Click an entry to see more information about that item.
Folio / Pages | Composition / Item title | Source attribution | Composers (? Uncertain) |
---|---|---|---|
1a [verso] | Par maintes fois / ... / Ave Maria | - | Anonymous |
Par maintes fois / ... / Ave MariaAnonymous
Appears on:
1a [verso]
Genres:
Motet
|
|||
1b [recto] | Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater | - | |
Appears on:
1b [recto]
Genres:
Alma redemptoris mater, BVM, Motet
|
|||
2a [recto] | Flos ortus inter lilia quorum radix / Celsa cedrus ysopus effecta / O quam magnus pontifex | - | |
Appears on:
2a [recto]
Genres:
Motet
|
|||
2a [recto] | Dame plaisans / Trop est la dolour / Neuma | - | Anonymous |
Appears on:
2a [recto]
Genres:
Motet
|
|||
2b [verso] | Beatius se servans liberat / Cum humanum sit peccare | - | |
Appears on:
2b [verso]
Genres:
Motet
General Notecontains the triplum and most of the motetus. Apparently identfied by Irmgard Lerch-Kalavrytinos in 2009 after the source was described/inventoried by Lüdtke in 2001 - see bibliography Item BibliographyZayaruznaya, Anna. 2015. Quotation, perfection, and the eloquence of form: introducing Beatius/Cum humanum. Plainsong & Medieval Music, 129–66. Pages: 155-156, 157-165 (edition). Lerch, Irmgard. 2009. Ars Nova-Fragmente in Wurzburg. Borderline Areas in Fourteenth- and Fifteenth-Century Music/Grenzbereiche in der Musik des 14. und 15. Jahrhunderts, 119-130. Munster and Middleton. |