D-WÜf Cod. I,10

Franziskanerkloster, Würzburg, Germany

chant book with added polyphony: 15th century

Archive Franziskanerkloster, Würzburg, Germany (D-WÜf)
Shelfmark Cod. I,10
Image Availability DIAMM does not have images of this source.
Numbering System Foliation
Provenance
  • Germany
Contents 5 pieces from 2 composers
General Description

This folio served as the pastedown in the cover of this chant book.

DIAMM, 2017
Foliation

The foliation 1 has been given to the leaf from the front cover, 2 for the back cover; the better preserved side of the folio is called 'a' and the one that had the glue on is called 'b'

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1a [verso] Par maintes fois / ... / Ave Maria - Anonymous

Par maintes fois / ... / Ave Maria

Anonymous
Appears on: 1a [verso]
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Ave Maria Tenor
Voice: Triplum
Languages: French
Clef: c2
General Note

Triplum and Tenor only
1b [recto] Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater -
Vitry, Philippe de (1291–1361)

Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater

Vitry, Philippe de (1291–1361)
Appears on: 1b [recto]
Genres: Alma redemptoris mater, BVM, Motet
Voice: Tenor
Languages: Latin
Clef: c3
Voice Text: Alma redemptoris Tenor
Voice: Contratenor
Languages: none
Clef: c3
Voice: Motetus
Languages: Latin
Clef: c1
Voice: Solus Tenor
Languages: none
Clef: c3
General Note

Motetus, Tenor, Contratenor and Solus Tenor
2a [recto] Flos ortus inter lilia quorum radix / Celsa cedrus ysopus effecta / O quam magnus pontifex -
Vitry, Philippe de (1291–1361)

Flos ortus inter lilia quorum radix / Celsa cedrus ysopus effecta / O quam magnus pontifex

Vitry, Philippe de (1291–1361)
Appears on: 2a [recto]
Genres: Motet
Voice: Motetus
Languages: Latin
Clef: c1
General Note

End of Motetus only.
2a [recto] Dame plaisans / Trop est la dolour / Neuma - Anonymous

Dame plaisans / Trop est la dolour / Neuma

Anonymous
Appears on: 2a [recto]
Genres: Motet
Voice: Tenor
Languages: Latin
Clef: c4
Voice Text: Neuma Tenor
Voice: Triplum
Languages: French
Clef: c1
Voice: Motetus
Languages: French
Clef: c2
2b [verso] Beatius se servans liberat / Cum humanum sit peccare -
Vitry, Philippe de (1291–1361)

Beatius se servans liberat / Cum humanum sit peccare

Vitry, Philippe de (1291–1361)
Appears on: 2b [verso]
Genres: Motet
Voice: Triplum
Languages: Latin
Clef: c1
Voice: Motetus
Languages: Latin
Clef: c3
General Note

contains the triplum and most of the motetus. Apparently identfied by Irmgard Lerch-Kalavrytinos in 2009 after the source was described/inventoried by Lüdtke in 2001 - see bibliography

Item Bibliography

Zayaruznaya, Anna. 2015. Quotation, perfection, and the eloquence of form: introducing Beatius/Cum humanum. Plainsong & Medieval Music, 129–66. Pages: 155-156, 157-165 (edition).

Lerch, Irmgard. 2009. Ars Nova-Fragmente in Wurzburg. Borderline Areas in Fourteenth- and Fifteenth-Century Music/Grenzbereiche in der Musik des 14. und 15. Jahrhunderts, 119-130. Munster and Middleton.

Composer Compositions
Anonymous
Vitry, Philippe de (1291–1361)
Composition Composers (? Uncertain) Folios / Pages
Beatius se servans liberat / Cum humanum sit peccare
Vitry, Philippe de (1291–1361)
2b [verso]
Dame plaisans / Trop est la dolour / Neuma Anonymous 2a [recto]
Flos ortus inter lilia quorum radix / Celsa cedrus ysopus effecta / O quam magnus pontifex
Vitry, Philippe de (1291–1361)
2a [recto]
Impudenter circuivi solum / Virtutibus laudabilis, moribus / Alma redemptoris mater
Vitry, Philippe de (1291–1361)
1b [recto]
Par maintes fois / ... / Ave Maria Anonymous 1a [verso]

‡ denotes primary source study

Lerch, Irmgard. 2009. Ars Nova-Fragmente in Wurzburg. Borderline Areas in Fourteenth- and Fifteenth-Century Music/Grenzbereiche in der Musik des 14. und 15. Jahrhunderts, 119-130. Munster and Middleton.

Lüdtke, Joachim. 2001. Kleinüberlieferung mehrstimmiger Musik vor 1550 in deutschem Sprachgebiet, IV: Fragmente und versprengte Überlieferung des 14. bis 16. Jahrhunderts. Nachrichten der Akademie der Wissenschaften in Gottingen: Philologisch-Historische Klasse, 429-436. Pages: 429-436.

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Richard Dudas

Thursday, 16 July, 2020

added motet Beatius/Cum humanum to inventory, identfied by Irmgard Lerch-Kalavrytinos in 2009 after the source was described/inventoried by Lüdtke in 2001 (see: Zayaruznaya: "Quotation perfection and eloquence")

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Foliation Note; DIAMM Note