D-Rp A.R. 774 (A)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1589

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark A.R. 774 (A)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Pagination
Measurements 309 x 198 mm
Other Identifiers
  • CCM: RegB 774
Copyists
Relationships
Provenance
Contents 152 pieces from 27 composers
General Description

An Altus partbook from a set of six volumes. Copied by Andreas Raselius, cantor of Gymnasium Poeticum in Regensburg 1584-1600. Copied in Regensburg.

DIAMM, 2017
Binding

Original covers of beige paper over cardboard, with leather spines and leather ties. Front covers decorated with coat of arms of city of Regensburg, inscription 'DODE-CACHORDUM VIVUM' (bottom), and voice designation (top).

DIAMM, 2017
Watermark

(1) coat of arms of city of Regensburg (generally resembles Briquet #1142-4); (2) generally resembles, but not identical to, Briquet #1242.

DIAMM, 2017
Liminary Note

Title page on first folio of D: 'DODECACHORDI / VIVI / in quo / DUODECIM MODORUM / MUSICORUM EXEMPLA DUODENA / sex, quinque et quatuor vocum / in utraque scala admodum / insignia / Singularis iudicio ac diligentia, partim ex / probatissimorum aetatis nostrae symphonetarum / monumentis recentioribus collecta, partim / recens composita sunt per / H. ANDREAM RASELIUM A / Gymnasij poetici SPC. Ratisp. / Cantorem / Mense Novembrij Anno M.D.XIC.' Introductory pages in other books contain Latin poetry, a message from Raselius to his future successors at the Gymnasium, and dedicatory inscription by Raselius to Regensburg town council.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 13-14

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, I-CXLIV, excludes four pieces, not part of main corpus, copied at end of Bassus book.

DIAMM, 2017
Foliation

Original ink pagination in upper left margins, beginning on first page with music in each book

DIAMM, 2017
Decoration

Inked initials; attributions, text incipits, piece numbers, and number of voices in red ink (now faded to brownish-red)

DIAMM, 2017
Index

Two original indices at beginning of D book. First index reflects organizational plan of main corpus: pieces grouped under 12 modes ('Dorius,' 'Hypodorius,' 'Phrygius,' 'Hypophrygius,' … 'Hypoionicus'), with two subdivisions ('Regularis' and 'Transpositus') under each mode. Each of the resulting 24 subdivisions has six pieces, arranged in order of decreasing number of voices (two pieces for 6 voices, two for 5 voices, two for 4 voices). Second index lists pieces alphabetically by title.

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

112 motets, 21 German sacred pieces, 2 French sacred pieces, 13 Italian secular pieces = 148

Bertani-1, Bertrand-2, A. Ferrabosco I-2, G. Ferretti-1, Händl -21, Harnisch-5, C. Hollander-1, Hoyoul-3, Kerle-1, Knöfel-1, Lassus [Orland.]-61, Lechner-6, Marenzio-2, Merulo-1, Philippe de Monte-2, Phinot-1, Prenner-2, Raselius-10, Regnart-5, Striggio-1, Utendal-11, Vaet-2, Vinci-1, Wert-2, Zanotti-1, anon-2

6 paper partbooks (DA-83 + i folios each, T-79, B-85 + 1,0,-78 + i, S-51 + i), 309 x 198. Original ink pagination in upper left margins, beginning on first page with music in each book. Original numbering of pieces, I-CXLIV, excludes four pieces, not part of main corpus, copied at end of B book. Each book has section of blank folios at end (D: 6; A: 6; T: 2; B: 5; Q: 21; S: 20) and another section of blank folios between introductory pages at front and beginning of music. Original covers of beige paper over cardboard, with leather spines and leather ties. Front covers decorated with coat of arms of city of Regensburg, inscription "DODE-CACHORDUM VIVUM" (bottom), and voice designation (top).

Two original indices at beginning of D book. First index reflects organizational plan of main corpus: pieces grouped under 12 modes ("Dorius," "Hypodorius," "Phrygius," "Hypophrygius," . . . "Hypoionicus"), with two subdivisions ("Regularis" and "Transpositus") under each mode. Each of the resulting 24 subdivisions has six pieces, arranged in order of decreasing number of voices (two pieces for 6 voices, two for 5 voices, two for 4 voices). Second index lists pieces alphabetically by title.

Copied by Andreas Raselius, cantor of Gymnasium Poeticum in Regensburg 1584-1600. Staff height 13-14. Inked initials; attributions, text incipits, piece numbers, and number of voices in red ink (now faded to brownish-red). Watermarks: (1) coat of arms of city of Regensburg (generally resembles Briquet #1142-4); (2) generally resembles, but not identical to, Briquet #1242.

Title page on first folio of D: "DODECACHORDI / VIVI / in quo / DUODECIM MODORUM / MUSICORUM EXEMPLA DUODENA / sex, quinque et quatuor vocum / in utraque scala admodum / insignia / Singularis iudicio ac diligentia, partim ex / probatissimorum aetatis nostrae symphonetarum / monumentis recentioribus collecta, partim / recens composita sunt per / H. ANDREAM RASELIUM A / Gymnasij poetici SPC. Ratisp. / Cantorem / Mense Novembrij Anno M.D.XIC." Introductory pages in other books contain Latin poetry, a message from Raselius to his future successors at the Gymnasium, and dedicatory inscription by Raselius to Regensburg town council.

1589 (date on title page). Copied in Regensburg.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(1) In voce exultationis Jacob Handl
Appears on: (1)
Genres: Motet
Source Attribution: Jacob Handl
(2) Omnis enim homo Orland. [di Lasso]
Appears on: (2)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(3) De ore prudentis procedit mel alleluia Orland. [di Lasso]
Appears on: (3)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(4) Ich ruf o Gott in dieser Not Otth. Sigfrid Harnisch
Appears on: (4)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
(5) Qui fugat in trepidos Jacob Handl
Appears on: (5)
Genres: Motet
Source Attribution: Jacob Handl
(6) Mon ame chante Anton. Bertrand
Appears on: (6)
Genres: Hymn
Source Attribution: Anton. Bertrand
(7) Paratum cor meum Deus cantabo et psallam Leon. Lechner
Appears on: (7)
Genres: Motet
Source Attribution: Leon. Lechner
(8) Da pacem Domine Baldvin Hoyoul
Appears on: (8)
Genres: Motet
Source Attribution: Baldvin Hoyoul
(9) Cantantibus organis Caecilia - 2a pars (of 2): Fiat Domine cor meum Orland. [di Lasso]
Appears on: (9)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(10) All ding verganglich Joan. Knefel
Appears on: (10)
Genres: Motet
Source Attribution: Joan. Knefel
(11) Dextera Domini fecit Orland. [di Lasso]
Appears on: (11)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
(12) Ich ruf' zu dir herr Jesu Christ Orland. [di Lasso]
Appears on: (12)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(13) Adesto dolori meo Deus nimium fatigor Alex. Utendal
Appears on: (13)
Genres: Motet
Source Attribution: Alex. Utendal
(14) Nos alium Deum nescimus Jacob Handl
Appears on: (14)
Genres: Motet
Source Attribution: Jacob Handl
(15) Si ambulavero in medio tribulationis (5vv) Orland. [di Lasso]
Appears on: (15)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(16) Ein jeder Mensch bedenke Leon. Lechner
Appears on: (16)
Genres: Sacred Song
Source Attribution: Leon. Lechner
(17) Usquequo Domine - 2a pars (of 2): Usquequo exaltabitur Jacob. Regnart
Appears on: (17)
Genres: Motet
Source Attribution: Jacob. Regnart
(18) Ta verite redresse ma Antonie Bertrand
Appears on: (18)
Genres: Hymn
Source Attribution: Antonie Bertrand
(19) Quas tibi rerum sapiens Orland. [di Lasso]
Appears on: (19)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(20) Quem dies vidit Otth. Sigfrid Harnisch
Appears on: (20)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
(21) Peccata mea Domine sicut sagittae infixa Orland. [di Lasso]
Appears on: (21)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(22) Misericordias Domini Orland. [di Lasso]
Appears on: (22)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(23) Wach auf - 1a pars (of 2): Wach auf, o Menschenkind Orland. [di Lasso]
Appears on: (23)
Genres: Hymn
Source Attribution: Orland. [di Lasso]
(24) Wach auf - 2a pars (of 2): Ist doch Gott gar ein Orland. [di Lasso]
Appears on: (24)
Genres: Hymn
Source Attribution: Orland. [di Lasso]
(25) Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo Orland. [di Lasso]
Appears on: (25)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(25) Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino Orland. [di Lasso]
Appears on: (25)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(26) Cantate Domino canticum novum (6vv) Orland. [di Lasso]
Appears on: (26)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(27) Quis mihi det lacrimis Orland. [di Lasso]
Appears on: (27)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(28) Domine Jesu Christe qui cognoscis - 2a pars (of 2): Averte Domine faciem Orland. [di Lasso]
Appears on: (28)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(29) Pulvis et umbra sumus Orland. [di Lasso]
Appears on: (29)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(30) Tu dich o Herr uber dein (=Du corps absent) Orland. [di Lasso]
Appears on: (30)
Genres: Contrafactum, Sacred Song
Source Attribution: Orland. [di Lasso]
(31) O rex gentium et desideratus earum lapisque Claudii Meruli
Appears on: (31)
Genres: Motet
Source Attribution: Claudii Meruli
(32) Lauda mater ecclesia - 3a pars (of 3): Surgentem cum victoria Jesum videt Orland. [di Lasso]
Appears on: (32)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(33) O Domine custodi animam (= Sappi Signor) Pietro Vinci
Appears on: (33)
Genres: Sacred Song
Source Attribution: Pietro Vinci
(34) Vorria saper se voi fiammelle sete Jacomo Regnart
Appears on: (34)
Genres: Madrigal (Italian)
Source Attribution: Jacomo Regnart
(35) Sic Deus dilexit mundum ut filium suum (= Celle qui m'a tant pourmenée) Chr[isti]an Hollander
Appears on: (35)
Genres: Contrafactum, Motet
Source Attribution: Chr[isti]an Hollander
(36) Jubilate Deo omnis terra servite Domino Jacob Handl
Appears on: (36)
Genres: Motet
Source Attribution: Jacob Handl
(37) Terra tremuit ex ira tua Domine (2p. Timor et hebetudo mentis cecidit) Alexan. Utendal
Appears on: (37)
Genres: Motet
Source Attribution: Alexan. Utendal
(38) O bone Deus ne proiicias nos in tempore Jacob Handl
Appears on: (38)
Genres: Motet
Source Attribution: Jacob Handl
(39) Poscia che per mio mal - Anonymous
Appears on: (39)
Genres: Madrigal (Italian)
(40) Amor ecco colei Jacomo Regnart
Appears on: (40)
Genres: Madrigal (Italian)
Source Attribution: Jacomo Regnart
(41) Herr Jesu Christ der du bist (= Le vray ami ne s'estonne) -
Appears on: (41)
Genres: Contrafactum, Motet
(42) Aus meiner Sunden Tieffer Orland. [di Lasso]
Appears on: (42)
Genres: Sacred Song
Source Attribution: Orland. [di Lasso]
(43) Media vita (6vv) - 1a pars (of 2): Media vita in morte sumus Orland. [di Lasso]
Appears on: (43)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(43) Media vita (6vv) - 2a pars (of 2): Sancte Deus -
Appears on: (43)
Genres: Motet
(44) Surge propera amica mea columba mea (2p. Veni de libano sponsa mea) Dominicus Phinot
Appears on: (44)
Genres: Motet
Source Attribution: Dominicus Phinot
(45) Domine quando veneris Orland. [di Lasso]
Appears on: (45)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(46) Benedictus Deus - 2a pars (of 2): Benedicte Deum caeli Jacob Handl
Appears on: (46)
Genres: Motet
Source Attribution: Jacob Handl
(47) Improperium expectavit cor Orland. [di Lasso]
Appears on: (47)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
(48) Anna soror soror Annae Jacob Handl
Appears on: (48)
Genres: Motet
Source Attribution: Jacob Handl
(49) Fratres expurgate vetus fermentum ut sitis Alexand. Utendal
Appears on: (49)
Genres: Motet
Source Attribution: Alexand. Utendal
(50) Poi ch'il mio largo pianto amor Filippo de monte
Appears on: (50)
Genres: Italian secular
Source Attribution: Filippo de monte
(51) Beati qui habitant Philip. de Monte
Appears on: (51)
Genres: Motet
Source Attribution: Philip. de Monte
(52) Si vos mansueritis Andreas Rasell.
Appears on: (52)
Genres: Motet
Source Attribution: Andreas Rasell.
(53) Qui de terra est Andr. Rasell.
Appears on: (53)
Genres: Motet
Source Attribution: Andr. Rasell.
(54) Domine exaudi - 1a pars (of 8): Domine exaudi orationem Alexander Utendal
Appears on: (54)
Genres: Motet
Source Attribution: Alexander Utendal
(55) Si iniquitates Andr. Rasell.
Appears on: (55)
Genres: Motet
Source Attribution: Andr. Rasell.
(56) Ego sum lux mundi Andr. Rasell.
Appears on: (56)
Genres: Motet
Source Attribution: Andr. Rasell.
(57) Almo leon' che co'l ruggito altero Camillo Zannotto
Appears on: (57)
Genres: Madrigal
Source Attribution: Camillo Zannotto
(58) Ardo si, ma non t'amo Leonardo Lechner
Appears on: (58)
Genres: Madrigal (Italian)
Source Attribution: Leonardo Lechner
(59) Domine exaudi - 5a pars (of 8): Quoniam placuerunt Alexand. Utendal
Appears on: (59)
Genres: Motet
Source Attribution: Alexand. Utendal
(60) Domine exaudi - 8a pars (of 8): Initio tu Domine Alexander Utendal
Appears on: (60)
Genres: Motet
Source Attribution: Alexander Utendal
(61) Confitemini Domino (6vv) - 1a pars (of 2): Confitemini Domino filii Israel Orland. [di Lasso]
Appears on: (61)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(61) Confitemini Domino (6vv) - 2a pars (of 2): Ipse castigavit nos -
Appears on: (61)
Genres: Motet
(62) Ego sum via And. Raseli.
Appears on: (62)
Genres: Motet
Source Attribution: And. Raseli.
(63) Quid prodest homini - 1a pars (of 2): Quid prodest homini Orland. [di Lasso]
Appears on: (63)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(64) Quid prodest homini - 2a pars (of 2): Futurum est enim Orland. [di Lasso]
Appears on: (64)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(65) De profundis - 1a pars (of 3): De profundis clamavi ad te Domine Alexander Utendal
Appears on: (65)
Genres: Motet
Source Attribution: Alexander Utendal
General Note

Opening of the 1a pars -- a second extract from the 1a pars follows ('Si inquitates')

(66) De profundis - 1a pars (of 3): De profundis clamavi ad te Domine Alexander Utendal
Appears on: (66)
Genres: Motet
Source Attribution: Alexander Utendal
Voice: Altus
Languages: Latin
Voice Text: Si iniquitates
General Note

A second extract from the 1a pars -- the beginning of the 1a pars is the previous item (no.65).

(67) Ne glorieris in crastinum Andr. Rasell.
Appears on: (67)
Genres: Motet
Source Attribution: Andr. Rasell.
(68) Memento creatoris Andr. Rasell.
Appears on: (68)
Genres: Motet
Source Attribution: Andr. Rasell.
(69) Ecce Dominus veniet - 1a pars (of 2): Ecce Dominus veniet et omnes sancti eius Jacob Handl
Appears on: (69)
Genres: Motet
Source Attribution: Jacob Handl
(69) Ecce Dominus veniet - 2a pars (of 2): Ecce veniet Deus et homo de domo David -
Appears on: (69)
Genres: Motet
(70) Eripe me de inimicis Andreae Rasell.
Appears on: (70)
Genres: Motet
Source Attribution: Andreae Rasell.
(71) Lobet den Herren alle Heiden Andre. Rasell.
Appears on: (71)
Genres: Hymn
Source Attribution: Andre. Rasell.
(72) De profundis - 3a pars (of 3): Quia apud Dominum misericordia et copiosa Alexand. Utendal
Appears on: (72)
Genres: Motet
Source Attribution: Alexand. Utendal
(73) In convertendo Dominus captivitatem Sion Leonard. Lechner
Appears on: (73)
Genres: Motet
Source Attribution: Leonard. Lechner
(74) Justus ut palma - 1a pars (of 2): Justus ut palma Otth. Sigfrid Harnisch
Appears on: (74)
Genres: Motet
Source Attribution: Otth. Sigfrid Harnisch
(74) Justus ut palma - 2a pars (of 2): Adhuc germinabunt -
Appears on: (74)
Genres: Motet
(75) Domine clamavi (5vv) - 1a pars (of 3): Domine clamavi ad te Orland. [di Lasso]
Appears on: (75)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(76) Guarda che m' ha condutto Jacomo Regnart
Appears on: (76)
Genres: Madrigal (Italian)
Source Attribution: Jacomo Regnart
(77) Gressus meos dirige Orland. [di Lasso]
Appears on: (77)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
(78) Hilf uns o Herr (= Si froid et chaud) Orland. [di Lasso]
Appears on: (78)
Genres: Contrafactum, Sacred Song
Source Attribution: Orland. [di Lasso]
(79) Conveniens homini Orlandus [di Lasso]
Appears on: (79)
Genres: Motet
Source Attribution: Orlandus [di Lasso]
(80) Occhi sereni e chiari Luca Marenzio
Appears on: (80)
Genres: Madrigal (Italian)
Source Attribution: Luca Marenzio
(81) Domine clamavi (5vv) - 3a pars (of 3): Dissipata sunt Orland. [di Lasso]
Appears on: (81)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(82) Liquide perle Amor da gl'occhi sparse Luca Marenzio
Appears on: (82)
Genres: Chanson
Source Attribution: Luca Marenzio
(83) Vir linguosus non dirigetur Jacobus Handl
Appears on: (83)
Genres: Motet
Source Attribution: Jacobus Handl
(84) Domine rex omnipotens - 3a pars (of 3): Tu Domine cui humilium et mansuetorum Jacob de Kerle
Appears on: (84)
Genres: Motet
Source Attribution: Jacob de Kerle
(85) Agimus tibi gratias Orland. [di Lasso]
Appears on: (85)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(86) Veni sancte spiritus reple tuorum corda Orland. [di Lasso]
Appears on: (86)
Genres: Motet, Veni sancte spiritus
Source Attribution: Orland. [di Lasso]
(87) Laudate Dominum omnes gentes, laudate eum Alex. Utendal
Appears on: (87)
Genres: Motet
Source Attribution: Alex. Utendal
(88) Benedixisti Domine terram tuam avertisti Orland. [di Lasso]
Appears on: (88)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
(89) Orat bis qui corde Jacob. Regnart
Appears on: (89)
Genres: Motet
Source Attribution: Jacob. Regnart
(90) Bewar mich Herr (= Ton feu s'esteint) Orland. [di Lasso]
Appears on: (90)
Genres: Contrafactum, Hymn
Source Attribution: Orland. [di Lasso]
(91) Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum Orland. [di Lasso]
Appears on: (91)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(92) Amatemi, ben mio, perche sdegn' il mio core Lelio Bertani
Appears on: (92)
Genres: Madrigal (Italian)
Source Attribution: Lelio Bertani
(93) Tulit ergo Dominus - 1a pars (of 2): Tulit ergo Dominus Baldv. Hoyoul
Appears on: (93)
Genres: Motet
Source Attribution: Baldv. Hoyoul
(93) Tulit ergo Dominus - 2a pars (of 2): Ex omne ligno -
Appears on: (93)
Genres: Motet
(94) Come poss' io morir se non ho vita Giovan Ferretti
Appears on: (94)
Genres: Madrigal (Italian)
Source Attribution: Giovan Ferretti
(95) Laudate Dominum in sanctis eius (4vv) Jacob. Handl
Appears on: (95)
Genres: Motet
Source Attribution: Jacob. Handl
(96) Perfice gressus meos Orland. [di Lasso]
Appears on: (96)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(97) In Deo salutare - 1a pars (of 2): In Deo salutare meum Orland. [di Lasso]
Appears on: (97)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(97) In Deo salutare - 2a pars (of 2): Sperate in eo -
Appears on: (97)
Genres: Motet
(98) Benedictio et claritas et sapientia Orland. [di Lasso]
Appears on: (98)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(99) Herr Jesu Christ dir Otth. Sigfrid Harnisch
Appears on: (99)
Genres: Hymn
Source Attribution: Otth. Sigfrid Harnisch
(100) Recht ist dass man in Otth. Sigfrid Harnisch
Appears on: (100)
Genres: Sacred Song
Source Attribution: Otth. Sigfrid Harnisch
(101) Precatus est Moyses Orland. [di Lasso]
Appears on: (101)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
(102) Lauda anima mea Orland. [di Lasso]
Appears on: (102)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(103) O vos omnes qui transitis (C51) Alphonsi Ferabosci
Appears on: (103)
Genres: Motet
Source Attribution: Alphonsi Ferabosci
(104) O vos omnes qui transitis per viam Jacob Handl
Appears on: (104)
Genres: Motet
Source Attribution: Jacob Handl
(105) Respexit Elias ad caput Orland. [di Lasso]
Appears on: (105)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(106) Levavi oculos meos - 2a pars (of 2): Auxilium meum a Domino Alexand. Utendal
Appears on: (106)
Genres: Motet
Source Attribution: Alexand. Utendal
(107) Captabant in animam justi Jacob Handl
Appears on: (107)
Genres: Motet
Source Attribution: Jacob Handl
(108) Ingemuit Susanna et ait Jacob Handl
Appears on: (108)
Genres: Motet
Source Attribution: Jacob Handl
(109) Laus et perennis gloria Deo patri et filio (8vv) Jacob Handl
Appears on: (109)
Genres: Motet
Source Attribution: Jacob Handl
(110) Vox de caelo sonuit Jacob Handl
Appears on: (110)
Genres: Motet
Source Attribution: Jacob Handl
(111) Considerate dilectissimi Georgius Prenner
Appears on: (111)
Genres: Motet
Source Attribution: Georgius Prenner
(112) Plange quasi virgo Georgius Prenner
Appears on: (112)
Genres: Motet
Source Attribution: Georgius Prenner
(113) Quoties diem illum considero Jacobus Vaet
Appears on: (113)
Genres: Motet
Source Attribution: Jacobus Vaet
(114) Cogitate miseri Jacob Handl
Appears on: (114)
Genres: Motet
Source Attribution: Jacob Handl
(115) Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) Alphonsi Ferabosci
Appears on: (115)
Genres: Motet
Source Attribution: Alphonsi Ferabosci
(116) Adoramus te Jesu Christe Jacob Handl
Appears on: (116)
Genres: Motet
Source Attribution: Jacob Handl
(117) O Tod du bist - 2a pars (of 2): O Tod wie kannst du sein Leon. Lechner
Appears on: (117)
Genres: Motet
Source Attribution: Leon. Lechner
(118) Ecce apparebit - 2a pars (of 2): Jerusalem gaude gaudio magno Jacob Vaet
Appears on: (118)
Genres: Motet
Source Attribution: Jacob Vaet
(119) Ad Dominum cum tribularer clamavi Jacob Handl
Appears on: (119)
Genres: Motet
Source Attribution: Jacob Handl
(120) Allein zu dir - 2a pars (of 2): Wann kommen wird mein letzte Leon. Lechner
Appears on: (120)
Genres: Motet
Source Attribution: Leon. Lechner
(121) Ego sum panis vitae patris vestri manducaverunt (2p. Et panis quem ego dabo) Jacob Handl
Appears on: (121)
Genres: Motet
Source Attribution: Jacob Handl
(122) Fratres gaudete - 1a pars (of 2): Fratres gaudete in Domino Orland. [di Lasso]
Appears on: (122)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(122) Fratres gaudete - 2a pars (of 2): Petitiones vestrae -
Appears on: (122)
Genres: Motet
(123) Cum intrasset Jesus - 2a pars (of 2): Et Intravit Jesus in templum Jaches Wertt
Appears on: (123)
Genres: Motet
Source Attribution: Jaches Wertt
(124) Speremus meliora omnes spem nomine sacro idem (i.e Jaches Wertt)
Appears on: (124)
Genres: Motet
Source Attribution: idem (i.e Jaches Wertt)
(125) O fortuna potens quam Jacob Handl
Appears on: (125)
Genres: Motet
Source Attribution: Jacob Handl
(126) Gross angst und not (= Trop endurer sans avoir) Orland. [di Lasso]
Appears on: (126)
Genres: Contrafactum, Sacred Song
Source Attribution: Orland. [di Lasso]
(127) Ante me non est Orland. [di Lasso]
Appears on: (127)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(128) Domine Jesu Christe non sum dignus -
Appears on: (128)
Genres: Motet
(129) Veni Domine et noli tardare Bald. Hoyoul
Appears on: (129)
Genres: Motet
Source Attribution: Bald. Hoyoul
(130) Justorum animae Orland. [di Lasso]
Appears on: (130)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(131) All mein anfang hat (= Le temps peut bien) Orland. [di Lasso]
Appears on: (131)
Genres: Contrafactum, Motet
Source Attribution: Orland. [di Lasso]
(132) Benedicam Dominum qui tribuit Orland. [di Lasso]
Appears on: (132)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
(133) Deus meus in simplicitate cordis mei Orland. [di Lasso]
Appears on: (133)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(134) Hodie completi sunt dies - 2a pars (of 2): Misit eos in universum mundum Orland. [di Lasso]
Appears on: (134)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(135) Kein Gluck noch heil wil (= Le rossignoll plaisant) Orland. [di Lasso]
Appears on: (135)
Genres: Contrafactum, Lied
Source Attribution: Orland. [di Lasso]
(136) Impulsus eversus sum - 2a pars (of 2): Vox exultationis Orland. [di Lasso]
Appears on: (136)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(137) Populum humilem salvum Orland. [di Lasso]
Appears on: (137)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
(138) Praeparate corda vestra Jacob Handl
Appears on: (138)
Genres: Motet
Source Attribution: Jacob Handl
(139) Vulnerasti cor meum soror mea sponsa Orland. [di Lasso]
Appears on: (139)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(140) Alla mia dolc' e vaga Donna intorno Alessandro Striggio
Appears on: (140)
Genres: Madrigal (Italian)
Source Attribution: Alessandro Striggio
(141) Deus noster refugium et virtus adjutor Orland. [di Lasso]
Appears on: (141)
Genres: Motet
Source Attribution: Orland. [di Lasso]
(142) Was kann uns kommen Orland. [di Lasso]
Appears on: (142)
Genres: Lied
Source Attribution: Orland. [di Lasso]
(143) Exaltabo te Domine Orland. [di Lasso]
Appears on: (143)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
(144) Eripe me de inimicis [S60] Orland. [di Lasso]
Appears on: (144)
Genres: Motet, Offertory
Source Attribution: Orland. [di Lasso]
Composer Compositions
Anonymous
Bertani, Lelio
Bertrand, Antoine de
Clavius, Christophorus
Ferrabosco, Alfonso (the elder) (1543–1588)
Ferretti, Giovanni
Handl (Gallus), Jacobus (1550–1591)
Harnisch, Otto Siegfried
Hollander, Christian
Hoyoul, Balduin
Kerle, Jacobus de
Knöfel, Johannes (ca. 1525–1617)
Lassus, Orlande de (ca. 1532–1594)
Lechner, Leonhard
Marenzio, Luca (ca. 1553–1599)
Merulo, Claudio (1533–1604)
Monte, Philippe de
Phinot, Dominique
Prenner, Georg (–1590)
Raselius, Andreas (ca. 1563–1602)
Regnart, Jacob (ca. 1540–1599)
Striggio, Alessandro (ca. 1536–1592)
Utendal, Alexander (ca. 1530–1581)
Vaet, Jacobus (ca. 1529–ca. 1567)
Vinci, Pietro
Wert, Giaches [Jaches] de (1535–1596)
Zanotti, Camillo
Composition Composers (? Uncertain) Folios / Pages
Ad Dominum cum tribularer clamavi (119)
Adesto dolori meo Deus nimium fatigor (13)
Adoramus te Jesu Christe (116)
Agimus tibi gratias (85)
All ding verganglich (10)
All mein anfang hat (= Le temps peut bien) (131)
Alla mia dolc' e vaga Donna intorno (140)
Allein zu dir - 2a pars (of 2): Wann kommen wird mein letzte (120)
Almo leon' che co'l ruggito altero (57)
Amatemi, ben mio, perche sdegn' il mio core (92)
Amor ecco colei (40)
Anna soror soror Annae (48)
Ante me non est (127)
Ardo si, ma non t'amo (58)
Aus meiner Sunden Tieffer (42)
Beati qui habitant (51)
Benedicam Dominum qui tribuit (132)
Benedictio et claritas et sapientia (98)
Benedictus Deus - 2a pars (of 2): Benedicte Deum caeli (46)
Benedixisti Domine terram tuam avertisti (88)
Bewar mich Herr (= Ton feu s'esteint) (90)
Cantantibus organis Caecilia - 2a pars (of 2): Fiat Domine cor meum (9)
Cantate Domino canticum novum (6vv) (26)
Captabant in animam justi (107)
Cogitate miseri (114)
Come poss' io morir se non ho vita (94)
Confitemini Domino (6vv) - 1a pars (of 2): Confitemini Domino filii Israel (61)
Confitemini Domino (6vv) - 2a pars (of 2): Ipse castigavit nos (61)
Considerate dilectissimi (111)
Conveniens homini (79)
Cum intrasset Jesus - 2a pars (of 2): Et Intravit Jesus in templum (123)
Da pacem Domine (8)
De ore prudentis procedit mel alleluia (3)
De profundis - 1a pars (of 3): De profundis clamavi ad te Domine (65)
De profundis - 1a pars (of 3): De profundis clamavi ad te Domine (66)
De profundis - 3a pars (of 3): Quia apud Dominum misericordia et copiosa (72)
Deus meus in simplicitate cordis mei (133)
Deus noster refugium et virtus adjutor (141)
Dextera Domini fecit (11)
Domine clamavi (5vv) - 1a pars (of 3): Domine clamavi ad te (75)
Domine clamavi (5vv) - 3a pars (of 3): Dissipata sunt (81)
Domine exaudi - 1a pars (of 8): Domine exaudi orationem (54)
Domine exaudi - 5a pars (of 8): Quoniam placuerunt (59)
Domine exaudi - 8a pars (of 8): Initio tu Domine (60)
Domine Jesu Christe non sum dignus (128)
Domine Jesu Christe qui cognoscis - 2a pars (of 2): Averte Domine faciem (28)
Domine quando veneris (45)
Domine rex omnipotens - 3a pars (of 3): Tu Domine cui humilium et mansuetorum (84)
Dominus mihi adjutor - 1a pars (of 2): Dominus mihi adjutor non timebo (25)
Dominus mihi adjutor - 2a pars (of 2): Bonum est confidere in Domino (25)
Ecce apparebit - 2a pars (of 2): Jerusalem gaude gaudio magno (118)
Ecce Dominus veniet - 1a pars (of 2): Ecce Dominus veniet et omnes sancti eius (69)
Ecce Dominus veniet - 2a pars (of 2): Ecce veniet Deus et homo de domo David (69)
Ego sum lux mundi (56)
Ego sum panis vitae patris vestri manducaverunt (2p. Et panis quem ego dabo) (121)
Ego sum via (62)
Ein jeder Mensch bedenke (16)
Eripe me de inimicis (70)
Eripe me de inimicis [S60] (144)
Exaltabo te Domine (143)
Fratres expurgate vetus fermentum ut sitis (49)
Fratres gaudete - 1a pars (of 2): Fratres gaudete in Domino (122)
Fratres gaudete - 2a pars (of 2): Petitiones vestrae (122)
Gressus meos dirige (77)
Gross angst und not (= Trop endurer sans avoir) (126)
Guarda che m' ha condutto (76)
Herr Jesu Christ der du bist (= Le vray ami ne s'estonne) (41)
Herr Jesu Christ dir (99)
Hilf uns o Herr (= Si froid et chaud) (78)
Hodie completi sunt dies - 2a pars (of 2): Misit eos in universum mundum (134)
Ich ruf o Gott in dieser Not (4)
Ich ruf' zu dir herr Jesu Christ (12)
Improperium expectavit cor (47)
Impulsus eversus sum - 2a pars (of 2): Vox exultationis (136)
In convertendo Dominus captivitatem Sion (73)
In Deo salutare - 1a pars (of 2): In Deo salutare meum (97)
In Deo salutare - 2a pars (of 2): Sperate in eo (97)
In voce exultationis (1)
Ingemuit Susanna et ait (108)
Jubilate Deo omnis terra servite Domino (36)
Justorum animae (130)
Justus ut palma - 1a pars (of 2): Justus ut palma (74)
Justus ut palma - 2a pars (of 2): Adhuc germinabunt (74)
Kein Gluck noch heil wil (= Le rossignoll plaisant) (135)
Lauda anima mea (102)
Lauda Jerusalem - 1a pars (of 4): Lauda Jerusalem Dominum lauda Deum tuum (91)
Lauda mater ecclesia - 3a pars (of 3): Surgentem cum victoria Jesum videt (32)
Laudate Dominum in sanctis eius (4vv) (95)
Laudate Dominum omnes gentes, laudate eum (87)
Laus et perennis gloria Deo patri et filio (8vv) (109)
Levavi oculos meos - 2a pars (of 2): Auxilium meum a Domino (106)
Liquide perle Amor da gl'occhi sparse (82)
Lobet den Herren alle Heiden (71)
Media vita (6vv) - 1a pars (of 2): Media vita in morte sumus (43)
Media vita (6vv) - 2a pars (of 2): Sancte Deus (43)
Memento creatoris (68)
Misericordias Domini (22)
Mon ame chante (6)
Ne glorieris in crastinum (67)
Nos alium Deum nescimus (14)
O bone Deus ne proiicias nos in tempore (38)
O Domine custodi animam (= Sappi Signor) (33)
O fortuna potens quam (125)
O rex gentium et desideratus earum lapisque (31)
O Tod du bist - 2a pars (of 2): O Tod wie kannst du sein (117)
O vos omnes qui transitis (C51) (103)
O vos omnes qui transitis per viam (104)
Occhi sereni e chiari (80)
Omnis enim homo (2)
Orat bis qui corde (89)
Paratum cor meum Deus cantabo et psallam (7)
Peccata mea Domine sicut sagittae infixa (21)
Perfice gressus meos (96)
Plange quasi virgo (112)
Poi ch'il mio largo pianto amor (50)
Populum humilem salvum (137)
Poscia che per mio mal Anonymous (39)
Praeparate corda vestra (138)
Precatus est Moyses (101)
Pulvis et umbra sumus (29)
Quas tibi rerum sapiens (19)
Quem dies vidit (20)
Qui de terra est (53)
Qui fugat in trepidos (5)
Quid prodest homini - 1a pars (of 2): Quid prodest homini (63)
Quid prodest homini - 2a pars (of 2): Futurum est enim (64)
Quis mihi det lacrimis (27)
Quoties diem illum considero (113)
Recht ist dass man in (100)
Respexit Elias ad caput (105)
Si ambulavero in medio tribulationis (5vv) (15)
Si iniquitates (55)
Si vos mansueritis (52)
Sic Deus dilexit mundum ut filium suum (= Celle qui m'a tant pourmenée) (35)
Speremus meliora omnes spem nomine sacro (124)
Surge propera amica mea columba mea (2p. Veni de libano sponsa mea) (44)
Ta verite redresse ma (18)
Terra tremuit ex ira tua Domine (2p. Timor et hebetudo mentis cecidit) (37)
Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam (C62) (115)
Tu dich o Herr uber dein (=Du corps absent) (30)
Tulit ergo Dominus - 1a pars (of 2): Tulit ergo Dominus (93)
Tulit ergo Dominus - 2a pars (of 2): Ex omne ligno (93)
Usquequo Domine - 2a pars (of 2): Usquequo exaltabitur (17)
Veni Domine et noli tardare (129)
Veni sancte spiritus reple tuorum corda (86)
Vir linguosus non dirigetur (83)
Vorria saper se voi fiammelle sete (34)
Vox de caelo sonuit (110)
Vulnerasti cor meum soror mea sponsa (139)
Wach auf - 1a pars (of 2): Wach auf, o Menschenkind (23)
Wach auf - 2a pars (of 2): Ist doch Gott gar ein (24)
Was kann uns kommen (142)

Set: A. R. 774

Type: Partbooks

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D-Rp A.R. 774 (A)

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D-Rp A.R. 774 (B)

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D-Rp A.R. 774 (D)

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D-Rp A.R. 774 (Q)

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D-Rp A.R. 774 (S)

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D-Rp A.R. 774 (T)

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description