D-Z 69.2.55 [Tenor]

Ratsschulbibliothek, Zwickau, Germany

partbook: Second half of 16th century

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.55 [Tenor]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 211 x 165 mm
Other Identifiers
  • CCM: ZwiR 34/35
  • Other catalogues/source: VollBM [see bibliography] 20; 483
  • olim (Former shelfmark): MS 34,35
  • olim (Former shelfmark): MS XXXIV,35
Notations
  • black void mensural
Copyists
Relationships
Provenance
Contents 21 pieces from 7 composers
General Description

A Tenor partbook from a set originally of six volumes. Main scribe was Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau; two additional scribes. Copied in Zwickau, for use at Church of St. Mary.

DIAMM, 2017
Binding

Original leather(?) covers now missing from all books.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces in red ink, 1-7 + modern numbering of pieces, 8-10

DIAMM, 2017
Decoration

Attributions, some headings, and some words of text in red ink; no other decoration

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

9 motets, 1 German sacred piece = 10

(Clemens non Papa)-2, Freundt-1, (D. Köler)-1, (Senfl)-1, Walter [I.W.]/(Verdelot)-1, anon-4

5 paper partbooks of an original 6 (D2-31 folios, A-23, T1-31, T2-25, B-31), 211 x 165. New pencil foliation in each book. Original numbering of pieces in red ink, 1-7 + modern numbering of pieces, 8-10. Blank folios, or blank staves only—D2: 1', 14-31'; A: 1', 20'-23'; T1: 1'-2', 18-31'; T2: 8-25'; B: 1', 17-31'. Original leather(?) covers now missing from all books. No index. Main scribe was Cornelius Freundt (ca. 1535-91), cantor at Church of St. Mary, Zwickau (see general index for other manuscripts copied by the same scribe); two additional scribes. Attributions, some headings, and some words of text in red ink; no other decoration.

Second half of 16th century. Copied in Zwickau, for use at Church of St. Mary.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
3 Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus -
Appears on: 3
Genres: Motet
3–3v Haec est dies - 2a pars (of 8): Hodie Deus homo factus est -
Appears on: 3–3v
Genres: Motet
3v Haec est dies - 3a pars (of 8): Id quod fuit permansit -
Appears on: 3v
Genres: Motet
3v–4 Haec est dies - 4a pars (of 8): Hodie deus homo factus -
Appears on: 3v–4
Genres: Motet
4 Haec est dies - 5a pars (of 8): Et quod non erat assumpsit -
Appears on: 4
Genres: Motet
4v Haec est dies - 6a pars (of 8): Hodie deus homo factus -
Appears on: 4v
Genres: Motet
4v–5 Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis -
Appears on: 4v–5
Genres: Motet
5 Haec est dies - 8a pars (of 8): Gloria tibi Domine -
Appears on: 5
Genres: Motet
5v–6v Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant -
Appears on: 5v–6v
Genres: Motet
7–8 Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius -
Appears on: 7–8
Genres: Motet
8v–9 Agnus redemit oves - 1a pars (of 3): Agnus redemit oves -
Appears on: 8v–9
Genres: Motet
9–9v Agnus redemit oves - 2a pars (of 3): Dic nobis Maria, quid vidisti in via -
Appears on: 9–9v
Genres: Motet
10 Agnus redemit oves - 3a pars (of 3): Credendum est magis soli Mariae -
Appears on: 10
Genres: Motet
10–11 Intende animae meae et libera eam - Anonymous
Appears on: 10–11
Genres: Motet
11–11v Domine rex Deus Abraham dona nobis - Anonymous
Appears on: 11–11v
Genres: Motet
11v–13 Domine Jesu Christe respicere digneris -
Appears on: 11v–13
Genres: Motet
13v–14 Dimissa sunt ei peccata multa - Anonymous
Appears on: 13v–14
Genres: Motet
14–14v Eile Gott mich - 1a pars (of 2): Eile Gott mich zu erretten -
Appears on: 14–14v
Genres: Motet
15–15v Eile Gott mich - 2a pars (of 2): Freuen und fröhlich müssen sein -
Appears on: 15–15v
Genres: Motet
16–16v Consurgat quaesumus Domine (2p. Mitte angelum) - Anonymous
Appears on: 16–16v
Genres: Motet
16v–17v Deus qui sedes super thronum (6vv - additional voices not by Walter) -
Appears on: 16v–17v
Genres: Motet
Composer Compositions
Anonymous
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Freundt, Cornelius (1535–1591)
Köler, David (ca. 1532–1565)
Senfl, Ludwig (ca. 1486–ca. 1543)
Verdelot, Philippe (ca. 1480–ca. 1532)
Walter, Johann (1496–1570)
Composition Composers (? Uncertain) Folios / Pages
Agnus redemit oves - 1a pars (of 3): Agnus redemit oves 8v–9
Agnus redemit oves - 2a pars (of 3): Dic nobis Maria, quid vidisti in via 9–9v
Agnus redemit oves - 3a pars (of 3): Credendum est magis soli Mariae 10
Consurgat quaesumus Domine (2p. Mitte angelum) Anonymous 16–16v
Deus qui sedes super thronum (6vv - additional voices not by Walter) 16v–17v
Dimissa sunt ei peccata multa Anonymous 13v–14
Domine Jesu Christe respicere digneris 11v–13
Domine rex Deus Abraham dona nobis Anonymous 11–11v
Eile Gott mich - 1a pars (of 2): Eile Gott mich zu erretten 14–14v
Eile Gott mich - 2a pars (of 2): Freuen und fröhlich müssen sein 15–15v
Haec est dies - 1a pars (of 8): Haec est dies quam fecit dominus 3
Haec est dies - 2a pars (of 8): Hodie Deus homo factus est 3–3v
Haec est dies - 3a pars (of 8): Id quod fuit permansit 3v
Haec est dies - 4a pars (of 8): Hodie deus homo factus 3v–4
Haec est dies - 5a pars (of 8): Et quod non erat assumpsit 4
Haec est dies - 6a pars (of 8): Hodie deus homo factus 4v
Haec est dies - 7a pars (of 8): Ergo exordium nostrae redemptionis 4v–5
Haec est dies - 8a pars (of 8): Gloria tibi Domine 5
Intende animae meae et libera eam Anonymous 10–11
Maria Magdalena - 1a pars (of 2): Maria Magdalena et altera Maria ibant 5v–6v
Maria Magdalena - 2a pars (of 2): Cito euntes dicite discipulis eius 7–8

Set: D-Z MS Mus. 34,35

Type: Partbooks

No images available

D-Z 69.2.55 [Altus]

No images available

D-Z 69.2.55 [Bassus]

No images available

D-Z 69.2.55 [Discantus 2]

No images available

D-Z 69.2.55 [Tenor]

No images available

D-Z 69.2.55 [Vagans (T2)]

denotes primary source study

Noblitt, Thomas L. 1981. A Reconstruction of Ms. Thomaskirche 51 of the Universitätsbibliothek Leipzig (olim III, A. a. 22-23). Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 16-72. Pages: 46-7. Notes: contents list (partial); concordances (partial).

Orf, Wolfgang. 1977. Die Musikhandschriften Thomaskirche Mss. 49/50 und 51 in der Universitätsbibliothek Leipzig. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 109. Notes: contents list (partial); concordances (partial).

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen.  Wiesbaden. Pages: 282,309. Notes: physical description (partial); contents list (partial); concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 280-l. Notes: contents list (partial); concordances (partial); incipits (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: LXXI.iv. Notes: contents list (partial); concordances (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 40,190. Notes: physical description (partial); contents list.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Surface Note