D-Rp A. R. 883-886 (A)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1573-9

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark A. R. 883-886 (A)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 148 x 214 mm
Other Identifiers
  • CCM: RegB 883-6
Notations
  • Hufnagel
  • black void mensural
  • chant notation
Copyists
Relationships
Provenance
Contents 51 pieces from 22 composers
General Description

An Altus partbook from a set of six volumes. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's. Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

DIAMM, 2017
Binding

Original covers of parchment over cardboard, with leather ties; paper slip pasted to front cover of D book bears inscription: 'I. / Cantionale de festo Trinitatis / II. / Mutetae de eadem 6 vocum. / No. 11.'

DIAMM, 2017
Watermark

coat of arms of city of Regensburg (resembles Briquet #1143).

DIAMM, 2017
Notation

chant notation, including some Hufnagel notation; remaining contents in black void mensural notation

DIAMM, 2017
Ruling

Staff height 21

DIAMM, 2017
Foliation

New pencil foliation in Discantus book; no foliation or pagination in other books

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-10 + 1-12 (some pieces not numbered)

DIAMM, 2017
Decoration

Painted and inked initials in black or red, some in Gothic style, some in plain block style; headings and some text incipits in red

DIAMM, 2017
Surface

Paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Te Deum, 2 canticles, 3 psalms (2 with corresponding monophonic antiphons), 3 hymns, 22 motets = 31+2 monophonic liturgical pieces = 33

Cadéac-1, Canis-1, Clemens non Papa-1, Crecquillon-1, Dressler-1, A. Févin/(Craen/C. Festa/Josquin/Morales)-Bruck [2 added voices]-1, Isaac-1, Ivo de Vento-1, Kerle-2, Lassus-2, Lupi/(Conseil)-1, Paminger-7, Peu d'argent-1, Phinot-1, (Rein)-1, Schwaiger-1, Tonsor-1, Werrecore-1, Zarlino-1, anon-6

6 paper partbooks (D-78 folios, A-84, T-80, B-74, Q-47, S-22), 148 x 214. New pencil foliation in D book; no foliation or pagination in other books. Original numbering of pieces, 1-10 + 1-12 (some pieces not numbered). Original covers of parchment over cardboard, with leather ties; paper slip pasted to front cover of D book bears inscription: "I. / Cantionale de festo Trinitatis / II. / Mutetae de eadem 6 vocum. / No. 11." No index.

Psalm/antiphon settings and monophonic liturgical pieces copied in chant notation, including some Hufnagel notation; remaining contents in white mensural notation. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's; see general index for other manuscripts copied by the same scribe. Staff height 21. Painted and inked initials in black or red, some in Gothic style, some in plain block style; headings and some text incipits in red. Watermark is coat of arms of city of Regensburg (resembles Briquet #1143).

1573-9 (dates in manuscript). Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(1) Domine ad adjuvandum me festina gloria Orlandus
Appears on: (1)
Genres: Motet
Source Attribution: Orlandus
(2) Domine ad adjuvandum me festina gloria - Anonymous
Appears on: (2)
Genres: Motet
(4) Laudate pueri Sit nomen Domini - Anonymous
Appears on: (4)
Genres: Psalm
(5) Laudate Dominum omnes gentes - Anonymous
Appears on: (5)
Genres: Psalm
(7) Lauda Jerusalem Vs. Quoniam confortavit - Anonymous
Appears on: (7)
Genres: Psalm
(8) O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecemur H. Isaac
Appears on: (8)
Genres: Motet
Source Attribution: H. Isaac
(11) O lux beata - 1a pars (of 3): O lux beata trinitas Gallus Dressler
Appears on: (11)
Genres: Motet
Source Attribution: Gallus Dressler
(11) O lux beata - 2a pars (of 3): Te mane laudum carmine -
Appears on: (11)
Genres: Motet
(11) O lux beata - 3a pars (of 3): Deo patri sit gloria -
Appears on: (11)
Genres: Motet
(12) O lux beata - 1a pars (of 3): O lux beata trinitas Georgius Schwaiger
Appears on: (12)
Genres: Motet
Source Attribution: Georgius Schwaiger
(12) O lux beata - 2a pars (of 3): Te mane laudum carmine -
Appears on: (12)
Genres: Motet
(12) O lux beata - 3a pars (of 3): Deo patri sit gloria -
Appears on: (12)
Genres: Motet
(13) Te Deum - 1a pars (of 2): Te Deum patrem Martinus Peu d'argent
Appears on: (13)
Genres: Te Deum
Source Attribution: Martinus Peu d'argent
(13) Te Deum - 2a pars (of 2): Te invocamus te adoramus -
Appears on: (13)
Genres: Te Deum
(14) Benedictus Dominus Deus Israel - 1a pars (of 2): Benedictus Dominus Deus Israel Lupi
Appears on: (14)
Genres: Motet
Source Attribution: Lupi
(14) Benedictus Dominus Deus Israel - 2a pars (of 2): Honor virtus et potestas -
Appears on: (14)
Genres: Motet
(15) O altitudo divitiarum sapientiae et scientiae (4vv) Dn. Finot
Appears on: (15)
Genres: Motet
Source Attribution: Dn. Finot
(16) Gloria tibi trinitas - 1a pars (of 2): Gloria tibi trinitas aequalis una Deitas Cornelius Canis
Appears on: (16)
Genres: Motet
Source Attribution: Cornelius Canis
(16) Gloria tibi trinitas - 2a pars (of 2): Laus et perennis gloria Deo patri -
Appears on: (16)
Genres: Motet
(17) Quis Deus magnus - 1a pars (of 2): Quis Deus magnus sicut Clemens non Papa
Appears on: (17)
Genres: Motet
Source Attribution: Clemens non Papa
(17) Quis Deus magnus - 2a pars (of 2): Laus et perennis gloria -
Appears on: (17)
Genres: Motet
(18) Ave suprema trinitas spes omnium peccantium (7vv) Michael Tonsor
Appears on: (18)
Genres: Motet
Source Attribution: Michael Tonsor
(19) Benedictus Dominus - 1a pars (of 2): Benedictus Dominus Deus Israel Ivo de Vento
Appears on: (19)
Genres: Motet
Source Attribution: Ivo de Vento
(19) Benedictus Dominus - 2a pars (of 2): Honor virtus et potestas -
Appears on: (19)
Genres: Motet
(20) Te Deum patrem Thomas Crequillon
Appears on: (20)
Genres: Te Deum
Source Attribution: Thomas Crequillon
(21) O altitudo divitiarum Hermannus Matthias Werrecorn
Appears on: (21)
Genres: Motet
Source Attribution: Hermannus Matthias Werrecorn
(22) Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio Orlandus di Lassus
Appears on: (22)
Genres: Motet
Source Attribution: Orlandus di Lassus
(22) Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera -
Appears on: (22)
Genres: Motet
(23) Te Deum laudamus (in 6 sections) Jacobus Kerle
Appears on: (23)
Genres: Liturgical work, Te Deum
Source Attribution: Jacobus Kerle
(24) Te Deum (6vv) - 1a pars (of 2): Te Deum patrem Leonartus Paminger
Appears on: (24)
Genres: Te Deum
Source Attribution: Leonartus Paminger
(24) Te Deum (6vv) - 2a pars (of 2): Sanctum et individuum -
Appears on: (24)
Genres: Te Deum
(25) O trinitas - 1a pars (of 2): O trinitas inaestimabilis L. P[aminger]
Appears on: (25)
Genres: Motet
Source Attribution: L. P[aminger]
(25) O trinitas - 2a pars (of 2): Miserere qui passus -
Appears on: (25)
Genres: Motet
(26) Sic enim Deus - 1a pars (of 3): Sic enim Deus dilexit L. P[aminger]
Appears on: (26)
Genres: Motet
Source Attribution: L. P[aminger]
(26) Sic enim Deus - 2a pars (of 3): Ut omnis qui credit -
Appears on: (26)
Genres: Motet
(26) Sic enim Deus - 3a pars (of 3): Non enim misit Deus -
Appears on: (26)
Genres: Motet
(27) Summae trinitati - 1a pars (of 3): Summae trinitati simplici L. P[aminger]
Appears on: (27)
Genres: Motet
Source Attribution: L. P[aminger]
(27) Summae trinitati - 2a pars (of 3): Qui totum subdit -
Appears on: (27)
Genres: Motet
(27) Summae trinitati - 3a pars (of 3): Praestet nobis gratiam -
Appears on: (27)
Genres: Motet
(28) Te Deum (4vv) (I) L. P[aminger]
Appears on: (28)
Genres: Te Deum
Source Attribution: L. P[aminger]
(29) Tibi decus et imperium L. P[aminger]
Appears on: (29)
Genres: Motet
Source Attribution: L. P[aminger]
(30) Te Deum (4vv) (II) L. P[aminger]
Appears on: (30)
Genres: Te Deum
Source Attribution: L. P[aminger]
(31) Nemo potest - 1a pars (of 2): Nemo potest venire Zerlinus
Appears on: (31)
Genres: Motet
Source Attribution: Zerlinus
(31) Nemo potest - 2a pars (of 2): Ego sum panis vitae -
Appears on: (31)
Genres: Motet
(32) Tibi laus - 1a pars (of 2): Tibi laus tibi gloria Jacobus de Kerle
Appears on: (32)
Genres: Motet
Source Attribution: Jacobus de Kerle
(32) Tibi laus - 2a pars (of 2): Et benedictum nomen -
Appears on: (32)
Genres: Motet
(33) In trinitate - 1a pars (of 2): In trinitate o fideles Cadeac
Appears on: (33)
Genres: Motet
Source Attribution: Cadeac
(33) In trinitate - 2a pars (of 2): Purifica mentes nostras -
Appears on: (33)
Genres: Motet
(34) O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli 'autor incertus' [Conrad Rein]
Appears on: (34)
Genres: Motet
Source Attribution: 'autor incertus' [Conrad Rein]
(34) O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis -
Appears on: (34)
Genres: Motet
(35) Sancta Trinitas unus Deus miserere nobis (6vv) Antonius Fevin 4 et 6 vocum Arnoldus de Brugk ad placitum
Appears on: (35)
Genres: Motet
Source Attribution: Antonius Fevin 4 et 6 vocum Arnoldus de Brugk ad placitum
Composer Compositions
Anonymous
Bruck, Arnold von (ca. 1500–1554)
Cadeac, P(ierre?)
Canis, Cornelius
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Conseil, Jean (ca. 1498–1534)
Crecquillon, Thomas (ca. 1505–ca. 1557)
Dressler, Gallus
Fevin, Antoine de (ca. 1470–ca. 1512)
Isaac, Heinrich (ca. 1450–1517)
Kerle, Jacobus de
Lassus, Orlande de (ca. 1532–1594)
Lupi, Johannes (ca. 1506–1539)
Paminger, Leonhard (1495–1567)
Peudargent, Martin von Huy
Phinot, Dominique
Rein, Conrad (ca. 1475–1522)
Schwaiger, Georg
Tonsor, Michael
Vento, Ivo de
Werrecore, Matthias Hermann
Zarlino, Gioseffo (1517–1590)
Composition Composers (? Uncertain) Folios / Pages
Ave suprema trinitas spes omnium peccantium (7vv) (18)
Benedictus Dominus - 1a pars (of 2): Benedictus Dominus Deus Israel (19)
Benedictus Dominus - 2a pars (of 2): Honor virtus et potestas (19)
Benedictus Dominus Deus Israel - 1a pars (of 2): Benedictus Dominus Deus Israel (14)
Benedictus Dominus Deus Israel - 2a pars (of 2): Honor virtus et potestas (14)
Domine ad adjuvandum me festina gloria (1)
Domine ad adjuvandum me festina gloria Anonymous (2)
Gloria tibi trinitas - 1a pars (of 2): Gloria tibi trinitas aequalis una Deitas (16)
Gloria tibi trinitas - 2a pars (of 2): Laus et perennis gloria Deo patri (16)
In trinitate - 1a pars (of 2): In trinitate o fideles (33)
In trinitate - 2a pars (of 2): Purifica mentes nostras (33)
Lauda Jerusalem Vs. Quoniam confortavit Anonymous (7)
Laudate Dominum omnes gentes Anonymous (5)
Laudate pueri Sit nomen Domini Anonymous (4)
Nemo potest - 1a pars (of 2): Nemo potest venire (31)
Nemo potest - 2a pars (of 2): Ego sum panis vitae (31)
O altitudo divitiarum (21)
O altitudo divitiarum sapientiae et scientiae (4vv) (15)
O lux beata - 1a pars (of 3): O lux beata trinitas (11)
O lux beata - 1a pars (of 3): O lux beata trinitas (12)
O lux beata - 2a pars (of 3): Te mane laudum carmine (11)
O lux beata - 2a pars (of 3): Te mane laudum carmine (12)
O lux beata - 3a pars (of 3): Deo patri sit gloria (11)
O lux beata - 3a pars (of 3): Deo patri sit gloria (12)
O lux beata trinitas et principalis 2 Te mane laudum carmine te deprecemur (8)
O trinitas - 1a pars (of 2): O trinitas inaestimabilis (25)
O trinitas - 2a pars (of 2): Miserere qui passus (25)
O trinitas et Deitas - 1a pars (of 2): O trinitas et Deitas alma tibi omnes angeli (34)
O trinitas et Deitas - 2a pars (of 2): Miserere qui passus est nobis (34)
Quis Deus magnus - 1a pars (of 2): Quis Deus magnus sicut (17)
Quis Deus magnus - 2a pars (of 2): Laus et perennis gloria (17)
Sancta Trinitas unus Deus miserere nobis (6vv) (35)
Sic enim Deus - 1a pars (of 3): Sic enim Deus dilexit (26)
Sic enim Deus - 2a pars (of 3): Ut omnis qui credit (26)
Sic enim Deus - 3a pars (of 3): Non enim misit Deus (26)
Summae trinitati - 1a pars (of 3): Summae trinitati simplici (27)
Summae trinitati - 2a pars (of 3): Qui totum subdit (27)
Summae trinitati - 3a pars (of 3): Praestet nobis gratiam (27)
Te Deum (4vv) (I) (28)
Te Deum (4vv) (II) (30)
Te Deum (6vv) - 1a pars (of 2): Te Deum patrem (24)
Te Deum (6vv) - 2a pars (of 2): Sanctum et individuum (24)
Te Deum - 1a pars (of 2): Te Deum patrem (13)
Te Deum - 2a pars (of 2): Te invocamus te adoramus (13)
Te Deum laudamus (in 6 sections) (23)
Te Deum patrem (20)
Tibi decus et imperium (29)
Tibi laus - 1a pars (of 2): Tibi laus tibi gloria (32)
Tibi laus - 2a pars (of 2): Et benedictum nomen (32)
Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria, tibi gratiarum actio (22)
Tibi laus, tibi gloria - 2a pars (of 2): Da gaudiorum praemia da gratiarum munera (22)

Set: A. R. 883-886

Type: Partbooks

No images available

D-Rp A. R. 883-886 (A)

No images available

D-Rp A. R. 883-886 (B)

No images available

D-Rp A. R. 883-886 (D)

No images available

D-Rp A. R. 883-886 (Q)

No images available

D-Rp A. R. 883-886 (S)

No images available

D-Rp A. R. 883-886 (T)

denotes primary source study

Haberkamp, Gertraut, August Scharnagl, and Paul Mai. 1989. Bischöfliche Zentralbibliothek Regensburg, Thematischer Katalog der Musikhandschriften. 1: Sammlung Proske. Manuskripte des 16. und 17. Jahrhunderts aus den Signaturen A.R., B, C, AN. described by Gertraut Haberkamp; with a history of the 'Proskeschen Musiksammlung' by August Scharnagl; preface by Paul Mai.  Munich: Henle. Pages: 91.

Rudolf, Homer. 1977. The Life and Works of Cornelius Canis. University of Illinois, Unpublished Ph.D. dissertation. Pages: 194, 496, 548. Notes: contents list (partial); concordances (partial); incipits (partial).

Ferer, Mary Tiffany. 1976. The Feast of St. John the Baptist: Its Background and Celebration in Renaissance Polyphony. University of Illinois, Unpublished Ph.D. dissertation. Pages: 176-7. Notes: mention of MS.

Diehl, George Karl. 1974. The Partbooks of a Renaissance Merchant. Cambrai: Bibliothèque municipale, MSS 125-128. University of Pennsylvania, Unpublished Ph.D. dissertation. Pages: 627-8. Notes: contents list (partial); concordances (partial); incipits (partial).

Brennecke, Wilfried. 1953. Die Handschrift A.R. 940/41 der Proske-Bibliothek zu Regensburg. Schriften des Landesinstituts für Musikforschung Kiel.  Kassel and Basel. Pages: 39. Notes: contents list (partial); concordances (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.  Graz and Vienna. Pages: XCIX, 118, 123-4. Notes: mention of MS; contents list (partial); concordances (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description