A Tenor partbook from a set of four volumes. Earliest layer (chansons) copied by one main scribe and one additional scribe; later additions by several other scribes, possibly including Franciscus de Rivulo (see below). Main layer arranged in four series, separated by sections of blank folios; first two series have 4-voice works, third series has 3-voice works, fourth series has 2-voice works. Some pieces have text incipits only. Main layer probably copied in Low Countries (Call); later additions copied in Gdansk, by or under direction of Franciscus de Rivulo, cantor at Church of St. Mary ca. 1560-6.
PL-GD 4003 [Tenor]
Bibliogeki Polskiej Akademii Nauk (Library of the Polish Academy of Sciences), Gdansk, Poland
partbook:
| Archive | Bibliogeki Polskiej Akademii Nauk (Library of the Polish Academy of Sciences), Gdansk, Poland (PL-GD) |
|---|---|
| Shelfmark | 4003 [Tenor] |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 135 x 205 mm |
| Notations |
|
| Copyists |
|
| Relationships |
|
| Provenance |
|
General Description
Binding
Original covers of brown leather over pasteboard, tooled with ornamental designs
Liminary Note
Inscription inside front cover: 'Sum Philippi Schönbergij Pruteni Allmr.(?) & Suorum / Nunc ut nunquam / A° 1571 Gedani.'
Notation
not indicated
Foliation
Other numberings: Original numbering of pieces, in several series (some piece numbers subsequently altered by later hands).
Foliation
Modern pencil foliation in each book.
Decoration
Inked calligraphic initials, some decorated with grotesques.
Index
Modern printed index (= relevant portions of GünthD) pasted onto front flyleaves.
Surface
paper
Set: 4003
Type: Partbooks
No images available
No images available
No images available
No images available
‡ denotes primary source study
Benthem, Jaap van. 1976. Josquin's Three-part 'Chansons rustiques': A Critique of the Readings in Manuscripts and Prints. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, London, New York, and Toronto. Pages: 422ff.
Allaire, Gaston Georges, and Isabelle Anne-Marie Cazeaux (editors). 1970. Claudin de Sermisy: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xvi-xix,xxii; IV,ix,xiii,xv-xvi. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1966. Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing. Pages: 131.
Ktobukowska, Jadwiga. 1961. Repertuar Rçkopisu 4003 z Biblioteki Pan w Gdansku I Jego Znaczenie Historyczne. Muzyka, 74-80.
Ktobukowska, Jadwiga. 1961. Rçkopis 4003 z Biblioteki Pan w Gdansku Jako Zródïo Do Historií Chanson Francuskiej w Polsce. Muzyka, 81-8.
Bruning, Elisens (editor). 1959-. Monumenta Musica Neerlandica. Amsterdam. Pages: XIV,x-xii. Notes: contents list (partial); concordances (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VIII,255.
Günther, Otto. 1911. Die musikalischen Handschriften der Stadtbibliothek und der in ihrer Verwaltung befindlichen Kirchenbibliotheken von St. Katharinen und St. Johann in Danzig. Katalog der Danziger Stadtbibliothek. Danzig.
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Notation Note; Surface Note