D-WÜf Cod. I,10

Franziskanerkloster, Würzburg, Germany

chant book with added polyphony: 15th century

Archive Franziskanerkloster, Würzburg, Germany (D-WÜf)
Shelfmark Cod. I,10
Image Availability DIAMM does not have images of this source.
Numbering System Foliation
Provenance
  • Germany
Contents 5 pieces from 2 composers
General Description

This folio served as the pastedown in the cover of this chant book.

DIAMM, 2017
Foliation

The foliation 1 has been given to the leaf from the front cover, 2 for the back cover; the better preserved side of the folio is called 'a' and the one that had the glue on is called 'b'

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1a [verso] Par maintes fois / ... / Ave Maria - Anonymous
Appears on: 1a [verso]
Genres: Motet
1b [recto] Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater -
Appears on: 1b [recto]
Genres: Alma redemptoris mater, BVM, Motet
2a [recto] Flos ortus inter lilia quorum radix / Celsa cedrus ysopus effecta / O quam magnus pontifex -
Appears on: 2a [recto]
Genres: Motet
2a [recto] Dame plaisans / Trop est la dolour / Neuma - Anonymous
Appears on: 2a [recto]
Genres: Motet
2b [verso] Beatius se servans liberat / Cum humanum sit peccare -
Appears on: 2b [verso]
Genres: Motet
General Note

contains the triplum and most of the motetus. Apparently identfied by Irmgard Lerch-Kalavrytinos in 2009 after the source was described/inventoried by Lüdtke in 2001 - see bibliography

Item Bibliography

Zayaruznaya, Anna. 2015. Quotation, perfection, and the eloquence of form: introducing Beatius/Cum humanum. Plainsong & Medieval Music, 129–66. Pages: 155-156, 157-165 (edition).

Lerch, Irmgard. 2009. Ars Nova-Fragmente in Wurzburg. Borderline Areas in Fourteenth- and Fifteenth-Century Music/Grenzbereiche in der Musik des 14. und 15. Jahrhunderts, 119-130. Munster and Middleton.

denotes primary source study

Lerch, Irmgard. 2009. Ars Nova-Fragmente in Wurzburg. Borderline Areas in Fourteenth- and Fifteenth-Century Music/Grenzbereiche in der Musik des 14. und 15. Jahrhunderts, 119-130. Munster and Middleton.

Lüdtke, Joachim. 2001. Kleinüberlieferung mehrstimmiger Musik vor 1550 in deutschem Sprachgebiet, IV: Fragmente und versprengte Überlieferung des 14. bis 16. Jahrhunderts. Nachrichten der Akademie der Wissenschaften in Gottingen: Philologisch-Historische Klasse, 429-436. Pages: 429-436.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Richard Dudas

Thursday, 16 July, 2020

added motet Beatius/Cum humanum to inventory, identfied by Irmgard Lerch-Kalavrytinos in 2009 after the source was described/inventoried by Lüdtke in 2001 (see: Zayaruznaya: "Quotation perfection and eloquence")

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Foliation Note; DIAMM Note