D-Rp A.R. 774 (Q)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1589

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark A.R. 774 (Q)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Pagination
Measurements 309 x 198 mm
Other Identifiers
  • CCM: RegB 774
Copyists
Relationships
Provenance
Contents 104 pieces from 24 composers
General Description

A Quintus partbook from a set of six volumes. Copied by Andreas Raselius, cantor of Gymnasium Poeticum in Regensburg 1584-1600. Copied in Regensburg.

DIAMM, 2017
Binding

Original covers of beige paper over cardboard, with leather spines and leather ties. Front covers decorated with coat of arms of city of Regensburg, inscription 'DODE-CACHORDUM VIVUM' (bottom), and voice designation (top).

DIAMM, 2017
Watermark

(1) coat of arms of city of Regensburg (generally resembles Briquet #1142-4); (2) generally resembles, but not identical to, Briquet #1242.

DIAMM, 2017
Liminary Note

Title page on first folio of D: 'DODECACHORDI / VIVI / in quo / DUODECIM MODORUM / MUSICORUM EXEMPLA DUODENA / sex, quinque et quatuor vocum / in utraque scala admodum / insignia / Singularis iudicio ac diligentia, partim ex / probatissimorum aetatis nostrae symphonetarum / monumentis recentioribus collecta, partim / recens composita sunt per / H. ANDREAM RASELIUM A / Gymnasij poetici SPC. Ratisp. / Cantorem / Mense Novembrij Anno M.D.XIC.' Introductory pages in other books contain Latin poetry, a message from Raselius to his future successors at the Gymnasium, and dedicatory inscription by Raselius to Regensburg town council.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 13-14

DIAMM, 2017
Foliation

Original ink pagination in upper left margins, beginning on first page with music in each book

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, I-CXLIV, excludes four pieces, not part of main corpus, copied at end of Bassus book.

DIAMM, 2017
Decoration

Inked initials; attributions, text incipits, piece numbers, and number of voices in red ink (now faded to brownish-red)

DIAMM, 2017
Index

Two original indices at beginning of D book. First index reflects organizational plan of main corpus: pieces grouped under 12 modes ('Dorius,' 'Hypodorius,' 'Phrygius,' 'Hypophrygius,' … 'Hypoionicus'), with two subdivisions ('Regularis' and 'Transpositus') under each mode. Each of the resulting 24 subdivisions has six pieces, arranged in order of decreasing number of voices (two pieces for 6 voices, two for 5 voices, two for 4 voices). Second index lists pieces alphabetically by title.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

112 motets, 21 German sacred pieces, 2 French sacred pieces, 13 Italian secular pieces = 148

Bertani-1, Bertrand-2, A. Ferrabosco I-2, G. Ferretti-1, Händl -21, Harnisch-5, C. Hollander-1, Hoyoul-3, Kerle-1, Knöfel-1, Lassus [Orland.]-61, Lechner-6, Marenzio-2, Merulo-1, Philippe de Monte-2, Phinot-1, Prenner-2, Raselius-10, Regnart-5, Striggio-1, Utendal-11, Vaet-2, Vinci-1, Wert-2, Zanotti-1, anon-2

6 paper partbooks (DA-83 + i folios each, T-79, B-85 + 1,0,-78 + i, S-51 + i), 309 x 198. Original ink pagination in upper left margins, beginning on first page with music in each book. Original numbering of pieces, I-CXLIV, excludes four pieces, not part of main corpus, copied at end of B book. Each book has section of blank folios at end (D: 6; A: 6; T: 2; B: 5; Q: 21; S: 20) and another section of blank folios between introductory pages at front and beginning of music. Original covers of beige paper over cardboard, with leather spines and leather ties. Front covers decorated with coat of arms of city of Regensburg, inscription "DODE-CACHORDUM VIVUM" (bottom), and voice designation (top).

Two original indices at beginning of D book. First index reflects organizational plan of main corpus: pieces grouped under 12 modes ("Dorius," "Hypodorius," "Phrygius," "Hypophrygius," . . . "Hypoionicus"), with two subdivisions ("Regularis" and "Transpositus") under each mode. Each of the resulting 24 subdivisions has six pieces, arranged in order of decreasing number of voices (two pieces for 6 voices, two for 5 voices, two for 4 voices). Second index lists pieces alphabetically by title.

Copied by Andreas Raselius, cantor of Gymnasium Poeticum in Regensburg 1584-1600. Staff height 13-14. Inked initials; attributions, text incipits, piece numbers, and number of voices in red ink (now faded to brownish-red). Watermarks: (1) coat of arms of city of Regensburg (generally resembles Briquet #1142-4); (2) generally resembles, but not identical to, Briquet #1242.

Title page on first folio of D: "DODECACHORDI / VIVI / in quo / DUODECIM MODORUM / MUSICORUM EXEMPLA DUODENA / sex, quinque et quatuor vocum / in utraque scala admodum / insignia / Singularis iudicio ac diligentia, partim ex / probatissimorum aetatis nostrae symphonetarum / monumentis recentioribus collecta, partim / recens composita sunt per / H. ANDREAM RASELIUM A / Gymnasij poetici SPC. Ratisp. / Cantorem / Mense Novembrij Anno M.D.XIC." Introductory pages in other books contain Latin poetry, a message from Raselius to his future successors at the Gymnasium, and dedicatory inscription by Raselius to Regensburg town council.

1589 (date on title page). Copied in Regensburg.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(1) In voce exultationis Jacob Handl
Appears on: (1)
Genres: Motet
Source Attribution: Jacob Handl
(2) Omnis enim homo Orland. [di Lasso]
Appears on: (2)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(3) De ore prudentis procedit mel alleluia Orland. [di Lasso]
Appears on: (3)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(4) Ich ruf o Gott in dieser Not Otth. Sigfrid Harnisch
Appears on: (4)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
(7) Paratum cor meum Deus cantabo et psallam Leon. Lechner
Appears on: (7)
Genres: Motet
Source Attribution: Leon. Lechner
(8) Da pacem Domine Baldvin Hoyoul
Appears on: (8)
Genres: Motet
Source Attribution: Baldvin Hoyoul
(9) Cantantibus organis Caecilia - 2a pars (of 2): Fiat Domine cor meum Orland. [di Lasso]
Appears on: (9)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(10) All ding verganglich Joan. Knefel
Appears on: (10)
Genres: Motet
Source Attribution: Joan. Knefel
(13) Adesto dolori meo Deus nimium fatigor Alex. Utendal
Appears on: (13)
Genres: Motet
Source Attribution: Alex. Utendal
(14) Nos alium Deum nescimus Jacob Handl
Appears on: (14)
Genres: Motet
Source Attribution: Jacob Handl
(15) Si ambulavero in medio tribulationis (5vv) Orland. [di Lasso]
Appears on: (15)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(16) Ein jeder Mensch bedenke Leon. Lechner
Appears on: (16)
Genres: Sacred Song
Source Attribution: Leon. Lechner
(19) Quas tibi rerum sapiens Orland. [di Lasso]
Appears on: (19)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(20) Quem dies vidit Otth. Sigfrid Harnisch
Appears on: (20)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
(21) Peccata mea Domine sicut sagittae infixa Orland. [di Lasso]
Appears on: (21)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(22) Misericordias Domini Orland. [di Lasso]
Appears on: (22)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(25) Fundata est domus Domini super verticem (2p. Venientes autem venient cum exultatione) Orland. [di Lasso]
Appears on: (25)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(25) Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino -
Appears on: (25)
Genres: Motet
(26) Cantate Domino canticum novum (6vv) Orlandi [di Lasso]
Appears on: (26)
Genres: Motet
Source Attribution: Orlandi [di Lasso]
(27) Quis mihi det lacrimis Orlandi [di Lasso]
Appears on: (27)
Genres: Motet
Source Attribution: Orlandi [di Lasso]
(28) Domine Jesu Christe qui cognoscis - 2a pars (of 2): Averte Domine faciem Orlando [di Lasso]
Appears on: (28)
Genres: Motet
Source Attribution: Orlando [di Lasso]
(31) O rex gentium et desideratus earum lapisque Claudii Meruli
Appears on: (31)
Genres: Motet
Source Attribution: Claudii Meruli
(32) Lauda mater ecclesia - 3a pars (of 3): Surgentem cum victoria Jesum videt Orlandi [di Lasso]
Appears on: (32)
Genres: Motet
Source Attribution: Orlandi [di Lasso]
(33) O Domine custodi animam (= Sappi Signor) Pietro Vinci
Appears on: (33)
Genres: Sacred Song
Source Attribution: Pietro Vinci
(34) Vorria saper se voi fiammelle sete Jacomo Regnart
Appears on: (34)
Genres: Madrigal (Italian)
Source Attribution: Jacomo Regnart
(37) Terra tremuit ex ira tua Domine (2p. Timor et hebetudo mentis cecidit) Alexan. Utendal
Appears on: (37)
Genres: Motet
Source Attribution: Alexan. Utendal
(38) O bone Deus ne proiicias nos in tempore Jacob Handl
Appears on: (38)
Genres: Motet
Source Attribution: Jacob Handl
(39) Poscia che per mio mal - Anonymous
Appears on: (39)
Genres: Madrigal (Italian)
(40) Amor ecco colei Jacomo Regnart
Appears on: (40)
Genres: Madrigal (Italian)
Source Attribution: Jacomo Regnart
(43) Media vita (6vv) - 1a pars (of 2): Media vita in morte sumus Orland. [di Lasso]
Appears on: (43)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(43) Media vita (6vv) - 2a pars (of 2): Sancte Deus -
Appears on: (43)
Genres: Motet
(44) Surge propera amica mea columba mea (2p. Veni de libano sponsa mea) Dominicus Phinot
Appears on: (44)
Genres: Motet
Source Attribution: Dominicus Phinot
(45) Domine quando veneris Orland. [di Lasso]
Appears on: (45)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(46) Benedictus Deus - 2a pars (of 2): Benedicte Deum caeli Jacob. Handl
Appears on: (46)
Genres: Motet
Source Attribution: Jacob. Handl
(49) Fratres expurgate vetus fermentum ut sitis Alexand. Utendal
Appears on: (49)
Genres: Motet
Source Attribution: Alexand. Utendal
(50) Poi ch'il mio largo pianto amor Filippo de monte
Appears on: (50)
Genres: Italian secular
Source Attribution: Filippo de monte
(51) Beati qui habitant Philip. de Monte
Appears on: (51)
Genres: Motet
Source Attribution: Philip. de Monte
(52) Si vos mansueritis Andreae Rasell.
Appears on: (52)
Genres: Motet
Source Attribution: Andreae Rasell.
(55) Si iniquitates Andr. Rasell.
Appears on: (55)
Genres: Motet
Source Attribution: Andr. Rasell.
(56) Ego sum lux mundi Andr. Rasell.
Appears on: (56)
Genres: Motet
Source Attribution: Andr. Rasell.
(57) Almo leon' che co'l ruggito altero Camillo Zannotto
Appears on: (57)
Genres: Madrigal
Source Attribution: Camillo Zannotto
(58) Ardo si, ma non t'amo Leonardo Lechner
Appears on: (58)
Genres: Madrigal (Italian)
Source Attribution: Leonardo Lechner
(61) Confitemini Domino (6vv) - 1a pars (of 2): Confitemini Domino filii Israel Orland. [di Lasso]
Appears on: (61)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(61) Confitemini Domino (6vv) - 2a pars (of 2): Ipse castigavit nos -
Appears on: (61)
Genres: Motet
(62) Ego sum via And. Raseli.
Appears on: (62)
Genres: Motet
Source Attribution: And. Raseli.
(63) Quid prodest homini - 1a pars (of 2): Quid prodest homini Orland. [di Lasso]
Appears on: (63)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(64) Quid prodest homini - 2a pars (of 2): Futurum est enim Orland. [di Lasso]
Appears on: (64)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(67) Ne glorieris in crastinum Andr. Rasell.
Appears on: (67)
Genres: Motet
Source Attribution: Andr. Rasell.
(68) Memento creatoris Andr. Rasell.
Appears on: (68)
Genres: Motet
Source Attribution: Andr. Rasell.
(69) Ecce Dominus veniet - 1a pars (of 2): Ecce Dominus veniet et omnes sancti eius Jacob Handl
Appears on: (69)
Genres: Motet
Source Attribution: Jacob Handl
(69) Ecce Dominus veniet - 2a pars (of 2): Ecce veniet Deus et homo de domo David -
Appears on: (69)
Genres: Motet
(70) Eripe me de inimicis Andreae Rasell.
Appears on: (70)
Genres: Motet
Source Attribution: Andreae Rasell.
(73) In convertendo Dominus captivitatem Sion Leonard. Lechner
Appears on: (73)
Genres: Motet
Source Attribution: Leonard. Lechner
(74) Justus ut palma - 1a pars (of 2): Justus ut palma Otth. Sigfrid Harnisch
Appears on: (74)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
(74) Justus ut palma - 2a pars (of 2): Adhuc germinabunt -
Appears on: (74)
Genres: Motet
(75) Domine clamavi (5vv) - 1a pars (of 3): Domine clamavi ad te Orland. [di Lasso]
Appears on: (75)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(76) Guarda che m' ha condutto Jacomo Regnart
Appears on: (76)
Genres: Madrigal (Italian)
Source Attribution: Jacomo Regnart
(79) Conveniens homini Orlandus [di Lasso]
Appears on: (79)
Genres: Motet
Source Attribution: Orlandus [di Lasso]
(80) Occhi sereni e chiari Luca Marenzio
Appears on: (80)
Genres: Madrigal (Italian)
Source Attribution: Luca Marenzio
(81) Domine clamavi (5vv) - 3a pars (of 3): Dissipata sunt Orland. [di Lasso]
Appears on: (81)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(82) Liquide perle Amor da gl'occhi sparse Luca Marenzio
Appears on: (82)
Genres: Chanson
Source Attribution: Luca Marenzio
(85) Agimus tibi gratias Orland. [di Lasso]
Appears on: (85)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(86) Veni sancte spiritus reple tuorum corda Orland. [di Lasso]
Appears on: (86)
Genres: Motet, Veni sancte spiritus
Source Attribution: Orland. [di Lasso]
(87) Laudate Dominum omnes gentes, laudate eum Alex. Utendal
Appears on: (87)
Genres: Motet
Source Attribution: Alex. Utendal
(88) Benedixisti Domine terram tuam avertisti Orland. [di Lasso]
Appears on: (88)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
(91) Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum Orland. [di Lasso]
Appears on: (91)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(92) Amatemi, ben mio, perche sdegn' il mio core Lelio Bertani
Appears on: (92)
Genres: Madrigal (Italian)
Source Attribution: Lelio Bertani
(93) Tulit ergo Dominus - 1a pars (of 2): Tulit ergo Dominus Baldv. Hoyoul
Appears on: (93)
Genres: Motet
Source Attribution: Baldv. Hoyoul
(93) Tulit ergo Dominus - 2a pars (of 2): Ex omne ligno -
Appears on: (93)
Genres: Motet
(94) Come poss' io morir se non ho vita Giovan Ferretti
Appears on: (94)
Genres: Madrigal (Italian)
Source Attribution: Giovan Ferretti
(97) In Deo salutare - 1a pars (of 2): In Deo salutare meum Orland. [di Lasso]
Appears on: (97)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(97) In Deo salutare - 2a pars (of 2): Sperate in eo -
Appears on: (97)
Genres: Motet
(98) Benedictio et claritas et sapientia Orland. [di Lasso]
Appears on: (98)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(99) Herr Jesu Christ dir Otth. Sigfrid Harnisch
Appears on: (99)
Genres: Hymn
Source Attribution: Otth. Sigfrid Harnisch
(100) Recht ist dass man in Otth. Sigfrid Harnisch
Appears on: (100)
Genres: Sacred Song
Source Attribution: Otth. Sigfrid Harnisch
(103) O vos omnes qui transitis (C51) Alphonsi Ferabosci
Appears on: (103)
Genres: Motet
Source Attribution: Alphonsi Ferabosci
(104) O vos omnes qui transitis per viam Jacob Handl
Appears on: (104)
Genres: Motet
Source Attribution: Jacob Handl
(105) Respexit Elias ad caput Orland. [di Lasso]
Appears on: (105)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(106) Levavi oculos meos - 2a pars (of 2): Auxilium meum a Domino Alexand. Utendal
Appears on: (106)
Genres: Motet
Source Attribution: Alexand. Utendal
(109) Laus et perennis gloria Deo patri et filio (8vv) Jacob Handl
Appears on: (109)
Genres: Motet
Source Attribution: Jacob Handl
(110) Vox de caelo sonuit Jacob Handl
Appears on: (110)
Genres: Motet
Source Attribution: Jacob Handl
(111) Considerate dilectissimi Georgius Prenner
Appears on: (111)
Genres: Motet
Source Attribution: Georgius Prenner
(112) Plange quasi virgo Georgius Prenner
Appears on: (112)
Genres: Motet
Source Attribution: Georgius Prenner
(115) Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) Alphonsi Ferabosci
Appears on: (115)
Genres: Motet
Source Attribution: Alphonsi Ferabosci
(116) Cogitate miseri Jacob Handl
Appears on: (116)
Genres: Motet
Source Attribution: Jacob Handl
(117) Adoramus te Jesu Christe Leon. Lechner
Appears on: (117)
Genres: Motet
Source Attribution: Leon. Lechner
(118) O Tod du bist - 2a pars (of 2): O Tod wie kannst du sein Jacob Vaet
Appears on: (118)
Genres: Motet
Source Attribution: Jacob Vaet
(121) Ego sum panis vitae patris vestri manducaverunt (2p. Et panis quem ego dabo) Jacob Handl
Appears on: (121)
Genres: Motet
Source Attribution: Jacob Handl
(122) Fratres gaudete - 1a pars (of 2): Fratres gaudete in Domino Orland. [di Lasso]
Appears on: (122)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(122) Fratres gaudete - 2a pars (of 2): Petitiones vestrae -
Appears on: (122)
Genres: Motet
(123) Cum intrasset Jesus - 2a pars (of 2): Et Intravit Jesus in templum Jaches Wertt
Appears on: (123)
Genres: Motet
Source Attribution: Jaches Wertt
(124) Speremus meliora omnes spem nomine sacro idem (i.e Jaches Wertt)
Appears on: (124)
Genres: Motet
Source Attribution: idem (i.e Jaches Wertt)
(127) Ante me non est Orland. [di Lasso]
Appears on: (127)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(128) Domine Jesu Christe non sum dignus -
Appears on: (128)
Genres: Motet
(129) Veni Domine et noli tardare Bald. Hoyoul
Appears on: (129)
Genres: Motet
Source Attribution: Bald. Hoyoul
(130) Justorum animae Orland. [di Lasso]
Appears on: (130)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(133) Deus meus in simplicitate cordis mei Orland. [di Lasso]
Appears on: (133)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(134) Hodie completi sunt dies - 2a pars (of 2): Misit eos in universum mundum Orland. [di Lasso]
Appears on: (134)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(135) Kein Gluck noch heil wil (= Le rossignoll plaisant) Orland. [di Lasso]
Appears on: (135)
Genres: Contrafactum, Lied
Source Attribution: Orland. [di Lasso]
(136) Impulsus eversus sum - 2a pars (of 2): Vox exultationis Orland. [di Lasso]
Appears on: (136)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(139) Vulnerasti cor meum soror mea sponsa Orland. [di Lasso]
Appears on: (139)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(140) Alla mia dolc' e vaga Donna intorno Alessandro Striggio
Appears on: (140)
Genres: Madrigal (Italian)
Source Attribution: Alessandro Striggio
(141) Deus noster refugium et virtus adjutor Orland. [di Lasso]
Appears on: (141)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(142) Was kann uns kommen Orland. [di Lasso]
Appears on: (142)
Genres: Lied
Source Attribution: Orland. [di Lasso]
Composer Compositions
Anonymous
Bertani, Lelio
Clavius, Christophorus
Court, Henry de la
Ferrabosco, Alfonso (the elder) (1543–1588)
Ferretti, Giovanni
Handl (Gallus), Jacobus (1550–1591)
Harnisch, Otto Siegfried
Hoyoul, Balduin
Knöfel, Johannes (ca. 1525–1617)
Lassus, Orlande de (ca. 1532–1594)
Lechner, Leonhard
Marenzio, Luca (ca. 1553–1599)
Merulo, Claudio (1533–1604)
Monte, Philippe de
Phinot, Dominique
Prenner, Georg (–1590)
Raselius, Andreas (ca. 1563–1602)
Regnart, Jacob (ca. 1540–1599)
Striggio, Alessandro (ca. 1536–1592)
Utendal, Alexander (ca. 1530–1581)
Vinci, Pietro
Wert, Giaches [Jaches] de (1535–1596)
Zanotti, Camillo
Composition Composers (? Uncertain) Folios / Pages
Adesto dolori meo Deus nimium fatigor (13)
Adoramus te Jesu Christe (117)
Agimus tibi gratias (85)
All ding verganglich (10)
Alla mia dolc' e vaga Donna intorno (140)
Almo leon' che co'l ruggito altero (57)
Amatemi, ben mio, perche sdegn' il mio core (92)
Amor ecco colei (40)
Ante me non est (127)
Ardo si, ma non t'amo (58)
Beati qui habitant (51)
Benedictio et claritas et sapientia (98)
Benedictus Deus - 2a pars (of 2): Benedicte Deum caeli (46)
Benedixisti Domine terram tuam avertisti (88)
Cantantibus organis Caecilia - 2a pars (of 2): Fiat Domine cor meum (9)
Cantate Domino canticum novum (6vv) (26)
Cogitate miseri (116)
Come poss' io morir se non ho vita (94)
Confitemini Domino (6vv) - 1a pars (of 2): Confitemini Domino filii Israel (61)
Confitemini Domino (6vv) - 2a pars (of 2): Ipse castigavit nos (61)
Considerate dilectissimi (111)
Conveniens homini (79)
Cum intrasset Jesus - 2a pars (of 2): Et Intravit Jesus in templum (123)
Da pacem Domine (8)
De ore prudentis procedit mel alleluia (3)
Deus meus in simplicitate cordis mei (133)
Deus noster refugium et virtus adjutor (141)
Domine clamavi (5vv) - 1a pars (of 3): Domine clamavi ad te (75)
Domine clamavi (5vv) - 3a pars (of 3): Dissipata sunt (81)
Domine Jesu Christe non sum dignus (128)
Domine Jesu Christe qui cognoscis - 2a pars (of 2): Averte Domine faciem (28)
Domine quando veneris (45)
Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino (25)
Ecce Dominus veniet - 1a pars (of 2): Ecce Dominus veniet et omnes sancti eius (69)
Ecce Dominus veniet - 2a pars (of 2): Ecce veniet Deus et homo de domo David (69)
Ego sum lux mundi (56)
Ego sum panis vitae patris vestri manducaverunt (2p. Et panis quem ego dabo) (121)
Ego sum via (62)
Ein jeder Mensch bedenke (16)
Eripe me de inimicis (70)
Fratres expurgate vetus fermentum ut sitis (49)
Fratres gaudete - 1a pars (of 2): Fratres gaudete in Domino (122)
Fratres gaudete - 2a pars (of 2): Petitiones vestrae (122)
Fundata est domus Domini super verticem (2p. Venientes autem venient cum exultatione) (25)
Guarda che m' ha condutto (76)
Herr Jesu Christ dir (99)
Hodie completi sunt dies - 2a pars (of 2): Misit eos in universum mundum (134)
Ich ruf o Gott in dieser Not (4)
Impulsus eversus sum - 2a pars (of 2): Vox exultationis (136)
In convertendo Dominus captivitatem Sion (73)
In Deo salutare - 1a pars (of 2): In Deo salutare meum (97)
In Deo salutare - 2a pars (of 2): Sperate in eo (97)
In voce exultationis (1)
Justorum animae (130)
Justus ut palma - 1a pars (of 2): Justus ut palma (74)
Justus ut palma - 2a pars (of 2): Adhuc germinabunt (74)
Kein Gluck noch heil wil (= Le rossignoll plaisant) (135)
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum (91)
Lauda mater ecclesia - 3a pars (of 3): Surgentem cum victoria Jesum videt (32)
Laudate Dominum omnes gentes, laudate eum (87)
Laus et perennis gloria Deo patri et filio (8vv) (109)
Levavi oculos meos - 2a pars (of 2): Auxilium meum a Domino (106)
Liquide perle Amor da gl'occhi sparse (82)
Media vita (6vv) - 1a pars (of 2): Media vita in morte sumus (43)
Media vita (6vv) - 2a pars (of 2): Sancte Deus (43)
Memento creatoris (68)
Misericordias Domini (22)
Ne glorieris in crastinum (67)
Nos alium Deum nescimus (14)
O bone Deus ne proiicias nos in tempore (38)
O Domine custodi animam (= Sappi Signor) (33)
O rex gentium et desideratus earum lapisque (31)
O Tod du bist - 2a pars (of 2): O Tod wie kannst du sein (118)
O vos omnes qui transitis (C51) (103)
O vos omnes qui transitis per viam (104)
Occhi sereni e chiari (80)
Omnis enim homo (2)
Paratum cor meum Deus cantabo et psallam (7)
Peccata mea Domine sicut sagittae infixa (21)
Plange quasi virgo (112)
Poi ch'il mio largo pianto amor (50)
Poscia che per mio mal Anonymous (39)
Quas tibi rerum sapiens (19)
Quem dies vidit (20)
Quid prodest homini - 1a pars (of 2): Quid prodest homini (63)
Quid prodest homini - 2a pars (of 2): Futurum est enim (64)
Quis mihi det lacrimis (27)
Recht ist dass man in (100)
Respexit Elias ad caput (105)
Si ambulavero in medio tribulationis (5vv) (15)
Si iniquitates (55)
Si vos mansueritis (52)
Speremus meliora omnes spem nomine sacro (124)
Surge propera amica mea columba mea (2p. Veni de libano sponsa mea) (44)
Terra tremuit ex ira tua Domine (2p. Timor et hebetudo mentis cecidit) (37)
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) (115)
Tulit ergo Dominus - 1a pars (of 2): Tulit ergo Dominus (93)
Tulit ergo Dominus - 2a pars (of 2): Ex omne ligno (93)
Veni Domine et noli tardare (129)
Veni sancte spiritus reple tuorum corda (86)
Vorria saper se voi fiammelle sete (34)
Vox de caelo sonuit (110)
Vulnerasti cor meum soror mea sponsa (139)
Was kann uns kommen (142)

Set: A. R. 774

Type: Partbooks

No images available

D-Rp A.R. 774 (A)

No images available

D-Rp A.R. 774 (B)

No images available

D-Rp A.R. 774 (D)

No images available

D-Rp A.R. 774 (Q)

No images available

D-Rp A.R. 774 (S)

No images available

D-Rp A.R. 774 (T)

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description