DK-Kk R.153 (previously MS Gamle kongelige Samling 1873, 4° [Bassus])

Det Kongelige Bibliotek, Copenhagen (København), Denmark

partbook: 1556

Archive Det Kongelige Bibliotek, Copenhagen (København), Denmark (DK-Kk)
Shelfmark R.153 (previously MS Gamle kongelige Samling 1873, 4° [Bassus])
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements c. 188 x 248 mm
Other Identifiers
  • CCM: CopKB 1873
  • olim (Former shelfmark): MS Gamle kongelige Samling 1873, 4°
Relationships
External Authorities
Provenance
Contents 168 pieces from 52 composers
General Description

A Bassus partbook from a set originally of six volumes. Contents broadly organised in sections by number of voices: 5vv, then 6, 7 and 8vv. Where compositions are in 2 partes, the 2a pars is often separated from the 1a pars. Copied for the Danish court chapel in Copenhagen (CreAC). Much of the repertory was copied from Phalèse prints of 1553-5.

DIAMM, 2025
Extent

D 194ff; T 170ff; B 178ff; Q 177ff; S 163ff.

DIAMM, 2025
Binding

Covers of brown tooled leather on wood, with clasps. Several layers, in several hands.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Old and new foliation

DIAMM, 2017
Foliation

Other numberings: pieces numbered

DIAMM, 2017
Decoration

monogram of King Christian III of Denmark, and monogram of Erhart Herdegen [= Erhart Trommeter, employed at the Danish court chapel - HammD]. Gilt-edged pages.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

62 motets, 13 German sacred pieces, I German/Latin sacred piece (with Latin incipit only in this source), 50 French secular pieces, 5 German secular pieces, 2 Italian secular pieces (all of the preceding have text incipits or titles only), 29 textless pieces = 162

[The second parts for many of the motets are copied in separate groups, but the first and second parts are counted as single pieces in the above summary].

Amsfortius [Franzeisscus]-2, (Baston)-3, (Braetel)-1, (Briant)-1, (Beutel)-1, Canis-3, (Chastelain)-1, Clemens non Papa-20, (Cornel de Milan)-1, (Craen/C. Festa/A. Févin/Josquin/Morales)-1 [2 voices added by Bruck], Crecquillon-12, Crespel-6, (Ducis)-1, Eckel-1, (C. Festa)-1, (A. Févin)-1, Gombert-2, (Hellinck)-1, C. Hollander-3, (Janequin/Verdelot)-1, (Jaquet of Mantua)-1, Jhan of Ferrara [Galli]-1, Josquin-8, L'Archier-2, (Lattre)-1, (Le Cocq)-1, Lupi-1, (Manchicourt)-4, Morales-1, Paston-2, (Phinot)-1, (Senfl)-4, Stoltzer-1, Tubal-1, Vinders [Vindtner]-1, (Waelrant)-2, (Walter)-3, (Wannenmacher)-1, (Willaert)-1, (Wismes)-2, anon-62

5 paper partbooks of an original 6 (D-ii + 194 folios, T-ii + 170, B-i + 103, Q-ii + 177, Sii + 164), ca. 188 x 248 (B measures 182 x 256). Old and new foliation; pieces numbered. Covers of brown tooled leather on wood, with clasps. Several layers, in several hands. Gilt-edged pages. Manuscript contains date 1556, monogram of King Christian III of Denmark, and monogram of Erhart Herdegen [= Erhart Trommeter, employed at the Danish court chapel - HammD]. Instruments are specified for some of the pieces. Manuscript is related to CopKB 1872. Much of the repertory was copied from Phalèse prints of 1553-5.

Copying begun in 1556. Copied for the Danish court chapel in Copenhagen (CreAC).

Vol. 4

Contents: 59 motets,* 10 German sacred pieces, 1 German/Latin sacred piece (with Latin incipit only in this source), 52 French secular pieces, 5 German secular pieces, 6 Italian secular pieces (all of preceding have text incipits or titles only, or are without text or title in this source), 31 textless pieces = 164

*Second partes for some motets copied separately in this source, but first and second partes counted as single items in above summary.

Composers: (Abell)-1, Amsfortius [Frantzeisscus]-1, (Appenzeller)-1, (Arcadelt) -1, (Baston)-2, (Baston/Cleve)-1, (Beutel)-1, (Braetel)-1, (Briant)-1, Canis-3, (Chastelain)-1, Clemens non Papa-19, (Clemens non Papa/Crecquillon)-1, (Cornel de Milan)-1, (Courtois)-1, (Craen/C. Festa/A. Févin/Josquin/Morales) -1 [2 voices added by Bruck], Crecquillon-13, Crespel-6, Eckel-1, (C. Festa)-1, (A. Févin)-1, Gombert-3, (Gombert/Josquin)-1, (Grefinger/Senfl)-1, (Hellinck/Senfl/Verdelot)-1, C. Hollander-S, Qanequin-Verdelot)-1, (Jaquet of Mantua)-1, Josquin-8, (Josquin/Senfl)-2, L'Archier-2, (Lassus)-2, (Lattre)-1, Le Cocq [Galli]-1, (Gerard Le Cocq)-1, Lupi-1, (Manchicourt)-4, Morales-1, Paston-2, (Phinot)-1, (Rore)-1, (Senfl)-2, Stoltzer-1, Tubal-1, (Verdelot)-1, Vinders [Ieronimus Vindter]-1, (Waelrant)-2, (Walter)-3, (Wannenmacher)-1, (Willaert)-1, (Wismes)-2, anon-52

DIAMM, 2025

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Le bon espoir que j'ai de parvenir [Baston]
Appears on: 1
Genres: Chanson
Source Attribution: [Baston]
1v Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo [Crecquillon]
Appears on: 1v
Genres: Motet
Source Attribution: [Crecquillon]
2 Adjuva nos Deus salutaris noster [Crecquillon]
Appears on: 2
Genres: Motet
Source Attribution: [Crecquillon]
2v Un coeur en deuil je porte en un champ [Gerard Le Cocq]
Appears on: 2v
Genres: Chanson
Source Attribution: [Gerard Le Cocq]
3 J'ai veu sans yeulx morir un mort [Crecquillon]
Appears on: 3
Genres: Chanson
Source Attribution: [Crecquillon]
3v Dieu me fault il tant de mal supporter [Crecquillon]
Appears on: 3v
Genres: Chanson
Source Attribution: [Crecquillon]
4 Laultrier mi cheminoie mon chemin devers [Clemens non Papa]
Appears on: 4
Genres: Chanson
Source Attribution: [Clemens non Papa]
4v Chant musical in'ention divine n'est desprise [Crespel]
Appears on: 4v
Genres: Chanson
Source Attribution: [Crespel]
5 Je changeray quoy qu'il m'en doibt advenir [Crecquillon]
Appears on: 5
Genres: Chanson
Source Attribution: [Crecquillon]
5v Vostre a jamais par heritage me poves [Baston]
Appears on: 5v
Genres: Chanson
Source Attribution: [Baston]
6 Belle donne moi un regard tant seullement [Canis]
Appears on: 6
Genres: Chanson
Source Attribution: [Canis]
6v Dites pourquoi vostre amitié se fache [Crecquillon]
Appears on: 6v
Genres: Chanson
Source Attribution: [Crecquillon]
7 Je ne desire que la mortt Puisque je vis [Chastelain]
Appears on: 7
Genres: Chanson
Source Attribution: [Chastelain]
7v [untexted] Anon. Anonymous

[untexted]

Anonymous
Appears on: 7v
Genres: textless
Source Attribution: Anon.
7v Pardonne moi madame et ma maistresse [Crecquillon]
Appears on: 7v
Genres: Chanson
Source Attribution: [Crecquillon]
8 O triste ennuye qui me tient en souffrance [Crecquillon]
Appears on: 8
Genres: Chanson
Source Attribution: [Crecquillon]
8v Pour parvenir bon peid bon oeil avoir [Canis]
Appears on: 8v
Genres: Chanson
Source Attribution: [Canis]
9 A l'advenir tousjours je poursuyvray [Crespel]
Appears on: 9
Genres: Chanson
Source Attribution: [Crespel]
9v Sur toutes fleurs j'aime la marguerite [Crespel]
Appears on: 9v
Genres: Chanson
Source Attribution: [Crespel]
10 Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate [Clemens non Papa]
Appears on: 10
Genres: Motet
Source Attribution: [Clemens non Papa]
10v Or puisqu' ennuye te detient en souffrance [Crecquillon]
Appears on: 10v
Genres: Chanson
Source Attribution: [Crecquillon]
11 Dame d'honneur de beauté l'outre passe [Crespel]
Appears on: 11
Genres: Chanson
Source Attribution: [Crespel]
11v Le departier est sans departement [Cornel de Milan]
Appears on: 11v
Genres: Chanson
Source Attribution: [Cornel de Milan]
12 Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) [Josquin]
Appears on: 12
Genres: Contrafactum, Motet
Source Attribution: [Josquin]
12v Tua est potentia tuum regnum Dominus 26.17 [Mouton]
Appears on: 12v
Genres: Motet
Source Attribution: [Mouton]
13 Dormend' un giorno a Baia a l'ombr' Amore [Verdelot]
Appears on: 13
Genres: Madrigal (Italian)
Source Attribution: [Verdelot]
13v Je lay ayme et tousjours laymeray le mien [C. Hollander]
Appears on: 13v
Genres: Chanson
Source Attribution: [C. Hollander]
14 Aimer est ma vie en despit d'ennuye [Clemens non Papa]
Appears on: 14
Genres: Chanson
Source Attribution: [Clemens non Papa]
14v Je changerai quelque chose qu'on pense Crequilon
Appears on: 14v
Genres: Chanson
Source Attribution: Crequilon
15 Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus Lupi
Appears on: 15
Genres: Motet
Source Attribution: Lupi
15v La [Las] non ailleurs le triste coeur demeure Clemens non Papa
Appears on: 15v
Genres: Chanson
Source Attribution: Clemens non Papa
16–16v Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) [Josquin]
Appears on: 16–16v
Genres: Motet, Stabat Mater
Source Attribution: [Josquin]
17–17v In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) [Hellinck/Senfl/Verdelot]
Appears on: 17–17v
Genres: Motet
Source Attribution: [Hellinck/Senfl/Verdelot]
18–18v Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 [Josquin]
Appears on: 18–18v
Genres: Motet
Source Attribution: [Josquin]
19–19v De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) [Josquin/Senfl]
Appears on: 19–19v
Genres: Motet
Source Attribution: [Josquin/Senfl]
20v Misit me vivens pater et ego vivo propter (2p. Cibavit me Dominus pane vitae) [Clemens non Papa]
Appears on: 20v
Genres: Motet
Source Attribution: [Clemens non Papa]
21 Nun bitten wir den heiligen geist (6vv) [Walter]
Appears on: 21
Genres: Chorale, Sacred Song
Source Attribution: [Walter]
21 Vater unser im Himmelreich, der du uns Anon. Anonymous
Appears on: 21
Genres: Sacred Song
Source Attribution: Anon.
21v Amor se mai Anon. Anonymous

Amor se mai

Anonymous
Appears on: 21v
Genres: Italian secular
Source Attribution: Anon.
22–22v Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) [Baston/Cleve]
Appears on: 22–22v
Genres: Motet
Source Attribution: [Baston/Cleve]
23–23v Ite in orbem universum praedicate dicentes (2p. Signa eos qui in me credent) Clemens non Papa
Appears on: 23–23v
Genres: Motet
Source Attribution: Clemens non Papa
24–24v Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) [Clemens non Papa]
Appears on: 24–24v
Genres: Motet
Source Attribution: [Clemens non Papa]
25 Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) [C. Festa]
Appears on: 25
Genres: Motet
Source Attribution: [C. Festa]
25v–27 Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) [Janequin-Verdelot]
Appears on: 25v–27
Genres: Chanson
Source Attribution: [Janequin-Verdelot]
27v Ach Maidlein rein ich hab allein [Grefinger/Senfl]
Appears on: 27v
Genres: Song
Source Attribution: [Grefinger/Senfl]
28–29 blank pages - -

blank pages

Appears on: 28–29
29v untexted B only Anon. -

untexted B only

Appears on: 29v
Source Attribution: Anon.
30v untexted B only Anon. -

untexted B only

Appears on: 30v
Source Attribution: Anon.
31v–59 blank pages - -

blank pages

Appears on: 31v–59
59v En quam honesta et jucunda res est Anon.
Appears on: 59v
Genres: Motet
Source Attribution: Anon.
60 Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] [Josquin]
Appears on: 60
Genres: Chanson, Contrafactum, Motet
Source Attribution: [Josquin]
60v Verbum Domini manet in aeternam [Walter]
Appears on: 60v
Genres: Motet
Source Attribution: [Walter]
61 Wir glauben all an einen Gott [Credo] (I) (4vv) [Walter]
Appears on: 61
Genres: Chorale, Credo (patrem omnipotentem), Sacred Song
Source Attribution: [Walter]
61v So ich betracht und acht der alten Gesang [Braetel]
Appears on: 61v
Genres: Song
Source Attribution: [Braetel]
62 D'amour me plains et non de vous m'amie [LvArchier]
Appears on: 62
Genres: Chanson
Source Attribution: [LvArchier]
62v Si par souffrir je puis avoir du bien [Clemens non Papa]
Appears on: 62v
Genres: Chanson
Source Attribution: [Clemens non Papa]
63 Mais languirai-je toujours, vrai Dieu [Waelrant]
Appears on: 63
Genres: Chanson
Source Attribution: [Waelrant]
63v Celle que m'a tant pourmene a eu pitie [C. Hollander]
Appears on: 63v
Genres: Chanson
Source Attribution: [C. Hollander]
64 Hellas dama Anon. Anonymous

Hellas dama

Anonymous
Appears on: 64
Genres: Chanson
Source Attribution: Anon.
64v J'ai veu le cerf du bois saillir et boire [Crespel]
Appears on: 64v
Genres: Chanson
Source Attribution: [Crespel]
65 Me retirer d'elle ne m'est possible [Clemens non Papa]
Appears on: 65
Genres: Chanson
Source Attribution: [Clemens non Papa]
65v–66 Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) [Clemens non Papa]
Appears on: 65v–66
Genres: Motet
Source Attribution: [Clemens non Papa]
66v Au departir triste deuil a presse Anon. Anonymous
Appears on: 66v
Genres: Chanson
Source Attribution: Anon.
67 N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 [Josquin]
Appears on: 67
Genres: Chanson
Source Attribution: [Josquin]
67v Creator omnium Deus (6vv) [Willaert]
Appears on: 67v
Genres: Motet
Source Attribution: [Willaert]
68 Pour souhaitter je ne demande mieulx 30.8 [Josquin]
Appears on: 68
Genres: Chanson
Source Attribution: [Josquin]
68v–69 Petite camusette à la mort m'avez mis 30.7 [Josquin]
Appears on: 68v–69
Genres: Chanson
Source Attribution: [Josquin]
69v Quant me souvient de ma triste fortune [Briant]
Appears on: 69v
Genres: Chanson
Source Attribution: [Briant]
69v–70 Fors seulement l'attente que je meure 27.10 [A. Févin/Josquin]
Appears on: 69v–70
Genres: Chanson
Source Attribution: [A. Févin/Josquin]
70v Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione Crequillon
Appears on: 70v
Genres: Motet
Source Attribution: Crequillon
70v Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt Gomberth
Appears on: 70v
Genres: Motet
Source Attribution: Gomberth
71 Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Morales
Appears on: 71
Genres: Motet
Source Attribution: Morales
71v Ecce nunc benedicite Dominum omnes servi Domini Matthias Eckel
Appears on: 71v
Genres: Motet
Source Attribution: Matthias Eckel
72 Recordare Domine testamenti tui et dic [Arcadelt]
Appears on: 72
Genres: Motet
Source Attribution: [Arcadelt]
72v Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea Crequillon
Appears on: 72v
Genres: Motet
Source Attribution: Crequillon
73 Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco Gomberth
Appears on: 73
Genres: Motet
Source Attribution: Gomberth
73v Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet Morales
Appears on: 73v
Genres: Motet
Source Attribution: Morales
74 Forte fortune fors un vouloir [C.] Hollandre
Appears on: 74
Genres: Chanson
Source Attribution: [C.] Hollandre
74v Le content est riche en ce monde Crespel
Appears on: 74v
Genres: Chanson
Source Attribution: Crespel
75 Vivre ne puis sur terre car mort suis Galli [= Le Cocq]
Appears on: 75
Genres: Chanson
Source Attribution: Galli [= Le Cocq]
75v Tous les plaisirs qu'en languer je soubstiens Tubal
Appears on: 75v
Genres: Chanson
Source Attribution: Tubal
76 Arousez vous violettes? Anon. Anonymous
Appears on: 76
Genres: Chanson
Source Attribution: Anon.
76v Si me tenes tant de rigueur madame Crequillon
Appears on: 76v
Genres: Chanson
Source Attribution: Crequillon
77 Quem nos merito Periculum ... Inviolata integra Anon. Anonymous
Appears on: 77
Genres: Motet
Source Attribution: Anon.
77v Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine Gombert
Appears on: 77v
Genres: Motet
Source Attribution: Gombert
78 Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur Crequillon
Appears on: 78
Genres: Motet
Source Attribution: Crequillon
78–79 Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis [Jaquet of Mantua]
Appears on: 78–79
Genres: Motet
Source Attribution: [Jaquet of Mantua]
79v Domine quis habitabit - 1a pars (of 2): Domine quis habitabit Canis
Appears on: 79v
Genres: Motet
Source Attribution: Canis
80 O Maria vernans - 1a pars (of 2): O Maria vernans rosa porta caeli speciosa Clemens [non Papa]
Appears on: 80
Genres: Motet
Source Attribution: Clemens [non Papa]
80v Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt Gombert
Appears on: 80v
Genres: Motet
Source Attribution: Gombert
81 Congregati sunt - 2a pars (of 2): Tua est potentia tuum regnum Domine Crequillon
Appears on: 81
Genres: Motet
Source Attribution: Crequillon
81v–82 Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves [Jaquet of Mantua]
Appears on: 81v–82
Genres: Motet
Source Attribution: [Jaquet of Mantua]
82v Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus Canis
Appears on: 82v
Genres: Motet
Source Attribution: Canis
83 O Maria vernans - 2a pars (of 2): Tu lux pulchra Clemens [non Papa]
Appears on: 83
Genres: Motet
Source Attribution: Clemens [non Papa]
83v Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum [Manchicourt]
Appears on: 83v
Genres: Motet
Source Attribution: [Manchicourt]
84 Verba mea - 1a pars (of 2): Verba mea auribus percipe Domine intellige [Waelrant]
Appears on: 84
Genres: Motet
Source Attribution: [Waelrant]
84v Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris juva Anon. Anonymous
Appears on: 84v
Genres: Motet
Source Attribution: Anon.
85 Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna [Clemens non Papa]
Appears on: 85
Genres: Motet
Source Attribution: [Clemens non Papa]
85v Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient [Manchicourt]
Appears on: 85v
Genres: Motet
Source Attribution: [Manchicourt]
86 Verba mea - 2a pars (of 2): Introibo in domum tuam adorabo [Waelrant]
Appears on: 86
Genres: Motet
Source Attribution: [Waelrant]
86v Sancta Maria succurre - 2a pars (of 2): Beata Dei genitrix Maria virgo Anon. Anonymous
Appears on: 86v
Genres: Motet
Source Attribution: Anon.
87 Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia [Clemens non Papa]
Appears on: 87
Genres: Motet
Source Attribution: [Clemens non Papa]
87v A qui me dois je retirer Puisque mon ami [Clemens non Papa]
Appears on: 87v
Genres: Chanson
Source Attribution: [Clemens non Papa]
88 Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol [Wismes]
Appears on: 88
Genres: Motet
Source Attribution: [Wismes]
88v Quae est ista - 1a pars (of 2): Quae est ista quae ascendit sicut sol [Manchicourt]
Appears on: 88v
Genres: Motet
Source Attribution: [Manchicourt]
89 Si seulle estois plaine de desconfort (?= J'ay veu le cerf) [Lattre]
Appears on: 89
Genres: Chanson
Source Attribution: [Lattre]
89v Ecce Dominus veniet nolite timere 14.5 [Jonckers/Josquin/ Senfl]
Appears on: 89v
Genres: Motet
Source Attribution: [Jonckers/Josquin/ Senfl]
90 Quae est ista - 2a pars (of 2): Sicut dies verni circumdabant eam [Wismes]
Appears on: 90
Genres: Motet
Source Attribution: [Wismes]
90v Quae est ista - 2a pars (of 2): Ista est speciosa inter filias [Manchicourt]
Appears on: 90v
Genres: Motet
Source Attribution: [Manchicourt]
91–91v In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio Josquin
Appears on: 91–91v
Genres: Motet
Source Attribution: Josquin
92 Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit quesivimus [Manchicourt]
Appears on: 92
Genres: Motet
Source Attribution: [Manchicourt]
92v Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit [Beutel]
Appears on: 92v
Genres: Motet
Source Attribution: [Beutel]
93 Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu [Clemens non Papa]
Appears on: 93
Genres: Motet
Source Attribution: [Clemens non Papa]
93v Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula [Manchicourt]
Appears on: 93v
Genres: Motet
Source Attribution: [Manchicourt]
94 Sustinuimus pacem - 2a pars (of 2): Nos alium Deum nescimus preter Dominum [Manchicourt]
Appears on: 94
Genres: Motet
Source Attribution: [Manchicourt]
94v Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum [Beutel]
Appears on: 94v
Genres: Motet
Source Attribution: [Beutel]
95 Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari [Clemens non Papa]
Appears on: 95
Genres: Motet
Source Attribution: [Clemens non Papa]
95v Tota pulchra es - 2a pars (of 2): Flores apparuerunt vinee florentes [Manchicourt]
Appears on: 95v
Genres: Motet
Source Attribution: [Manchicourt]
96 Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc Larchier
Appears on: 96
Genres: Motet
Source Attribution: Larchier
96v Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet Clemens non Papa
Appears on: 96v
Genres: Motet
Source Attribution: Clemens non Papa
97 Constitues eos principes super omnem terram [Gombert]
Appears on: 97
Genres: Motet
Source Attribution: [Gombert]
97v Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine Cle. non Papa
Appears on: 97v
Genres: Motet
Source Attribution: Cle. non Papa
98 Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos Larchier
Appears on: 98
Genres: Motet
Source Attribution: Larchier
98v Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est Clemens non Papa
Appears on: 98v
Genres: Motet
Source Attribution: Clemens non Papa
99v Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum Cle. non Papa
Appears on: 99v
Genres: Motet
Source Attribution: Cle. non Papa
100 Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quo progrederis quasi [Clemens non Papa]
Appears on: 100
Genres: Motet
Source Attribution: [Clemens non Papa]
100v Ave maris stella - 1a pars (of 2): Ave maris stella Dei mater alma atque [Appenzeller]
Appears on: 100v
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
101 Philippe qui videt me alleluia (6vv, M84) [Senfl]
Appears on: 101
Genres: Alleluia, Motet
Source Attribution: [Senfl]
101v Je n'ai quelque cause de joie [Wismes]
Appears on: 101v
Genres: Chanson
Source Attribution: [Wismes]
102 Virgo prudentissima - 2a pars (of 2): Pulchra es amica mea et macula [Clemens non Papa]
Appears on: 102
Genres: Motet
Source Attribution: [Clemens non Papa]
102v Ave maris stella - 2a pars (of 2): Virgo singularis inter omnes mitis [Appenzeller]
Appears on: 102v
Genres: Ave maris stella, Motet
Source Attribution: [Appenzeller]
103v Christ ist erstanden von der marter alle Frantzeisscus [Amsfortius]
Appears on: 103v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Frantzeisscus [Amsfortius]
103v Christ ist erstanden von der marter alle Johan Paston
Appears on: 103v
Genres: Hymn, Motet, Sacred Song
Source Attribution: Johan Paston
104–104v Zu Gott mein Trost allein ich stell (2p. Sonst anders kein Heiland nicht ist) Anon. Anonymous
Appears on: 104–104v
Genres: Motet
Source Attribution: Anon.
105 Toujours leal a ma maitresse tant que au corps [Courtois]
Appears on: 105
Genres: Chanson
Source Attribution: [Courtois]
105v–106 Christ lag in Todesbanden für unser Sünd Johan Paston
Appears on: 105v–106
Genres: Hymn, Motet, Sacred Song
Source Attribution: Johan Paston
105v–106 Congratulamini mihi omnes (2p. Tulerunt Dominum) [Lassus]
Appears on: 105v–106
Genres: Motet
Source Attribution: [Lassus]
106v Quare tristis es anima mea [Lassus]
Appears on: 106v
Genres: Motet
Source Attribution: [Lassus]
107 Vous qui Anon. Anonymous

Vous qui

Anonymous
Appears on: 107
Genres: Chanson
Source Attribution: Anon.
107v Mentre per questi monti Anon. Anonymous
Appears on: 107v
Genres: Chanson
Source Attribution: Anon.
108 Sancta Trinitas unus Deus miserere nobis (6vv) [Craen/C. Festa/ A. Févin/Josquin/ Morales]-[Bruck]
Appears on: 108
Genres: Motet
Source Attribution: [Craen/C. Festa/ A. Févin/Josquin/ Morales]-[Bruck]
108v An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen [Wannenmacher]
Appears on: 108v
Genres: Song
Source Attribution: [Wannenmacher]
108v In dulci jubilo nun singet und seid froh [Abell]
Appears on: 108v
Genres: Motet
Source Attribution: [Abell]
109 Ein Kindelein so löbelich / Der Tag ist so freudenreich Anon. Anonymous
Appears on: 109
Genres: Motet, Sacred Song
Source Attribution: Anon.
109v Gelobet seist Du, Jesu Christ, dass Du Mensch Anon. Anonymous
Appears on: 109v
Genres: Chorale, Sacred Song
Source Attribution: Anon.
110–131 blank pages - -

blank pages

Appears on: 110–131
131v O mors inevitabilis mors amara mors crudelis Ieronimus Vindter [= Vinders]
Appears on: 131v
Genres: Motet
Source Attribution: Ieronimus Vindter [= Vinders]
132 Ego flos campi et lilium convalium Clemens non Papa
Appears on: 132
Genres: Motet
Source Attribution: Clemens non Papa
132v Was wird es doch des wunders noch [S329 - 4vv/7vv] [Senfl]
Appears on: 132v
Genres: Song
Source Attribution: [Senfl]
133 Mich wundert gar hart umb den roten Anon. Anonymous
Appears on: 133
Genres: Song
Source Attribution: Anon.
133v–134 Parcere prostratis Anon. Anonymous

Parcere prostratis

Anonymous
Appears on: 133v–134
Genres: Motet
Source Attribution: Anon.
134v Wer ich ein falck so wolt ich mich Anon. Anonymous
Appears on: 134v
Genres: Song
Source Attribution: Anon.
135 Nesciens mater virgo virum peperit T: Stolzer
Appears on: 135
Genres: Motet
Source Attribution: T: Stolzer
135v–151 blank pages - -

blank pages

Appears on: 135v–151
151v Mon petit coeur n'est pas a moi [Rore]
Appears on: 151v
Genres: Chanson
Source Attribution: [Rore]
152 Amour au coeur me poingt quand bien [Clemens non Papa]
Appears on: 152
Genres: Chanson
Source Attribution: [Clemens non Papa]
152v Jam non dicam vos servos sed amicos (8vv) [Phinot]
Appears on: 152v
Genres: Motet
Source Attribution: [Phinot]
153–153v Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (8vv) [Clemens non Papa/ Crecquillon]
Appears on: 153–153v
Genres: Motet
Source Attribution: [Clemens non Papa/ Crecquillon]
154 Su su su / A la battaglia Anon. Anonymous
Appears on: 154
Genres: Italian secular
Source Attribution: Anon.
154v Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) [Gombert/Josquin]
Appears on: 154v
Genres: Motet
Source Attribution: [Gombert/Josquin]
155–165 blank pages - -

blank pages

Appears on: 155–165
165v–168v Welsch danz Anon. Anonymous

Welsch danz

Anonymous
Appears on: 165v–168v
Genres: Dance
Source Attribution: Anon.
165v–168v English dance Anon. Anonymous

English dance

Anonymous
Appears on: 165v–168v
Genres: Dance
Source Attribution: Anon.
165v–168v 23 other untitled dances Anon. Anonymous
Appears on: 165v–168v
Genres: Dance
Source Attribution: Anon.
169–174 blank pages - -

blank pages

Appears on: 169–174
174v untexted B only Anon. -

untexted B only

Appears on: 174v
Source Attribution: Anon.
175–177v blank pages - -

blank pages

Appears on: 175–177v
178 untexted B only Anon. -

untexted B only

Appears on: 178
Source Attribution: Anon.
Composer Compositions
Abell, David (fl. 16th century)
Amsfortius, Franciscus Marcellus
Anonymous
Appenzeller, Benedictus (ca. 1480–ca. 1558)
Arcadelt, Jacques (ca. 1507–1568)
Baston, Josquin (fl. 1542–63)
Beutel (Bultel), Jacob
Bratel, Ulrich
Briant, Denis
Bruck, Arnold von (ca. 1500–1554)
Canis, Cornelius
Chastelain, Charles (ca. 1490–1578)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cleve, Johannes de (ca. 1528–1582)
Courtois, Jean (fl. 1530-1545)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Crespel, Jean
Despres, Josquin (ca. 1450–1521)
Eckel, Matthias
Festa, Costanzo (ca. 1485–1545)
Fevin, Antoine de (ca. 1470–ca. 1512)
Fevin, Robert de (fl. 1500-1515)
Galli, Antonius
Gombert, Nicolas (ca. 1495–ca. 1560)
Grefinger, Wolfgang
Hellinck, Lupus (ca. 1494–1541)
Hollander, Christian
Janequin, Clement (ca. 1485–ca. 1558)
Jonckers, Maistre Gosse
Larchier, Jean
Lassus, Orlande de (ca. 1532–1594)
Le Cocq, Gerard
Lupi, Johannes (ca. 1506–1539)
Manchicourt, Pierre de
Mantua, Jacquet de (1483–1559)
Milan, Cornelius de
Morales, Cristóbal de (ca. 1500–1553)
Mouton, Jean (ca. 1459–1522)
Pastrana, Pedro de (1490–ca. 1558)
Petit (de Latre), Jehan
Phinot, Dominique
Rore, Cipriano de (ca. 1515–1565)
Senfl, Ludwig (ca. 1486–ca. 1543)
Stoltzer, Thomas (ca. 1480–1526)
Tubal, Adrian
Verdelot, Philippe (ca. 1480–ca. 1532)
Vinders, Jheronimus (fl. c1525-1526)
Waelrant, Hubert (ca. 1517–1595)
Walter, Johann (1496–1570)
Wannenmacher, Johannes (ca. 1485–1551)
Willaert, Adrian (ca. 1490–1562)
Wisme (Vuismes), Nicholas de
Composition Composers (? Uncertain) Folios / Pages
23 other untitled dances Anonymous 165v–168v
[untexted] Anonymous 7v
A l'advenir tousjours je poursuyvray 9
A qui me dois je retirer Puisque mon ami 87v
Ach Maidlein rein ich hab allein 27v
Adjuva nos Deus salutaris noster 2
Aimer est ma vie en despit d'ennuye 14
Amor se mai Anonymous 21v
Amour au coeur me poingt quand bien 152
An Wasserflüssen Babylon - 5a pars: Du schnöde Tochter Babylon zerbrochen 108v
Arousez vous violettes? Anonymous 76
Au departir triste deuil a presse Anonymous 66v
Ave maris stella - 1a pars (of 2): Ave maris stella Dei mater alma atque 100v
Ave maris stella - 2a pars (of 2): Virgo singularis inter omnes mitis 102v
Ave martyr gloriosa Barbaraque generosa (2p. Ave Barbara serena pulchra quasi luna) 65v–66
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant 71
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet 73v
Belle donne moi un regard tant seullement 6
Celle que m'a tant pourmene a eu pitie 63v
Chant musical in'ention divine n'est desprise 4v
Christ ist erstanden von der marter alle 103v
Christ ist erstanden von der marter alle 103v
Christ lag in Todesbanden für unser Sünd 105v–106
Clemens et benigna - 1a pars (of 2): Clemens et benigna jugi laude digna 85
Clemens et benigna - 2a pars (of 2): Nos a miseria duc ad gaudia 87
Congratulamini mihi omnes (2p. Tulerunt Dominum) 105v–106
Congregati sunt - 1a pars (of 2): Congregati sunt inimici nostri et gloriantur 78
Congregati sunt - 2a pars (of 2): Tua est potentia tuum regnum Domine 81
Constitues eos principes super omnem terram 97
Creator omnium Deus (6vv) 67v
D'amour me plains et non de vous m'amie 62
Dame d'honneur de beauté l'outre passe 11
De profundis clamavi 15.14 (5vv - M29) (2p. A custodia matutina usque ad noctem) 19–19v
Delevi ut nubem iniquitates tuas (= Faulte d'argent c'est douleur non pareille 29.7) 12
Deus virtutum - 1a pars (of 2): Deus virtutum convertere respice de caelo 1v
Dieu me fault il tant de mal supporter 3v
Dites pourquoi vostre amitié se fache 6v
Domine da nobis - 1a pars (of 2): Domine da nobis auxilium de tribulatione 70v
Domine da nobis - 2a pars (of 2): Tibi subiecta sit amica mea 72v
Domine quis habitabit - 1a pars (of 2): Domine quis habitabit 79v
Domine quis habitabit - 2a pars (of 2): Ad nihilum deductus 82v
Dormend' un giorno a Baia a l'ombr' Amore 13
Dum transisset sabbatum Maria Magdalena (2p. Et valde mane una sabbatorum veniunt) 22–22v
Ecce Dominus veniet nolite timere 14.5 89v
Ecce nunc benedicite Dominum omnes servi Domini 71v
Ego flos campi et lilium convalium 132
Ein Kindelein so löbelich / Der Tag ist so freudenreich Anonymous 109
En quam honesta et jucunda res est 59v
English dance Anonymous 165v–168v
Escoutes tous gentilz galloys la victoire du noble roy (2p. Fan fan fan fere lere lan fan) (= La guerre, La bataille de Marignan) 25v–27
Fors seulement l'attente que je meure 27.10 69v–70
Forte fortune fors un vouloir 74
Fremuit spiritus Jesu - 1a pars (of 2): Fremuit spiritus Jesu 93
Fremuit spiritus Jesu - 2a pars (of 2): Videns Dominus flentes sorores Lazari 95
Gelobet seist Du, Jesu Christ, dass Du Mensch Anonymous 109v
Haec dicit Dominus liberabo populum T: Circumdederunt me gemitus [= Nimphes nappés néridriades driades 30.6] 60
Hellas dama Anonymous 64
Hic est vere martir - 1a pars (of 2): Hic est vere martir qui pro Christi nomine 97v
Hic est vere martir - 2a pars (of 2): Omnipotens Deus qui beatum Sebastianum 99v
Homo quidam - 1a pars (of 2): Homo quidam fecit caenam magnam et misit 92v
Homo quidam - 2a pars (of 2): Venite et comedite et bibite vinum 94v
Illuminare Jerusalem - 1a pars (of 2): Illuminare Jerusalem quia venit lumen tuum 83v
Illuminare Jerusalem - 2a pars (of 2): Filii tui de longe venient 85v
In dulci jubilo nun singet und seid froh 108v
In illo tempore stetit Jesus 19.6 - 1a pars (of 2): In illo tempore stetit Jesus in medio 91–91v
In te Domine speravi non confundar (2p. Quoniam fortitudo mea et refugium) 17–17v
Ite in orbem universum praedicate dicentes (2p. Signa eos qui in me credent) 23–23v
J'ai veu le cerf du bois saillir et boire 64v
J'ai veu sans yeulx morir un mort 3
Jam non dicam vos servos sed amicos (8vv) 152v
Je changerai quelque chose qu'on pense 14v
Je changeray quoy qu'il m'en doibt advenir 5
Je lay ayme et tousjours laymeray le mien 13v
Je n'ai quelque cause de joie 101v
Je ne desire que la mortt Puisque je vis 7
Jerusalem quae occidis prophetas et lapidas (= Florentia tempus est penitentie) 25
La [Las] non ailleurs le triste coeur demeure 15v
Laultrier mi cheminoie mon chemin devers 4
Le bon espoir que j'ai de parvenir 1
Le content est riche en ce monde 74v
Le departier est sans departement 11v
Levavi oculos meos - 1a pars (of 2): Levavi oculos meos in montes unde veniet 96v
Levavi oculos meos - 2a pars (of 2): Anima nostra sicut passer erepta est 98v
Mais languirai-je toujours, vrai Dieu 63
Maria Magdalena et altera Maria ibant (2p. Cito euntes dicite discipulis eius) 24–24v
Me retirer d'elle ne m'est possible 65
Mentre per questi monti Anonymous 107v
Mich wundert gar hart umb den roten Anonymous 133
Misit me vivens pater et ego vivo propter (2p. Cibavit me Dominus pane vitae) 20v
Mon petit coeur n'est pas a moi 151v
N'est-ce pas [N'est-ce point] un grand desplaisir 29.17 67
Nesciens mater virgo virum peperit 135
Nisi quia Dominus - 1a pars (of 2): Nisi quia Dominus erat in nobis dicat nunc 96
Nisi quia Dominus - 2a pars (of 2): Benedictus Dominus qui non dedit nos 98
Nun bitten wir den heiligen geist (6vv) 21
O Maria vernans - 1a pars (of 2): O Maria vernans rosa porta caeli speciosa 80
O Maria vernans - 2a pars (of 2): Tu lux pulchra 83
O mors inevitabilis mors amara mors crudelis 131v
O triste ennuye qui me tient en souffrance 8
Oculi omnium - 1a pars (of 2): Oculi omnium in te sperant Domine 77v
Oculi omnium - 2a pars (of 2): Qui edunt me adhuc esuriunt 80v
Or puisqu' ennuye te detient en souffrance 10v
Parcere prostratis Anonymous 133v–134
Pardonne moi madame et ma maistresse 7v
Pastores loquebantur - 1a pars (of 2): Pastores loquebantur ad invicem transeamus 15
Pastores quidnam vidistis - 1a pars (of 2): Pastores quidnam vidistis annuntiate 10
Pater peccavi in caelum et coram te (2p. Quanti mercenarii in domo patris) (8vv) 153–153v
Peccata mea - 1a pars (of 2): Peccata mea sicut sagittae infixa sunt 70v
Peccata mea - 2a pars (of 2): Quoniam iniquitatem meam ego cognosco 73
Petite camusette à la mort m'avez mis 30.7 68v–69
Philippe qui videt me alleluia (6vv, M84) 101
Pour parvenir bon peid bon oeil avoir 8v
Pour souhaitter je ne demande mieulx 30.8 68
Propter peccata quae peccastis ante Deum (= La Spagna) 29.12 18–18v
Quae est ista - 1a pars (of 2): Quae est ista quae ascendit sicut sol 88v
Quae est ista - 1a pars (of 2): Quae est ista quae processit sicut sol 88
Quae est ista - 2a pars (of 2): Ista est speciosa inter filias 90v
Quae est ista - 2a pars (of 2): Sicut dies verni circumdabant eam 90
Quant me souvient de ma triste fortune 69v
Quare tristis es anima mea 106v
Quem nos merito Periculum ... Inviolata integra Anonymous 77
Recordare Domine testamenti tui et dic 72
Sancta Maria succurre - 1a pars (of 2): Sancta Maria succurre miseris juva Anonymous 84v
Sancta Maria succurre - 2a pars (of 2): Beata Dei genitrix Maria virgo Anonymous 86v
Sancta Trinitas unus Deus miserere nobis (6vv) 108
Si me tenes tant de rigueur madame 76v
Si par souffrir je puis avoir du bien 62v
Si seulle estois plaine de desconfort (?= J'ay veu le cerf) 89
So ich betracht und acht der alten Gesang 61v
Stabat mater dolorosa iuxta crucem 25.9 (2p. Eya mater fons amoris me sentire) 16–16v
Su su su / A la battaglia Anonymous 154
Sur toutes fleurs j'aime la marguerite 9v
Surge Petre - 1a pars (of 2): Surge Petre et indue te vestimentis tuis 78–79
Surge Petre - 2a pars (of 2): Si diligis me Symon Petre pasce oves 81v–82
Sustinuimus pacem - 1a pars (of 2): Sustinuimus pacem et non venit quesivimus 92
Sustinuimus pacem - 2a pars (of 2): Nos alium Deum nescimus preter Dominum 94
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula 93v
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vinee florentes 95v
Toujours leal a ma maitresse tant que au corps 105
Tous les plaisirs qu'en languer je soubstiens 75v
Tua est potentia tuum regnum Dominus 26.17 12v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 154v
Un coeur en deuil je porte en un champ 2v
Vater unser im Himmelreich, der du uns Anonymous 21
Verba mea - 1a pars (of 2): Verba mea auribus percipe Domine intellige 84
Verba mea - 2a pars (of 2): Introibo in domum tuam adorabo 86
Verbum Domini manet in aeternam 60v
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quo progrederis quasi 100
Virgo prudentissima - 2a pars (of 2): Pulchra es amica mea et macula 102
Vivre ne puis sur terre car mort suis 75
Vostre a jamais par heritage me poves 5v
Vous qui Anonymous 107
Was wird es doch des wunders noch [S329 - 4vv/7vv] 132v
Welsch danz Anonymous 165v–168v
Wer ich ein falck so wolt ich mich Anonymous 134v
Wir glauben all an einen Gott [Credo] (I) (4vv) 61
Zu Gott mein Trost allein ich stell (2p. Sonst anders kein Heiland nicht ist) Anonymous 104–104v

denotes primary source study

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 191,218-9,442,460,489-90,546. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Elders, Willem. 1976. Plainchant in the Motets, Hymns, and Magnificat of Josquin des Prez. Josquin des Prez: Proceedings of the International Josquin Festival-Conference 21-25 June 1971,  London, New York, and Toronto. Pages: 527. Notes: concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: VI, 94. Notes: mention of MS.

Crevel, M van. 1940. Adrianus Petit Coclico: Leben und Beziehungen eines nach Deutschland emigrierten Josquinschülers.  The Hague. Pages: 337-44. Notes: physical description; contents list; incipitsst of contents (partial).

Jeppesen, Knud (editor). 1933-. Dania Sonans.  Copenhagen, Leipzig, and Egtved. Pages: IV,30-l, passim. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Hammerich, Angui. 1921. Dansk Musikhistorie indtil ca. 1700.  Copenhagen. Pages: 130ff. Notes: physical description.

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