Contains a complete series of 27 responsories for Tenebrae of the Triduum (Holy Week) for 4 voice parts, From the monastery of Santa Cruz, Coimbra. Inscriptions ppear on various folios next to the bass part, indicating modal position (cues for organist). Shows signs of considerable use.
P-Cug MM.25
Biblioteca Geral da Universidade, Coimbra, Portugal
choirbook: Last third of 16th century
| Archive | Biblioteca Geral da Universidade, Coimbra, Portugal (P-Cug) |
|---|---|
| Shelfmark | MM.25 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 424 x 280 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
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| Contents | Contains 27 compositions, 27 are anonymous. |
General Description
Binding
soft cover of beige leather; remains of leather ties. Possibly original.
Notation
black void mensural
Foliation
Other numberings: Original numbering of pieces in brown ink; each of the three sets of Holy Week responsories received separate numeration.
Foliation
Modern pencil foliation, 1-19, 21-36 (omitting no. 20)
Decoration
some black ink initials, some calligraphic, but mostly simple Roman majuscules. Red & green intials on ff. 7v-8r, possibly in a later hand. All three edges of folios have red colouring similar to that on P-Cug MM 26.
Surface
paper
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‡ denotes primary source study
Rees, Owen. 1995. Polyphony in Portugal c. 1530 – c. 1620. Sources from the Monastery of Santa Cruz, Coimbra. New York & London: Garland. Pages: 201-04, 373 & 394. Notes: physical description; inventory; concordances.
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