D-Dl MS Mus. 2/D/22 [Sextus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1590-1600

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Mus. 2/D/22 [Sextus]
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Pagination
Measurements 320 x 200 mm
Other Identifiers
  • CCM: DresSL 2/D/22
  • olim (Former shelfmark): B. 266
Notations
  • black void mensural
External Authorities
Provenance
  • Central Germany, Germany
Contents 43 pieces from 15 composers
General Description

A Sextus partbook from a set of six volumes. Copied by a single scribe (except no. 64). Probably of central German provenance (SteudeMS).

DIAMM, 2023
Extent

D 93ff, A 97ff, T 87ff, B 81ff, Q 85ff, S 32ff.

DIAMM, 2023
Physical Description

Many folios are in poor condition because of ink corrosion and other deterioration

DIAMM, 2017
Binding

Rebound in modern brown cardboard covers. (A few folios in D & B have been bound incorrectly.)

DIAMM, 2023
Notation

black void mensural

DIAMM, 2017
Foliation

Modern pencil pagination, continuous through the six books (omits blank pages)

DIAMM, 2023
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

5 Kyrie-Gloria pairs, 10 Mass Proper sections, 1 Canticle, 1 processional hymn, 57 motets, 1 German sacred piece = 75

(Buissons)-2 + 1?, (Clemens non Papa)-1, (S. Cornet)-1, (Gardane)-1, (Hähnel)-1, (Händl)-4, (Hassler)-1, (Kerle)-1, (Lassus)-7, (G. Le Roy/Verdelot)-1, (Marazzi)-1, (Palestrina)-2, (Palladius?)-1, (Paminger)-1, (Ruffo)-1, anon-48

6 paper partbooks (D-184 folios [sic, actually pages], A-195, T-174, B-163, Q-167, S-59), 320 x 200. Many folios are in poor condition because of ink corrosion and other deterioration. New pencil pagination. Rebound in modern brown cardboard covers. Copied by a single scribe.

Ca. 1590-1600 (SteudeMS). Probably of central German provenance (SteudeMS).

Vol. 4

Composers: Add "(Pierre)-1" and "(Wert)-1"; change "anon-48" to "anon-46."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
876–877 Quem vidistis pastores - 1a pars (of 2): Quem vidistis pastores -
Appears on: 876–877
Genres: Motet
878–879 Quem vidistis pastores - 2a pars (of 2): Dicite quid nam vidistis -
Appears on: 878–879
Genres: Motet
879–880 In principio erat verbum - 1a pars (of 3): In principio erat verbum -
Appears on: 879–880
Genres: Motet
880–881 In principio erat verbum - 2a pars (of 3): Fuit homo missus -
Appears on: 880–881
Genres: Motet
882 In principio erat verbum - 3a pars (of 3): In propria venit -
Appears on: 882
Genres: Motet
883–884 Verbum caro factum est de virgine Maria -
Appears on: 883–884
Genres: Motet
884–886 Hodie rex caelorum - Anonymous

Hodie rex caelorum

Anonymous
Appears on: 884–886
Genres: Motet
886–887 Hodie Christus natus est hodie salvator - Anonymous
Appears on: 886–887
Genres: Motet
888–890 Fausta dies roseo - 1a pars (of 2): Fausta dies roseo terras fulgore serenat - Anonymous
Appears on: 888–890
Genres: Motet
890–891 Fausta dies roseo - 2a pars (of 2): Auspiciis Deus approperat - Anonymous
Appears on: 890–891
Genres: Motet
892 Puer natus est nobis - 1a pars (of 2): Puer natus est nobis -
Appears on: 892
Genres: Motet
892 Puer natus est nobis - 2a pars (of 2): Postquam consummati sunt -
Appears on: 892
Genres: Motet
892–894 Hodie Christus natus est - 1a pars (of 2): Hodie Christus natus est -
Appears on: 892–894
Genres: Motet
894–895 Hodie Christus natus est - 2a pars (of 2): Verbum caro factum est -
Appears on: 894–895
Genres: Motet
896–897 Maria stabat ad monumentum - 1a pars (of 2): Maria stabat ad monumentum -
Appears on: 896–897
Genres: Motet
897–898 Maria stabat ad monumentum - 2a pars (of 2): Congratulamini mihi omnes -
Appears on: 897–898
Genres: Motet
899 Angelus Domini descendit - 1a pars (of 2): Angelus Domini descendit de caelo -
Appears on: 899
Genres: Motet
899–900 Angelus Domini descendit - 2a pars (of 2): Nolite timere scio enim quia crucifixum quaeritis -
Appears on: 899–900
Genres: Motet
900–901 Providebam Dominum - 1a pars (of 2): Providebam Dominum in conspectu -
Appears on: 900–901
Genres: Motet
901–902 Providebam Dominum - 2a pars (of 2): Quoniam non derelinques -
Appears on: 901–902
Genres: Motet
903 Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: 903
Genres: Motet
904 Tulerunt Dominum - 2a pars (of 2): Cum ergo fleret inclinavit -
Appears on: 904
Genres: Motet
905–906 Christus surrexit - 1a pars (of 3): Christus surrexit mala nostra texit - Anonymous
Appears on: 905–906
Genres: Motet
906 Christus surrexit - 2a pars (of 3): Et si non surrexisset - Anonymous
Appears on: 906
Genres: Motet
907 Christus surrexit - 3a pars (of 3): Alleluia. Laudemus te hodie - Anonymous
Appears on: 907
Genres: Motet
907–908 Christus resurgens ex mortuis jam non -
Appears on: 907–908
Genres: Motet
909–910 Vespera nunc venit, nobiscum CHriste maneto -
Appears on: 909–910
Genres: Motet
General Note

composer attribution conjectural, based on an ms addition in Pirna 58

910–911 Salve festa dies - Anonymous

Salve festa dies

Anonymous
Appears on: 910–911
Genres: Motet
912–914 Christus resurgens ex mortuis - Anonymous
Appears on: 912–914
Genres: Motet
915–916 Viri Galilaei quid statis aspicientes -
Appears on: 915–916
Genres: Motet
916–917 Ascendit Deus in jubilatione - 1a pars (of 3): Ascendit Deus in jubilatione -
Appears on: 916–917
Genres: Motet
917–918 Ascendit Deus in jubilatione - 2a pars (of 3): Et Dominus in voce tubae -
Appears on: 917–918
Genres: Motet
918–919 Ascendit Deus in jubilatione - 3a pars (of 3): Gloria patri et filio -
Appears on: 918–919
Genres: Doxology, Motet
919–920 Ascendisti in altum - Anonymous
Appears on: 919–920
Genres: Motet
921–922 Ascendens Christus in altum - 1a pars (of 2): Ascendens Christus in altum -
Appears on: 921–922
Genres: Motet
922–923 Ascendens Christus in altum - 2a pars (of 2): Ascendit Deus in jubilatione -
Appears on: 922–923
Genres: Motet
924–925 Hodie completi sunt dies - 1a pars (of 2): Hodie completi sunt dies -
Appears on: 924–925
Genres: Motet
925–926 Hodie completi sunt dies - 2a pars (of 2): Misit eos in universum mundum -
Appears on: 925–926
Genres: Motet
926–928 Jam non dicam vos servos sed amicos -
Appears on: 926–928
Genres: Motet
928–930 Si quis diligit me sermonem meum -
Appears on: 928–930
Genres: Motet
930–931 O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum sapientiae et scientiae -
Appears on: 930–931
Genres: Motet
931–932 O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini -
Appears on: 931–932
Genres: Motet
932–933 Te adoramus omnipotens - Anonymous
Appears on: 932–933
Genres: Motet
Composer Compositions
Anonymous
Buissons, Michael Charles des (fl. 1560–70)
Handl (Gallus), Jacobus (1550–1591)
Hassler, Hans Leo (1564–1612)
Kerle, Jacobus de
Lange, Gregor (ca. 1540–1587)
Lassus, Orlande de (ca. 1532–1594)
Monte, Philippe de
Palladius, David
Paminger, Leonhard (1495–1567)
Regnart, Jacob (ca. 1540–1599)
Riccio, Teodoro
Ruffo, Vincenzo (ca. 1508–1587)
Tonsor, Michael
Victoria, Tomas Luis de (1548–1611)
Composition Composers (? Uncertain) Folios / Pages
Angelus Domini descendit - 1a pars (of 2): Angelus Domini descendit de caelo 899
Angelus Domini descendit - 2a pars (of 2): Nolite timere scio enim quia crucifixum quaeritis 899–900
Ascendens Christus in altum - 1a pars (of 2): Ascendens Christus in altum 921–922
Ascendens Christus in altum - 2a pars (of 2): Ascendit Deus in jubilatione 922–923
Ascendisti in altum Anonymous 919–920
Ascendit Deus in jubilatione - 1a pars (of 3): Ascendit Deus in jubilatione 916–917
Ascendit Deus in jubilatione - 2a pars (of 3): Et Dominus in voce tubae 917–918
Ascendit Deus in jubilatione - 3a pars (of 3): Gloria patri et filio 918–919
Christus resurgens ex mortuis Anonymous 912–914
Christus resurgens ex mortuis jam non 907–908
Christus surrexit - 1a pars (of 3): Christus surrexit mala nostra texit Anonymous 905–906
Christus surrexit - 2a pars (of 3): Et si non surrexisset Anonymous 906
Christus surrexit - 3a pars (of 3): Alleluia. Laudemus te hodie Anonymous 907
Fausta dies roseo - 1a pars (of 2): Fausta dies roseo terras fulgore serenat Anonymous 888–890
Fausta dies roseo - 2a pars (of 2): Auspiciis Deus approperat Anonymous 890–891
Hodie Christus natus est - 1a pars (of 2): Hodie Christus natus est 892–894
Hodie Christus natus est - 2a pars (of 2): Verbum caro factum est 894–895
Hodie Christus natus est hodie salvator Anonymous 886–887
Hodie completi sunt dies - 1a pars (of 2): Hodie completi sunt dies 924–925
Hodie completi sunt dies - 2a pars (of 2): Misit eos in universum mundum 925–926
Hodie rex caelorum Anonymous 884–886
In principio erat verbum - 1a pars (of 3): In principio erat verbum 879–880
In principio erat verbum - 2a pars (of 3): Fuit homo missus 880–881
In principio erat verbum - 3a pars (of 3): In propria venit 882
Jam non dicam vos servos sed amicos 926–928
Maria stabat ad monumentum - 1a pars (of 2): Maria stabat ad monumentum 896–897
Maria stabat ad monumentum - 2a pars (of 2): Congratulamini mihi omnes 897–898
O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum sapientiae et scientiae 930–931
O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini 931–932
Providebam Dominum - 1a pars (of 2): Providebam Dominum in conspectu 900–901
Providebam Dominum - 2a pars (of 2): Quoniam non derelinques 901–902
Puer natus est nobis - 1a pars (of 2): Puer natus est nobis 892
Puer natus est nobis - 2a pars (of 2): Postquam consummati sunt 892
Quem vidistis pastores - 1a pars (of 2): Quem vidistis pastores 876–877
Quem vidistis pastores - 2a pars (of 2): Dicite quid nam vidistis 878–879
Salve festa dies Anonymous 910–911
Si quis diligit me sermonem meum 928–930
Te adoramus omnipotens Anonymous 932–933
Tulerunt Dominum - 1a pars (of 2): Tulerunt Dominum meum et nescio ubi 903
Tulerunt Dominum - 2a pars (of 2): Cum ergo fleret inclinavit 904
Verbum caro factum est de virgine Maria 883–884
Vespera nunc venit, nobiscum CHriste maneto 909–910
Viri Galilaei quid statis aspicientes 915–916

Set: MS Mus. 2/D/22

Type: Partbooks

No images available

D-Dl MS Mus. 2/D/22 [Altus]

No images available

D-Dl MS Mus. 2/D/22 [Bassus]

No images available

D-Dl MS Mus. 2/D/22 [Discantus]

No images available

D-Dl MS Mus. 2/D/22 [Quintus]

No images available

D-Dl MS Mus. 2/D/22 [Sextus]

No images available

D-Dl MS Mus. 2/D/22 [Tenor]

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 46-9. Notes: physical description (partial); contents list; concordances (partial).

Böker-Heil, Norbert. 1967. Die Motetten von Philippe Verdelot.  Frankfurt am Main. Pages: 247, 300. Notes: concordances (partial); incipits (partial).

Eitner, Robert, and Otto Kade. 1890. Katalog der Musik-Sammlung der Kgl. öffentlichen Bibliothek zu Dresden (im japanischen Palais). Monatshefte für Musikgeschichte, . Pages: 13-5. Notes: physical description; contents list.

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DIAMM, 2016

Monday, 23 January, 2017

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