CH-Bu F IX 22

Öffentliche Bibliothek der Universität, Basel, Switzerland

Organ tablature: c.1513-c.1535

Archive Öffentliche Bibliothek der Universität, Basel, Switzerland (CH-Bu)
Shelfmark F IX 22
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 160 x 225 mm
External Links
Provenance
  • Basel, Switzerland
Contents 57 pieces from 16 composers
General Description

No further information.

DIAMM, 2017
Surface

paper

DIAMM, 2017
DIAMM Note

Organ tablature; 113 leaves, 16 x 22.5 cm.

DIAMM, 2017

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–2 Tristitia vestra vertetur in gaudium -
Appears on: 1–2
Genres: Motet
Voice: [no designation]
Languages: Italian
Voice Text: Tristitia vestra
2–4 In pace in idipsum -
Appears on: 2–4
Genres: Motet, Tablature
Voice: [no designation]
Languages: Latin
Voice Text: In pace in idipsum
4v–6 Nil n'est plasier -
Appears on: 4v–6
Genres: Chanson, Tablature
Voice: [no designation]
Languages: French
Voice Text: Nil nest plasier
6–7 Was ich durch Glück -
Appears on: 6–7
Genres: Song, Tablature
Voice: [no designation]
Languages: German
Voice Text: Was ich durch gluck
7v–9v Graciensi plaisat -
Appears on: 7v–9v
Genres: Chanson, Tablature
Voice: [no designation]
Languages: none
Voice Text: Graciensi plaisat
9–10v Harmonia in sol -
Appears on: 9–10v
Genres: Tablature, textless
Voice: [no designation]
Languages: Latin
Voice Text: Harmonia in sol
10v–11v Betreubt ist mir min hercz -
Appears on: 10v–11v
Genres: Song, Tablature
Voice: [no designation]
Languages: German
Voice Text: Betreubt ist mir min hercz
11v–13 Mein einigs A. ich Dein beleib und mich -
Appears on: 11v–13
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Min ainigs A
13–15v Si dedero somnum oculis meis -
Appears on: 13–15v
Genres: Italian secular, Tablature
Voice: [no designation]
Languages: Latin
Voice Text: Si dedero
15v–17v Fortuna in mi -
Appears on: 15v–17v
Genres: Italian secular, Tablature
Voice: [no designation]
Languages: Italian
Voice Text: Fortuna in mi
18–19v Fortuna d'un gran tempo 27.12 -
Appears on: 18–19v
Genres: Italian secular, textless
Voice: [no designation]
Languages: Italian
Voice Text: Fortuna dum grand tiempo
19v–20v Die zit nimpt und gipt. [= Schon lief] -
Appears on: 19v–20v
Genres: Song, Tablature
Voice: [no designation]
Languages: German
Voice Text: Die zit nimpt und gipt. Schonlief
21–22v Ein frölich wesen hab ich erlesen -
Appears on: 21–22v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Ein frölich wesen
22v–24v In meinem sinn hadde ick vercoren -
Appears on: 22v–24v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: In minem sinn
24v–27v Tandernack uf dem Rhein lag -
Appears on: 24v–27v
Genres: Song, Tablature
Voice: [no designation]
Languages: German
Voice Text: Tandernack uf dem Rin lag
27v–30 La Martinella -
Appears on: 27v–30
Genres: Italian secular, Tablature
Voice: [no designation]
Languages: Italian
Voice Text: La Martinella
30v–32 Benedictus -
Appears on: 30v–32
Genres: Mass Ordinary, Sanctus [& Benedictus], Tablature
Voice: [no designation]
Languages: Latin
Voice Text: Benedictus
32v–34v La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) -
Appears on: 32v–34v
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: La Morra
35–38v Si dormiero -
Appears on: 35–38v
Genres: Italian secular, Tablature
Voice: [no designation]
Languages: none
Voice Text: Si dormiero
38v–39v Fantasia in ut -
Appears on: 38v–39v
Genres: Tablature, textless
Voice: [no designation]
Languages: none
Voice Text: Fantasia in ut
40–41v Adieu mes amours -
Appears on: 40–41v
Genres: Chanson, Tablature
Voice: [no designation]
Languages: French
Voice Text: Adiu mes amors
42–42v Ade mit leid ich von dir scheid -
Appears on: 42–42v
Genres: Song
Voice: [no designation]
Languages: German
Voice Text: Ade mit mleid
42v–44v Spanieler tanz -
Appears on: 42v–44v
Genres: Dance, Tablature
Voice: [no designation]
Languages: none
Voice Text: Spanieler (tanz)
45–47 Fortuna in mi -
Appears on: 45–47
Genres: Italian secular, Tablature
Voice: [no designation]
Languages: Italian
Voice Text: Fortuna in mi
47–48v Tota pulchra es amica mea et macula -
Appears on: 47–48v
Genres: Motet, Tablature
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es
48v–49v Prooemium in re -
Appears on: 48v–49v
Genres: Tablature
Voice: [no designation]
Languages: Latin
Voice Text: Prooemium in re
49v–51 Salve regina mater misericordiae -
Appears on: 49v–51
Genres: Motet, Salve Regina, Tablature
Voice: [no designation]
Languages: Latin
Voice Text: Salve Regina
51–52v Ad te clamamus -
Appears on: 51–52v
Genres: Motet, Tablature
Voice: [no designation]
Languages: Latin
Voice Text: Ad te clamamus
52v–54 Eia ergo -
Appears on: 52v–54
Genres: Motet, Tablature
Voice: [no designation]
Languages: Latin
Voice Text: Eia ergo
54–55v O clemens -
Appears on: 54–55v
Genres: Motet, Tablature
Voice: [no designation]
Languages: Latin
Voice Text: O clemens
55–56 O dulcis Maria -
Appears on: 55–56
Genres: Motet, Tablature
Voice: [no designation]
Languages: Latin
Voice Text: O dulcis Maria
56–58 Preludium in la -
Appears on: 56–58
Genres: Tablature, textless
Voice: [no designation]
Languages: none
Voice Text: Preludium in la
58v–59 Anabole in fa -
Appears on: 58v–59
Genres: Italian secular
Voice: [no designation]
Languages: none
Voice Text: Anabole in fa
59–59v Preambulum in fa -
Appears on: 59–59v
Genres: Tablature, textless
Voice: [no designation]
Languages: none
Voice Text: Preambulum in fa
59v–60v Prooemium in re -
Appears on: 59v–60v
Genres: Tablature, textless
Voice: [no designation]
Languages: Latin
Voice Text: Prooemium in re
61–62 Praeludium in fa -
Appears on: 61–62
Genres: Tablature, textless
Voice: [no designation]
Languages: none
Voice Text: Praeludium in fa
62–63 Preambulum in sol -
Appears on: 62–63
Genres: Tablature, textless
Voice: [no designation]
Languages: none
Voice Text: Preambulum in sol
63–64v Tancz der schwarcz knab -
Appears on: 63–64v
Genres: Dance, Tablature
Voice: [no designation]
Languages: none
Voice Text: Tancz der schwarcz knab
64v–65v Der Hopp Tanz -
Appears on: 64v–65v
Genres: Dance, Tablature
Voice: [no designation]
Languages: German
Voice Text: Der Hopp tancz
66–67 Carmen in sol -
Appears on: 66–67
Genres: Song, Tablature
Voice: [no designation]
Languages: insufficient
Voice Text: Carmen in sol
67v–69 Pleni sunt caeli -
Appears on: 67v–69
Genres: Mass Ordinary, Sanctus [& Benedictus], Tablature
Voice: [no designation]
Languages: Latin
Voice Text: Pleni
69–70v Carmen in fa. Zucht eer und lob -
Appears on: 69–70v
Genres: Song, Tablature
Voice: [no designation]
Languages: German
Voice Text: Carmen in fa. Zucht eer und lob
70v–71v Kann ich kein Freid -
Appears on: 70v–71v
Genres: Song, Tablature
Voice: [no designation]
Languages: German
Voice Text: Kan ich kein freid
72v–73v Tanzmass Benzenauer - 1a pars (of 2): Dantz moss Benczenauher = Tanzmass Benzenauer -
Appears on: 72v–73v
Genres: Dance, Tablature
Voice: [no designation]
Languages: none
Voice Text: Dantz moss. Benczenauher (= Tanzmass. Benzenauer)
73v–74 Tanzmass Benzenauer - 2a pars (of 2): Nachtanz -
Appears on: 73v–74
Genres: Dance, Tablature
Voice: [no designation]
Languages: German
Voice Text: Nachtanz
74–75 Expecta un pauco -
Appears on: 74–75
Genres: Italian secular, Tablature
Voice: [no designation]
Languages: Latin
Voice Text: Expecta ung pauco
75–77 Ach hulf nich leid -
Appears on: 75–77
Genres: Song, Tablature
Voice: [no designation]
Languages: German
Voice Text: Auch hulf nich leid
77v–78 J'ai trop ayme - Anonymous

J'ai trop ayme

Anonymous
Appears on: 77v–78
Genres: Chanson, Tablature
Voice: [no designation]
Languages: French
Voice Text: Jay trop ayme
78–78v Ami souffrez que je vous aime -
Appears on: 78–78v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amy souffre que je vous ame
79–79v Est-il conclue par un arrêt d'amour - Anonymous
Appears on: 79–79v
Genres: Chanson, Tablature
Voice: [no designation]
Languages: French
Voice Text: Est iltz conclud par ung arrest damor
79v–80 Je my plains fort - Anonymous

Je my plains fort

Anonymous
Appears on: 79v–80
Genres: Chanson, Tablature
Voice: [no designation]
Languages: French
Voice Text: Je my plains fort
80v–82 Sicut malus inter ligna -
Appears on: 80v–82
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Sicut malus
82v–83 Nach Willen Dein mich dir allein in treuen -
Appears on: 82v–83
Genres: Sacred Song
Voice: [no designation]
Languages: German
Voice Text: Nach willen din
83v–84 Exspecta un pauco - Anonymous

Exspecta un pauco

Anonymous
Appears on: 83v–84
Genres: Italian secular, Tablature
Voice: [no designation]
Languages: Latin
Voice Text: Exspecta ung pauco
84v–85 Aus tiefer Not schrei ich zu dir (Uss tieffer nodt schry ich zu dir) -
Appears on: 84v–85
Genres: Chorale, Sacred Song, Tablature
Voice: [no designation]
Languages: German
Voice Text: Uss tieffer nodt schry ich zu dir
100–101v Spaniol. Kochersperg. -
Appears on: 100–101v
Genres: Tablature
Voice: [no designation]
Languages: none
Voice Text: Spaniol. Kochersperg.
103–104 Andernak - Anonymous

Andernak

Anonymous
Appears on: 103–104
Genres: Organ accompaniments, Tablature
Voice: [no designation]
Languages: none
Voice Text: Andernak
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Anonymous
Barbireau, Jacobus (1455–1491)
Buchner, Hans
Despres, Josquin (ca. 1450–1521)
Dietrich, Sixt (ca. 1493–1548)
Gombert, Nicolas (ca. 1495–ca. 1560)
Heurteur, Guillaume le (fl. 1530-1545)
Hofhaimer, Paul
Isaac, Heinrich (ca. 1450–1517)
Kerle, Jacobus de
Kotter, Hans
Moulu, Pierre (ca. 1484–ca. 1550)
Obrecht, Jacobus (ca. 1457–1505)
Sermisy, Claudin de (ca. 1490–1562)
Weck, Johann (ca. 1495–1536)
Composition Composers (? Uncertain) Folios / Pages
Ach hulf nich leid 75–77
Ad te clamamus 51–52v
Ade mit leid ich von dir scheid 42–42v
Adieu mes amours 40–41v
Ami souffrez que je vous aime 78–78v
Anabole in fa 58v–59
Andernak Anonymous 103–104
Aus tiefer Not schrei ich zu dir (Uss tieffer nodt schry ich zu dir) 84v–85
Benedictus 30v–32
Betreubt ist mir min hercz 10v–11v
Carmen in fa. Zucht eer und lob 69–70v
Carmen in sol 66–67
Der Hopp Tanz 64v–65v
Die zit nimpt und gipt. [= Schon lief] 19v–20v
Eia ergo 52v–54
Ein frölich wesen hab ich erlesen 21–22v
Est-il conclue par un arrêt d'amour Anonymous 79–79v
Expecta un pauco 74–75
Exspecta un pauco Anonymous 83v–84
Fantasia in ut 38v–39v
Fortuna d'un gran tempo 27.12 18–19v
Fortuna in mi 15v–17v
Fortuna in mi 45–47
Graciensi plaisat 7v–9v
Harmonia in sol 9–10v
In meinem sinn hadde ick vercoren 22v–24v
In pace in idipsum 2–4
J'ai trop ayme Anonymous 77v–78
Je my plains fort Anonymous 79v–80
Kann ich kein Freid 70v–71v
La Martinella 27v–30
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) 32v–34v
Mein einigs A. ich Dein beleib und mich 11v–13
Nach Willen Dein mich dir allein in treuen 82v–83
Nil n'est plasier 4v–6
O clemens 54–55v
O dulcis Maria 55–56
Pleni sunt caeli 67v–69
Praeludium in fa 61–62
Preambulum in fa 59–59v
Preambulum in sol 62–63
Preludium in la 56–58
Prooemium in re 48v–49v
Prooemium in re 59v–60v
Salve regina mater misericordiae 49v–51
Si dedero somnum oculis meis 13–15v
Si dormiero 35–38v
Sicut malus inter ligna 80v–82
Spanieler tanz 42v–44v
Spaniol. Kochersperg. 100–101v
Tancz der schwarcz knab 63–64v
Tandernack uf dem Rhein lag 24v–27v
Tanzmass Benzenauer - 1a pars (of 2): Dantz moss Benczenauher = Tanzmass Benzenauer 72v–73v
Tanzmass Benzenauer - 2a pars (of 2): Nachtanz 73v–74
Tota pulchra es amica mea et macula 47–48v
Tristitia vestra vertetur in gaudium 1–2
Was ich durch Glück 6–7

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Surface Note; DIAMM Note