‡ denotes primary source study
Göllner, Marie Louise. 1979. Bayerische Staatsbibliothek: Katalog der Musikhandschriften. 2: Tabulaturen und Stimmbücher bis zur Mitte des 17. Jahrhunderts. Kataloge Bayerischer Musiksammlungen. Munich.
Pages: 58-60.
Adams, Courtney S. 1977. Some Aspects of the Chanson for Three Voices during the Sixteenth Century. Acta Musicologica, 227ff.
Pages: 245.
Adams, Courtney S. 1974. The Three-Part Chanson during the Sixteenth Century: Changes in Its Style and Importance. University of Pennsylvania, Unpublished Ph.D. dissertation.
Pages: 180,379,425.
Dobbins, Frank. 1974. Jacques Moderne's 'Parangon des Chansons': A Bibliography of Music and Poetry at Lyon 1538-1543. Royal Musical Association Research Chronicle, 1-90.
Pages: 44.
Whisler, Bruce Allen. 1974. Munich, Mus. Ms. 1516: A Critical Edition. University of Rochester, Unpublished Ph.D. dissertation.
Pages: I,280,323.
Hall, Dale Emerson. 1973. The Italian Secular Vocal Works of Jacquet Berchem. Ohio State University, Unpublished Ph.D. dissertation.
Pages: 344.
Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance. Kassel and Basel.
Pages: 831.
Schmidt-Görg, Joseph. 1938. Nicolas Gombert, Kapellmeister Kaiser Karls V.: Leben und Werk. Bonn.
Pages: 369.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig.
Pages: I,456.
Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich.
Pages: 121.