D-As Tonkunst Schletterer 23

Staats- und Stadtbibliothek, Augsburg, Germany

manuscript of mass propers: 1575

Archive Staats- und Stadtbibliothek, Augsburg, Germany (D-As)
Shelfmark Tonkunst Schletterer 23
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None
Measurements 580 X 455 mm
Notations
  • black void mensural
  • chant notation
External Links
Provenance
  • Bavaria, Germany
Contents 59 pieces from 5 composers
General Description

From the Benedictine Monastery of SS Ulrich and Afra Augsburg. Copied by Johannes Dreher (with the exception of 250v-253r).

Clytus Gottwald, 1974.
Physical Description

270 folios

DIAMM, 2020
Notation

black void mensural; chant notation (intonations)

Clytus Gottwald, 1974.
Foliation

modern foliation, i-ii, 1-253, with interpolated numbers 12a, 12b, 24a, 39a, 56a, 66a, 79a, 113a, 128a, 141a, 171a, 194a, 194b, 194c, 232a, 232b (=270 folios)

DIAMM, 2020
Surface

Paper

Clytus Gottwald, 1974.

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
2v–5 Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] Isaac
Appears on: 2v–5
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis
General Note

(II. Cantate domino)

5v–7 Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] Isaac
Appears on: 5v–7
Genres: Alleluia, Motet
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dies sanctificatus
7v–11 Per quem fit machina Natus ante saecula [Proprium de Nativitate Christi] Isaac
Appears on: 7v–11
Genres: Sequence
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Per quem fit machina (Natus ante saecula)
11v–12 Viderunt omnes fines [Proprium de Nativitate Christi] Isaac
Appears on: 11v–12
Genres: Communion
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Viderunt omnes fines
13v–16 Puer natus est nobis [Proprium de Circumcisione Domini] - Anonymous
Appears on: 13v–16
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Puer natus est nobis
General Note

(II. Cantate domine)

16v–18 Alleluia. Post partum virgo inviolata [Proprium de Circumcisione Domini] -
Appears on: 16v–18
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Post partum virgo
18v–24 Laetabundus exultet Regem regum [Proprium de Circumcisione Domini] -
Appears on: 18v–24
Genres: Sequence
Voice: [no designation]
Languages: Latin
Voice Text: Regem regum (Laetabundus exultet)
25v–28 Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] Isaac
Appears on: 25v–28
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Ecce advenit dominator
General Note

(II. Deus iudicium tuum)

28v–30 Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] Isaac
Appears on: 28v–30
Genres: Alleluia, Motet
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Vidimus stellam
30v–38 Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) Isaac
Appears on: 30v–38
Genres: Motet
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Que miris sunt modis (Festa Christi omnis)
38v–39 Vidimus stellam [Proprium de Epiphanie] Isaac
Appears on: 38v–39
Genres: Sequence
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Vidimus stellam
40v–44 Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] Isaac
Appears on: 40v–44
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Suscepimus deus
General Note

(II. Magnus dominus) (III. In civitate dei)

43v–46 Alleluia. Post partum virgo inviolata [Proprium de Purificatione B. Mariae Virginis] Isaac Anonymous
Appears on: 43v–46
Genres: Alleluia, Motet
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Post partum virgo
46v–54 Generosi Abrahe tu filia Concentu parili [Proprium de Purificatione B. Mariae Virginis] Isaac
Appears on: 46v–54
Genres: Sequence
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Generosi Abrahe tu filia (Concentu parili)
54c–56 Responum accepit Simeon [Proprium de Purificatione B. Mariae Virginis] Isaac
Appears on: 54c–56
Genres: Communion
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Responum accepit Simeon
57v–60 Os justi meditabitur [Proprium de S. Benedicto Abbate] Isaac
Appears on: 57v–60
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Os iusti meditabitur
General Note

(II. Noli aemulari)

60v–62 Amen dico vobis Quicquid orantes petitis [Proprium de S. Benedicto Abbate] Isaac
Appears on: 60v–62
Genres: Sequence
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin, Hebrew
Voice Text: Amen dico vobis
62v–66 Beatus vir qui timet Dominum [Proprium de S. Benedicto Abbate] Isaac
Appears on: 62v–66
Genres: Communion
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Beatus vir qui timet
General Note

(II. Potens in terra) (III. Gloria et divitie)

67v–70 Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] Isaac
Appears on: 67v–70
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Rorate celi
General Note

(II. Celi ennarrant)

70v–71 Ecce virgo concipiet et pariet filium [Proprium de Annuntiatione BVM] Isaac
Appears on: 70v–71
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Ecce virgo concipiet
71v–74 Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] Isaac
Appears on: 71v–74
Genres: Sequence
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Vultum tuum deprecabuntur
General Note

(II. Eructavit cor meum)

74v–79 Gaude Maria [Proprium de Annuntiatione BVM] Isaac
Appears on: 74v–79
Genres: Communion
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Gaude Maria
General Note

(II. Que Gabrielis) (III. Dum virgo) (IV. Dei genetrix)

80v–85 Vidi aquam egredientem de templo - Anonymous
Appears on: 80v–85
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vidi aquam egredientem
General Note

(II. Confitemini domino) (III. Gloria patri)

86v–95 Responsiones Ad Collectas et prefationem - Anonymous
Appears on: 86v–95
Genres: Response, Responsory
Voice: [no designation]
Languages: Latin
Voice Text: Responsiones Ad Collectas et prefationem: Et cum spiritu tuo (zwei fasungen) / Amen (two versions) / Gloria tibi domine / Habemus ad dominum / Dignum et iustum est
General Note

7 responses for each of 4, 5, 6 voices: Et cum spiritu tuo two versions / Amen two versions / Gloria tibi Domine / Habemus ad Dominum / Dignum et iustum est

96v–100 Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] Isaac
Appears on: 96v–100
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Resurrexi et adhuc
General Note

(II. Domine probasti me) (III. Tu cognovisti)

100v–102 Alleluia. Pascha nostrum immolatus est [Proprium de resurrectione Domini] Isaac
Appears on: 100v–102
Genres: Alleluia
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Pascha nostrum
102v–111 Laudes salvatori voce Et devotis melodiis [Proprium de resurrectione Domini] Isaac
Appears on: 102v–111
Genres: Sequence
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Et devotis melodiis (Laudes salvatori voce)
111v–113 Pasca nostrum immolatus [Proprium de resurrectione Domini] Isaac
Appears on: 111v–113
Genres: Communion
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Pasca nostrum immolatus
114v–117 Terribilis est locus iste [Proprium de Dedicatione Templi] Isaac
Appears on: 114v–117
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Terribilis est
General Note

(II. Quam dilecta)

117v–119 Alleluia. Vox exultationis et salutis [Proprium de Dedicatione Templi] Isaac
Appears on: 117v–119
Genres: Alleluia, Motet
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Vox exultationis
119v–126 Haec domus aulae caelestis Psallat ecclesia mater [Proprium de Dedicatione Templi] Isaac
Appears on: 119v–126
Genres: Sequence
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Hec domus aule (Psallat ecclesia mater)
126v–128 Domus mea [Proprium de Dedicatione Templi] Isaac
Appears on: 126v–128
Genres: Communion
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Domus mea
129v–131 Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] Isaac
Appears on: 129v–131
Genres: Introit
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Viri Galilei
General Note

(II. Omnes gentes plaudite) (III. Jubilate deo)

131v–134 Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] Isaac
Appears on: 131v–134
Genres: Alleluia, Motet
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Dominus in Syna
134v–139 Qui caeli qui terre Summi triumphum regis [Proprium de Ascensione Domini] Isaac
Appears on: 134v–139
Genres: Sequence
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Qui celi qui terre (Summi triumphum regis)
139v–141 Psallite Domino [Proprium de Ascensione Domini] Isaac
Appears on: 139v–141
Genres: Communion
Source Attribution: Isaac
Voice: [no designation]
Languages: Latin
Voice Text: Psallite domino
General Note

(II. Qui ascendit)

142v–145 Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proper for Pentecost] Homer Herpol
Appears on: 142v–145
Genres: Introit
Source Attribution: Homer Herpol
Voice: [no designation]
Languages: Latin
Voice Text: Spiritus domini replevit
General Note

(II. Confirma hoc deus) (III. Templo sancto)

145v–147 Alleluia. Veni sancte spiritus [Proper for Pentecost] Homer Herpol
Appears on: 145v–147
Genres: Alleluia, Motet, Veni sancte spiritus
Source Attribution: Homer Herpol
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Veni sancte spiritus
147v–154 Que corda nostra Sancti spiritus assit [Proper for Pentecost] Homer Herpol
Appears on: 147v–154
Genres: Sequence
Source Attribution: Homer Herpol
Voice: [no designation]
Languages: Latin
Voice Text: Que corda nostra (Sancti spiritus assit)
154v–156 Factus est repente [Proper for Pentecost] Homer Herpol
Appears on: 154v–156
Genres: Communion
Source Attribution: Homer Herpol
Voice: [no designation]
Languages: Latin
Voice Text: Factus est repente
157v–159 Benedicta sit sancta trinitas [Officium de SS. Trinitate] - Anonymous
Appears on: 157v–159
Genres: Introit
Voice: [no designation]
Languages: Latin
Voice Text: Benedicta sit sancta trinitas
General Note

(II. Benedicamus patrem) (III. Cum sancto spiritu)

159v–160 Alleluia. Benedictus es Domine Deus [Officium de SS. Trinitate] - Anonymous
Appears on: 159v–160
Genres: Alleluia, Motet
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Benedictus es
160v–168 Pater filius sanctus spiritus Benedicta semper sancta [Officium de SS. Trinitate] - Anonymous
Appears on: 160v–168
Genres: Sequence
Voice: [no designation]
Languages: Latin
Voice Text: Pater filius sanctus spiritus (Benedicta semper sancta)
168v–171 Benedicite Deum caeli [Officium de SS. Trinitate] - Anonymous
Appears on: 168v–171
Genres: Communion
Voice: [no designation]
Languages: Latin
Voice Text: Benedicite deum celi
General Note

(II. Et coram omnibus)

172v–174 Cibavit eos [Propers, Corpus Christi] Jacobus de Kerle
Appears on: 172v–174
Genres: Introit
Source Attribution: Jacobus de Kerle
Voice: [no designation]
Languages: Latin
Voice Text: Cibavit eos
General Note

(II. Exultate deo)

174v–176 Alleluia. Caro mea vere est cibus [Propers, Corpus Christi] Jacobus de Kerle
Appears on: 174v–176
Genres: Alleluia, Motet
Source Attribution: Jacobus de Kerle
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Caro mea
176v–189 Lauda Sion salvatorem [Propers, Corpus Christi] Jacobus de Kerle
Appears on: 176v–189
Genres: Tract
Source Attribution: Jacobus de Kerle
Voice: [no designation]
Languages: Latin
Voice Text: Lauda Syon salvatorem
189v–191 Quotienscumque manducabitis [Propers, Corpus Christi] Jacobus de Kerle
Appears on: 189v–191
Genres: Sequence
Source Attribution: Jacobus de Kerle
Voice: [no designation]
Languages: Latin
Voice Text: Quotienscumque manducabitis
192–194 Cum Isaac immolatur [Propers, Corpus Christi] -
Appears on: 192–194
Genres: Communion
Voice: [no designation]
Languages: Latin
Voice Text: Cum Isaac immolatur
General Note

(II. Jesu nostri miserere)

195v–198 Requiem (4vv) (I): i. Introit, Requiem aeternam -
Appears on: 195v–198
Genres: Introit, Requiem
Voice: [no designation]
Languages: Latin
Voice Text: Requiem aeternam
General Note

(II. Te decet hymnus)

General Note

recognised in 2011 as the Lassus 4vv Requiem by Tobias Rimek; probably the 'original version', being earlier in date than other copies, and with a 'Dies irae' sequence not in other copies. Each movement is also a 4th or a 5th lower than other copies (except for Kremsmunster L1, where it is ascribed to Lassus unlike this copy, and uses the lower clefs). See bibliography

Item Bibliography

Rimek, Tobias. 2015. Die "Urfassung" des vierstimmigen Requiems von Orlando di Lasso im Tonk. Schi. 23 der Benediktinerabtei St. Ulrich und Afra zu Augsburg. Jahrbuch für Augsburger Bistumsgeschichte, 365-412. Notes: contains a modern edition of this 'original version' of the Lassus 4vv requiem.

198v–202 Requiem (4vv) (I): ii. Kyrie eleison -
Appears on: 198v–202
Genres: Kyrie eleison, Mass Ordinary, Requiem
Voice: [no designation]
Languages: Greek
Voice Text: Kyrie eleison
202v–206 Requiem (4vv) (I): iii. Gradual, Si ambulavero in medio tribulationis -
Appears on: 202v–206
Genres: Gradual, Requiem
Voice: [no designation]
Languages: Latin
Voice Text: Si ambulem in medio
General Note

(II. Virga tua) (III. Ipsa mea)

206v–217 Requiem mass: Dies irae -
Appears on: 206v–217
Genres: Requiem, Sequence
Voice: [no designation]
Languages: Latin
Voice Text: Dies irae
General Note

Presumably by Lassus, though all later copies of the Requiem do not include the Sequence.

217v–222 Requiem (4vv) (I): iv. Offertory, Domine Jesu Christe -
Appears on: 217v–222
Genres: Offertory, Requiem
Voice: [no designation]
Languages: Latin
Voice Text: Domine Jhesu Christe
General Note

(II. Hostias et preces)

222v–227 Requiem (4vv) (I): v. Sanctus -
Appears on: 222v–227
Genres: Mass Ordinary, Requiem, Sanctus [& Benedictus]
Voice: [no designation]
Languages: Latin
Voice Text: Sanctus
227v–230 Requiem (4vv) (I): vi. Agnus Dei -
Appears on: 227v–230
Genres: Agnus Dei, Mass Ordinary, Requiem
Voice: [no designation]
Languages: Latin
Voice Text: Agnus dei
230v–232 Requiem (4vv) (I): vii. Communion, Lux aeterna -
Appears on: 230v–232
Genres: Communion, Requiem
Voice: [no designation]
Languages: Latin
Voice Text: Lux aeterna
General Note

(II. Requiem aeternam)

233v–249 Te Deum laudamus (in 6 sections) -
Appears on: 233v–249
Genres: Liturgical work, Te Deum
Voice: [no designation]
Languages: Latin
Voice Text: Te deum laudamus
250v–253 Responsiones for the requiem: Amen / Te decet hymnus tibi gloria - Anonymous
Appears on: 250v–253
Genres: Requiem, Response, Responsory
Voice: [no designation]
Languages: Latin
Voice Text: Responsiones for the requiem: Amen / Te decet hymnus tibi gloria
Composer Compositions
Anonymous
Herpol, Homer
Isaac, Heinrich (ca. 1450–1517)
Kerle, Jacobus de
Lassus, Orlande de (ca. 1532–1594)
Composition Composers (? Uncertain) Folios / Pages
Alleluia. Benedictus es Domine Deus [Officium de SS. Trinitate] Anonymous 159v–160
Alleluia. Caro mea vere est cibus [Propers, Corpus Christi] 174v–176
Alleluia. Dies sanctificatus illuxit nobis [Proprium de Nativitate Christi] 5v–7
Alleluia. Dominus in Sina in sancto [Proprium de Ascensione Domini] 131v–134
Alleluia. Pascha nostrum immolatus est [Proprium de resurrectione Domini] 100v–102
Alleluia. Post partum virgo inviolata [Proprium de Circumcisione Domini] 16v–18
Alleluia. Post partum virgo inviolata [Proprium de Purificatione B. Mariae Virginis] Anonymous 43v–46
Alleluia. Veni sancte spiritus [Proper for Pentecost] 145v–147
Alleluia. Vidimus stellam eius in oriente [Proprium de Epiphania Domini] 28v–30
Alleluia. Vox exultationis et salutis [Proprium de Dedicatione Templi] 117v–119
Amen dico vobis Quicquid orantes petitis [Proprium de S. Benedicto Abbate] 60v–62
Beatus vir qui timet Dominum [Proprium de S. Benedicto Abbate] 62v–66
Benedicite Deum caeli [Officium de SS. Trinitate] Anonymous 168v–171
Benedicta sit sancta trinitas [Officium de SS. Trinitate] Anonymous 157v–159
Cibavit eos [Propers, Corpus Christi] 172v–174
Cum Isaac immolatur [Propers, Corpus Christi] 192–194
Domus mea [Proprium de Dedicatione Templi] 126v–128
Ecce advenit dominator Dominus et regnum Vs: Deus juditium tuum Et justitiam tuam filio regis [Proprium de Epiphania Domini] 25v–28
Ecce virgo concipiet et pariet filium [Proprium de Annuntiatione BVM] 70v–71
Factus est repente [Proper for Pentecost] 154v–156
Gaude Maria [Proprium de Annuntiatione BVM] 74v–79
Generosi Abrahe tu filia Concentu parili [Proprium de Purificatione B. Mariae Virginis] 46v–54
Haec domus aulae caelestis Psallat ecclesia mater [Proprium de Dedicatione Templi] 119v–126
Laetabundus exultet Regem regum [Proprium de Circumcisione Domini] 18v–24
Lauda Sion salvatorem [Propers, Corpus Christi] 176v–189
Laudes salvatori voce Et devotis melodiis [Proprium de resurrectione Domini] 102v–111
Os justi meditabitur [Proprium de S. Benedicto Abbate] 57v–60
Pasca nostrum immolatus [Proprium de resurrectione Domini] 111v–113
Pater filius sanctus spiritus Benedicta semper sancta [Officium de SS. Trinitate] Anonymous 160v–168
Per quem fit machina Natus ante saecula [Proprium de Nativitate Christi] 7v–11
Psallite Domino [Proprium de Ascensione Domini] 139v–141
Puer natus est nobis [Proprium de Circumcisione Domini] Anonymous 13v–16
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit [Proprium de Nativitate Christi] 2v–5
Quae miris sunt modis ornata cunctisque (Festa Christi omnis Christianitas) 30v–38
Que corda nostra Sancti spiritus assit [Proper for Pentecost] 147v–154
Qui caeli qui terre Summi triumphum regis [Proprium de Ascensione Domini] 134v–139
Quotienscumque manducabitis [Propers, Corpus Christi] 189v–191
Requiem (4vv) (I): i. Introit, Requiem aeternam 195v–198
Requiem (4vv) (I): ii. Kyrie eleison 198v–202
Requiem (4vv) (I): iii. Gradual, Si ambulavero in medio tribulationis 202v–206
Requiem (4vv) (I): iv. Offertory, Domine Jesu Christe 217v–222
Requiem (4vv) (I): v. Sanctus 222v–227
Requiem (4vv) (I): vi. Agnus Dei 227v–230
Requiem (4vv) (I): vii. Communion, Lux aeterna 230v–232
Requiem mass: Dies irae 206v–217
Responsiones Ad Collectas et prefationem Anonymous 86v–95
Responsiones for the requiem: Amen / Te decet hymnus tibi gloria Anonymous 250v–253
Responum accepit Simeon [Proprium de Purificatione B. Mariae Virginis] 54c–56
Resurrexi Et adhuc tecum sum alleluia / Christ ist erstanden Vs: Domine probasti me Tu cognovisti [Proprium de resurrectione Domini] 96v–100
Rorate Caeli desuper et nubes pluant Vs: Caeli enarrant Et opera manuum eius [Proprium de Annuntiatione BVM] 67v–70
Spiritus Domini Replevit orbem terrarum Vs: Confirma hoc Deus A templo sancto [Proper for Pentecost] 142v–145
Suscepimus Deus misericordiam tuam in medio Vs: Magnus Dominus In civitate Dei nostri [Proprium de Purificatione B. Mariae Virginis] 40v–44
Te Deum laudamus (in 6 sections) 233v–249
Terribilis est locus iste [Proprium de Dedicatione Templi] 114v–117
Viderunt omnes fines [Proprium de Nativitate Christi] 11v–12
Vidi aquam egredientem de templo Anonymous 80v–85
Vidimus stellam [Proprium de Epiphanie] 38v–39
Viri Galilaei Quid admiramini aspicientes Vs: Omnes gentes plaudite Jubilate deo [Proprium de Ascensione Domini] 129v–131
Vultum tuum Deprecabuntur omnes divites Vs: Eructavit cor meum Dico ego opera mea [Proprium de Annuntiatione BVM] 71v–74

denotes primary source study

Rimek, Tobias. 2015. Die "Urfassung" des vierstimmigen Requiems von Orlando di Lasso im Tonk. Schi. 23 der Benediktinerabtei St. Ulrich und Afra zu Augsburg. Jahrbuch für Augsburger Bistumsgeschichte, 365-412. Notes: includes a modern edition of this 'orignal version' of the Lassus 4vv Requiem.

Rimek, Tobias. 2011. Eine unbekannte Handschrift des vierstimmigen Requiems von Orlando (1575) in den Chorbüchern der Benediktinerabtei St. Ulrich und Afra zu Augsburg. Musik in Bayern 74 (Jahrbuch 2009; publ.2011), 37-47.

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Clytus Gottwald, 1974.

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Surface Note; DIAMM Note