D-Mbs Mus. MS 2747

Bayerische Staatsbibliothek, München (Munich), Germany

choirbook: c. 1550 (and 1580)

Archive Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark Mus. MS 2747
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 490 x 360 mm
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 61 pieces from 2 composers
General Description

Contains Office of the Dead, Lamentationes Ieremiae, Cantica, Resposories to the Holy Week Triduum. Copied by Franz Flori and two others. From the Court Chapel (Hofkapelle).

Bente, Hell, Göllner, Wackernagel (1989)
Physical Description

Folios trimmed; damage from ink corrosion.

Bente, Hell, Göllner, Wackernagel (1989)
Binding

half leather, first half 19th century. On the back is a label with old shelfmark 'Katalog Nr. 673', and in gold print on a red label 'In / monte oliveti / a 4 vocibus / G.'

Bente, Hell, Göllner, Wackernagel (1989)
Notation

black void mensural

Bente, Hell, Göllner, Wackernagel (1989)
Date

c. 1550; no. 1 after 1580

Bente, Hell, Göllner, Wackernagel (1989)
Foliation

Modern foliation (omits one folio between f. 130 and f. 131; now f. 130a)

Bente, Hell, Göllner, Wackernagel (1989)
Foliation

Other numberings: Modern numbering of pieces

Bente, Hell, Göllner, Wackernagel (1989)
Surface

Paper

Bente, Hell, Göllner, Wackernagel (1989)

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2v–4 Regem cui omnia - Anonymous

Regem cui omnia

Anonymous
Appears on: 2v–4
Genres: Psalm
4v–5 Circumdederunt me - 1a pars (of 2): Circumdederunt me gemitus - Anonymous
Appears on: 4v–5
Genres: Motet
5v–6 Circumdederunt me - 2a pars (of 2): Dolores inferni circumdederunt - Anonymous
Appears on: 5v–6
Genres: Motet
6v–7 [falsobordone psalm-tone] - Anonymous
Appears on: 6v–7
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Verba mea auribus] Intende voci orationis
Concordances

The same falsobordone setting is re-used at ff. 84v-85 and 88v-89. Here texted [Verba mea auribus] Intende voci orationis

7v–8 Dirige Domine Deus - Anonymous

Dirige Domine Deus

Anonymous
Appears on: 7v–8
Genres: Proper
8v–9 [falsobordone psalm-tone] - Anonymous
Appears on: 8v–9
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: Miserere mei Domine quoniam infirmus
Concordances

The same falsobordone setting is re-used at ff. 10v-11, 31v-32, 33v-34, 60v-61 and 82v-83; the first half is also identical to the first part of the setting at 56v-57. Here texted Miserere mei Domine quoniam infirmus

9v–10 Convertere Domine et eripe - Anonymous
Appears on: 9v–10
Genres: Psalm
10v–11 [falsobordone psalm-tone] - Anonymous
Appears on: 10v–11
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Domine Deus meus] Nequando rapiat ut leo
Concordances

same setting as ff. 8v-9 (q.v.). Here texted [Domine Deus meus] Nequando rapiat ut leo

11v–13 [Domine Deus meus] Nequando rapiat ut leo - Anonymous
Appears on: 11v–13
Genres: Psalm
13v–17 Putas ne mortuus Vs. Ecce in pulvere - Anonymous
Appears on: 13v–17
Genres: Responsory
17v–23 Manus tuae Domine Vs. Dum veneris judicare - Anonymous
Appears on: 17v–23
Genres: Responsory
23v–31 Quomodo confitebor tibi Vs. Tibi soli peccavi - Anonymous
Appears on: 23v–31
Genres: Responsory
31v–32 [falsobordone psalm-tone] - Anonymous
Appears on: 31v–32
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Dominus regit me] Super aquam refectionis
Concordances

same setting as ff. 8v-9 (q.v.). Here texted [Dominus regit me] Super aquam refectionis

32v–33 In loco pascuae - Anonymous

In loco pascuae

Anonymous
Appears on: 32v–33
Genres: Proper
33v–34 [falsobordone psalm-tone] - Anonymous
Appears on: 33v–34
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Ad te Domine levavi] Neque irrideant me
Concordances

same setting as ff. 8v-9 (q.v.). Here texted [Ad te Domine levavi] Neque irrideant me

34v–35 Delicta iuventutis meae - Anonymous
Appears on: 34v–35
Genres: Psalm
35v–36 [Dominus illuminatio mea] Dominus protector vitae - Anonymous
Appears on: 35v–36
Genres: Psalm
36v–37 Credo videre bona - Anonymous

Credo videre bona

Anonymous
Appears on: 36v–37
Genres: Psalm
37v–43 Absolve Domine animas Vs. Si que illis - Anonymous
Appears on: 37v–43
Genres: Responsory
43v–48 Memento quaeso Domine Vs. Vitam et misericordiam - Anonymous
Appears on: 43v–48
Genres: Responsory
48v–56 Deus aeterne in cuius Vs. Qui in cruce - Anonymous
Appears on: 48v–56
Genres: Responsory
56v–57 [falsobordone psalm setting] - Anonymous
Appears on: 56v–57
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Domine ne in furore] Quoniam sagittae infixae
Concordances

Same setting re-used at 58v-59 and 80v-81; and the first half is also identical to the first part of the setting at 8v-9 (q.v.). Here texted [Domine ne in furore] Quoniam sagittae infixae

57v–58 Ne derelinquas me Domine Deus - Anonymous
Appears on: 57v–58
Genres: Proper
58v–59 [falsobordone psalm setting] - Anonymous
Appears on: 58v–59
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Beatus qui intelligit] Dominus conservet eum
Concordances

Same setting as ff. 56v-57 (q.v.). Here texted [Beatus qui intelligit] Dominus conservet eum

59v–60 Sana Domine animam - Anonymous

Sana Domine animam

Anonymous
Appears on: 59v–60
Genres: Psalm
60v–61 [falsobordone psalm-tone] - Anonymous
Appears on: 60v–61
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Quemadmodum desiderat cervus] Sitivit anima mea
Concordances

Same setting as ff. 8v-8 (q.v.). Here texted [Quemadmodum desiderat cervus] Sitivit anima mea

61v–62 Sitivit anima mea - Anonymous

Sitivit anima mea

Anonymous
Appears on: 61v–62
Genres: Psalm
62v–68 Redemptor meus vivit Vs. Lauda anima mea - Anonymous
Appears on: 62v–68
Genres: Responsory
68v–73 Rogamus te Domine Vs. Misericors et miserator - Anonymous
Appears on: 68v–73
Genres: Responsory
73v–80 Libera me Domine Vs. Dies illa dies irae - Anonymous
Appears on: 73v–80
Genres: Responsory
80v–81 [falsobordone psalm setting] - Anonymous
Appears on: 80v–81
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Miserere mei Deus] Et secundum multitudinem
Concordances

Same setting as at ff. 56v-57 (q.v.). Here texted [Miserere mei Deus] Et secundum multitudinem

81v–82 Exaltabunt ossa humilitata - Anonymous
Appears on: 81v–82
Genres: Psalm
82v–83 [falsobordone psalm-tone] - Anonymous
Appears on: 82v–83
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Te decet hymnus] Exaudi Deus orationem
Concordances

Same setting as ff. 8v-9 (q.v.). Here texted [Te decet hymnus] Exaudi Deus orationem

83v–84 Exaudi orationem meam - Anonymous
Appears on: 83v–84
Genres: Psalm
84v–85 [falsobordone psalm-tone] - Anonymous
Appears on: 84v–85
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Deus Deus meus] Sitivit in te
Concordances

Same setting as a t ff. 6v-7 (q.v.). Here texted [Deus Deus meus] Sitivit in te

85v–86 Me suscepit dextera - Anonymous
Appears on: 85v–86
Genres: Psalm
86v–87 [Ego dixi in dimidio] Dixi non videbo - Anonymous
Appears on: 86v–87
Genres: Fauxbourdon/faburden
87v–88 A porta inferi - Anonymous

A porta inferi

Anonymous
Appears on: 87v–88
Genres: Psalm
88v–89 [falsobordone psalm-tone] - Anonymous
Appears on: 88v–89
Genres: Fauxbourdon/faburden
Voice: [no designation]
Languages: Latin
Voice Text: [Laudate Dominum] Laudate eum omnes
Concordances

Same setting as a t ff. 6v-7 (q.v.). Here texted [Laudate Dominum] Laudate eum omnes

89v–90 Omnia spiritus laudet - Anonymous
Appears on: 89v–90
Genres: Psalm
91v–100 [Benedictus Dominus] Et erexit - Anonymous
Appears on: 91v–100
Genres: Psalm
100v–106 Media vita in morte - Anonymous
Appears on: 100v–106
Genres: Psalm
107v–114 Lamentations - in cena Domini I: Incipit lamentatio - Aleph. Qomodo sedet - Anonymous
Appears on: 107v–114
Genres: Lamentations
114v–121 Lamentations - in cena Domini II: Ioth. Manum suam misit - Anonymous
Appears on: 114v–121
Genres: Lamentations
121v–129 Lamentations - in cena Domini III: Deleth. Vide Domine quoniam - Anonymous
Appears on: 121v–129
Genres: Lamentations
129v–134 Lamentations - in parasceve I: Heth. Cogitavit Dominus dissipare - Anonymous
Appears on: 129v–134
Genres: Lamentations
134v–141 Lamentations - in parasceve II: Samech. Plauserunt super te - Anonymous
Appears on: 134v–141
Genres: Lamentations
141v–147 Lamentations - in parasceve III: Aleph. Ego vir videns - Anonymous
Appears on: 141v–147
Genres: Lamentations
147v–152 Lamentations - Sabbato sancto I: Heth. Misericordiae Domini - Anonymous
Appears on: 147v–152
Genres: Lamentations
152v–157 Lamentations - Sabbato sancto II: Nun. Levemus corda nostra - Anonymous
Appears on: 152v–157
Genres: Lamentations
157v–165 Lamentations (4vv) - Sabbato sancto III: Incipit oratio - Recordare Domine - Anonymous
Appears on: 157v–165
Genres: Lamentations
165v–177 Benedixisti Domine terram tuam avertisti -
Appears on: 165v–177
Genres: Motet, Offertory
Voice: [no designation]
Languages: Latin
Voice Text: [Benedictus Dominus Deus] Quia visitavit et fecit
Concordances

Anon here but attributed to Lassus in Munich 76 & 3066. Texted here [Benedictus Dominus Deus] Quia visitavit et fecit

178v–181 In monte Oliveti Vs. Vigilate et orate - Anonymous
Appears on: 178v–181
Genres: Responsory
181v–184 Tristis est anima Vs. Ecce appropinquabit hora - Anonymous
Appears on: 181v–184
Genres: Responsory
184v–188 Ecce vidimus eum Vs. Vere languores nostros - Anonymous
Appears on: 184v–188
Genres: Responsory
188v–191 Omnes amici mei Vs. Inter iniquos proiecerunt - Anonymous
Appears on: 188v–191
Genres: Responsory
191v–194 Velum templi scissum Vs. Petre scissae sunt - Anonymous
Appears on: 191v–194
Genres: Responsory
194v–197 Vinea mea ego Vs. Sepivi te et lapides - Anonymous
Appears on: 194v–197
Genres: Responsory
197v–200 Sicut ovis ad occisionem Vs. Tradidit in mortem - Anonymous
Appears on: 197v–200
Genres: Responsory
200v–203 Jerusalem luge Vs. Deduc quasi torrentem - Anonymous
Appears on: 200v–203
Genres: Responsory
203v–206 Plange quasi virgo Vs. Accingite vos sacerdotes - Anonymous
Appears on: 203v–206
Genres: Responsory
Composer Compositions
Anonymous
Lassus, Orlande de (ca. 1532–1594)
Composition Composers (? Uncertain) Folios / Pages
[Benedictus Dominus] Et erexit Anonymous 91v–100
[Domine Deus meus] Nequando rapiat ut leo Anonymous 11v–13
[Dominus illuminatio mea] Dominus protector vitae Anonymous 35v–36
[Ego dixi in dimidio] Dixi non videbo Anonymous 86v–87
[falsobordone psalm setting] Anonymous 56v–57
[falsobordone psalm setting] Anonymous 58v–59
[falsobordone psalm setting] Anonymous 80v–81
[falsobordone psalm-tone] Anonymous 6v–7
[falsobordone psalm-tone] Anonymous 8v–9
[falsobordone psalm-tone] Anonymous 10v–11
[falsobordone psalm-tone] Anonymous 31v–32
[falsobordone psalm-tone] Anonymous 33v–34
[falsobordone psalm-tone] Anonymous 60v–61
[falsobordone psalm-tone] Anonymous 82v–83
[falsobordone psalm-tone] Anonymous 84v–85
[falsobordone psalm-tone] Anonymous 88v–89
A porta inferi Anonymous 87v–88
Absolve Domine animas Vs. Si que illis Anonymous 37v–43
Benedixisti Domine terram tuam avertisti 165v–177
Circumdederunt me - 1a pars (of 2): Circumdederunt me gemitus Anonymous 4v–5
Circumdederunt me - 2a pars (of 2): Dolores inferni circumdederunt Anonymous 5v–6
Convertere Domine et eripe Anonymous 9v–10
Credo videre bona Anonymous 36v–37
Delicta iuventutis meae Anonymous 34v–35
Deus aeterne in cuius Vs. Qui in cruce Anonymous 48v–56
Dirige Domine Deus Anonymous 7v–8
Ecce vidimus eum Vs. Vere languores nostros Anonymous 184v–188
Exaltabunt ossa humilitata Anonymous 81v–82
Exaudi orationem meam Anonymous 83v–84
In loco pascuae Anonymous 32v–33
In monte Oliveti Vs. Vigilate et orate Anonymous 178v–181
Jerusalem luge Vs. Deduc quasi torrentem Anonymous 200v–203
Lamentations (4vv) - Sabbato sancto III: Incipit oratio - Recordare Domine Anonymous 157v–165
Lamentations - in cena Domini I: Incipit lamentatio - Aleph. Qomodo sedet Anonymous 107v–114
Lamentations - in cena Domini II: Ioth. Manum suam misit Anonymous 114v–121
Lamentations - in cena Domini III: Deleth. Vide Domine quoniam Anonymous 121v–129
Lamentations - in parasceve I: Heth. Cogitavit Dominus dissipare Anonymous 129v–134
Lamentations - in parasceve II: Samech. Plauserunt super te Anonymous 134v–141
Lamentations - in parasceve III: Aleph. Ego vir videns Anonymous 141v–147
Lamentations - Sabbato sancto I: Heth. Misericordiae Domini Anonymous 147v–152
Lamentations - Sabbato sancto II: Nun. Levemus corda nostra Anonymous 152v–157
Libera me Domine Vs. Dies illa dies irae Anonymous 73v–80
Manus tuae Domine Vs. Dum veneris judicare Anonymous 17v–23
Me suscepit dextera Anonymous 85v–86
Media vita in morte Anonymous 100v–106
Memento quaeso Domine Vs. Vitam et misericordiam Anonymous 43v–48
Ne derelinquas me Domine Deus Anonymous 57v–58
Omnes amici mei Vs. Inter iniquos proiecerunt Anonymous 188v–191
Omnia spiritus laudet Anonymous 89v–90
Plange quasi virgo Vs. Accingite vos sacerdotes Anonymous 203v–206
Putas ne mortuus Vs. Ecce in pulvere Anonymous 13v–17
Quomodo confitebor tibi Vs. Tibi soli peccavi Anonymous 23v–31
Redemptor meus vivit Vs. Lauda anima mea Anonymous 62v–68
Regem cui omnia Anonymous 2v–4
Rogamus te Domine Vs. Misericors et miserator Anonymous 68v–73
Sana Domine animam Anonymous 59v–60
Sicut ovis ad occisionem Vs. Tradidit in mortem Anonymous 197v–200
Sitivit anima mea Anonymous 61v–62
Tristis est anima Vs. Ecce appropinquabit hora Anonymous 181v–184
Velum templi scissum Vs. Petre scissae sunt Anonymous 191v–194
Vinea mea ego Vs. Sepivi te et lapides Anonymous 194v–197

denotes primary source study

Bente, Martin, Marie Louise Göllner, Helmut Hell, and Bettina Wackernagel. 1989. Bayerische Staatsbibliothek. Katalog der Musikhandschriften, 1. Chorbücher und Handschriften in chorbuchartiger Notierung. Kataloge Bayerischer Musiksammlungen.  Munich.

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Bente, Hell, Göllner, Wackernagel (1989)

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Date Note; Foliation Note; Foliation Note; Surface Note; DIAMM Note