P-Cug MM.7

Biblioteca Geral da Universidade, Coimbra, Portugal

choirbook: mid 16th century

Archive Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug)
Shelfmark MM.7
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Measurements 545 x 390 mm
Other Identifiers
  • CCM: CoimU 3
Notations
  • black void mensural
External Links
Provenance
Contents Contains 23 compositions, 1 from 2 composers, 22 are anonymous.
General Description

In two distinct sections: fols.1-35 and 36-42, possibly belonging to different manuscripts originally. Book represents only a portion of original. First section the work of 12 scribes, with later additions. Copying process shows collaboration between different scribes. A few scribal links with MM 6, 9, 12 and 32 can be seen (cf Rees 1995: 164-66). From the Monastery of Santa Cruz, Coimbra.

Zuelma Duarte Chaves, 2011
Physical Description

Original order of pieces disrupted with modern re-binding. Upper edges of folios trimmed.

Zuelma Duarte Chaves, 2011
Binding

Old, but not original, light-brown tooled leather over boards added in c. 1937-1941.

Zuelma Duarte Chaves, 2011
Watermark

Mark on paper 3 almost identical to Briquet #5264 (cf Rees 1995: 164, 370 & 387).

Zuelma Duarte Chaves, 2011
Liminary Note

Voice parts named ff.1v, 2v, 32v, 33v. 'Duo' f.17v.

Zuelma Duarte Chaves, 2011
Notation

black void mensural

Zuelma Duarte Chaves, 2011
Foliation

foliated 1-50; omits fols. 6 and 28

Zuelma Duarte Chaves, 2011
Decoration

A few calligraphic initials in black or red ink

Zuelma Duarte Chaves, 2011

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Number of voices Source attribution Composers (? Uncertain)
15v–1 Assumpta est hodie 4 - Anonymous

Assumpta est hodie

Anonymous
Appears on: 15v–1
Genres: Motet
Number of voices: 4
1v–2 Vidi speciosam 5 - Anonymous

Vidi speciosam

Anonymous
Appears on: 1v–2
Genres: Motet
Number of voices: 5
General Note

incomplete
3 Nigra sum 5? - Anonymous

Nigra sum

Anonymous
Appears on: 3
Genres: Motet
Number of voices: 5?
General Note

incomplete
3v–[4] [Te Deum] Te eternum [K.541] 4 - Anonymous

[Te Deum] Te eternum [K.541]

Anonymous
Appears on: 3v–[4]
Genres: Te Deum
Number of voices: 4
General Note

repeated at ff. 12v-14v, 16
[4v]–[4B] [fabordao] 4 - Anonymous

[fabordao]

Anonymous
Appears on: [4v]–[4B]
Genres: Fauxbourdon/faburden
Number of voices: 4
[4v]–[4B] [fabordao] 4 - Anonymous

[fabordao]

Anonymous
Appears on: [4v]–[4B]
Genres: Fauxbourdon/faburden
Number of voices: 4
[4v]–[4B] [fabordao] 4 - Anonymous

[fabordao]

Anonymous
Appears on: [4v]–[4B]
Genres: Fauxbourdon/faburden
Number of voices: 4
5v–7 Si bona suscepimus 5 - Anonymous

Si bona suscepimus

Anonymous
Appears on: 5v–7
Genres: Motet
Number of voices: 5
8v Maria Magdalene 1 - Anonymous

Maria Magdalene

Anonymous
Appears on: 8v
Genres: Motet
Number of voices: 1
General Note

incmoplete, Cantus only
10v–11 Repleatur os meum 5 - Anonymous

Repleatur os meum

Anonymous
Appears on: 10v–11
Genres: Motet
Number of voices: 5
12v–14v, 16 [Te Deum] Te eternum [K.541] 4 - Anonymous

[Te Deum] Te eternum [K.541]

Anonymous
Appears on: 12v–14v, 16
Genres: Te Deum
Number of voices: 4
General Note

repeat of piece at ff. 3v-[4]
17v In manus tuas 2 - Anonymous

In manus tuas

Anonymous
Appears on: 17v
Genres: Respond
Number of voices: 2
18v–19, 19Av-20 Dum complerentur dies Pentecostes erant omnes 5 -
Arcadelt, Jacques (ca. 1507–1568) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)

Dum complerentur dies Pentecostes erant omnes

Arcadelt, Jacques (ca. 1507–1568) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Appears on: 18v–19, 19Av-20
Genres: Motet
Number of voices: 5
21v–24 Dixit Dominus 4 - Anonymous

Dixit Dominus

Anonymous
Appears on: 21v–24
Genres: Psalm
Number of voices: 4
Concordances

Coimbra 44, ff. 26v-29
25v–30 Salve regina 4 - Anonymous

Salve regina

Anonymous
Appears on: 25v–30
Genres: Antiphon, BVM, Salve Regina
Number of voices: 4
30v–31 Salve regina 4 - Anonymous

Salve regina

Anonymous
Appears on: 30v–31
Genres: Antiphon, BVM, Salve Regina
Number of voices: 4
31v Salve regina? 1 - Anonymous

Salve regina?

Anonymous
Appears on: 31v
Genres: Antiphon, BVM, Salve Regina
Number of voices: 1
General Note

Cantus only - incomplete
32v–32[B] Si quaeris miracula 4 - Anonymous

Si quaeris miracula

Anonymous
Appears on: 32v–32[B]
Genres: Motet
Number of voices: 4
32[B]v Benedicamus Domino 4 - Anonymous

Benedicamus Domino

Anonymous
Appears on: 32[B]v
Genres: Benedicamus Domino
Number of voices: 4
33v Ut queant laxis 4 - Anonymous

Ut queant laxis

Anonymous
Appears on: 33v
Genres: Motet
Number of voices: 4
34v–35 Omnes amici mei 4 - Anonymous

Omnes amici mei

Anonymous
Appears on: 34v–35
Genres: Motet
Number of voices: 4
36v–37 Rex meus et Deus meus 4 - Anonymous

Rex meus et Deus meus

Anonymous
Appears on: 36v–37
Genres: Motet
Number of voices: 4
38v–49 Missa 4 - Anonymous

Missa

Anonymous
Appears on: 38v–49
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Number of voices: 4
41v–42 Domine memento mei 4 - Anonymous

Domine memento mei

Anonymous
Appears on: 41v–42
Genres: Psalm
Number of voices: 4
Composer Compositions
Anonymous
Arcadelt, Jacques (ca. 1507-1568)
Verdelot, Philippe (ca. 1480-ca. 1532)
Composition Composers (? Uncertain) Folios / Pages
[fabordao] Anonymous [4v]–[4B]
[fabordao] Anonymous [4v]–[4B]
[fabordao] Anonymous [4v]–[4B]
[Te Deum] Te eternum [K.541] Anonymous 3v–[4]
[Te Deum] Te eternum [K.541] Anonymous 12v–14v, 16
Assumpta est hodie Anonymous 15v–1
Benedicamus Domino Anonymous 32[B]v
Dixit Dominus Anonymous 21v–24
Domine memento mei Anonymous 41v–42
Dum complerentur dies Pentecostes erant omnes
Arcadelt, Jacques (ca. 1507–1568) (?)
Verdelot, Philippe (ca. 1480–ca. 1532) (?)
18v–19, 19Av-20
In manus tuas Anonymous 17v
Maria Magdalene Anonymous 8v
Missa Anonymous 38v–49
Nigra sum Anonymous 3
Omnes amici mei Anonymous 34v–35
Repleatur os meum Anonymous 10v–11
Rex meus et Deus meus Anonymous 36v–37
Salve regina Anonymous 25v–30
Salve regina Anonymous 30v–31
Salve regina? Anonymous 31v
Si bona suscepimus Anonymous 5v–7
Si quaeris miracula Anonymous 32v–32[B]
Ut queant laxis Anonymous 33v
Vidi speciosam Anonymous 1v–2

‡ denotes primary source study

Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra.  New York & London: Garland. Pages: 161-66, 370 & 387. Notes: physical description; inventory; concordances.

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