D-Rp A.R. 774 (S)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1589

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark A.R. 774 (S)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Pagination
Measurements 309 x 198 mm
Other Identifiers
  • CCM: RegB 774
Copyists
Relationships
Provenance
Contents 54 pieces from 15 composers
General Description

A Sextus partbook from a set of six volumes. Copied by Andreas Raselius, cantor of Gymnasium Poeticum in Regensburg 1584-1600. Copied in Regensburg.

DIAMM, 2017
Binding

Original covers of beige paper over cardboard, with leather spines and leather ties. Front covers decorated with coat of arms of city of Regensburg, inscription 'DODE-CACHORDUM VIVUM' (bottom), and voice designation (top).

DIAMM, 2017
Watermark

(1) coat of arms of city of Regensburg (generally resembles Briquet #1142-4); (2) generally resembles, but not identical to, Briquet #1242.

DIAMM, 2017
Liminary Note

Title page on first folio of D: 'DODECACHORDI / VIVI / in quo / DUODECIM MODORUM / MUSICORUM EXEMPLA DUODENA / sex, quinque et quatuor vocum / in utraque scala admodum / insignia / Singularis iudicio ac diligentia, partim ex / probatissimorum aetatis nostrae symphonetarum / monumentis recentioribus collecta, partim / recens composita sunt per / H. ANDREAM RASELIUM A / Gymnasij poetici SPC. Ratisp. / Cantorem / Mense Novembrij Anno M.D.XIC.' Introductory pages in other books contain Latin poetry, a message from Raselius to his future successors at the Gymnasium, and dedicatory inscription by Raselius to Regensburg town council.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 13-14

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, I-CXLIV, excludes four pieces, not part of main corpus, copied at end of Bassus book.

DIAMM, 2017
Foliation

Original ink pagination in upper left margins, beginning on first page with music in each book

DIAMM, 2017
Decoration

Inked initials; attributions, text incipits, piece numbers, and number of voices in red ink (now faded to brownish-red)

DIAMM, 2017
Index

Two original indices at beginning of D book. First index reflects organizational plan of main corpus: pieces grouped under 12 modes ('Dorius,' 'Hypodorius,' 'Phrygius,' 'Hypophrygius,' … 'Hypoionicus'), with two subdivisions ('Regularis' and 'Transpositus') under each mode. Each of the resulting 24 subdivisions has six pieces, arranged in order of decreasing number of voices (two pieces for 6 voices, two for 5 voices, two for 4 voices). Second index lists pieces alphabetically by title.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

112 motets, 21 German sacred pieces, 2 French sacred pieces, 13 Italian secular pieces = 148

Bertani-1, Bertrand-2, A. Ferrabosco I-2, G. Ferretti-1, Händl -21, Harnisch-5, C. Hollander-1, Hoyoul-3, Kerle-1, Knöfel-1, Lassus [Orland.]-61, Lechner-6, Marenzio-2, Merulo-1, Philippe de Monte-2, Phinot-1, Prenner-2, Raselius-10, Regnart-5, Striggio-1, Utendal-11, Vaet-2, Vinci-1, Wert-2, Zanotti-1, anon-2

6 paper partbooks (DA-83 + i folios each, T-79, B-85 + 1,0,-78 + i, S-51 + i), 309 x 198. Original ink pagination in upper left margins, beginning on first page with music in each book. Original numbering of pieces, I-CXLIV, excludes four pieces, not part of main corpus, copied at end of B book. Each book has section of blank folios at end (D: 6; A: 6; T: 2; B: 5; Q: 21; S: 20) and another section of blank folios between introductory pages at front and beginning of music. Original covers of beige paper over cardboard, with leather spines and leather ties. Front covers decorated with coat of arms of city of Regensburg, inscription "DODE-CACHORDUM VIVUM" (bottom), and voice designation (top).

Two original indices at beginning of D book. First index reflects organizational plan of main corpus: pieces grouped under 12 modes ("Dorius," "Hypodorius," "Phrygius," "Hypophrygius," . . . "Hypoionicus"), with two subdivisions ("Regularis" and "Transpositus") under each mode. Each of the resulting 24 subdivisions has six pieces, arranged in order of decreasing number of voices (two pieces for 6 voices, two for 5 voices, two for 4 voices). Second index lists pieces alphabetically by title.

Copied by Andreas Raselius, cantor of Gymnasium Poeticum in Regensburg 1584-1600. Staff height 13-14. Inked initials; attributions, text incipits, piece numbers, and number of voices in red ink (now faded to brownish-red). Watermarks: (1) coat of arms of city of Regensburg (generally resembles Briquet #1142-4); (2) generally resembles, but not identical to, Briquet #1242.

Title page on first folio of D: "DODECACHORDI / VIVI / in quo / DUODECIM MODORUM / MUSICORUM EXEMPLA DUODENA / sex, quinque et quatuor vocum / in utraque scala admodum / insignia / Singularis iudicio ac diligentia, partim ex / probatissimorum aetatis nostrae symphonetarum / monumentis recentioribus collecta, partim / recens composita sunt per / H. ANDREAM RASELIUM A / Gymnasij poetici SPC. Ratisp. / Cantorem / Mense Novembrij Anno M.D.XIC." Introductory pages in other books contain Latin poetry, a message from Raselius to his future successors at the Gymnasium, and dedicatory inscription by Raselius to Regensburg town council.

1589 (date on title page). Copied in Regensburg.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(1) In voce exultationis Jacob Handl
Appears on: (1)
Genres: Motet
Source Attribution: Jacob Handl
(2) Omnis enim homo Orland. [di Lasso]
Appears on: (2)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(7) Paratum cor meum Deus cantabo et psallam Leon. Lechner
Appears on: (7)
Genres: Motet
Source Attribution: Leon. Lechner
(8) Da pacem Domine Baldvin Hoyoul
Appears on: (8)
Genres: Motet
Source Attribution: Baldvin Hoyoul
(13) Adesto dolori meo Deus nimium fatigor Alex. Utendal
Appears on: (13)
Genres: Motet
Source Attribution: Alex. Utendal
(14) Nos alium Deum nescimus Jacob Handl
Appears on: (14)
Genres: Motet
Source Attribution: Jacob Handl
(19) Quas tibi rerum sapiens Orland. [di Lasso]
Appears on: (19)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(20) Quem dies vidit Otth. Sigfrid Harnisch
Appears on: (20)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
(25) Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo Orland. [di Lasso]
Appears on: (25)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(25) Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino -
Appears on: (25)
Genres: Motet
(26) Cantate Domino canticum novum (6vv) Orlandi [di Lasso]
Appears on: (26)
Genres: Motet
Source Attribution: Orlandi [di Lasso]
(31) O rex gentium et desideratus earum lapisque Claudii Meruli
Appears on: (31)
Genres: Motet
Source Attribution: Claudii Meruli
(32) Lauda mater ecclesia - 3a pars (of 3): Surgentem cum victoria Jesum videt Orlandi [di Lasso]
Appears on: (32)
Genres: Motet
Source Attribution: Orlandi [di Lasso]
(37) Terra tremuit ex ira tua Domine (2p. Timor et hebetudo mentis cecidit) Alexan. Utendal
Appears on: (37)
Genres: Motet
Source Attribution: Alexan. Utendal
(38) O bone Deus ne proiicias nos in tempore Jacob Handl
Appears on: (38)
Genres: Motet
Source Attribution: Jacob Handl
(43) Media vita (6vv) - 1a pars (of 2): Media vita in morte sumus Orland. [di Lasso]
Appears on: (43)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(43) Media vita (6vv) - 2a pars (of 2): Sancte Deus -
Appears on: (43)
Genres: Motet
(44) Surge propera amica mea columba mea (2p. Veni de libano sponsa mea) Dominicus Phinot
Appears on: (44)
Genres: Motet
Source Attribution: Dominicus Phinot
(49) Fratres expurgate vetus fermentum ut sitis Alexand. Utendal
Appears on: (49)
Genres: Motet
Source Attribution: Alexand. Utendal
(50) Poi ch'il mio largo pianto amor Filippo de monte
Appears on: (50)
Genres: Italian secular
Source Attribution: Filippo de monte
(55) Si iniquitates Andr. Rasell.
Appears on: (55)
Genres: Motet
Source Attribution: Andr. Rasell.
(56) Ego sum lux mundi Andr. Rasell.
Appears on: (56)
Genres: Motet
Source Attribution: Andr. Rasell.
(61) Confitemini Domino (6vv) - 1a pars (of 2): Confitemini Domino filii Israel Orland. [di Lasso]
Appears on: (61)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(61) Confitemini Domino (6vv) - 2a pars (of 2): Ipse castigavit nos -
Appears on: (61)
Genres: Motet
(62) Ego sum via And. Raseli.
Appears on: (62)
Genres: Motet
Source Attribution: And. Raseli.
(67) Ne glorieris in crastinum Andr. Rasell.
Appears on: (67)
Genres: Motet
Source Attribution: Andr. Rasell.
(68) Memento creatoris Andr. Rasell.
Appears on: (68)
Genres: Motet
Source Attribution: Andr. Rasell.
(73) In convertendo Dominus captivitatem Sion Leonard. Lechner
Appears on: (73)
Genres: Motet
Source Attribution: Leonard. Lechner
(74) Justus ut palma - 1a pars (of 2): Justus ut palma Otth. Sigfrid Harnisch
Appears on: (74)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
(74) Justus ut palma - 2a pars (of 2): Adhuc germinabunt -
Appears on: (74)
Genres: Motet
(79) Conveniens homini Orlandus [di Lasso]
Appears on: (79)
Genres: Motet
Source Attribution: Orlandus [di Lasso]
(80) Occhi sereni e chiari Luca Marenzio
Appears on: (80)
Genres: Madrigal (Italian)
Source Attribution: Luca Marenzio
(85) Agimus tibi gratias Orland. [di Lasso]
Appears on: (85)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(86) Veni sancte spiritus reple tuorum corda Orland. [di Lasso]
Appears on: (86)
Genres: Motet, Veni sancte spiritus
Source Attribution: Orland. [di Lasso]
(91) Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum Orland. [di Lasso]
Appears on: (91)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(92) Amatemi, ben mio, perche sdegn' il mio core Lelio Bertani
Appears on: (92)
Genres: Madrigal (Italian)
Source Attribution: Lelio Bertani
(97) In Deo salutare - 1a pars (of 2): In Deo salutare meum Orland. [di Lasso]
Appears on: (97)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(97) In Deo salutare - 2a pars (of 2): Sperate in eo -
Appears on: (97)
Genres: Motet
(98) Benedictio et claritas et sapientia Orland. [di Lasso]
Appears on: (98)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(103) O vos omnes qui transitis (C51) Alphonsi Ferabosci
Appears on: (103)
Genres: Motet
Source Attribution: Alphonsi Ferabosci
(104) O vos omnes qui transitis per viam Jacob Handl
Appears on: (104)
Genres: Motet
Source Attribution: Jacob Handl
(109) Laus et perennis gloria Deo patri et filio (8vv) Jacob Handl
Appears on: (109)
Genres: Motet
Source Attribution: Jacob Handl
(110) Vox de caelo sonuit Jacob Handl
Appears on: (110)
Genres: Motet
Source Attribution: Jacob Handl
(115) Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) Alphonsi Ferabosci
Appears on: (115)
Genres: Motet
Source Attribution: Alphonsi Ferabosci
(116) Adoramus te Jesu Christe Jacob Handl
Appears on: (116)
Genres: Motet
Source Attribution: Jacob Handl
(121) Ego sum panis vitae patris vestri manducaverunt (2p. Et panis quem ego dabo) Jacob Handl
Appears on: (121)
Genres: Motet
Source Attribution: Jacob Handl
(122) Fratres gaudete - 1a pars (of 2): Fratres gaudete in Domino Orland. [di Lasso]
Appears on: (122)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(122) Fratres gaudete - 2a pars (of 2): Petitiones vestrae -
Appears on: (122)
Genres: Motet
(127) Ante me non est Orland. [di Lasso]
Appears on: (127)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(128) Domine Jesu Christe non sum dignus -
Appears on: (128)
Genres: Motet
(133) Deus meus in simplicitate cordis mei Orland. [di Lasso]
Appears on: (133)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(134) Hodie completi sunt dies - 2a pars (of 2): Misit eos in universum mundum Orland. [di Lasso]
Appears on: (134)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(139) Vulnerasti cor meum soror mea sponsa Orland. [di Lasso]
Appears on: (139)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(140) Alla mia dolc' e vaga Donna intorno Alessandro Striggio
Appears on: (140)
Genres: Madrigal (Italian)
Source Attribution: Alessandro Striggio
Composer Compositions
Bertani, Lelio
Clavius, Christophorus
Ferrabosco, Alfonso (the elder) (1543–1588)
Handl (Gallus), Jacobus (1550–1591)
Harnisch, Otto Siegfried
Hoyoul, Balduin
Lassus, Orlande de (ca. 1532–1594)
Lechner, Leonhard
Marenzio, Luca (ca. 1553–1599)
Merulo, Claudio (1533–1604)
Monte, Philippe de
Phinot, Dominique
Raselius, Andreas (ca. 1563–1602)
Striggio, Alessandro (ca. 1536–1592)
Utendal, Alexander (ca. 1530–1581)
Composition Composers (? Uncertain) Folios / Pages
Adesto dolori meo Deus nimium fatigor (13)
Adoramus te Jesu Christe (116)
Agimus tibi gratias (85)
Alla mia dolc' e vaga Donna intorno (140)
Amatemi, ben mio, perche sdegn' il mio core (92)
Ante me non est (127)
Benedictio et claritas et sapientia (98)
Cantate Domino canticum novum (6vv) (26)
Confitemini Domino (6vv) - 1a pars (of 2): Confitemini Domino filii Israel (61)
Confitemini Domino (6vv) - 2a pars (of 2): Ipse castigavit nos (61)
Conveniens homini (79)
Da pacem Domine (8)
Deus meus in simplicitate cordis mei (133)
Domine Jesu Christe non sum dignus (128)
Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo (25)
Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino (25)
Ego sum lux mundi (56)
Ego sum panis vitae patris vestri manducaverunt (2p. Et panis quem ego dabo) (121)
Ego sum via (62)
Fratres expurgate vetus fermentum ut sitis (49)
Fratres gaudete - 1a pars (of 2): Fratres gaudete in Domino (122)
Fratres gaudete - 2a pars (of 2): Petitiones vestrae (122)
Hodie completi sunt dies - 2a pars (of 2): Misit eos in universum mundum (134)
In convertendo Dominus captivitatem Sion (73)
In Deo salutare - 1a pars (of 2): In Deo salutare meum (97)
In Deo salutare - 2a pars (of 2): Sperate in eo (97)
In voce exultationis (1)
Justus ut palma - 1a pars (of 2): Justus ut palma (74)
Justus ut palma - 2a pars (of 2): Adhuc germinabunt (74)
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum (91)
Lauda mater ecclesia - 3a pars (of 3): Surgentem cum victoria Jesum videt (32)
Laus et perennis gloria Deo patri et filio (8vv) (109)
Media vita (6vv) - 1a pars (of 2): Media vita in morte sumus (43)
Media vita (6vv) - 2a pars (of 2): Sancte Deus (43)
Memento creatoris (68)
Ne glorieris in crastinum (67)
Nos alium Deum nescimus (14)
O bone Deus ne proiicias nos in tempore (38)
O rex gentium et desideratus earum lapisque (31)
O vos omnes qui transitis (C51) (103)
O vos omnes qui transitis per viam (104)
Occhi sereni e chiari (80)
Omnis enim homo (2)
Paratum cor meum Deus cantabo et psallam (7)
Poi ch'il mio largo pianto amor (50)
Quas tibi rerum sapiens (19)
Quem dies vidit (20)
Si iniquitates (55)
Surge propera amica mea columba mea (2p. Veni de libano sponsa mea) (44)
Terra tremuit ex ira tua Domine (2p. Timor et hebetudo mentis cecidit) (37)
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) (115)
Veni sancte spiritus reple tuorum corda (86)
Vox de caelo sonuit (110)
Vulnerasti cor meum soror mea sponsa (139)

Set: A. R. 774

Type: Partbooks

No images available

D-Rp A.R. 774 (A)

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D-Rp A.R. 774 (B)

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D-Rp A.R. 774 (D)

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D-Rp A.R. 774 (Q)

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D-Rp A.R. 774 (S)

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D-Rp A.R. 774 (T)

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description