P-Cug MM.8

Biblioteca Geral da Universidade, Coimbra, Portugal

manuscript of polyphony: c. 1610-20

Archive	Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug)
Shelfmark	MM.8
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Format	portrait
Measurements	558 x 405 mm
Other Identifiers	CCM: CoimU 3
Notations	black void mensural
External Links	Full manuscript description and images (Portuguese Early Music)
Provenance	Monastery of Santa Cruz , Coimbra, Portugal
Contents	46 pieces from 2 composers

General Description

Copied in two distinct sections: ff.1-64; 65-117. Each section was provided with margins and staves before music added; size of rastrum and system of indented staves different in each. It is possible that the two sections of the manuscript existed independently and were bound together later, although the paper used is of the same type in both sections. From Monastery of Santa Cruz, Coimbra.

Zuelma Duarte Chaves, 2011

Physical Description

Damaged in parts of both sections of manuscript: ff. 53-63v (corroded); ff. 66-74, 87 (slightly corroded). Top part of manuscript of second section, has large damp patch, ff. 68-117.

Zuelma Duarte Chaves, 2011

Binding

old but not original light-brown tooled leather over boards; added c. 1937-1941.

Zuelma Duarte Chaves, 2011

Watermark

1 paper type related to MM 26 (paper 4); 1 watermark (cf Rees: 1995: 370 & 387).

Zuelma Duarte Chaves, 2011

Liminary Note

Inscriptions and marks: Latin voice names and instructions ff.1-64. Top of f. 66v: 'psalmi Sanctorum domni petri'. Voice names added ff. 77v-78, 83v-84, 86v, 93, 93v-94, 109v-110. Top of ff. 93v-94: 'Responsorium feriae quinta in caena Domini - Chorus secundus / Actor. Dóno Petro Chorus Primus'; similar inscriptions ff. 94, 95v, 96v, 97v, 98v, 99v, 100v, 112v-113.

Zuelma Duarte Chaves, 2011

Notation

white mensural

Zuelma Duarte Chaves, 2011

Foliation

Modern pencil foliation, 1-117, beginning after original flyleaf (i).

Zuelma Duarte Chaves, 2011

Decoration

A few calligraphic initials. Traces of gold(?) colouring to all three edges of folios, up to f. 51.

Zuelma Duarte Chaves, 2011

Surface

paper

Zuelma Duarte Chaves, 2011

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–8	Magnificat 1 tone: Anima mea	-	Anonymous
Magnificat 1 tone: Anima mea Anonymous Appears on: 1v–8 Genres: BVM, Canticle, Magnificat
8v–14	Magnificat 2 tone: Anima mea	-	Anonymous
Magnificat 2 tone: Anima mea Anonymous Appears on: 8v–14 Genres: BVM, Canticle, Magnificat
14v–20	Magnificat 3 tone: Anima mea	-	Anonymous
Magnificat 3 tone: Anima mea Anonymous Appears on: 14v–20 Genres: BVM, Canticle, Magnificat
20v–26	Magnificat 4 tone: Anima mea	-	Anonymous
Magnificat 4 tone: Anima mea Anonymous Appears on: 20v–26 Genres: BVM, Canticle, Magnificat
26v–32	Magnificat 5 tone: Anima mea	-	Anonymous
Magnificat 5 tone: Anima mea Anonymous Appears on: 26v–32 Genres: BVM, Canticle, Magnificat
32v–38	Magnificat 6 tone: Anima mea	-	Anonymous
Magnificat 6 tone: Anima mea Anonymous Appears on: 32v–38 Genres: BVM, Canticle, Magnificat
38v–44	Magnificat 7 tone: Anima mea	-	Anonymous
Magnificat 7 tone: Anima mea Anonymous Appears on: 38v–44 Genres: BVM, Canticle, Magnificat
44v–50	Magnificat 8 tone: Anima mea	-	Anonymous
Magnificat 8 tone: Anima mea Anonymous Appears on: 44v–50 Genres: BVM, Canticle, Magnificat
50v–51	Benedicamus Domino	-	Anonymous
Benedicamus Domino Anonymous Appears on: 50v–51 Genres: Benedicamus Domino
51v–52	Haec dies	-	Anonymous
Haec dies Anonymous Appears on: 51v–52 Genres: Hymn
52v–58	Magnificat 1 tone: Et exultavit	-	Anonymous
Magnificat 1 tone: Et exultavit Anonymous Appears on: 52v–58 Genres: BVM, Canticle, Magnificat
58v–64	Magnificat 2 tone: Et exultavit	-	Anonymous
Magnificat 2 tone: Et exultavit Anonymous Appears on: 58v–64 Genres: BVM, Canticle, Magnificat
66v–68	Dixit Dominus	-	Cristo, Pedro de (ca. 1545–1618)
Dixit Dominus Cristo, Pedro de (ca. 1545–1618) Appears on: 66v–68 Genres: Psalm Concordances Coimbra MM 53, ff. 74v-76
67v–70	Confitebor tibi Domine	-	Cristo, Pedro de (ca. 1545–1618)
Confitebor tibi Domine Cristo, Pedro de (ca. 1545–1618) Appears on: 67v–70 Genres: Psalm
69v–71	Beatus vir	-	Cristo, Pedro de (ca. 1545–1618)
Beatus vir Cristo, Pedro de (ca. 1545–1618) Appears on: 69v–71 Genres: Psalm
71v–73	Laudate pueri	-	Cristo, Pedro de (ca. 1545–1618)
Laudate pueri Cristo, Pedro de (ca. 1545–1618) Appears on: 71v–73 Genres: Psalm
73v–74	Laudate Dominum	-	Cristo, Pedro de (ca. 1545–1618)
Laudate Dominum Cristo, Pedro de (ca. 1545–1618) Appears on: 73v–74 Genres: Psalm
75v–78	Miserere - Cum invocarem	-	Cristo, Pedro de (ca. 1545–1618)
Miserere - Cum invocarem Cristo, Pedro de (ca. 1545–1618) Appears on: 75v–78 Genres: Psalm
78v–79	[In te Domine] Inclina	-	Anonymous
[In te Domine] Inclina Anonymous Appears on: 78v–79 Genres: Psalm
79v–81	Tristis est anima mea	-	Anonymous
Tristis est anima mea Anonymous Appears on: 79v–81 Genres: Responsory
81v–82	Eram quasi agnus	-	Anonymous
Eram quasi agnus Anonymous Appears on: 81v–82 Genres: Responsory
83v–84	Miserere mihi Dominum	-	Anonymous
Miserere mihi Dominum Anonymous Appears on: 83v–84 Genres: Psalm
86v–87	Regem cui omnia vivunt	-	Anonymous
Regem cui omnia vivunt Anonymous Appears on: 86v–87 Genres: Motet
86v–88	Parce mihi Domine	-	Cristo, Pedro de (ca. 1545–1618) (?)
Parce mihi Domine Cristo, Pedro de (ca. 1545–1618) (?) Appears on: 86v–88 Genres: Motet
89v–90	Qui Lazarum resuscitasti	-	Anonymous
Qui Lazarum resuscitasti Anonymous Appears on: 89v–90 Genres: Responsory
89v–90	Hei mihi Domine	-	Anonymous
Hei mihi Domine Anonymous Appears on: 89v–90 Genres: Responsory
92v–94	Tristis est anima mea (8vv)	Dom[i]no Petro [=Pedro de Cristo?]	Cristo, Pedro de (ca. 1545–1618)
Tristis est anima mea (8vv) Cristo, Pedro de (ca. 1545–1618) Appears on: 92v–94 Genres: Responsory Source Attribution: Dom[i]no Petro [=Pedro de Cristo?]
94v–95	Ecce vidimus	-	Anonymous
Ecce vidimus Anonymous Appears on: 94v–95 Genres: Responsory
95v–96	Amicus meus	-	Anonymous
Amicus meus Anonymous Appears on: 95v–96 Genres: Responsory
96v–97	Unus ex discipulis meis	-	Anonymous
Unus ex discipulis meis Anonymous Appears on: 96v–97 Genres: Responsory
97v–98	Judas mercator	-	Anonymous
Judas mercator Anonymous Appears on: 97v–98 Genres: Responsory
98v–99	Eram quasi agnus	-	Anonymous
Eram quasi agnus Anonymous Appears on: 98v–99 Genres: Responsory
99v–100	Una hora non potuisti	-	Anonymous
Una hora non potuisti Anonymous Appears on: 99v–100 Genres: Responsory
100v–101	Omnes amici mei	-	Anonymous
Omnes amici mei Anonymous Appears on: 100v–101 Genres: Responsory
100v–101	Velum templi scissum est	-	Anonymous
Velum templi scissum est Anonymous Appears on: 100v–101 Genres: Responsory
101v–102	Vinea mea electa	-	Anonymous
Vinea mea electa Anonymous Appears on: 101v–102 Genres: Responsory
101v–102	Tamquam ad latronem	-	Anonymous
Tamquam ad latronem Anonymous Appears on: 101v–102 Genres: Responsory
102v–103	Tenebrae factae sunt	-	Cristo, Pedro de (ca. 1545–1618) (?)
Tenebrae factae sunt Cristo, Pedro de (ca. 1545–1618) (?) Appears on: 102v–103 Genres: Responsory
102v–104	Animam meam	-	Anonymous
Animam meam Anonymous Appears on: 102v–104 Genres: Responsory
104v–105	Tradiderunt me	-	Anonymous
Tradiderunt me Anonymous Appears on: 104v–105 Genres: Responsory
104v–105	Jesum tradidit impius	-	Anonymous
Jesum tradidit impius Anonymous Appears on: 104v–105 Genres: Responsory
106v	Amicus meus	-	Anonymous
Amicus meus Anonymous Appears on: 106v Genres: Responsory General Note incomplete, 1 voice only
109v–111	Parce mihi Domine (8vv)	-	Anonymous
Parce mihi Domine (8vv) Anonymous Appears on: 109v–111 Genres: Responsory
112v–113	Hodie nobis celorum rex	Do[mi]no Petro [=Pedro de Cristo?]	Cristo, Pedro de (ca. 1545–1618)
Hodie nobis celorum rex Cristo, Pedro de (ca. 1545–1618) Appears on: 112v–113 Genres: Responsory Source Attribution: Do[mi]no Petro [=Pedro de Cristo?]
115v–116	Sancta et immaculata	-	Anonymous
Sancta et immaculata Anonymous Appears on: 115v–116 Genres: Responsory
116v–117	Velum templi scissum est	-	Anonymous
Velum templi scissum est Anonymous Appears on: 116v–117 Genres: Responsory

Composer	Compositions
Anonymous	Amicus meus – 95v–96 Amicus meus – 106v Animam meam – 102v–104 Benedicamus Domino – 50v–51 Ecce vidimus – 94v–95 Eram quasi agnus – 81v–82 Eram quasi agnus – 98v–99 Haec dies – 51v–52 Hei mihi Domine – 89v–90 Jesum tradidit impius – 104v–105 Judas mercator – 97v–98 Magnificat 1 tone: Anima mea – 1v–8 Magnificat 1 tone: Et exultavit – 52v–58 Magnificat 2 tone: Anima mea – 8v–14 Magnificat 2 tone: Et exultavit – 58v–64 Magnificat 3 tone: Anima mea – 14v–20 Magnificat 4 tone: Anima mea – 20v–26 Magnificat 5 tone: Anima mea – 26v–32 Magnificat 6 tone: Anima mea – 32v–38 Magnificat 7 tone: Anima mea – 38v–44 Magnificat 8 tone: Anima mea – 44v–50 Miserere mihi Dominum – 83v–84 Omnes amici mei – 100v–101 Parce mihi Domine (8vv) – 109v–111 Qui Lazarum resuscitasti – 89v–90 Regem cui omnia vivunt – 86v–87 Sancta et immaculata – 115v–116 Tamquam ad latronem – 101v–102 Tradiderunt me – 104v–105 Tristis est anima mea – 79v–81 Una hora non potuisti – 99v–100 Unus ex discipulis meis – 96v–97 Velum templi scissum est – 100v–101 Velum templi scissum est – 116v–117 Vinea mea electa – 101v–102 [In te Domine] Inclina – 78v–79
Cristo, Pedro de (ca. 1545–1618)	Beatus vir – 69v–71 Confitebor tibi Domine – 67v–70 Dixit Dominus – 66v–68 Hodie nobis celorum rex – 112v–113 Laudate Dominum – 73v–74 Laudate pueri – 71v–73 Miserere - Cum invocarem – 75v–78 (?) Parce mihi Domine – 86v–88 (?) Tenebrae factae sunt – 102v–103 Tristis est anima mea (8vv) – 92v–94

Composer

Compositions

Anonymous

Amicus meus – 95v–96
Amicus meus – 106v
Animam meam – 102v–104
Benedicamus Domino – 50v–51
Ecce vidimus – 94v–95
Eram quasi agnus – 81v–82
Eram quasi agnus – 98v–99
Haec dies – 51v–52
Hei mihi Domine – 89v–90
Jesum tradidit impius – 104v–105
Judas mercator – 97v–98
Magnificat 1 tone: Anima mea – 1v–8
Magnificat 1 tone: Et exultavit – 52v–58
Magnificat 2 tone: Anima mea – 8v–14
Magnificat 2 tone: Et exultavit – 58v–64
Magnificat 3 tone: Anima mea – 14v–20
Magnificat 4 tone: Anima mea – 20v–26
Magnificat 5 tone: Anima mea – 26v–32
Magnificat 6 tone: Anima mea – 32v–38
Magnificat 7 tone: Anima mea – 38v–44
Magnificat 8 tone: Anima mea – 44v–50
Miserere mihi Dominum – 83v–84
Omnes amici mei – 100v–101
Parce mihi Domine (8vv) – 109v–111
Qui Lazarum resuscitasti – 89v–90
Regem cui omnia vivunt – 86v–87
Sancta et immaculata – 115v–116
Tamquam ad latronem – 101v–102
Tradiderunt me – 104v–105
Tristis est anima mea – 79v–81
Una hora non potuisti – 99v–100
Unus ex discipulis meis – 96v–97
Velum templi scissum est – 100v–101
Velum templi scissum est – 116v–117
Vinea mea electa – 101v–102
[In te Domine] Inclina – 78v–79

Cristo, Pedro de (ca. 1545–1618)

Beatus vir – 69v–71
Confitebor tibi Domine – 67v–70
Dixit Dominus – 66v–68
Hodie nobis celorum rex – 112v–113
Laudate Dominum – 73v–74
Laudate pueri – 71v–73
Miserere - Cum invocarem – 75v–78
(?) Parce mihi Domine – 86v–88
(?) Tenebrae factae sunt – 102v–103
Tristis est anima mea (8vv) – 92v–94

Composition	Composers (? Uncertain)	Folios / Pages
[In te Domine] Inclina	Anonymous	78v–79
Amicus meus	Anonymous	95v–96
Amicus meus	Anonymous	106v
Animam meam	Anonymous	102v–104
Beatus vir	Cristo, Pedro de (ca. 1545–1618)	69v–71
Benedicamus Domino	Anonymous	50v–51
Confitebor tibi Domine	Cristo, Pedro de (ca. 1545–1618)	67v–70
Dixit Dominus	Cristo, Pedro de (ca. 1545–1618)	66v–68
Ecce vidimus	Anonymous	94v–95
Eram quasi agnus	Anonymous	81v–82
Eram quasi agnus	Anonymous	98v–99
Haec dies	Anonymous	51v–52
Hei mihi Domine	Anonymous	89v–90
Hodie nobis celorum rex	Cristo, Pedro de (ca. 1545–1618)	112v–113
Jesum tradidit impius	Anonymous	104v–105
Judas mercator	Anonymous	97v–98
Laudate Dominum	Cristo, Pedro de (ca. 1545–1618)	73v–74
Laudate pueri	Cristo, Pedro de (ca. 1545–1618)	71v–73
Magnificat 1 tone: Anima mea	Anonymous	1v–8
Magnificat 1 tone: Et exultavit	Anonymous	52v–58
Magnificat 2 tone: Anima mea	Anonymous	8v–14
Magnificat 2 tone: Et exultavit	Anonymous	58v–64
Magnificat 3 tone: Anima mea	Anonymous	14v–20
Magnificat 4 tone: Anima mea	Anonymous	20v–26
Magnificat 5 tone: Anima mea	Anonymous	26v–32
Magnificat 6 tone: Anima mea	Anonymous	32v–38
Magnificat 7 tone: Anima mea	Anonymous	38v–44
Magnificat 8 tone: Anima mea	Anonymous	44v–50
Miserere - Cum invocarem	Cristo, Pedro de (ca. 1545–1618)	75v–78
Miserere mihi Dominum	Anonymous	83v–84
Omnes amici mei	Anonymous	100v–101
Parce mihi Domine	Cristo, Pedro de (ca. 1545–1618) (?)	86v–88
Parce mihi Domine (8vv)	Anonymous	109v–111
Qui Lazarum resuscitasti	Anonymous	89v–90
Regem cui omnia vivunt	Anonymous	86v–87
Sancta et immaculata	Anonymous	115v–116
Tamquam ad latronem	Anonymous	101v–102
Tenebrae factae sunt	Cristo, Pedro de (ca. 1545–1618) (?)	102v–103
Tradiderunt me	Anonymous	104v–105
Tristis est anima mea	Anonymous	79v–81
Tristis est anima mea (8vv)	Cristo, Pedro de (ca. 1545–1618)	92v–94
Una hora non potuisti	Anonymous	99v–100
Unus ex discipulis meis	Anonymous	96v–97
Velum templi scissum est	Anonymous	100v–101
Velum templi scissum est	Anonymous	116v–117
Vinea mea electa	Anonymous	101v–102

‡ denotes primary source study

Rees, Owen (editor). 1998. Music by Pedro de Cristo: An Edition of the Motets from Coimbra Biblioteca Geral da Universidade MM 33. MM. Amsterdam: Harvard Academic Publishers.

Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Pages: 167-71, 370 & 387. Notes: physical description; inventory; concordances.

Rees, Owen. 1994. Newly Identifed Holograph Manuscripts from Late-Renaissance Portugal. Early Music, 261-77.

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Zuelma Duarte Chaves, 2011

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Liminary Note; Notation Note; Foliation Note; Decoration Note; Surface Note; DIAMM Note

P-Cug MM.8

Biblioteca Geral da Universidade, Coimbra, Portugal

manuscript of polyphony: c. 1610-20

General Description

Physical Description

Binding

Watermark

Liminary Note

Notation

Foliation

Decoration

Surface

Concordances

General Note

Zuelma Duarte Chaves, 2011

Monday, 23 January, 2017