D-B Sammlung Bohn Mus. MS 92 [Tenor]

Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany

partbook: 1562 (date in manuscript), with a few later additions.

Archive Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Berlin, Germany (D-B)
Shelfmark Sammlung Bohn Mus. MS 92 [Tenor]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System None
Format
General Description

A Tenor partbook from a set of four volumes. Copied in Breslau, for use in local evangelical services. Later transferred to Breslau Stadtbibliothek. Missing since World War II; contents and composers known from BohH.

DIAMM, 2017
Extent

number of leaves not known

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Index

none

DIAMM, 2017

denotes primary source study

Korth, Hans-Otto, Helmut Hell, and Jutta Lambrecht. 1997. Die Signaturengruppe Mus ms. 40000 ff. Folge 1: Handschriften des 15. - 19. Jahrhunderts in mensuraler und neuerer Notation. Katalog. Staatsbibliothek zu Berlin – Preußischer Kulturbesitz, Kataloge der Musikabteilung, Erste Reihe.  München.

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 599-601, 689-91. Notes: contents list (partial); concordances (partial); incipits (partial).

Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts.  Tutzing. Pages: 126. Notes: contents list (partial); concordances (partial); incipits (partial).

Parker, Robert LeRoy (editor). 1964-. Collected Works of Adam Rener.  Brooklyn. Pages: I.xv-ff; II,iv. Notes: mention of MS; contents list (partial); concordances (partial).

Hoffmann-Erbrecht, Lothar. 1964. Thomas Stoltzer: Leben und Schaffen. Die Musik in Alten und Neuen Europa.  Kassel. Pages: 53ff, 165, 171-2. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Just, Martin. 1960. Studien zu Heinrich Isaacs Motetten. Eberhard-Karls-Universität, Tübingen, Unpublished Ph.D. dissertation. Pages: II, 13, 93, 98. Notes: contents list (partial); concordances (partial); incipits (partial).

Pätzig, Gerhard-Rudolf. 1956. Liturgische Grundlagen und handschriftliche Überlieferung von Heinrich Isaacs "Choralis Constantinus". Eberhard-Karls-Universität (Tübingen), Unpublished Ph.D. dissertation. Pages: I, 62; II, 10, 175, 177, 192. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik.  Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XXII, 85ff. Notes: physical description (partial); contents list (partial); concordances (partial).

Bohn, Emil. 1890. Die musikalischen Handschriften des XVI. und XVII. Jahrhunderts in der Stadtbibliothek zu Breslau.  Breslau. Pages: 105-7. Notes: physical description (partial); contents list.

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