IIIF Manifest
Bears the end of a Credo with Discantus Patrem Omnipotentem and Tenor Deum verum unum colimus. Also a Regina Caeli Laetare alleluja with Trope: Alleluja domina flos vircinalis for the BVM. From the Benediktinerkloster St. Michael. (2r contains a plainchant credo.)
| Archive | Österreichische Nationalbibliothek, Vienna, Austria (A-Wn) |
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| Shelfmark | Fragm. 123a |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Parchment |
| Measurements | 300 x 238 mm |
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| Contents | Contains 4 compositions, 1 from 1 composer, 3 are anonymous. |
General Description
Notation
black full mensural
DIAMM Note
inventory adapted from https://fragmentarium.ms
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‡ denotes primary source study
Zayaruznaya, Anna. 2015. Quotation, perfection, and the eloquence of form: introducing Beatius/Cum humanum. Plainsong & Medieval Music, xxiv: 129–66. Pages: 154 (facsimile), 156 (description), 157-165 (edition).
Klugseder, Robert. 2012. Quellen zur mittelalterlichen Musik- und Liturgiegeschichte des Klosters Mondsee. Codices Manuscripti, vol. Supplement 7. 232-240. Hollinek.
Stoessel, Jason. 2012. Armchair philology – Musical treasures from the Austrian National Library. . https://jjstoessel.blog/2012/05/23/armchair-philology-treasures-from-the-austrian-national-library/#more-137(Accessed: 16 Jul 2020). Notes: announced the identification of 'Beatius/Cum humanum'.
Klugseder, Robert. 2011. Ausgewählte mittelalterliche Musikfragmente der Österreichischen Nationalbibliothek. Codices Manuscripti, vol. SUPPLEMENT 5. Hollinek.
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Richard Dudas
Thursday, 16 July, 2020
image links updated with functioning links; addition of Vitry motet to inventory & related bibliography items