The result of several books being combined and bound into one, probably in the last quarter of the seventeenth century. Now an anthology of introits by authors from different times (16th and 17th century),in turn copied by different scribes. The book is divided into distinct parts which contain not only introits, but also other works.
E-GU Códice 1 (Libro de Introitos)
Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain
manuscript of polyphony: 16th century
| Archive | Real Monasterio de Santa María, Archivo de Música, Guadalupe, Spain (E-GU) |
|---|---|
| Shelfmark | Códice 1 (Libro de Introitos) |
| Image Availability | DIAMM does not have images of this source. |
| Surface | Paper |
| Measurements | 560 x 410 mm |
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| Notations |
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| Provenance |
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| Contents | Contains 29 compositions, 25 from 9 composers, 4 are anonymous. |
General Description
Physical Description
There are flaws on some pages, mainly because the lines of the staves have corrupted the paper
Binding
leather over a wood frame, fortified with iron.
Notation
white mensural
Ruling
Most of the pages contain 11 staves, except those from the initial sheet up to f. 28v and from f. 34r to 53v. At the end of the codex, on folios 88v and 89r are only four staves per page, two staves for each of the two voices on each respective folio, while the fols. 91r and 90v include 10 staves per sheet.
Index
the original index at the beginning ends on fol. 63 with the work Rorate coeli by Alonso de Tejeda, even though the manuscript, as stated before, actually contains 91 fols.
Surface
paper
The inventory could not be loaded.
‡ denotes primary source study
Rodilla León, Francisco. 2013. El canto de órgano en el real monasterio de Santa María de Guadalupe: fuentes, repertorio y compositores. Musicología global, Musicología local, Madrid: Sociedad Española de Musicología.
Rubio Piqueras, Felipe. 1931. Organografía toledana. España Sacro-Musical, 21: 272.
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