D-Z 69.2.45 [Altus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Second half of 16th century; date 1564 in manuscript

Archive Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark 69.2.45 [Altus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 206 x 162 mm
Other Identifiers
  • CCM: ZwiR 79/2
  • Other catalogues/source: VollBM [see bibliography] 43
  • olim (Former shelfmark): MS 79, 2
  • olim (Former shelfmark): MS LXXIX,2
Notations
  • black void mensural
Copyists
Provenance
  • Zwickau, Saxony, Germany
Contents 46 pieces from 19 composers
General Description

An Altus partbook from a set originally of five volumes. Copied by several scribes, including Johannes Schrei and Jacob Morgenstern, named in manuscript. Of central German origin; perhaps copied in Zwickau.

DIAMM, 2017
Extent

44 leaves

DIAMM, 2017
Binding

TQ books have original parchment covers cut from chant manuscript, inscribed with voice designations; covers torn away from DA books

DIAMM, 2017
Watermark

generally resembles Briquet #2247

DIAMM, 2017
Foliation

New pencil foliation in each book.

DIAMM, 2017
Decoration

Some red or black inked initials, mostly in plain block style. Original piece numbers, some text incipits, number of voices, etc. in red ink.

DIAMM, 2017
Index

none

DIAMM, 2017
DIAMM Note

Original numbering of pieces in red ink, 1-22 + modern pencil numbering of pieces, 23-30

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

26 motets, 3 German sacred pieces, 1 German secular piece = 30

(Bacchius)-1, Clemens non Papa-7, (Clemens non Papa/Maessens)-1, Cobrise-1, (Crecquillon)-1, (Feys)-1, Gombert-1, Lassus [Orlandus]-3, (Le Maistre)-2, (Maillard)-1, Manchicourt/(Clemens non Papa)-1, Meiland-1, Phinot-1, (Reusch)-1, Scandello-2 (Schröter) -1, (Senfl)-1, (Sermisy)-1, Verdelot/(Richafort)-1, anon-1

4 paper partbooks of an original 5 (D-i + 41 + i folios, A-44, T-53, Q-38), 206 x 162. New pencil foliation in each book. Original numbering of pieces in red ink, 1-22 + modern pencil numbering of pieces, 23-30. TQ books have original parchment covers cut from chant manuscript, inscribed with voice designations; covers torn away from DA books. No index. Copied by several scribes, including Johannes Schrei and Jacob Morgenstern, named in manuscript. Some red or black inked initials, mostly in plain block style. Original piece numbers, some text incipits, number of voices, etc. in red ink. Watermark generally resembles Briquet #2247.

Second half of 16th century (date 1564 in manuscript). Of central German origin; perhaps copied in Zwickau.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–1v Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco -
Appears on: 1–1v
Genres: Motet
2–2v Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei -
Appears on: 2–2v
2v–3 Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te Petrus Manchicourt
Appears on: 2v–3
Genres: Motet
Source Attribution: Petrus Manchicourt
3v–4 Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris -
Appears on: 3v–4
Genres: Motet
4v–5v Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter Gombert
Appears on: 4v–5v
Genres: Motet
Source Attribution: Gombert
6–6v Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus -
Appears on: 6–6v
Genres: Motet
7 Domine Jesu Christe respicere digneris Jacobus Clemens non Papa
Appears on: 7
Genres: Motet
Source Attribution: Jacobus Clemens non Papa
7v–9 Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit) Antonius Scandellus
Appears on: 7v–9
Genres: Motet
Source Attribution: Antonius Scandellus
9v–10v Tristis est anima -
Appears on: 9v–10v
Genres: Motet
11–12 Si bona suscepimus de manu Domini -
Appears on: 11–12
Genres: Motet
12–13 Gott ist mein licht und mein seligkeit -
Appears on: 12–13
Genres: Motet
13–13v Aufer a nobis Domine cunctas iniquitates nostras - Anonymous
Appears on: 13–13v
Genres: Motet
13v–14v Vater unser, der du bist im Himmel -
Appears on: 13v–14v
Genres: Chorale, Sacred Song
14v Herre wir erkennen - 1a pars (of 2): Herre wir erkennen unser gottlos Wesen -
Appears on: 14v
Genres: Motet
General Note

incomplete, owing to missing pages

15 Michael archangele veni in adjutorium -
Appears on: 15
Genres: Motet
General Note

incomplete, owing to missing pages

15v–16 Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor -
Appears on: 15v–16
Genres: Motet
16v–17 Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie -
Appears on: 16v–17
Genres: Motet
17–18 Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum -
Appears on: 17–18
Genres: Motet
18–19 Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum -
Appears on: 18–19
Genres: Motet
19–20 Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter -
Appears on: 19–20
Genres: Motet
20–21 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 20–21
Genres: Motet
21–22v Sum tuus in vita (4vv) [M109] -
Appears on: 21–22v
Genres: Motet
22v–23 Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra -
Appears on: 22v–23
Genres: Motet
23v–24 Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret -
Appears on: 23v–24
Genres: Motet
24v–26 Hoc est praeceptum meum ut diligatis D. Phinot
Appears on: 24v–26
Genres: Motet
Source Attribution: D. Phinot
26–27 Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens N Papa
Appears on: 26–27
Genres: Motet
Source Attribution: Clemens N Papa
27–28 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide -
Appears on: 27–28
Genres: Motet
28–29 Anna floret - 1a pars (of 2): Anna floret sicut lilium Cobrise
Appears on: 28–29
Genres: Motet
Source Attribution: Cobrise
29–30 Anna floret - 2a pars (of 2): O radix viva mira pietatis -
Appears on: 29–30
Genres: Motet
30v–31 Vox in Rama audita est ploratus et ululatus -
Appears on: 30v–31
Genres: Motet
31v Ich weiss mir ein festes gebautes haus -
Appears on: 31v
Genres: Song
32–33v Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur -
Appears on: 32–33v
Genres: Motet
33v–34 Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 33v–34
Genres: Motet
34–34v Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes J. Mailandi
Appears on: 34–34v
Genres: Motet
Source Attribution: J. Mailandi
34v–35 Exultent et laetentur - 2a pars (of 2): Ego vero egenus -
Appears on: 34v–35
Genres: Motet
35v–36 Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli Orlandi
Appears on: 35v–36
Genres: Motet
Source Attribution: Orlandi
36–36v Quis mihi quis te - 2a pars (of 3): Me miserum qua te tandem -
Appears on: 36–36v
Genres: Motet
37 Quis mihi quis te - 3a pars (of 3): Nunc juvat immensi fines lustrare -
Appears on: 37
Genres: Motet
37–37v Laudate Dominum (5vv) - 1a pars (of 4): Laudate Dominum de caelis Orlandus
Appears on: 37–37v
Genres: Motet
Source Attribution: Orlandus
38–38v Laudate Dominum (5vv) - 2a pars (of 4): Laudate Dominum de terra -
Appears on: 38–38v
Genres: Motet
39–39v Laudate Dominum (5vv) - 3a pars (of 4): Juvenes et virgines -
Appears on: 39–39v
Genres: Motet
40–40v Laudate Dominum (5vv) - 4a pars (of 4): Laudate eum in virtutibus -
Appears on: 40–40v
Genres: Motet
41–41v Benedicite omnia opera Domini - 1a pars (of 4): Benedicite omnia opera Domini Orlandus
Appears on: 41–41v
Genres: Motet
Source Attribution: Orlandus
41v–42 Benedicite omnia opera Domini - 2a pars (of 4): Benedicite frigus (ignis) et aestus -
Appears on: 41v–42
Genres: Motet
42v–43 Benedicite omnia opera Domini - 3a pars (of 4): Benedicite montes et colles -
Appears on: 42v–43
Genres: Motet
43v–44 Benedicite omnia opera Domini - 4a pars (of 4): Benedicite sacerdotes -
Appears on: 43v–44
Genres: Motet
Composer Compositions
Anonymous
Bacchius, Johannes de (–ca. 1557)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cobrise
Feys, Arnoldus
Gombert, Nicolas (ca. 1495–ca. 1560)
Lassus, Orlande de (ca. 1532–1594)
Le Maistre, Mattheus (ca. 1505–1577)
Maessens, Pieter
Manchicourt, Pierre de
Meiland, Jacob (1542–1577)
Phinot, Dominique
Reusch, Johannes
Richafort, Jean (ca. 1480–ca. 1550)
Scandello, Antonio
Schroeter, Leonhard
Senfl, Ludwig (ca. 1486–ca. 1543)
Sermisy, Claudin de (ca. 1490–1562)
Verdelot, Philippe (ca. 1480–ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor 15v–16
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie 16v–17
Anna floret - 1a pars (of 2): Anna floret sicut lilium 28–29
Anna floret - 2a pars (of 2): O radix viva mira pietatis 29–30
Aufer a nobis Domine cunctas iniquitates nostras Anonymous 13–13v
Benedicite omnia opera Domini - 1a pars (of 4): Benedicite omnia opera Domini 41–41v
Benedicite omnia opera Domini - 2a pars (of 4): Benedicite frigus (ignis) et aestus 41v–42
Benedicite omnia opera Domini - 3a pars (of 4): Benedicite montes et colles 42v–43
Benedicite omnia opera Domini - 4a pars (of 4): Benedicite sacerdotes 43v–44
Concussum est mare - 1a pars (of 2): Concussum est mare et contremuit terra 22v–23
Concussum est mare - 2a pars (of 2): Factum est silentium in caelo dum draco committeret 23v–24
Domine Jesu Christe respicere digneris 7
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter 4v–5v
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 19–20
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 20–21
Emendemus in melius - 2a pars (of 2): Peccavimus domine cum patribus 6–6v
Exultent et laetentur - 1a pars (of 2): Exultent et laetentur in te omnes 34–34v
Exultent et laetentur - 2a pars (of 2): Ego vero egenus 34v–35
Factum est silentium - 1a pars (of 2): Factum est silentium in caelo dum draco 1–1v
Factum est silentium - 2a pars (of 2): Millia millium ministrabant ei 2–2v
Gaudent in caelis - 1a pars (of 2): Gaudent in caelis animae sanctorum 17–18
Gaudent in caelis - 2a pars (of 2): Ideo cum Christo regnabunt in aeternum 18–19
Gott ist mein licht und mein seligkeit 12–13
Herre wir erkennen - 1a pars (of 2): Herre wir erkennen unser gottlos Wesen 14v
Hoc est praeceptum meum ut diligatis 24v–26
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 32–33v
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 33v–34
Ich weiss mir ein festes gebautes haus 31v
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide 26–27
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide 27–28
Laudate Dominum (5vv) - 1a pars (of 4): Laudate Dominum de caelis 37–37v
Laudate Dominum (5vv) - 2a pars (of 4): Laudate Dominum de terra 38–38v
Laudate Dominum (5vv) - 3a pars (of 4): Juvenes et virgines 39–39v
Laudate Dominum (5vv) - 4a pars (of 4): Laudate eum in virtutibus 40–40v
Michael archangele veni in adjutorium 15
Pater peccavi (4vv) - 1a pars (of 2): Pater peccavi in caelum et coram te 2v–3
Pater peccavi (4vv) - 2a pars (of 2): Quanti mercenarii in domo patris 3v–4
Quis mihi quis te - 1a pars (of 3): Quis mihi quis te rapuit dulcissima Phylli 35v–36
Quis mihi quis te - 2a pars (of 3): Me miserum qua te tandem 36–36v
Quis mihi quis te - 3a pars (of 3): Nunc juvat immensi fines lustrare 37
Si bona suscepimus de manu Domini 11–12
Sic enim Deus dilexit mundum (2p. Sicut Moses exaltavit) 7v–9
Sum tuus in vita (4vv) [M109] 21–22v
Tristis est anima 9v–10v
Vater unser, der du bist im Himmel 13v–14v
Vox in Rama audita est ploratus et ululatus 30v–31

Set: D-Z MS Mus. 79, 2

Type: Partbooks

No images available

D-Z 69.2.45 [Altus]

No images available

D-Z 69.2.45 [Discantus]

No images available

D-Z 69.2.45 [Quintus]

No images available

D-Z 69.2.45 [Tenor]

denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 350-1,816. Notes: contents list (partial); concordances (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 687,692,789. Notes: contents list (partial); concordances (partial); incipits (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 312-6. Notes: contents list (partial); concordances (partial); incipits (partial).

Boetticher, Wolfgang. 1958. Orlando di Lasso und seine Zeit. 1532-1594. Repertoire-Untersuchungen zur Musik der Spätrenaissance.  Kassel and Basel. Pages: 837. Notes: physical description (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 51. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

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