D-Mbs Mus. MS 511

Bayerische Staatsbibliothek, München (Munich), Germany

choirbook: 1596/97

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Mus. MS 511
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	385 x 285 mm
Notations	black void mensural
Relationships	Benedictine Monastery Thierhaupten (owner)
External Links	images
External Authorities	RISM Online (sources/456051377)
Provenance	Benedictine Monastery of Tegernsee , Thierhaupten, Bavaria, Germany
Contents	31 pieces from 11 composers

General Description

Contains one Mass, individual parts of the Mass, parts for the Proprium and Officium, and sacred songs. On fols. 1r, 15v, 97r and 133v are Latin poems. Copied by one (unidentified) scribe. MS is from the Benedictine Monastery of Thierhaupten.

Bente, Hell, Göllner, Wackernagel (1989)

Binding

Brown cardboard cover; first half of the 19th century

Bente, Hell, Göllner, Wackernagel (1989)

Notation

black void mensural

Bente, Hell, Göllner, Wackernagel (1989)

Decoration

Initials in black and red woodcuts: headings occasionally written with red or green ink.

Bente, Hell, Göllner, Wackernagel (1989)

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1bis v–8	5 monophonic Credo settings	-	Anonymous
5 monophonic Credo settings Anonymous Appears on: 1bis v–8 Genres: Mass Ordinary General Note Settings on: ff. 1bis-2; ff. 2v-4; ff. 4-5v; ff. 5v-7; ff. 7v-8v
9v–13	Credo super Ave maris stella (bicinium)	-	Anonymous
Credo super Ave maris stella (bicinium) Anonymous Appears on: 9v–13 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 2
13–15	monophonic Credo setting	-	Anonymous
monophonic Credo setting Anonymous Appears on: 13–15 Genres: Credo (patrem omnipotentem), Mass Ordinary
16v–19	Responsiones ad missam (4vv)	-	Anonymous
Responsiones ad missam (4vv) Anonymous Appears on: 16v–19 Genres: Response Number of voices: 4
20v–21	Puer natus in Bethlehem / Ein Kind geboren zu Betlehem	-	Anonymous
Puer natus in Bethlehem / Ein Kind geboren zu Betlehem Anonymous Appears on: 20v–21 Genres: Motet Number of voices: 4 General Note 4 parts in 'score' (beneath one another across the opening); texted in Latin with a 2nd German text under the last stave
22v–23	Surrexit Christus hodie	-	Anonymous
Surrexit Christus hodie Anonymous Appears on: 22v–23 Genres: Hymn Number of voices: 4
24v–26	Missa 1 toni: Kyrie	Jeremia Brugnuolo Veronensi monacho	Brugnuolo, Jeremias
Missa 1 toni: Kyrie Brugnuolo, Jeremias Appears on: 24v–26 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Jeremia Brugnuolo Veronensi monacho Number of voices: 4
26v–32	Missa 1 toni: Gloria	-	Brugnuolo, Jeremias
Missa 1 toni: Gloria Brugnuolo, Jeremias Appears on: 26v–32 Genres: Gloria (et in terra pax), Mass Ordinary Number of voices: 4
32v–42	Missa 1 toni: Credo	-	Brugnuolo, Jeremias
Missa 1 toni: Credo Brugnuolo, Jeremias Appears on: 32v–42 Genres: Credo (patrem omnipotentem), Mass Ordinary Number of voices: 4
42v–45	Missa 1 toni: Sanctus	-	Brugnuolo, Jeremias
Missa 1 toni: Sanctus Brugnuolo, Jeremias Appears on: 42v–45 Genres: Mass Ordinary, Sanctus [& Benedictus] Number of voices: 4
45v–48	Missa 1 toni: Agnus Dei	-	Brugnuolo, Jeremias
Missa 1 toni: Agnus Dei Brugnuolo, Jeremias Appears on: 45v–48 Genres: Agnus Dei, Mass Ordinary Number of voices: 4
49v–50	Missa Dum complerentur: Credo	Ioannes Petrus Aloysius Praenestinus	Palestrina, Giovanni Pierluigi da (1525–1594)
Missa Dum complerentur: Credo Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 49v–50 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Ioannes Petrus Aloysius Praenestinus Number of voices: 5 General Note 'Et incarnatus est' only: for use 'ad placitum' in the preceding mass
51v–52	Missa Le berger et la bergere: Credo [Et incarnatus only]	Orlandus di Lasso	Lassus, Orlande de (ca. 1532–1594)
Missa Le berger et la bergere: Credo [Et incarnatus only] Lassus, Orlande de (ca. 1532–1594) Appears on: 51v–52 Genres: Credo (patrem omnipotentem), Mass Ordinary Source Attribution: Orlandus di Lasso Number of voices: 5 General Note another 'Et incarnartus' setting for use 'ad placitum' in the previous mass
53v–64	Magnificat 1 toni: Et exultavit	Hippolytus Baccusius	Baccusi, Ippolito (ca. 1550–1609)
Magnificat 1 toni: Et exultavit Baccusi, Ippolito (ca. 1550–1609) Appears on: 53v–64 Genres: BVM, Canticle, Magnificat Source Attribution: Hippolytus Baccusius Number of voices: 4
65v–66	Magnificat Si par souhait: (exc) Fecit potentiam	Orlandus	Lassus, Orlande de (ca. 1532–1594)
Magnificat Si par souhait: (exc) Fecit potentiam Lassus, Orlande de (ca. 1532–1594) Appears on: 65v–66 Genres: BVM, Canticle, Magnificat Source Attribution: Orlandus Number of voices: 2 General Note Bicinium
66v–67	Magnificat 1 toni: (exc) Esurientes	Iacobi Reineri	Reiner, Jacob
Magnificat 1 toni: (exc) Esurientes Reiner, Jacob Appears on: 66v–67 Genres: BVM, Canticle, Magnificat Source Attribution: Iacobi Reineri Number of voices: 2 General Note Bicinium
67v–69	Magnificat primi toni (5vv) [NR 9]: (exc) Sicut locutus est	Orlandi	Lassus, Orlande de (ca. 1532–1594)
Magnificat primi toni (5vv) [NR 9]: (exc) Sicut locutus est Lassus, Orlande de (ca. 1532–1594) Appears on: 67v–69 Genres: BVM, Canticle, Magnificat Source Attribution: Orlandi Number of voices: 3
69v–71	Magnificat primi toni [NR 9]: (exc) Sicut erat	Orlandi	Lassus, Orlande de (ca. 1532–1594)
Magnificat primi toni [NR 9]: (exc) Sicut erat Lassus, Orlande de (ca. 1532–1594) Appears on: 69v–71 Genres: BVM, Canticle, Magnificat Source Attribution: Orlandi Number of voices: 5
73v–79	Salve regina (5vv, LVAnh 149)	-	Lassus, Orlande de (ca. 1532–1594) (?)
Salve regina (5vv, LVAnh 149) Lassus, Orlande de (ca. 1532–1594) (?) Appears on: 73v–79 Genres: Motet, Salve Regina Number of voices: 5
80v–85	Salve regina (5vv)	Gregorius Aichinger	Aichinger, Gregor (ca. 1564–1628)
Salve regina (5vv) Aichinger, Gregor (ca. 1564–1628) Appears on: 80v–85 Genres: Motet, Salve Regina Source Attribution: Gregorius Aichinger Number of voices: 5
86v–88	Regina caeli laetare	-	Judex, Valentin
Regina caeli laetare Judex, Valentin Appears on: 86v–88 Genres: Motet, Regina caeli laetare Number of voices: 4
88v–93	Regina caeli laetare	Iacobus Regnart	Regnart, Jacob (ca. 1540–1599)
Regina caeli laetare Regnart, Jacob (ca. 1540–1599) Appears on: 88v–93 Genres: Motet, Regina caeli laetare Source Attribution: Iacobus Regnart Number of voices: 4
98v–104	Magnificat quarti toni (5vv) [NR 52]	Orlandi di Lasso	Lassus, Orlande de (ca. 1532–1594)
Magnificat quarti toni (5vv) [NR 52] Lassus, Orlande de (ca. 1532–1594) Appears on: 98v–104 Genres: BVM, Canticle, Magnificat Source Attribution: Orlandi di Lasso Number of voices: 5
105v–111	Magnificat sexti toni (5vv) [NR 53]	-	Lassus, Orlande de (ca. 1532–1594)
Magnificat sexti toni (5vv) [NR 53] Lassus, Orlande de (ca. 1532–1594) Appears on: 105v–111 Genres: BVM, Canticle, Magnificat Number of voices: 5
113v–119	Magnificat octavi toni (5vv) [NR 56]	-	Lassus, Orlande de (ca. 1532–1594)
Magnificat octavi toni (5vv) [NR 56] Lassus, Orlande de (ca. 1532–1594) Appears on: 113v–119 Genres: BVM, Canticle, Magnificat Number of voices: 5
120v–122	Terribilis est locus - 1a pars (of 3): Terribilis est locus iste	Ioannis Matthaei Asulae Veronensis	Asula, Johannes Mathaeus
Terribilis est locus - 1a pars (of 3): Terribilis est locus iste Asula, Johannes Mathaeus Appears on: 120v–122 Genres: Motet Source Attribution: Ioannis Matthaei Asulae Veronensis Number of voices: 5
122v–123	Terribilis est locus - 2a pars (of 3): Quam dilecta tabernacula	-	Asula, Johannes Mathaeus
Terribilis est locus - 2a pars (of 3): Quam dilecta tabernacula Asula, Johannes Mathaeus Appears on: 122v–123 Genres: Motet Number of voices: 5
123v–125	Terribilis est locus - 3a pars (of 3): Gloria Patri	-	Asula, Johannes Mathaeus
Terribilis est locus - 3a pars (of 3): Gloria Patri Asula, Johannes Mathaeus Appears on: 123v–125 Genres: Motet Number of voices: 5
126v–128	Domus mea domus orationis vocabitur	B Clingenstein	Klingenstein, Bernhard
Domus mea domus orationis vocabitur Klingenstein, Bernhard Appears on: 126v–128 Genres: Communion, Motet Source Attribution: B Clingenstein Number of voices: 4
129v–131	In tabernaculis - 1a pars (of 2): In tabernaculis iustorum	Bernardus Klingenstein	Klingenstein, Bernhard
In tabernaculis - 1a pars (of 2): In tabernaculis iustorum Klingenstein, Bernhard Appears on: 129v–131 Genres: Motet Source Attribution: Bernardus Klingenstein Number of voices: 4
131v–133	In tabernaculis - 2a pars (of 2): Haec est Jerusalem	-	Klingenstein, Bernhard
In tabernaculis - 2a pars (of 2): Haec est Jerusalem Klingenstein, Bernhard Appears on: 131v–133 Genres: Motet Number of voices: 4

Composer	Compositions
Aichinger, Gregor (ca. 1564-1628)	Salve regina (5vv) – 80v–85
Anonymous	5 monophonic Credo settings – 1bis v–8 Credo super Ave maris stella (bicinium) – 9v–13 Puer natus in Bethlehem / Ein Kind geboren zu Betlehem – 20v–21 Responsiones ad missam (4vv) – 16v–19 Surrexit Christus hodie – 22v–23 monophonic Credo setting – 13–15
Asula, Johannes Mathaeus	Terribilis est locus - 1a pars (of 3): Terribilis est locus iste – 120v–122 Terribilis est locus - 2a pars (of 3): Quam dilecta tabernacula – 122v–123 Terribilis est locus - 3a pars (of 3): Gloria Patri – 123v–125
Baccusi, Ippolito (ca. 1550-1609)	Magnificat 1 toni: Et exultavit – 53v–64
Brugnuolo, Jeremias	Missa 1 toni: Agnus Dei – 45v–48 Missa 1 toni: Credo – 32v–42 Missa 1 toni: Gloria – 26v–32 Missa 1 toni: Kyrie – 24v–26 Missa 1 toni: Sanctus – 42v–45
Judex, Valentin	Regina caeli laetare – 86v–88
Klingenstein, Bernhard	Domus mea domus orationis vocabitur – 126v–128 In tabernaculis - 1a pars (of 2): In tabernaculis iustorum – 129v–131 In tabernaculis - 2a pars (of 2): Haec est Jerusalem – 131v–133
Lassus, Orlande de (ca. 1532-1594)	Magnificat primi toni [NR 9]: (exc) Sicut erat – 69v–71 Magnificat Si par souhait: (exc) Fecit potentiam – 65v–66 Magnificat octavi toni (5vv) [NR 56] – 113v–119 Magnificat primi toni (5vv) [NR 9]: (exc) Sicut locutus est – 67v–69 Magnificat quarti toni (5vv) [NR 52] – 98v–104 Magnificat sexti toni (5vv) [NR 53] – 105v–111 Missa Le berger et la bergere: Credo [Et incarnatus only] – 51v–52 (?) Salve regina (5vv, LVAnh 149) – 73v–79
Palestrina, Giovanni Pierluigi da (1525-1594)	Missa Dum complerentur: Credo – 49v–50
Regnart, Jacob (ca. 1540-1599)	Regina caeli laetare – 88v–93
Reiner, Jacob	Magnificat 1 toni: (exc) Esurientes – 66v–67

Composition	Composers (? Uncertain)	Folios / Pages
5 monophonic Credo settings	Anonymous	1bis v–8
Credo super Ave maris stella (bicinium)	Anonymous	9v–13
Domus mea domus orationis vocabitur	Klingenstein, Bernhard	126v–128
In tabernaculis - 1a pars (of 2): In tabernaculis iustorum	Klingenstein, Bernhard	129v–131
In tabernaculis - 2a pars (of 2): Haec est Jerusalem	Klingenstein, Bernhard	131v–133
Magnificat primi toni [NR 9]: (exc) Sicut erat	Lassus, Orlande de (ca. 1532–1594)	69v–71
Magnificat 1 toni: (exc) Esurientes	Reiner, Jacob	66v–67
Magnificat 1 toni: Et exultavit	Baccusi, Ippolito (ca. 1550–1609)	53v–64
Magnificat octavi toni (5vv) [NR 56]	Lassus, Orlande de (ca. 1532–1594)	113v–119
Magnificat primi toni (5vv) [NR 9]: (exc) Sicut locutus est	Lassus, Orlande de (ca. 1532–1594)	67v–69
Magnificat quarti toni (5vv) [NR 52]	Lassus, Orlande de (ca. 1532–1594)	98v–104
Magnificat sexti toni (5vv) [NR 53]	Lassus, Orlande de (ca. 1532–1594)	105v–111
Magnificat Si par souhait: (exc) Fecit potentiam	Lassus, Orlande de (ca. 1532–1594)	65v–66
Missa 1 toni: Agnus Dei	Brugnuolo, Jeremias	45v–48
Missa 1 toni: Credo	Brugnuolo, Jeremias	32v–42
Missa 1 toni: Gloria	Brugnuolo, Jeremias	26v–32
Missa 1 toni: Kyrie	Brugnuolo, Jeremias	24v–26
Missa 1 toni: Sanctus	Brugnuolo, Jeremias	42v–45
Missa Dum complerentur: Credo	Palestrina, Giovanni Pierluigi da (1525–1594)	49v–50
Missa Le berger et la bergere: Credo [Et incarnatus only]	Lassus, Orlande de (ca. 1532–1594)	51v–52
monophonic Credo setting	Anonymous	13–15
Puer natus in Bethlehem / Ein Kind geboren zu Betlehem	Anonymous	20v–21
Regina caeli laetare	Judex, Valentin	86v–88
Regina caeli laetare	Regnart, Jacob (ca. 1540–1599)	88v–93
Responsiones ad missam (4vv)	Anonymous	16v–19
Salve regina (5vv)	Aichinger, Gregor (ca. 1564–1628)	80v–85
Salve regina (5vv, LVAnh 149)	Lassus, Orlande de (ca. 1532–1594) (?)	73v–79
Surrexit Christus hodie	Anonymous	22v–23
Terribilis est locus - 1a pars (of 3): Terribilis est locus iste	Asula, Johannes Mathaeus	120v–122
Terribilis est locus - 2a pars (of 3): Quam dilecta tabernacula	Asula, Johannes Mathaeus	122v–123
Terribilis est locus - 3a pars (of 3): Gloria Patri	Asula, Johannes Mathaeus	123v–125

‡ denotes primary source study

Bente, Martin, Marie Louise Göllner, Helmut Hell, and Bettina Wackernagel. 1989. Bayerische Staatsbibliothek. Katalog der Musikhandschriften, 1. Chorbücher und Handschriften in chorbuchartiger Notierung. Kataloge Bayerischer Musiksammlungen, vol. 5/1. Munich.

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Bente, Hell, Göllner, Wackernagel (1989)

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Decoration Note; DIAMM Note

D-Mbs Mus. MS 511

Bayerische Staatsbibliothek, München (Munich), Germany

choirbook: 1596/97

General Description

Binding

Notation

Decoration

General Note

General Note

General Note

General Note

General Note

General Note

Bente, Hell, Göllner, Wackernagel (1989)

Monday, 23 January, 2017