In two distinct sections: fols.1-35 and 36-42, possibly belonging to different manuscripts originally. Book represents only a portion of original. First section the work of 12 scribes, with later additions. Copying process shows collaboration between different scribes. A few scribal links with MM 6, 9, 12 and 32 can be seen (cf Rees 1995: 164-66). From the Monastery of Santa Cruz, Coimbra.
| Archive | Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug) |
|---|---|
| Shelfmark | MM.7 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Measurements | 545 x 390 mm |
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| Notations |
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| Provenance |
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| Contents | Contains 23 compositions, 1 from 2 composers, 22 are anonymous. |
General Description
Physical Description
Original order of pieces disrupted with modern re-binding. Upper edges of folios trimmed.
Binding
Old, but not original, light-brown tooled leather over boards added in c. 1937-1941.
Watermark
Mark on paper 3 almost identical to Briquet #5264 (cf Rees 1995: 164, 370 & 387).
Liminary Note
Voice parts named ff.1v, 2v, 32v, 33v. 'Duo' f.17v.
Notation
black void mensural
Foliation
foliated 1-50; omits fols. 6 and 28
Decoration
A few calligraphic initials in black or red ink
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‡ denotes primary source study
Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Pages: 161-66, 370 & 387. Notes: physical description; inventory; concordances.
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