DK-Kk R.155 (previously MS Gamle kongelige Samling 1873, 4° [Quintus])

Det Kongelige Bibliotek, Copenhagen (København), Denmark

partbook: 1556

Archive Det Kongelige Bibliotek, Copenhagen (København), Denmark (DK-Kk)
Shelfmark R.155 (previously MS Gamle kongelige Samling 1873, 4° [Quintus])
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements c. 188 x 248 mm
Other Identifiers
  • CCM: CopKB 1873
  • olim (Former shelfmark): MS Gamle kongelige Samling 1873, 4°
Relationships
External Authorities
Provenance
Contents 171 pieces from 53 composers
General Description

A Quintus partbook from a set originally of six volumes. Contents broadly organised in sections by number of voices: 5vv, then 6, 7 and 8vv. Where compositions are in 2 partes, the 2a pars is often separated from the 1a pars. Copied for the Danish court chapel in Copenhagen (CreAC). Much of the repertory was copied from Phalèse prints of 1553-5.

DIAMM, 2025
Extent

D 194ff; T 170ff; B 178ff; Q 177ff; S 163ff.

DIAMM, 2025
Binding

Covers of brown tooled leather on wood, with clasps. Several layers, in several hands.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: pieces numbered

DIAMM, 2017
Foliation

Old and new foliation

DIAMM, 2017
Decoration

monogram of King Christian III of Denmark, and monogram of Erhart Herdegen [= Erhart Trommeter, employed at the Danish court chapel - HammD]. Gilt-edged pages.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

62 motets, 13 German sacred pieces, I German/Latin sacred piece (with Latin incipit only in this source), 50 French secular pieces, 5 German secular pieces, 2 Italian secular pieces (all of the preceding have text incipits or titles only), 29 textless pieces = 162

[The second parts for many of the motets are copied in separate groups, but the first and second parts are counted as single pieces in the above summary].

Amsfortius [Franzeisscus]-2, (Baston)-3, (Braetel)-1, (Briant)-1, (Beutel)-1, Canis-3, (Chastelain)-1, Clemens non Papa-20, (Cornel de Milan)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Crecquillon-12, Crespel-6, (Ducis)-1, Eckel-1, (C. Festa)-1, (A. Févin)-1, Gombert-2, (Hellinck)-1, C. Hollander-3, (Janequin/Verdelot)-1, (Jaquet of Mantua)-1, Jhan of Ferrara [Galli]-1, Josquin-8, L'Archier-2, (Lattre)-1, (Le Cocq)-1, Lupi-1, (Manchicourt)-4, Morales-1, Paston-2, (Phinot)-1, (Senfl)-4, Stoltzer-1, Tubal-1, Vinders [Vindtner]-1, (Waelrant)-2, (Walter)-3, (Wannenmacher)-1, (Willaert)-1, (Wismes)-2, anon-62

5 paper partbooks of an original 6 (D-ii + 194 folios, T-ii + 170, B-i + 103, Q-ii + 177, Sii + 164), ca. 188 x 248 (B measures 182 x 256). Old and new foliation; pieces numbered. Covers of brown tooled leather on wood, with clasps. Several layers, in several hands. Gilt-edged pages. Manuscript contains date 1556, monogram of King Christian III of Denmark, and monogram of Erhart Herdegen [= Erhart Trommeter, employed at the Danish court chapel - HammD]. Instruments are specified for some of the pieces. Manuscript is related to CopKB 1872. Much of the repertory was copied from Phalèse prints of 1553-5.

Copying begun in 1556. Copied for the Danish court chapel in Copenhagen (CreAC).

Vol. 4

Contents: 59 motets,* 10 German sacred pieces, 1 German/Latin sacred piece (with Latin incipit only in this source), 52 French secular pieces, 5 German secular pieces, 6 Italian secular pieces (all of preceding have text incipits or titles only, or are without text or title in this source), 31 textless pieces = 164

*Second partes for some motets copied separately in this source, but first and second partes counted as single items in above summary.

Composers: (Abell)-1, Amsfortius [Frantzeisscus]-1, (Appenzeller)-1, (Arcadelt) -1, (Baston)-2, (Baston/Cleve)-1, (Beutel)-1, (Braetel)-1, (Briant)-1, Canis-3, (Chastelain)-1, Clemens non Papa-19, (Clemens non Papa/Crecquillon)-1, (Cornel de Milan)-1, (Courtois)-1, (Craen/C. Festa/A. Févin/Josquin/Morales) -1 [2 voices added by Bruck], Crecquillon-13, Crespel-6, Eckel-1, (C. Festa)-1, (A. Févin)-1, Gombert-3, (Gombert/Josquin)-1, (Grefinger/Senfl)-1, (Hellinck/Senfl/Verdelot)-1, C. Hollander-S, Qanequin-Verdelot)-1, (Jaquet of Mantua)-1, Josquin-8, (Josquin/Senfl)-2, L'Archier-2, (Lassus)-2, (Lattre)-1, Le Cocq [Galli]-1, (Gerard Le Cocq)-1, Lupi-1, (Manchicourt)-4, Morales-1, Paston-2, (Phinot)-1, (Rore)-1, (Senfl)-2, Stoltzer-1, Tubal-1, (Verdelot)-1, Vinders [Ieronimus Vindter]-1, (Waelrant)-2, (Walter)-3, (Wannenmacher)-1, (Willaert)-1, (Wismes)-2, anon-52

DIAMM, 2025

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Le bon espoir que j'ai de parvenir [Baston]
Appears on: 1
Genres: Chanson
Source Attribution: [Baston]
1v Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo [Crecquillon]
Appears on: 1v
Genres: Motet
Source Attribution: [Crecquillon]
2 Adjuva nos Deus salutaris noster [Crecquillon]
Appears on: 2
Genres: Motet
Source Attribution: [Crecquillon]
2v Un coeur en deuil je porte en un champ [Gerard Le Cocq]
Appears on: 2v
Genres: Chanson
Source Attribution: [Gerard Le Cocq]
3 J'ai veu sans yeulx morir un mort [Crecquillon]
Appears on: 3
Genres: Chanson
Source Attribution: [Crecquillon]
3v Dieu me fault il tant de mal supporter [Crecquillon]
Appears on: 3v
Genres: Chanson
Source Attribution: [Crecquillon]
4 Laultrier mi cheminoie mon chemin devers [Clemens non Papa]
Appears on: 4
Genres: Chanson
Source Attribution: [Clemens non Papa]
4v Chant musical in'ention divine n'est desprise [Crespel]
Appears on: 4v
Genres: Chanson
Source Attribution: [Crespel]
5 Je changeray quoy qu'il m'en doibt advenir [Crecquillon]
Appears on: 5
Genres: Chanson
Source Attribution: [Crecquillon]
5v Vostre a jamais par heritage me poves [Baston]
Appears on: 5v
Genres: Chanson
Source Attribution: [Baston]
6 Belle donne moi un regard tant seullement [Canis]
Appears on: 6
Genres: Chanson
Source Attribution: [Canis]
6v Dites pourquoi vostre amitié se fache [Crecquillon]
Appears on: 6v
Genres: Chanson
Source Attribution: [Crecquillon]
7 Je ne desire que la mortt Puisque je vis [Chastelain]
Appears on: 7
Genres: Chanson
Source Attribution: [Chastelain]
7v [untexted] Anon. Anonymous

[untexted]

Anonymous
Appears on: 7v
Genres: textless
Source Attribution: Anon.
7v Pardonne moi madame et ma maistresse [Crecquillon]
Appears on: 7v
Genres: Chanson
Source Attribution: [Crecquillon]
8 O triste ennuye qui me tient en souffrance [Crecquillon]
Appears on: 8
Genres: Chanson
Source Attribution: [Crecquillon]
8v Pour parvenir bon peid bon oeil avoir [Canis]
Appears on: 8v
Genres: Chanson
Source Attribution: [Canis]
9 A l'advenir tousjours je poursuyvray [Crespel]
Appears on: 9
Genres: Chanson
Source Attribution: [Crespel]
9v Sur toutes fleurs j'aime la marguerite [Crespel]
Appears on: 9v
Genres: Chanson
Source Attribution: [Crespel]
10 Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate [Clemens non Papa]
Appears on: 10
Genres: Motet
Source Attribution: [Clemens non Papa]
10v Or puisqu' ennuye te detient en souffrance [Crecquillon]
Appears on: 10v
Genres: Chanson
Source Attribution: [Crecquillon]
11 Dame d'honneur de beauté l'outre passe [Crespel]
Appears on: 11
Genres: Chanson
Source Attribution: [Crespel]
11v Le departier est sans departement [Cornel de Milan]
Appears on: 11v
Genres: Chanson
Source Attribution: [Cornel de Milan]
12 Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) [Josquin]
Appears on: 12
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
12v Tua est potentia tuum regnum Dominus 26.17 [Mouton]
Appears on: 12v
Genres: Motet
Source Attribution: [Mouton]
13 Dormend' un giorno a Baia a l'ombr' Amore [Verdelot]
Appears on: 13
Genres: Madrigal (Italian)
Source Attribution: [Verdelot]
13v Je lay ayme et tousjours laymeray le mien [C. Hollander]
Appears on: 13v
Genres: Chanson
Source Attribution: [C. Hollander]
14 Aimer est ma vie en despit d'ennuye [Clemens non Papa]
Appears on: 14
Genres: Chanson
Source Attribution: [Clemens non Papa]
14v Je changerai quelque chose qu'on pense Crequilon
Appears on: 14v
Genres: Chanson
Source Attribution: Crequilon
15 Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus Lupi
Appears on: 15
Genres: Motet
Source Attribution: Lupi
15v La [Las] non ailleurs le triste coeur demeure Clemens non Papa
Appears on: 15v
Genres: Chanson
Source Attribution: Clemens non Papa
16–17 Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) [Josquin]
Appears on: 16–17
Genres: Motet, Stabat Mater
Source Attribution: [Josquin]
17–18 In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) [Hellinck/Senfl/Verdelot]
Appears on: 17–18
Genres: Motet
Source Attribution: [Hellinck/Senfl/Verdelot]
18v–19 Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 [Josquin]
Appears on: 18v–19
Genres: Motet
Source Attribution: [Josquin]
19v–20 De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) [Josquin/Senfl]
Appears on: 19v–20
Genres: Motet
Source Attribution: [Josquin/Senfl]
21 Misit me vivens pater et ego vivo propter (2p. Cibavit me Dominus pane vitae) [Clemens non Papa]
Appears on: 21
Genres: Motet
Source Attribution: [Clemens non Papa]
21v Nun bitten wir den heiligen geist (6vv) [Walter]
Appears on: 21v
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
22v Amor se mai Anon. Anonymous

Amor se mai

Anonymous
Appears on: 22v
Genres: Italian secular
Source Attribution: Anon.
23v–24 Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) [Baston/Cleve]
Appears on: 23v–24
Genres: Motet
Source Attribution: [Baston/Cleve]
24v–25 Ite in orbem universum praedicate dicentes (2p. Signa eos qui in me credent) Clemens non Papa
Appears on: 24v–25
Genres: Motet
Source Attribution: Clemens non Papa
25v–26v Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) [Clemens non Papa]
Appears on: 25v–26v
Genres: Motet
Source Attribution: [Clemens non Papa]
27 Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) [C. Festa]
Appears on: 27
Genres: Motet
Source Attribution: [C. Festa]
27v–29 Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) [Janequin-Verdelot]
Appears on: 27v–29
Genres: Chanson
Source Attribution: [Janequin-Verdelot]
29v Ach Maidlein rein ich hab allein [Grefinger/Senfl]
Appears on: 29v
Genres: Song
Source Attribution: [Grefinger/Senfl]
30–62v blank pages - -

blank pages

Appears on: 30–62v
63 En quam honesta et jucunda res est Anon.
Appears on: 63
Genres: Motet
Source Attribution: Anon.
63v Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] [Josquin]
Appears on: 63v
Genres: Chanson, Contrafactum, Motet
Source Attribution: [Josquin]
64 Verbum Domini manet in aeternam [Walter]
Appears on: 64
Genres: Motet
Source Attribution: [Walter]
64v Wir glauben all an einen Gott [Credo] (I) (4vv) [Walter]
Appears on: 64v
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: [Walter]
65 So ich betracht und acht der alten Gesang [Braetel]
Appears on: 65
Genres: Song
Source Attribution: [Braetel]
65v D'amour me plains et non de vous m'amie [LvArchier]
Appears on: 65v
Genres: Chanson
Source Attribution: [LvArchier]
66 Si par souffrir je puis avoir du bien [Clemens non Papa]
Appears on: 66
Genres: Chanson
Source Attribution: [Clemens non Papa]
66v Mais languirai-je toujours, vrai Dieu [Waelrant]
Appears on: 66v
Genres: Chanson
Source Attribution: [Waelrant]
67 Celle que m'a tant pourmene a eu pitie [C. Hollander]
Appears on: 67
Genres: Chanson
Source Attribution: [C. Hollander]
67v Hellas dama Anon. Anonymous

Hellas dama

Anonymous
Appears on: 67v
Genres: Chanson
Source Attribution: Anon.
68 J'ai veu le cerf du bois saillir et boire [Crespel]
Appears on: 68
Genres: Chanson
Source Attribution: [Crespel]
68v Me retirer d'elle ne m'est possible [Clemens non Papa]
Appears on: 68v
Genres: Chanson
Source Attribution: [Clemens non Papa]
69–69v Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) [Clemens non Papa]
Appears on: 69–69v
Genres: Motet
Source Attribution: [Clemens non Papa]
70 Au departir triste deuil a presse Anon. Anonymous
Appears on: 70
Genres: Chanson
Source Attribution: Anon.
70v N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 [Josquin]
Appears on: 70v
Genres: Chanson
Source Attribution: [Josquin]
71 Creator omnium Deus (6vv) [Willaert]
Appears on: 71
Genres: Motet
Source Attribution: [Willaert]
71v Pour souhaitter je ne demande mieulx 30.8 [Josquin]
Appears on: 71v
Genres: Chanson
Source Attribution: [Josquin]
72–72v Petite camusette à la mort m'avez mis 30.7 [Josquin]
Appears on: 72–72v
Genres: Chanson
Source Attribution: [Josquin]
73 Quant me souvient de ma triste fortune [Briant]
Appears on: 73
Genres: Chanson
Source Attribution: [Briant]
73 Fors seulement l'attente que je meure 27.10 [A. Févin/Josquin]
Appears on: 73
Genres: Chanson
Source Attribution: [A. Févin/Josquin]
73v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crequillon
Appears on: 73v
Genres: Motet
Source Attribution: Crequillon
74 Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt Gomberth
Appears on: 74
Genres: Motet
Source Attribution: Gomberth
74v Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Morales
Appears on: 74v
Genres: Motet
Source Attribution: Morales
75 Ecce nunc benedicite Dominum omnes servi Domini Matthias Eckel
Appears on: 75
Genres: Motet
Source Attribution: Matthias Eckel
75v Recordare Domine testamenti tui et dic [Arcadelt]
Appears on: 75v
Genres: Motet
Source Attribution: [Arcadelt]
76 Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea Crequillon
Appears on: 76
Genres: Motet
Source Attribution: Crequillon
76v Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco Gomberth
Appears on: 76v
Genres: Motet
Source Attribution: Gomberth
77 Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet Morales
Appears on: 77
Genres: Motet
Source Attribution: Morales
77v Forte fortune fors un vouloir [C.] Hollandre
Appears on: 77v
Genres: Chanson
Source Attribution: [C.] Hollandre
78 Le content est riche en ce monde Crespel
Appears on: 78
Genres: Chanson
Source Attribution: Crespel
78v Vivre ne puis sur terre car mort suis Galli [= Le Cocq]
Appears on: 78v
Genres: Chanson
Source Attribution: Galli [= Le Cocq]
79 Tous les plaisirs qu'en languer je soubstiens Tubal
Appears on: 79
Genres: Chanson
Source Attribution: Tubal
79v Arousez vous violettes? Anon. Anonymous
Appears on: 79v
Genres: Chanson
Source Attribution: Anon.
80 blank page - -

blank page

Appears on: 80
80v Si me tenes tant de rigueur madame Crequillon
Appears on: 80v
Genres: Chanson
Source Attribution: Crequillon
81 Quem nos merito Periculum ... Inviolata integra Anon. Anonymous
Appears on: 81
Genres: Motet
Source Attribution: Anon.
81v Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine Gombert
Appears on: 81v
Genres: Motet
Source Attribution: Gombert
82 blank page - -

blank page

Appears on: 82
82v Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Crequillon
Appears on: 82v
Genres: Motet
Source Attribution: Crequillon
83 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Jaquet of Mantua]
Appears on: 83
Genres: Motet
Source Attribution: [Jaquet of Mantua]
83v Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Canis
Appears on: 83v
Genres: Motet
Source Attribution: Canis
84 O Maria vernans - 1a pars (of 2): O Maria vernans rosa porta caeli speciosa Clemens [non Papa]
Appears on: 84
Genres: Motet
Source Attribution: Clemens [non Papa]
84v Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt Gombert
Appears on: 84v
Genres: Motet
Source Attribution: Gombert
85 Congregati sunt - 2a pars (of 2): Tua est potentia tuum regnum Domine Crequillon
Appears on: 85
Genres: Motet
Source Attribution: Crequillon
85v Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves [Jaquet of Mantua]
Appears on: 85v
Genres: Motet
Source Attribution: [Jaquet of Mantua]
86 Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus Canis
Appears on: 86
Genres: Motet
Source Attribution: Canis
86v O Maria vernans - 2a pars (of 2): Tu lux pulchra Clemens [non Papa]
Appears on: 86v
Genres: Motet
Source Attribution: Clemens [non Papa]
87 Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum [Manchicourt]
Appears on: 87
Genres: Motet
Source Attribution: [Manchicourt]
87v Verba mea - 1a pars (of 2): Verba mea auribus percipe Domine intellige [Waelrant]
Appears on: 87v
Genres: Motet
Source Attribution: [Waelrant]
88 Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris juva Anon. Anonymous
Appears on: 88
Genres: Motet
Source Attribution: Anon.
88v Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna [Clemens non Papa]
Appears on: 88v
Genres: Motet
Source Attribution: [Clemens non Papa]
89 Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient [Manchicourt]
Appears on: 89
Genres: Motet
Source Attribution: [Manchicourt]
89v Verba mea - 2a pars (of 2): Introibo in domum tuam adorabo [Waelrant]
Appears on: 89v
Genres: Motet
Source Attribution: [Waelrant]
90 Sancta Maria succurre - 2a pars (of 2): Beata Dei genitrix Maria virgo Anon. Anonymous
Appears on: 90
Genres: Motet
Source Attribution: Anon.
90v Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia [Clemens non Papa]
Appears on: 90v
Genres: Motet
Source Attribution: [Clemens non Papa]
91 A qui me dois je retirer Puisque mon ami [Clemens non Papa]
Appears on: 91
Genres: Chanson
Source Attribution: [Clemens non Papa]
91v Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol [Wismes]
Appears on: 91v
Genres: Motet
Source Attribution: [Wismes]
92 Quae est ista - 1a pars (of 2): Quae est ista quae ascendit sicut sol [Manchicourt]
Appears on: 92
Genres: Motet
Source Attribution: [Manchicourt]
92v Si seulle estois plaine de desconfort (?= J'ay veu le cerf) [Lattre]
Appears on: 92v
Genres: Chanson
Source Attribution: [Lattre]
93 Ecce Dominus veniet nolite timere 14.5 [Jonckers/Josquin/ Senfl]
Appears on: 93
Genres: Motet
Source Attribution: [Jonckers/Josquin/ Senfl]
93v Quae est ista - 2a pars (of 2): Sicut dies verni circumdabant eam [Wismes]
Appears on: 93v
Genres: Motet
Source Attribution: [Wismes]
94 blank page - -

blank page

Appears on: 94
94v Quae est ista - 2a pars (of 2): Ista est speciosa inter filias [Manchicourt]
Appears on: 94v
Genres: Motet
Source Attribution: [Manchicourt]
95–96 In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio Josquin
Appears on: 95–96
Genres: Motet
Source Attribution: Josquin
96v Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit quesivimus [Manchicourt]
Appears on: 96v
Genres: Motet
Source Attribution: [Manchicourt]
97 blank page - -

blank page

Appears on: 97
97v Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit [Beutel]
Appears on: 97v
Genres: Motet
Source Attribution: [Beutel]
98 Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu [Clemens non Papa]
Appears on: 98
Genres: Motet
Source Attribution: [Clemens non Papa]
98v Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula [Manchicourt]
Appears on: 98v
Genres: Motet
Source Attribution: [Manchicourt]
99 Sustinuimus pacem - 2a pars (of 2): Nos alium Deum nescimus preter Dominum [Manchicourt]
Appears on: 99
Genres: Motet
Source Attribution: [Manchicourt]
99v Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum [Beutel]
Appears on: 99v
Genres: Motet
Source Attribution: [Beutel]
100 Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari [Clemens non Papa]
Appears on: 100
Genres: Motet
Source Attribution: [Clemens non Papa]
100v Tota pulchra es - 2a pars (of 2): Flores apparuerunt vinee florentes [Manchicourt]
Appears on: 100v
Genres: Motet
Source Attribution: [Manchicourt]
101 Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc Larchier
Appears on: 101
Genres: Motet
Source Attribution: Larchier
101v Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet Clemens non Papa
Appears on: 101v
Genres: Motet
Source Attribution: Clemens non Papa
102 Constitues eos principes super omnem terram [Gombert]
Appears on: 102
Genres: Motet
Source Attribution: [Gombert]
102v Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine Cle. non Papa
Appears on: 102v
Genres: Motet
Source Attribution: Cle. non Papa
103 Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos Larchier
Appears on: 103
Genres: Motet
Source Attribution: Larchier
103v–104 Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est Clemens non Papa
Appears on: 103v–104
Genres: Motet
Source Attribution: Clemens non Papa
104v Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum Cle. non Papa
Appears on: 104v
Genres: Motet
Source Attribution: Cle. non Papa
105 Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quo progrederis quasi [Clemens non Papa]
Appears on: 105
Genres: Motet
Source Attribution: [Clemens non Papa]
105v blank page - -

blank page

Appears on: 105v
106 Ave maris stella - 1a pars (of 2): Ave maris stella Dei mater alma atque [Appenzeller]
Appears on: 106
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
106v Philippe qui videt me alleluia (6vv, M84) [Senfl]
Appears on: 106v
Genres: Alleluia, Motet
Source Attribution: [Senfl]
107 Je n'ai quelque cause de joie [Wismes]
Appears on: 107
Genres: Chanson
Source Attribution: [Wismes]
107v–108 Virgo prudentissima - 2a pars (of 2): Pulchra es amica mea et macula [Clemens non Papa]
Appears on: 107v–108
Genres: Motet
Source Attribution: [Clemens non Papa]
108v Ave maris stella - 2a pars (of 2): Virgo singularis inter omnes mitis [Appenzeller]
Appears on: 108v
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
109 Christ ist erstanden von der marter alle Frantzeisscus [Amsfortius]
Appears on: 109
Genres: Hymn, Motet, Sacred Song
Source Attribution: Frantzeisscus [Amsfortius]
109v blank page - -

blank page

Appears on: 109v
110 Christ ist erstanden von der marter alle Johan Paston
Appears on: 110
Genres: Hymn, Motet, Sacred Song
Source Attribution: Johan Paston
110v–111 Zu Gott mein Trost allein ich stell (2p. Sonst anders kein Heiland nicht ist) Anon. Anonymous
Appears on: 110v–111
Genres: Motet
Source Attribution: Anon.
111v Toujours leal a ma maitresse tant que au corps [Courtois]
Appears on: 111v
Genres: Chanson
Source Attribution: [Courtois]
112–112v Christ lag in Todesbanden für unser Sünd Johan Paston
Appears on: 112–112v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Johan Paston
112–112v Congratulamini mihi omnes (2p. Tulerunt Dominum) [Lassus]
Appears on: 112–112v
Genres: Motet
Source Attribution: [Lassus]
113 Quare tristis es anima mea [Lassus]
Appears on: 113
Genres: Motet
Source Attribution: [Lassus]
113v Vous qui Anon. Anonymous

Vous qui

Anonymous
Appears on: 113v
Genres: Chanson
Source Attribution: Anon.
114 Mentre per questi monti Anon. Anonymous
Appears on: 114
Genres: Chanson
Source Attribution: Anon.
114v Se pur ti guardo dolce anima mia Anon. Anonymous
Appears on: 114v
Genres: Italian secular
Source Attribution: Anon.
115 Sancta Trinitas unus Deus miserere nobis (6vv) [Craen/C. Festa/ A. Févin/Josquin/ Morales]-[Bruck]
Appears on: 115
Genres: Motet
Source Attribution: [Craen/C. Festa/ A. Févin/Josquin/ Morales]-[Bruck]
115v An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen [Wannenmacher]
Appears on: 115v
Genres: Song
Source Attribution: [Wannenmacher]
116 Ein Kindelein so löbelich / Der Tag ist so freudenreich Anon. Anonymous
Appears on: 116
Genres: Motet, Sacred Song
Source Attribution: Anon.
116v In dulci jubilo nun singet und seid froh [Abell]
Appears on: 116v
Genres: Motet
Source Attribution: [Abell]
117 Gelobet seist Du, Jesu Christ, dass Du Mensch Anon. Anonymous
Appears on: 117
Genres: Chorale, Sacred Song
Source Attribution: Anon.
117v–137v blank pages - -

blank pages

Appears on: 117v–137v
138 O mors inevitabilis mors amara mors crudelis Ieronimus Vindter [= Vinders]
Appears on: 138
Genres: Motet
Source Attribution: Ieronimus Vindter [= Vinders]
138v Ego flos campi et lilium convalium Clemens non Papa
Appears on: 138v
Genres: Motet
Source Attribution: Clemens non Papa
139 Mich wundert gar hart umb den roten Anon. Anonymous
Appears on: 139
Genres: Song
Source Attribution: Anon.
139v Parcere prostratis Anon. Anonymous

Parcere prostratis

Anonymous
Appears on: 139v
Genres: Motet
Source Attribution: Anon.
140 Was wird es doch des wunders noch [S329 - 4vv/7vv] [Senfl]
Appears on: 140
Genres: Song
Source Attribution: [Senfl]
140v Wer ich ein falck so wolt ich mich Anon. Anonymous
Appears on: 140v
Genres: Song
Source Attribution: Anon.
141 Nesciens mater virgo virum peperit T: Stolzer
Appears on: 141
Genres: Motet
Source Attribution: T: Stolzer
141v–153v blank pages - -

blank pages

Appears on: 141v–153v
154 Mon petit coeur n'est pas a moi [Rore]
Appears on: 154
Genres: Chanson
Source Attribution: [Rore]
154v Amour au coeur me poingt quand bien [Clemens non Papa]
Appears on: 154v
Genres: Chanson
Source Attribution: [Clemens non Papa]
155 Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 155
Genres: Motet
Source Attribution: [Phinot]
155v Tant seullement ton amour je demande [Guyot]
Appears on: 155v
Genres: Chanson
Source Attribution: [Guyot]
156–156v Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (8vv) [Clemens non Papa/ Crecquillon]
Appears on: 156–156v
Genres: Motet
Source Attribution: [Clemens non Papa/ Crecquillon]
157 Su su su / A la battaglia Anon. Anonymous
Appears on: 157
Genres: Italian secular
Source Attribution: Anon.
157v Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 157v
Genres: Motet
Source Attribution: [Gombert/Josquin]
158–164v blank pages - -

blank pages

Appears on: 158–164v
165–167v Welsch danz Anon. Anonymous

Welsch danz

Anonymous
Appears on: 165–167v
Genres: Dance
Source Attribution: Anon.
165–167v English dance Anon. Anonymous

English dance

Anonymous
Appears on: 165–167v
Genres: Dance
Source Attribution: Anon.
165–167v 23 other untitled dances Anon. Anonymous
Appears on: 165–167v
Genres: Dance
Source Attribution: Anon.
168–169v blank pages - -

blank pages

Appears on: 168–169v
170–173? [untexted piece] Anon. Anonymous

[untexted piece]

Anonymous
Appears on: 170–173?
Genres: textless
Source Attribution: Anon.
173v–177v blank pages - -

blank pages

Appears on: 173v–177v
Composer Compositions
Abell, David (fl. 16th century)
Amsfortius, Franciscus Marcellus
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Baston, Josquin (fl. 1542–63)
Beutel (Bultel), Jacob
Bratel, Ulrich
Briant, Denis
Bruck, Arnold von (ca. 1500–1554)
Canis, Cornelius
Chastelain, Charles (ca. 1490–1578)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Courtois, Jean (fl. 1530-1545)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Crespel, Jean
Despres, Josquin (ca. 1450–1521)
Eckel, Matthias
Festa, Costanzo (ca. 1485–1545)
Fevin, Antoine de (ca. 1470–ca. 1512)
Fevin, Robert de (fl. 1500-1515)
Galli, Antonius
Gombert, Nicolas (ca. 1495–ca. 1560)
Grefinger, Wolfgang
Guyot (Castileti), Jean
Hellinck, Lupus (ca. 1494–1541)
Hollander, Christian
Janequin, Clement (ca. 1485–ca. 1558)
Jonckers, Maistre Gosse
Larchier, Jean
Lassus, Orlande de (ca. 1532–1594)
Le Cocq, Gerard
Lupi, Johannes (ca. 1506–1539)
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Milan, Cornelius de
Morales, Cristóbal de (ca. 1500–1553)
Mouton, Jean (ca. 1459–1522)
Pastrana, Pedro de (1490–ca. 1558)
Petit (de Latre), Jehan
Phinot, Dominique
Rore, Cipriano de (ca. 1515–1565)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Tubal, Adrian
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Waelrant, Hubert (ca. 1517–1595)
Walter, Johann (1496–1570)
Wannenmacher, Johannes (ca. 1485–1551)
Willaert, Adrian (ca. 1490–1562)
Wisme (Vuismes), Nicholas de
Composition Composers (? Uncertain) Folios / Pages
23 other untitled dances Anonymous 165–167v
[untexted piece] Anonymous 170–173?
[untexted] Anonymous 7v
A l'advenir tousjours je poursuyvray 9
A qui me dois je retirer Puisque mon ami 91
Ach Maidlein rein ich hab allein 29v
Adjuva nos Deus salutaris noster 2
Aimer est ma vie en despit d'ennuye 14
Amor se mai Anonymous 22v
Amour au coeur me poingt quand bien 154v
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen 115v
Arousez vous violettes? Anonymous 79v
Au departir triste deuil a presse Anonymous 70
Ave maris stella - 1a pars (of 2): Ave maris stella Dei mater alma atque 106
Ave maris stella - 2a pars (of 2): Virgo singularis inter omnes mitis 108v
Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) 69–69v
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 74v
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet 77
Belle donne moi un regard tant seullement 6
Celle que m'a tant pourmene a eu pitie 67
Chant musical in'ention divine n'est desprise 4v
Christ ist erstanden von der marter alle 109
Christ ist erstanden von der marter alle 110
Christ lag in Todesbanden für unser Sünd 112–112v
Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna 88v
Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia 90v
Congratulamini mihi omnes (2p. Tulerunt Dominum) 112–112v
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 82v
Congregati sunt - 2a pars (of 2): Tua est potentia tuum regnum Domine 85
Constitues eos principes super omnem terram 102
Creator omnium Deus (6vv) 71
D'amour me plains et non de vous m'amie 65v
Dame d'honneur de beauté l'outre passe 11
De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) 19v–20
Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) 12
Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo 1v
Dieu me fault il tant de mal supporter 3v
Dites pourquoi vostre amitié se fache 6v
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 73v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 76
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit 83v
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus 86
Dormend' un giorno a Baia a l'ombr' Amore 13
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) 23v–24
Ecce Dominus veniet nolite timere 14.5 93
Ecce nunc benedicite Dominum omnes servi Domini 75
Ego flos campi et lilium convalium 138v
Ein Kindelein so löbelich / Der Tag ist so freudenreich Anonymous 116
En quam honesta et jucunda res est 63
English dance Anonymous 165–167v
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) 27v–29
Fors seulement l'attente que je meure 27.10 73
Forte fortune fors un vouloir 77v
Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu 98
Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari 100
Gelobet seist Du, Jesu Christ, dass Du Mensch Anonymous 117
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 63v
Hellas dama Anonymous 67v
Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine 102v
Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum 104v
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit 97v
Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum 99v
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 87
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient 89
In dulci jubilo nun singet und seid froh 116v
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio 95–96
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) 17–18
Ite in orbem universum praedicate dicentes (2p. Signa eos qui in me credent) 24v–25
J'ai veu le cerf du bois saillir et boire 68
J'ai veu sans yeulx morir un mort 3
Jam non dicam vos servos sed amicos (8vv) 155
Je changerai quelque chose qu'on pense 14v
Je changeray quoy qu'il m'en doibt advenir 5
Je lay ayme et tousjours laymeray le mien 13v
Je n'ai quelque cause de joie 107
Je ne desire que la mortt Puisque je vis 7
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) 27
La [Las] non ailleurs le triste coeur demeure 15v
Laultrier mi cheminoie mon chemin devers 4
Le bon espoir que j'ai de parvenir 1
Le content est riche en ce monde 78
Le departier est sans departement 11v
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 101v
Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est 103v–104
Mais languirai-je toujours, vrai Dieu 66v
Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) 25v–26v
Me retirer d'elle ne m'est possible 68v
Mentre per questi monti Anonymous 114
Mich wundert gar hart umb den roten Anonymous 139
Misit me vivens pater et ego vivo propter (2p. Cibavit me Dominus pane vitae) 21
Mon petit coeur n'est pas a moi 154
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 70v
Nesciens mater virgo virum peperit 141
Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc 101
Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos 103
Nun bitten wir den heiligen geist (6vv) 21v
O Maria vernans - 1a pars (of 2): O Maria vernans rosa porta caeli speciosa 84
O Maria vernans - 2a pars (of 2): Tu lux pulchra 86v
O mors inevitabilis mors amara mors crudelis 138
O triste ennuye qui me tient en souffrance 8
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 81v
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 84v
Or puisqu' ennuye te detient en souffrance 10v
Parcere prostratis Anonymous 139v
Pardonne moi madame et ma maistresse 7v
Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus 15
Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate 10
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (8vv) 156–156v
Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt 74
Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco 76v
Petite camusette à la mort m'avez mis 30.7 72–72v
Philippe qui videt me alleluia (6vv, M84) 106v
Pour parvenir bon peid bon oeil avoir 8v
Pour souhaitter je ne demande mieulx 30.8 71v
Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 18v–19
Quae est ista - 1a pars (of 2): Quae est ista quae ascendit sicut sol 92
Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol 91v
Quae est ista - 2a pars (of 2): Ista est speciosa inter filias 94v
Quae est ista - 2a pars (of 2): Sicut dies verni circumdabant eam 93v
Quant me souvient de ma triste fortune 73
Quare tristis es anima mea 113
Quem nos merito Periculum ... Inviolata integra Anonymous 81
Recordare Domine testamenti tui et dic 75v
Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris juva Anonymous 88
Sancta Maria succurre - 2a pars (of 2): Beata Dei genitrix Maria virgo Anonymous 90
Sancta Trinitas unus Deus miserere nobis (6vv) 115
Se pur ti guardo dolce anima mia Anonymous 114v
Si me tenes tant de rigueur madame 80v
Si par souffrir je puis avoir du bien 66
Si seulle estois plaine de desconfort (?= J'ay veu le cerf) 92v
So ich betracht und acht der alten Gesang 65
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) 16–17
Su su su / A la battaglia Anonymous 157
Sur toutes fleurs j'aime la marguerite 9v
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 83
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves 85v
Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit quesivimus 96v
Sustinuimus pacem - 2a pars (of 2): Nos alium Deum nescimus preter Dominum 99
Tant seullement ton amour je demande 155v
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula 98v
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vinee florentes 100v
Toujours leal a ma maitresse tant que au corps 111v
Tous les plaisirs qu'en languer je soubstiens 79
Tua est potentia tuum regnum Dominus 26.17 12v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 157v
Un coeur en deuil je porte en un champ 2v
Verba mea - 1a pars (of 2): Verba mea auribus percipe Domine intellige 87v
Verba mea - 2a pars (of 2): Introibo in domum tuam adorabo 89v
Verbum Domini manet in aeternam 64
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quo progrederis quasi 105
Virgo prudentissima - 2a pars (of 2): Pulchra es amica mea et macula 107v–108
Vivre ne puis sur terre car mort suis 78v
Vostre a jamais par heritage me poves 5v
Vous qui Anonymous 113v
Was wird es doch des wunders noch [S329 - 4vv/7vv] 140
Welsch danz Anonymous 165–167v
Wer ich ein falck so wolt ich mich Anonymous 140v
Wir glauben all an einen Gott [Credo] (I) (4vv) 64v
Zu Gott mein Trost allein ich stell (2p. Sonst anders kein Heiland nicht ist) Anonymous 110v–111

denotes primary source study

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191,218-9,442,460,489-90,546. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971,  London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI, 94. Notes: mention of MS.

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers.  The Hague. Pages: 337-44. Notes: physical description; contents list; incipitsst of contents (partial).

Jeppesen, Knud (editor). 1933-. Dania Sonans.  Copenhagen, Leipzig, and Egtved. Pages: IV,30-l, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hammerich, Angui. 1921. Dansk Musikhistorie indtil ca. 1700.  Copenhagen. Pages: 130ff. Notes: physical description.

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