D-Z Mus. 97,1 [Sextus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Late 16th century

Archive	Ratsschulbibliothek, Zwickau, Germany (D-Z)
Shelfmark	Mus. 97,1 [Sextus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Measurements	205 x 170 mm
Other Identifiers	CCM: ZwiR 97/1 Other catalogues/source: VollBM [see bibliography] 37 Alternative names: MS XCVII,1
Notations	black void mensural
Provenance	Wittenberg or Zwickau? Saxony, Germany
Contents	11 pieces from 5 composers

General Description

A Sextus partbook from a set originally of six volumes. Copied by one main scribe (#I-XLV); the last seven pieces copied by a second scribe, slightly later (at the beginning of the 17th century). Of central German origin; possibly copied in Wittenberg or Zwickau.

DIAMM, 2017

Extent

ii + 15

DIAMM, 2017

Binding

D book has remnants of original tan leather covers; covers now missing from other books.

DIAMM, 2017

Watermark

resembles Briquet #2008-9

DIAMM, 2017

Notation

black void mensural

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Ruling

Staff height 14 in main layer; variable thereafter

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Foliation

Modem pencil foliation in each book.

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Decoration

No decorative initials; text incipits, piece numbers, and pars designations in red ink.

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Index

none

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Index

none

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DIAMM Note

Original ink numbering of pieces, I-XLV + modern pencil numbering of pieces, 46-53.

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

24 motets, 2 Latin/German sacred pieces, 21 German sacred pieces, 4 German secular pieces, 1 French secular piece, 1 Latin secular piece = 53

Clemens non Papa-1, (Clemens non Papa/Manchicourt)-1, Dressiert, Kinner-3, Lassus-2, Mager-1, (Maillard)-1, Paminger-1, Pufler-1, Rabe [Corvinus]-1, Rosthius-1, anon-32

4 paper partbooks of an original 6 (D-ii + 42 folios, B-i + 41, Q-i + 13, S-i + 7), 205 x 170. Modem pencil foliation in each book. Original ink numbering of pieces, I-XLV + modern pencil numbering of pieces, 46-53. D book has remnants of original tan leather covers; covers now missing from other books. No index. Copied by one main scribe (#I-XLV) and several additional scribes. Staff height 14 in main layer; variable thereafter. No decorative initials; text incipits, piece numbers, and pars designations in red ink. Watermark resembles Briquet #2008-9.

Late 16th century. Of central German origin; possibly copied in Wittenberg or Zwickau.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–1v	Meine Seel' erhebe - 1a pars (of 2): Meine Seel' erhebe den Herren	Pufler[us]	Pufler, Theophil
Meine Seel' erhebe - 1a pars (of 2): Meine Seel' erhebe den Herren Pufler, Theophil Appears on: 1–1v Genres: Motet Source Attribution: Pufler[us]
1v–2	Meine Seel' erhebe - 2a pars (of 2): Er übt Gewalt in seinem Arm	-	Pufler, Theophil
Meine Seel' erhebe - 2a pars (of 2): Er übt Gewalt in seinem Arm Pufler, Theophil Appears on: 1v–2 Genres: Motet
2	Siehe wie fein - 1a pa rs (of 3): Siehe wie fein und lieblich ist's	Corvin[us] (=Rab)	Rab, Valentin
Siehe wie fein - 1a pa rs (of 3): Siehe wie fein und lieblich ist's Rab, Valentin Appears on: 2 Genres: Motet Source Attribution: Corvin[us] (=Rab)
2–2v	Siehe wie fein - 2a pa rs (of 3): Wie der köstliche Balsam ist	-	Rab, Valentin
Siehe wie fein - 2a pa rs (of 3): Wie der köstliche Balsam ist Rab, Valentin Appears on: 2–2v Genres: Motet
2v–3	Siehe wie fein - 3a pa rs (of 3): Wie der Tau der von Hermon herabfällt	-	Rab, Valentin
Siehe wie fein - 3a pa rs (of 3): Wie der Tau der von Hermon herabfällt Rab, Valentin Appears on: 2v–3 Genres: Motet
3v–4v	Justorum animae	Leonhardus Pammiger	Paminger, Leonhard (1495–1567)
Justorum animae Paminger, Leonhard (1495–1567) Appears on: 3v–4v Genres: Motet Source Attribution: Leonhardus Pammiger
4v–5	Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum Lassus, Orlande de (ca. 1532–1594) Appears on: 4v–5 Genres: Motet Source Attribution: Orlandus
5–5v	Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae	-	Lassus, Orlande de (ca. 1532–1594)
Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae Lassus, Orlande de (ca. 1532–1594) Appears on: 5–5v Genres: Motet
5v	Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet	-	Lassus, Orlande de (ca. 1532–1594)
Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet Lassus, Orlande de (ca. 1532–1594) Appears on: 5v Genres: Motet
6	Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi	-	Lassus, Orlande de (ca. 1532–1594)
Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi Lassus, Orlande de (ca. 1532–1594) Appears on: 6 Genres: Motet
6–6v	Wer alles Unrecht will ausfegen manu bellatoria	-	Anonymous
Wer alles Unrecht will ausfegen manu bellatoria Anonymous Appears on: 6–6v Genres: Motet General Note with macaronic Latin & German text

Composer	Compositions
Anonymous	Wer alles Unrecht will ausfegen manu bellatoria – 6–6v
Lassus, Orlande de (ca. 1532–1594)	Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum – 4v–5 Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae – 5–5v Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet – 5v Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi – 6
Paminger, Leonhard (1495–1567)	Justorum animae – 3v–4v
Pufler, Theophil	Meine Seel' erhebe - 1a pars (of 2): Meine Seel' erhebe den Herren – 1–1v Meine Seel' erhebe - 2a pars (of 2): Er übt Gewalt in seinem Arm – 1v–2
Rab, Valentin	Siehe wie fein - 1a pa rs (of 3): Siehe wie fein und lieblich ist's – 2 Siehe wie fein - 2a pa rs (of 3): Wie der köstliche Balsam ist – 2–2v Siehe wie fein - 3a pa rs (of 3): Wie der Tau der von Hermon herabfällt – 2v–3

Composition	Composers (? Uncertain)	Folios / Pages
Justorum animae	Paminger, Leonhard (1495–1567)	3v–4v
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum	Lassus, Orlande de (ca. 1532–1594)	4v–5
Lauda Jerusalem - 2a pars (of 4): Qui emittet eloquium suum terrae	Lassus, Orlande de (ca. 1532–1594)	5–5v
Lauda Jerusalem - 3a pars (of 4): Emittet verbum suum et liquefaciet	Lassus, Orlande de (ca. 1532–1594)	5v
Lauda Jerusalem - 4a pars (of 4): Non fecit taliter omni nationi	Lassus, Orlande de (ca. 1532–1594)	6
Meine Seel' erhebe - 1a pars (of 2): Meine Seel' erhebe den Herren	Pufler, Theophil	1–1v
Meine Seel' erhebe - 2a pars (of 2): Er übt Gewalt in seinem Arm	Pufler, Theophil	1v–2
Siehe wie fein - 1a pa rs (of 3): Siehe wie fein und lieblich ist's	Rab, Valentin	2
Siehe wie fein - 2a pa rs (of 3): Wie der köstliche Balsam ist	Rab, Valentin	2–2v
Siehe wie fein - 3a pa rs (of 3): Wie der Tau der von Hermon herabfällt	Rab, Valentin	2v–3
Wer alles Unrecht will ausfegen manu bellatoria	Anonymous	6–6v

Set: MS 97,1

Type: Partbooks

No images available

D-Z Mus. 97,1 [Bassus]

No images available

D-Z Mus. 97,1 [Discantus]

No images available

D-Z Mus. 97,1 [Quintus]

No images available

D-Z Mus. 97,1 [Sextus]

‡ denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 789. Notes: contents list (partial); concordances (partial); incipits (partial).

Steude, Wolfram. 1972. Untersuchungen zu Herkunft, Verbreitung und spezifischem Inhalt mitteldeutscher Musikhandschriften des 16. Jahrhunderts. University of Rostock, Unpublished Ph.D. dissertation. Pages: 23-4,39,59,94-5. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Dehnhard, Walter. 1971. Die deutschen Psalmmotette in der Reformationszeit. Neue Musikgeschichtliche Forschungen. Wiesbaden. Pages: 138,279, 286,293,310. Notes: contents list (partial); concordances (partial).

Luther, Wilhelm Martin. 1945. Gallus Dressler: Ein Beitrag zur Geschichte des Protestantischen Schulkantorats im 16. Jahrhundert. Göttinger Musikwissenschaftliche Arbeiten. Kassel. Pages: 150-1,156-60,163. Notes: contents list (partial); concordances (partial).

Weinmann, Karl. 1907. Leonhard Paminger: Ein biobibliographischer Beitrag zur Musikgeschichte des 16. Jahrhunderts. Kirchenmusikalisches Jahrbuch, 122-35. Pages: 134. Notes: contents list (partial).

Vollhardt, Reinhard. 1893-6. Bibliographie der Musik-Werke in der Ratsschulbibliothek zu Zwickau. Monatshefte für Musikgeschichte, . Pages: 47. Notes: physical description (partial); contents list (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Watermark Note; Notation Note; Ruling Note; Surface Note

D-Z Mus. 97,1 [Sextus]

Ratsschulbibliothek, Zwickau, Germany

partbook: Late 16th century

General Description

Extent

Binding

Watermark

Notation

Ruling

Foliation

Decoration

Index

Index

DIAMM Note

Census Catalogue of Music Description

General Note

Set: MS 97,1

Type: Partbooks

DIAMM, 2016

Monday, 23 January, 2017