D-As Tonkunst Schletterer 96

Staats- und Stadtbibliothek, Augsburg, Germany

manuscript of Vespers music: 1614-1615

Archive	Staats- und Stadtbibliothek, Augsburg, Germany (D-As)
Shelfmark	Tonkunst Schletterer 96
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	440 x 305 mm
Notations	black void mensural
External Links	images of printed library catalogue
Provenance	Benedictine Monastery of Tegernsee , Irsee, Germany
Contents	22 pieces from 6 composers

General Description

Copied by chiefly by Johann Seytz; the scribe of 214r-228r was probably Carolus Andrea (at around 1600 there were three significant musicians in Irsee, two of which are included in this manuscript as composers and one appears as a scribe: Gregor Stemmele, died on 16 May 1619 and Carolus Andreae, who became Abbot in 1612 and died in 1627. Johannes Seytz, the scribe of the manuscript died on 15 August 1619 (Kornmuller, II, 1, p.231f, also Steichele VI, 205)). From the Benedictine monastery of Irsee.

Clytus Gottwald, 1974.

Physical Description

four folios missing before fol. I; one folio missing between fols II; fol. 96 missing; one folio missing between fols 196 and 197; fols 230-31 missing; fol. 249 missing; one folio missing between fols 285 and 286; fols 290-91 missing, but without loss of text

Clytus Gottwald, 1974.

Binding

bright leather cover (stamp see: KyrissAB, 151 No. 3, furthermore rolls Fides-Batient (!)- Caritas Spes and four heads in the foliage); on the back little label N3

Clytus Gottwald, 1974.

Liminary Note

1r: Psalmodia Vespertina ad octo usitatos tonos falsis bordonibus concinenda..... per Fratrem Johannem Seytzium Ursinensis Monasterii Coenobitam Anno MDCXV

Clytus Gottwald, 1974.

Notation

black void mensural

Clytus Gottwald, 1974.

Foliation

Original foliation 1-289; modern foliation I -II

Clytus Gottwald, 1974.

Decoration

tonus indications in red; woodcut initials, glued on/ Folio edges coloured in red and blue.

Clytus Gottwald, 1974.

Surface

paper

Clytus Gottwald, 1974.

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–6	Domine ad adjuvandum me festina gloria	-	Cantone, Serafino
Domine ad adjuvandum me festina gloria Cantone, Serafino Appears on: 1–6 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum General Note (II. Alleluia) (III. Laus tibi Domine)
7–11	Domine ad adjuvandum me festina gloria	-	Belloni, Gioseffo (ca. 1575–ca. 1606)
Domine ad adjuvandum me festina gloria Belloni, Gioseffo (ca. 1575–ca. 1606) Appears on: 7–11 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Domine ad adiuvandum General Note (II. Laus tibi Domine)
11v–12	Responsorium breve un Versiculus	-	Anonymous
Responsorium breve un Versiculus Anonymous Appears on: 11v–12 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Responsorium breve un Versiculus
13–36	Falsi Bordoni in den acht tonen	-	Anonymous
Falsi Bordoni in den acht tonen Anonymous Appears on: 13–36 Genres: Psalm Number of voices: 4 Voice: [no designation] Languages: none Voice Text: Falsi Bordoni (in den acht tonen)
37–55	Falsi Bordoni in den acht tonen	-	Belloni, Gioseffo (ca. 1575–ca. 1606)
Falsi Bordoni in den acht tonen Belloni, Gioseffo (ca. 1575–ca. 1606) Appears on: 37–55 Genres: Psalm Number of voices: 5 Voice: [no designation] Languages: none Voice Text: Falsi Bordoni (in den acht tonen)
55v–86	Sicut erat in principio	-	Belloni, Gioseffo (ca. 1575–ca. 1606)
Sicut erat in principio Belloni, Gioseffo (ca. 1575–ca. 1606) Appears on: 55v–86 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Sicut erat in principio
87–96	Falsi Bordoni in den acht tonen	-	Anonymous
Falsi Bordoni in den acht tonen Anonymous Appears on: 87–96 Genres: Psalm Number of voices: 6 Voice: [no designation] Languages: none Voice Text: Falsi Bordoni (in den acht tonen)
97–112	Dixit Dominus Domino meo	-	Cantone, Serafino
Dixit Dominus Domino meo Cantone, Serafino Appears on: 97–112 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Dixit Dominus
113–120	Confitebor tibi Domine	-	Belloni, Gioseffo (ca. 1575–ca. 1606)
Confitebor tibi Domine Belloni, Gioseffo (ca. 1575–ca. 1606) Appears on: 113–120 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Confitebor tibi Domine
122–131	Confitebor tibi Domine	-	Cantone, Serafino
Confitebor tibi Domine Cantone, Serafino Appears on: 122–131 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Confitebor tibi Domine
132–141	beatus vir	-	Cantone, Serafino
beatus vir Cantone, Serafino Appears on: 132–141 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: beatus vir
142–154	Laudate pueri	-	Demantius, Christoph
Laudate pueri Demantius, Christoph Appears on: 142–154 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: Laudate pueri
155–161	Laudate pueri	-	Cantone, Serafino
Laudate pueri Cantone, Serafino Appears on: 155–161 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Laudate pueri
162–168	Credidi propter quod locutus sum	-	Cantone, Serafino
Credidi propter quod locutus sum Cantone, Serafino Appears on: 162–168 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Credidi propter quod
169–178	Laetatus sum in his	-	Cantone, Serafino
Laetatus sum in his Cantone, Serafino Appears on: 169–178 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Laetatus sum in his
179–189	Lauda Jerusalem Dominum	-	Cantone, Serafino
Lauda Jerusalem Dominum Cantone, Serafino Appears on: 179–189 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: lauda Hierusalem Dominum
190–203	Magnificat primi toni	-	Cantone, Serafino
Magnificat primi toni Cantone, Serafino Appears on: 190–203 Genres: BVM, Canticle, Magnificat Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Magnificat primi Toni General Note (Partes nicht angegeben)
204–213	De profundis clamavi ad te Domine	-	Cantone, Serafino
De profundis clamavi ad te Domine Cantone, Serafino Appears on: 204–213 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: De profundis
214–228	In exitu Israel	-	Andreae, Carolus (1627–)
In exitu Israel Andreae, Carolus (1627–) Appears on: 214–228 Genres: Motet Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: In exitu Israel
232–248	In exitu Israel	-	Belloni, Gioseffo (ca. 1575–ca. 1606)
In exitu Israel Belloni, Gioseffo (ca. 1575–ca. 1606) Appears on: 232–248 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In exitu Israel
250–273	In exitu Israel	-	Cantone, Serafino
In exitu Israel Cantone, Serafino Appears on: 250–273 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: In exitu Israel
274–289	In exitu Israel	-	Stemmelius, Gregor
In exitu Israel Stemmelius, Gregor Appears on: 274–289 Genres: Motet Number of voices: 6 Voice: [no designation] Languages: Latin Voice Text: In exitu Israel

Composer	Compositions
Andreae, Carolus (1627)	In exitu Israel – 214–228
Anonymous	Falsi Bordoni in den acht tonen – 87–96 Falsi Bordoni in den acht tonen – 13–36 Responsorium breve un Versiculus – 11v–12
Belloni, Gioseffo (ca. 1575-ca. 1606)	Confitebor tibi Domine – 113–120 Domine ad adjuvandum me festina gloria – 7–11 Falsi Bordoni in den acht tonen – 37–55 In exitu Israel – 232–248 Sicut erat in principio – 55v–86
Cantone, Serafino	Confitebor tibi Domine – 122–131 Credidi propter quod locutus sum – 162–168 De profundis clamavi ad te Domine – 204–213 Dixit Dominus Domino meo – 97–112 Domine ad adjuvandum me festina gloria – 1–6 In exitu Israel – 250–273 Laetatus sum in his – 169–178 Lauda Jerusalem Dominum – 179–189 Laudate pueri – 155–161 Magnificat primi toni – 190–203 beatus vir – 132–141
Demantius, Christoph	Laudate pueri – 142–154
Stemmelius, Gregor	In exitu Israel – 274–289

Composition	Composers (? Uncertain)	Folios / Pages
beatus vir	Cantone, Serafino	132–141
Confitebor tibi Domine	Belloni, Gioseffo (ca. 1575–ca. 1606)	113–120
Confitebor tibi Domine	Cantone, Serafino	122–131
Credidi propter quod locutus sum	Cantone, Serafino	162–168
De profundis clamavi ad te Domine	Cantone, Serafino	204–213
Dixit Dominus Domino meo	Cantone, Serafino	97–112
Domine ad adjuvandum me festina gloria	Cantone, Serafino	1–6
Domine ad adjuvandum me festina gloria	Belloni, Gioseffo (ca. 1575–ca. 1606)	7–11
Falsi Bordoni in den acht tonen	Anonymous	13–36
Falsi Bordoni in den acht tonen	Belloni, Gioseffo (ca. 1575–ca. 1606)	37–55
Falsi Bordoni in den acht tonen	Anonymous	87–96
In exitu Israel	Andreae, Carolus (1627–)	214–228
In exitu Israel	Belloni, Gioseffo (ca. 1575–ca. 1606)	232–248
In exitu Israel	Cantone, Serafino	250–273
In exitu Israel	Stemmelius, Gregor	274–289
Laetatus sum in his	Cantone, Serafino	169–178
Lauda Jerusalem Dominum	Cantone, Serafino	179–189
Laudate pueri	Demantius, Christoph	142–154
Laudate pueri	Cantone, Serafino	155–161
Magnificat primi toni	Cantone, Serafino	190–203
Responsorium breve un Versiculus	Anonymous	11v–12
Sicut erat in principio	Belloni, Gioseffo (ca. 1575–ca. 1606)	55v–86

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