
Source Attribution: Ieronimus Vindter [= Vinders]
88 Ego flos campi et lilium convalium Clemens non Papa
Appears on: 88
Genres: Motet
Source Attribution: Clemens non Papa
88v Was wird es doch des wunders noch [S329 - 4vv/7vv] [Senfl]
Appears on: 88v
Genres: Song
Source Attribution: [Senfl]
88v–89 Mich wundert gar hart umb den roten Anon. Anonymous
Appears on: 88v–89
Genres: Song
Source Attribution: Anon.
89v–90 Parcere prostratis Anon. Anonymous

Parcere prostratis

Anonymous
Appears on: 89v–90
Genres: Motet
Source Attribution: Anon.
90v Wer ich ein falck so wolt ich mich Anon. Anonymous
Appears on: 90v
Genres: Song
Source Attribution: Anon.
91 Nesciens mater virgo virum peperit T: Stolzer
Appears on: 91
Genres: Motet
Source Attribution: T: Stolzer
91v–108 blank pages - -

blank pages

Appears on: 91v–108
108v Mon petit coeur n'est pas a moi [Rore]
Appears on: 108v
Genres: Chanson
Source Attribution: [Rore]
109 Amour au coeur me poingt quand bien [Clemens non Papa]
Appears on: 109
Genres: Chanson
Source Attribution: [Clemens non Papa]
109v Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 109v
Genres: Motet
Source Attribution: [Phinot]
110–110v Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (8vv) [Clemens non Papa/ Crecquillon]
Appears on: 110–110v
Genres: Motet
Source Attribution: [Clemens non Papa/ Crecquillon]
111 Su su su / A la battaglia Anon. Anonymous
Appears on: 111
Genres: Italian secular
Source Attribution: Anon.
111v Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 111v
Genres: Motet
Source Attribution: [Gombert/Josquin]
112–149 blank pages - -

blank pages

Appears on: 112–149
149v–153 Welsch danz Anon. Anonymous

Welsch danz

Anonymous
Appears on: 149v–153
Genres: Dance
Source Attribution: Anon.
149v–153 English dance Anon. Anonymous

English dance

Anonymous
Appears on: 149v–153
Genres: Dance
Source Attribution: Anon.
149v–153 23 other untitled dances Anon. Anonymous
Appears on: 149v–153
Genres: Dance
Source Attribution: Anon.
153v–158 blank pages - -

blank pages

Appears on: 153v–158
159 [untexted piece] Anon. Anonymous

[untexted piece]

Anonymous
Appears on: 159
Genres: textless
Source Attribution: Anon.
159–163v blank pages - -

blank pages

Appears on: 159–163v
Composer Compositions
Abell, David (fl. 16th century)
Amsfortius, Franciscus Marcellus
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Baston, Josquin (fl. 1542–63)
Beutel (Bultel), Jacob
Briant, Denis
Bruck, Arnold von (ca. 1500–1554)
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Courtois, Jean (fl. 1530-1545)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Crespel, Jean
Despres, Josquin (ca. 1450–1521)
Eckel, Matthias
Fevin, Antoine de (ca. 1470–ca. 1512)
Galli, Antonius
Gombert, Nicolas (ca. 1495–ca. 1560)
Hollander, Christian
Jonckers, Maistre Gosse
Larchier, Jean
Lassus, Orlande de (ca. 1532–1594)
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Morales, Cristóbal de (ca. 1500–1553)
Pastrana, Pedro de (1490–ca. 1558)
Petit (de Latre), Jehan
Phinot, Dominique
Rore, Cipriano de (ca. 1515–1565)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Tubal, Adrian
Vinders, Jheronimus (fl. c1525-1526)
Waelrant, Hubert (ca. 1517–1595)
Walter, Johann (1496–1570)
Wannenmacher, Johannes (ca. 1485–1551)
Willaert, Adrian (ca. 1490–1562)
Wisme (Vuismes), Nicholas de
Composition Composers (? Uncertain) Folios / Pages
23 other untitled dances Anonymous 149v–153
[untexted piece] Anonymous 159
[untexted] Anonymous 2
A qui me dois je retirer Puisque mon ami 23
Amour au coeur me poingt quand bien 109
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen 44v
Arousez vous violettes? Anonymous 14
Au departir triste deuil a presse Anonymous 6v
Ave maris stella - 1a pars (of 2): Ave maris stella Dei mater alma atque 35v
Ave maris stella - 2a pars (of 2): Virgo singularis inter omnes mitis 37v
Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) 6
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 9v
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet 11v
Celle que m'a tant pourmene a eu pitie 4v
Christ ist erstanden von der marter alle 38v
Christ ist erstanden von der marter alle 38v
Christ lag in Todesbanden für unser Sünd 40v, 41v
Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna 20v
Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia 22–22v
Congratulamini mihi omnes (2p. Tulerunt Dominum) 40v, 41v
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 15
Congregati sunt - 2a pars (of 2): Tua est potentia tuum regnum Domine 17v
Constitues eos principes super omnem terram 33
Creator omnium Deus (6vv) 7
D'amour me plains et non de vous m'amie 3
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 8v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 10v
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit 16v
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus 18v
Ecce Dominus veniet nolite timere 14.5 25
Ecce nunc benedicite Dominum omnes servi Domini 10
Ego flos campi et lilium convalium 88
Ein Kindelein so löbelich / Der Tag ist so freudenreich Anonymous 44v
En quam honesta et jucunda res est 1v
Engelbocgen dantz Anonymous 1
English dance Anonymous 149v–153
Forte fortune fors un vouloir 12
Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu 28
Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari 30
Gelobet seist Du, Jesu Christ, dass Du Mensch Anonymous 45v
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 2
Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine 32v
Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum 35
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit 27v
Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum 29v
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 19
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient 21
In dulci jubilo nun singet und seid froh 45
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio 26v
J'ai veu le cerf du bois saillir et boire 5
Jam non dicam vos servos sed amicos (8vv) 109v
Je n'ai quelque cause de joie 36v
Le content est riche en ce monde 12v
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 31v
Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est 34–34v
Mais languirai-je toujours, vrai Dieu 3v
Me retirer d'elle ne m'est possible 5v
Mentre per questi monti Anonymous 43v
Mich wundert gar hart umb den roten Anonymous 88v–89
Mon petit coeur n'est pas a moi 108v
Nesciens mater virgo virum peperit 91
Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc 31
Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos 33v
O mors inevitabilis mors amara mors crudelis 87v
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 15v
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 17
Parcere prostratis Anonymous 89v–90
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (8vv) 110–110v
Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt 9
Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco 11
Petite camusette à la mort m'avez mis 30.7 7v
Philippe qui videt me alleluia (6vv, M84) 36
Pour souhaitter je ne demande mieulx 30.8 7v
Quae est ista - 1a pars (of 2): Quae est ista quae ascendit sicut sol 24
Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol 23v
Quae est ista - 2a pars (of 2): Ista est speciosa inter filias 26
Quae est ista - 2a pars (of 2): Sicut dies verni circumdabant eam 25v
Quant me souvient de ma triste fortune 8
Quare tristis es anima mea 42
Quem nos merito Periculum ... Inviolata integra Anonymous 15
Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris juva Anonymous 19v–20
Sancta Maria succurre - 2a pars (of 2): Beata Dei genitrix Maria virgo Anonymous 22
Sancta Trinitas unus Deus miserere nobis (6vv) 44
Se pur ti guardo dolce anima mia Anonymous 43
Si me tenes tant de rigueur madame 14v
Si par souffrir je puis avoir du bien 3v
Si seulle estois plaine de desconfort (?= J'ay veu le cerf) 24v
Su su su / A la battaglia Anonymous 111
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 16
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves 17v–18
Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit quesivimus 27
Sustinuimus pacem - 2a pars (of 2): Nos alium Deum nescimus preter Dominum 29
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula 28v
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vinee florentes 30v
Toujours leal a ma maitresse tant que au corps 40
Tous les plaisirs qu'en languer je soubstiens 13v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 111v
Verba mea - 1a pars (of 2): Verba mea auribus percipe Domine intellige 19
Verba mea - 2a pars (of 2): Introibo in domum tuam adorabo 21v
Verbum Domini manet in aeternam 2
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quo progrederis quasi 32
Virgo prudentissima - 2a pars (of 2): Pulchra es amica mea et macula 37
Vivre ne puis sur terre car mort suis 13
Vous qui Anonymous 42v
Was wird es doch des wunders noch [S329 - 4vv/7vv] 88v
Welsch danz Anonymous 149v–153
Wer ich ein falck so wolt ich mich Anonymous 90v
Wir glauben all an einen Gott [Credo] (I) (4vv) 2v
Zu Gott mein Trost allein ich stell (2p. Sonst anders kein Heiland nicht ist) Anonymous 39–39v

denotes primary source study

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191,218-9,442,460,489-90,546. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971,  London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI, 94. Notes: mention of MS.

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers.  The Hague. Pages: 337-44. Notes: physical description; contents list; incipitsst of contents (partial).

Jeppesen, Knud (editor). 1933-. Dania Sonans.  Copenhagen, Leipzig, and Egtved. Pages: IV,30-l, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hammerich, Angui. 1921. Dansk Musikhistorie indtil ca. 1700.  Copenhagen. Pages: 130ff. Notes: physical description.

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