CZ-Pu MS 59 R 5117

Národní knihovna České republiky, Prague, Czech Republic

Choirbook (chant and polyphony): first half of 16th century

Archive Národní knihovna České republiky, Prague, Czech Republic (CZ-Pu)
Shelfmark MS 59 R 5117
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Numbering System None
Measurements 415 x 280; leaves 390 x 255 mm
Notations
  • black void mensural
External Links
Provenance
  • Saxony, Southern Germany or Austria
Contents 9 pieces from 5 composers
General Description

Choirbook of polyphonic masses in 29 sections. Consists of 225 folios. Rediscovered in 1994, when acquired from private hands by the National Library. Provenance, according to both volumes of NJE, is south Germany or Austria, and according to Burn (p. 50) perhaps Saxony. Contains 8 four-part masses - five are by Josquin, Brumel & Isaac, including the unique Missa Presulem ephebeatum by Isaac, based on the rotulum by Petrus Wilhelmi de Grudencz. Inscriptions on f.18r probably by Melchior Stubner, a scribe from Krupka, a town in the Ústí nad Labem region. Notation in two different hands.

Paul Shannon, 2013; BurnHI; manuscriptorium.com
Physical Description

Consists of four segments: (1) Missa Dominicalis, in a set of gatherings followed by blank pages; (2) next 5 masses & Responsories, copied as a unit with no intervening blanks; (3) Missa Salva nos, in its own set of gatherings; (4) Missa Vulnerasti cor meum in its own set of gatherings. Scribe A copied 1 & 2; scribe B 3 & 4; only scribe A (in 2) included attributions. Paper used by the two scribes is also markedly different.

DIAMM, 2018; BurnHI
Binding

blind tooled brown leather with two ornamental framed strips showing miniature medallions with portraits of personalities associated with renaissance humanism (Erasmus of Rotterdam, Jan Hus, Philipp Melanchthon and others). Brass fittings on the centre and corners survive, and on the back there are the remains of two paper lables, 'Chorale' and 'N'. Mid 16th century.

Paul Shannon, 2013; manuscriptorium.com
Ownership

was in use in Üsti nad Labem (Aussig am Elbe, north-west Bohemia) during the second half of the 16th century and later, according to the inventory, became part of the local church library.

DIAMM, 2018; HorynaHI
Watermark

clear watermark of anchor in a circle with a star

Paul Shannon, 2013; ; manuscriptorium.com
Notation

Black void mensural notation; square chant with mensural elements; some black full mensural in monophonic sections

Paul Shannon, 2013
Date

The dating is given (without indicating evidence) by Haar & Lockwood (New Josquin Edition, vol 11 Commentary (2002), p. 24) as 1520-40 and by Elders (NJE, vol 3 Commentary (2003), p. 11) as 1530-50. Horyna (see below) gives 1506-50 based on the watermarks.

Paul Shannon, 2013

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1 Missa Dominicalis - -
Appears on: 1
Voice: [no designation]
Languages: Latin
Voice Text: [M Dominicalis]
General Note

Unicum. Based on mass ordinaries.

43 Missa Hercules dux Ferrariae 11.1 Josquin
Appears on: 43
Genres: Mass Ordinary
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin, Greek
Voice Text: M Hercules
General Note

Concordance Petrucci vol. 2 (1505).

75 Missa Ave maris stella 3.1 Josquin
Appears on: 75
Genres: Mass Ordinary
Source Attribution: Josquin
Voice: [no designation]
Languages: Latin
Voice Text: M Ave Maris stella
General Note

Concordance Petrucci vol. 2 (1505).

103 Missa Presulem ephebeatum H: Isac
Appears on: 103
Genres: Mass Ordinary
Source Attribution: H: Isac
Voice: [no designation]
Languages: Latin
Voice Text: Presulem
General Note

Unicum. Based on 4-voice rotulum in honour of St Martin by Petrus Wilhelmi de Grudencz.

124 Missa Carminum Isac
Appears on: 124
Genres: Mass Ordinary
Source Attribution: Isac
Voice: [no designation]
Languages: Latin, Greek
Voice Text: M Carminum
General Note

Concordances D-Ju 36, 15411.

153 Missa En l'ombre d'un buissonet Briml'
Appears on: 153
Genres: Mass Ordinary
Source Attribution: Briml'
Voice: [no designation]
Languages: Latin
Voice Text: M En l’ombre
General Note

Very short. Double canon. Based on chanson by Josquin.

162 [toni communes missae] - Anonymous
Appears on: 162
Voice: [no designation]
Languages: none
Voice Text: [toni communes missae]
168 Missa Salva nos Domine -
Appears on: 168
Genres: Agnus Dei, Credo (patrem omnipotentem), Gloria (et in terra pax), Kyrie eleison, Mass Ordinary, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin, Greek
Voice Text: M Salva nos
202 Missa Vulnerasti cor meum - Anonymous
Appears on: 202
Genres: Mass Ordinary
Voice: [no designation]
Languages: Latin
Voice Text: M Vulnerasti
General Note

Unicum. Based on motet published anonymously in 15141, perhaps by Conrad Rein.

denotes primary source study

Horyna, Martin, and Vladimír Maňas. 2012. Two mid-16th-century manuscripts of polyphonic music from Brno. Early music, 553-575. Notes: discusses concordances with Bam. 1&2 in Brno.

Burn, David J. 2008. Heinrich Isaac and his Recently Discovered Missa Presulem ephebeatum. "Recevez ce mien petit labeur": Studies in Renaissance Music in Honour of Ignace Bossuyt, edited by David J Burn, 49–60. Leiden. Notes: discussion of ms, p. 49-52.

Horyna, Martin. 2002. Heinrich Isaac (ca 1450–1517) Missa Presulem ephebeatum. Fontes Musicae.  Prague. Notes: discussion of manuscript in introductory section.

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Edward Tambling

Friday, 18 November, 2022

Missa Vulnerasti cor meum identified as being the same anonymous work as the one in D-Mbs Mus. MS 65.