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Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
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2–2v | Benedictus, qui venit in nomine Domini | - | Anonymous |
Benedictus, qui venit in nomine DominiAnonymous
Appears on:
2–2v
Genres:
Mass Ordinary, Sanctus [& Benedictus]
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2v–3 | Le berger | - | Anonymous |
Le bergerAnonymous
Appears on:
2v–3
Genres:
Chanson
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3v–4 | Contristatus sum in cogitatione mea | - | Anonymous |
Contristatus sum in cogitatione meaAnonymous
Appears on:
3v–4
Genres:
Motet
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4–4v | Octo sunt passiones - 1a pars (of 20): Octo sunt passiones quibus admodum | - | |
Appears on:
4–4v
Genres:
Motet
General NoteOthmayr's massive 20-section cycle of motets in 3vv on the '7 deadly sins' (though there are 8 in the version by John of Damascus which Othmayr uses). THe remainder of the cycle is lost from the Bassus book. |
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5 | Waerom wout ghi mi verlaten | - | |
Appears on:
5
Genres:
Psalm
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5 | Ick heb ghestelt op u myn Heer | - | |
Appears on:
5
Genres:
Psalm
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5–5v | God myns ghenadich zyt | - | |
Appears on:
5–5v
Genres:
Psalm
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5v–6 | O Heer doe ghi ons hier verliet | - | |
Appears on:
5v–6
Genres:
Psalm
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6 | Heere lieve Heere verhoort die stemme myn | - | |
Appears on:
6
Genres:
Psalm
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6–6v | Vrolick en bly loeft God | - | |
Appears on:
6–6v
Genres:
Psalm
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6v | Waerom wilt ghi ohns verlaten | - | |
Appears on:
6v
Genres:
Psalm
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6v–7 | Die heydens quamen tot u vercoren | - | |
Appears on:
6v–7
Genres:
Psalm
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7–7v | [De vrai amour?] | - | Anonymous |
[De vrai amour?]Anonymous
Appears on:
7–7v
Genres:
Chanson
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7v–8 | Je suis ayme | - | Anonymous |
Je suis aymeAnonymous
Appears on:
7v–8
Genres:
Chanson
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8–8v | [untexted] - 1a pars (of 2): | - | Anonymous |
[untexted] - 1a pars (of 2):Anonymous
Appears on:
8–8v
Genres:
textless
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8v | [untexted] - 2a pars (of 2): | - | Anonymous |
[untexted] - 2a pars (of 2):Anonymous
Appears on:
8v
Genres:
textless
General Noteincomplete - breaks off after 4 staves |