GB-Lbl Harley 524

British Library, London, England

non-music MS with interpolated music: 13th or 14th century

Archive British Library, London, England (GB-Lbl)
Shelfmark Harley 524
Surface Mixed Paper and Parchment
Numbering System Foliation
Format portrait
Measurements 210 x 150 mm
Other Identifiers
  • RISM: Lo 524
Notations
  • square
Relationships
External Links
Provenance
  • England
Contents 1 pieces from 1 composers
General Description

Miscellany of sermons; short devotional tracts; lists and diagrams; prayers and verses (mostly Latin, a few in French), Latin song. Copied by several hands, with many gaps between texts. Some leaves have been tipped in: these pages are of varying sizes and and parchment quality. The only piece of polyphonic music is the well-known conductus Verifloris subfigura quem produxit, here in two parts only (for the incipit, see the lower two parts of W1 10). The music is written straight across f. 63 in score. It was added on an originally blank page, which seems to be coeval with the preceding page written in brown ink. The MS was in possession of Osney Abbey by the 15th century (letters from abbot added to final leaf).

Helen Deeming, 2011
Binding

dark brown morocco, 19th century. The 2 unnumbered paper folios belong to this binding

Helen Deeming, 2011
Notation

oblong notes: uses the ascending binary ligature whose first note is written as a duplex longa, the undulating body of which suggests an ornament such as a trill. Another unusual ligature is a descending binary ligature whose first note has the length of a duplex longa and is moreover surmounted by two dots.

Helen Deeming, 2011
Ruling

red four-line staves with bar-lines

Helen Deeming, 2011
Foliation

63

Helen Deeming, 2011
Foliation

modern pencil foliation at t.r.r., includes two paper folios, but excludes two others

Helen Deeming, 2011
Surface

i + i paper + 160 parchment + i + i paper

Helen Deeming, 2011
RISM Description

RISM B/IV 1: A 13th and 14th century parchment manuscript meas. 207 x 150 mm. and containing 147 folios. In addition, there is 1 ribbed paper folio at the back; the similar folio at the front is included in the modern pencil foliation at t.r.r. 2 further unnumbered paper folios go with the late 19th century binding of dark brown morocco, which has gilt arms on the front cover. This miscellany of sermons and other theological items contains only one piece of polyphonic music, the well-known conductus Verifloris subfigura quem produxit, here in two parts only (for the incipit, see the lower two parts of W1 10). The music is written straight across f. 63 in score on red four-line staves with bar-lines and oblong notes like Burney 357, another British Museum ms. The black ink shows that this piece was added on an originally blank page, which however seems to be coeval with the preceding page written in brown ink. This is another source using the ascending binary ligature whose first note is written as a duplex longa, the undulating body of which suggests an ornament such as a trill. Another unusual ligature is a descending binary ligature whose first note has the length of a duplex longa and is moreover surmounted by two dots.

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Répertoire International des Sources Musicales

63

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Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
63 Verifloris subfigura quem produxit - Anonymous
Appears on: 63
Genres: Conductus
Voice: [no designation]
Languages: Latin
Voice Text: Verifloris subfigura quem produxit
Composer Compositions
Anonymous
Composition Composers (? Uncertain) Folios / Pages
Verifloris subfigura quem produxit Anonymous 63

Images © The British Library

denotes primary source study

Deeming, Helen. 2009. French Devotional Texts in Thirteenth-century Preachers' Anthologies. Language and Culture in Medieval Britain: The French of England, c.1100-c.1500, edited by Helen Deeming, 254-65. Woodbridge: York Medieval Press in association with Boydell Press.

Watson, Andrew G. 1969. The Manuscripts of Henry Savile of Bank.  London: Bibliographical Society. Pages: p. 56.

Hughes, Dom Anselm, and Gerald Abraham (editors). 1954-60. New Oxford History of Music. Pages: 330 ff (transcription of the polyphonic piece after all sources).

Hughes, Dom Anselm. 1953. History of Music in Sound. Pages: 48 (a similar transcription).

Wooldridge, Harry Ellis, and H V Hughes (editors). 1897 and 1913. Early English Harmony from the 10th to the 15th Century. 2 vols. London: The Plainsong and Medieval Music Society. Pages: vol.1, plate 31 and vol.2, pp.61-62.

Wanley, Humphrey. 1808-12. A Catalogue of the Harleian Manuscripts in the British Museum.  London. Pages: vol.1, pp.339-341.

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Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description