D-Z 69.2.45 [Quintus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Second half of 16th century; date 1564 in manuscript

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.45 [Quintus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 206 x 162 mm
Other Identifiers
  • CCM: ZwiR 79/2
  • Other catalogues/source: VollBM [see bibliography] 43
  • olim (Former shelfmark): MS 79, 2
  • olim (Former shelfmark): MS LXXIX,2
Notations
  • black void mensural
Copyists
Provenance
  • Zwickau, Saxony, Germany
Contents 37 pieces from 14 composers
General Description

A Quintus partbook from a set originally of five volumes. Copied by several scribes, including Johannes Schrei and Jacob Morgenstern, named in manuscript. Of central German origin; perhaps copied in Zwickau.

DIAMM, 2017
Extent

38 leaves

DIAMM, 2017
Binding

TQ books have original parchment covers cut from chant manuscript, inscribed with voice designations; covers torn away from DA books

DIAMM, 2017
Watermark

generally resembles Briquet #2247

DIAMM, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Decoration

Some red or black inked initials, mostly in plain block style. Original piece numbers, some text incipits, number of voices, etc. in red ink

DIAMM, 2017
Index

none

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DIAMM Note

Original numbering of pieces in red ink, 1-22 + modern pencil numbering of pieces, 23-30

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

26 motets, 3 German sacred pieces, 1 German secular piece = 30

(Bacchius)-1, Clemens non Papa-7, (Clemens non Papa/Maessens)-1, Cobrise-1, (Crecquillon)-1, (Feys)-1, Gombert-1, Lassus [Orlandus]-3, (Le Maistre)-2, (Maillard)-1, Manchicourt/(Clemens non Papa)-1, Meiland-1, Phinot-1, (Reusch)-1, Scandello-2 (Schröter) -1, (Senfl)-1, (Sermisy)-1, Verdelot/(Richafort)-1, anon-1

4 paper partbooks of an original 5 (D-i + 41 + i folios, A-44, T-53, Q-38), 206 x 162. New pencil foliation in each book. Original numbering of pieces in red ink, 1-22 + modern pencil numbering of pieces, 23-30. TQ books have original parchment covers cut from chant manuscript, inscribed with voice designations; covers torn away from DA books. No index. Copied by several scribes, including Johannes Schrei and Jacob Morgenstern, named in manuscript. Some red or black inked initials, mostly in plain block style. Original piece numbers, some text incipits, number of voices, etc. in red ink. Watermark generally resembles Briquet #2247.

Second half of 16th century (date 1564 in manuscript). Of central German origin; perhaps copied in Zwickau.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2–2v Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco -
Appears on: 2–2v
Genres: Motet
2v–3 Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei -
Appears on: 2v–3
3v–4v Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter Gombert
Appears on: 3v–4v
Genres: Motet
Source Attribution: Gombert
5–6 Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus -
Appears on: 5–6
Genres: Motet
6–8 Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit) Antonius Scandellus
Appears on: 6–8
Genres: Motet
Source Attribution: Antonius Scandellus
8–9 Si bona suscepimus de manu Domini -
Appears on: 8–9
Genres: Motet
9v–10 Aufer a nobis Domine cunctas iniquitates nostras - Anonymous
Appears on: 9v–10
Genres: Motet
10–11 Adjuva nos Deus salutaris noster -
Appears on: 10–11
Genres: Motet
11–12 In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus -
Appears on: 11–12
Genres: Motet
12v–13 In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio -
Appears on: 12v–13
Genres: Contrafactum, Motet
13–13v Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor -
Appears on: 13–13v
Genres: Motet
14–14v Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie -
Appears on: 14–14v
Genres: Motet
14v–15 Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter -
Appears on: 14v–15
Genres: Motet
15v–16 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 15v–16
Genres: Motet
16–17 Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra -
Appears on: 16–17
Genres: Motet
17–18 Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret -
Appears on: 17–18
Genres: Motet
18v–20 Hoc est praeceptum meum ut diligatis D. Phinot
Appears on: 18v–20
Genres: Motet
Source Attribution: D. Phinot
20–21 Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens N Papa
Appears on: 20–21
Genres: Motet
Source Attribution: Clemens N Papa
21–22 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide -
Appears on: 21–22
Genres: Motet
22–23 Anna floret - 1a pars (of 2): Anna floret sicut lilium Cobrise
Appears on: 22–23
Genres: Motet
Source Attribution: Cobrise
23–24 Anna floret - 2a pars (of 2): O radix viva mira pietatis -
Appears on: 23–24
Genres: Motet
25–25v Ich weiss mir ein festes gebautes haus -
Appears on: 25–25v
Genres: Song
27–28 Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur -
Appears on: 27–28
Genres: Motet
28–29 Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 28–29
Genres: Motet
29 Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes J. Mailandi
Appears on: 29
Genres: Motet
Source Attribution: J. Mailandi
29v Exultent et laetentur - 2a pars (of 2): Ego vero egenus -
Appears on: 29v
Genres: Motet
30–30v Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli Orlandi
Appears on: 30–30v
Genres: Motet
Source Attribution: Orlandi
30v–31 Quis mihi quis te - 2a pars (of 3): Me miserum qua te tandem -
Appears on: 30v–31
Genres: Motet
31v Quis mihi quis te - 3a pars (of 3): Nunc juvat immensi fines lustrare -
Appears on: 31v
Genres: Motet
31v–32 Laudate Dominum (5vv) - 1a pars (of 4): Laudate Dominum de caelis Orlandus
Appears on: 31v–32
Genres: Motet
Source Attribution: Orlandus
32v–33 Laudate Dominum (5vv) - 2a pars (of 4): Laudate Dominum de terra -
Appears on: 32v–33
Genres: Motet
33v–34 Laudate Dominum (5vv) - 3a pars (of 4): Juvenes et virgines -
Appears on: 33v–34
Genres: Motet
34v–35 Laudate Dominum (5vv) - 4a pars (of 4): Laudate eum in virtutibus -
Appears on: 34v–35
Genres: Motet
35–35v Benedicite omnia opera Domini - 1a pars (of 4): Benedicite omnia opera Domini Orlandus
Appears on: 35–35v
Genres: Motet
Source Attribution: Orlandus
35v–36 Benedicite omnia opera Domini - 2a pars (of 4): Benedicite frigus (ignis) et aestus -
Appears on: 35v–36
Genres: Motet
36v–37 Benedicite omnia opera Domini - 3a pars (of 4): Benedicite montes et colles -
Appears on: 36v–37
Genres: Motet
37v–38 Benedicite omnia opera Domini - 4a pars (of 4): Benedicite sacerdotes -
Appears on: 37v–38
Genres: Motet
Composer Compositions
Anonymous
Bacchius, Johannes de (–ca. 1557)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cobrise
Crecquillon, Thomas (ca. 1505–ca. 1557)
Feys, Arnoldus
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Meiland, Jacob (1542–1577)
Phinot, Dominique
Richafort, Jean (ca. 1480–ca. 1550)
Scandello, Antonio
Schroeter, Leonhard
Verdelot, Philippe (ca. 1480–ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor 13–13v
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie 14–14v
Adjuva nos Deus salutaris noster 10–11
Anna floret - 1a pars (of 2): Anna floret sicut lilium 22–23
Anna floret - 2a pars (of 2): O radix viva mira pietatis 23–24
Aufer a nobis Domine cunctas iniquitates nostras Anonymous 9v–10
Benedicite omnia opera Domini - 1a pars (of 4): Benedicite omnia opera Domini 35–35v
Benedicite omnia opera Domini - 2a pars (of 4): Benedicite frigus (ignis) et aestus 35v–36
Benedicite omnia opera Domini - 3a pars (of 4): Benedicite montes et colles 36v–37
Benedicite omnia opera Domini - 4a pars (of 4): Benedicite sacerdotes 37v–38
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 16–17
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 17–18
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter 3v–4v
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 14v–15
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 15v–16
Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus 5–6
Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes 29
Exultent et laetentur - 2a pars (of 2): Ego vero egenus 29v
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco 2–2v
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei 2v–3
Hoc est praeceptum meum ut diligatis 18v–20
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 27–28
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 28–29
Ich weiss mir ein festes gebautes haus 25–25v
In honore Christi - 1a pars (of 2): In honore Christi filii Dei jubilemus 11–12
In honore Christi - 2a pars (of 2): Caeleste beneficium, Christi incarnatio 12v–13
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide 20–21
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide 21–22
Laudate Dominum (5vv) - 1a pars (of 4): Laudate Dominum de caelis 31v–32
Laudate Dominum (5vv) - 2a pars (of 4): Laudate Dominum de terra 32v–33
Laudate Dominum (5vv) - 3a pars (of 4): Juvenes et virgines 33v–34
Laudate Dominum (5vv) - 4a pars (of 4): Laudate eum in virtutibus 34v–35
Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli 30–30v
Quis mihi quis te - 2a pars (of 3): Me miserum qua te tandem 30v–31
Quis mihi quis te - 3a pars (of 3): Nunc juvat immensi fines lustrare 31v
Si bona suscepimus de manu Domini 8–9
Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit) 6–8

Set: D-Z MS Mus. 79, 2

Type: Partbooks

No images available

D-Z 69.2.45 [Altus]

No images available

D-Z 69.2.45 [Discantus]

No images available

D-Z 69.2.45 [Quintus]

No images available

D-Z 69.2.45 [Tenor]

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 350-1,816. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 687,692,789. Notes: contents list (partial); concordances (partial); incipits (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 51. Notes: physical description (partial); contents list (partial).

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Monday, 23 January, 2017

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