D-Rp A. R. 871-874 (S)

Bischöfliche Zentralbibliothek, Regensburg, Germany

partbook: 1576-9

Archive Bischöfliche Zentralbibliothek, Regensburg, Germany (D-Rp)
Shelfmark A. R. 871-874 (S)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 148 x 212 mm
Other Identifiers
  • CCM: RegB 871-74
Notations
  • Hufnagel
  • black void mensural
  • chant notation
Copyists
Relationships
Provenance
Contents 16 pieces from 6 composers
General Description

A Sextus partbook from a set of six volumes. Each partbook is composite of several originally separate fascicles later bound together. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's; last piece is later addition in a different hand. Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

DIAMM, 2017
Binding

Original covers of parchment over cardboard, with leather ties; paper slip pasted to front cover of Discantus book bears inscription: 'Mutetae et Psalmi de / festo Paschalis 6 vocum / No. 7.'

DIAMM, 2017
Watermark

coat of arms of city of Regensburg (resembles Briquet #1142-4).

DIAMM, 2017
Notation

chant notation, including some Hufnagel notation; remaining contents in black void mensural notation

DIAMM, 2017
Ruling

Staff height 19-20

DIAMM, 2017
Foliation

New pencil foliation in each book

DIAMM, 2017
Foliation

Other numberings: Original ink numbering of pieces in several series, 1 + 1-31 + 1-12 (six pieces not numbered).

DIAMM, 2017
Decoration

Red or black inked initials, some in Gothic style, others in plain block or calligraphic style; some headings and dates in red ink.

DIAMM, 2017
Index

Incomplete original index on ff. 2-2' of Discantus book lists 18 pieces in order of appearance, with attributions and number of voices.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 psalms with corresponding monophonic antiphons, 2 hymns, 32 motets, 13 German sacred pieces = 50

Bacchius-1, Bruck-4, Clemens non Papa-1, Cleve-1, Crecquillon-3, Hellinck-1, Ivo de Vento-3, Jaquet of Mantua [Jacquet]-1, Kerle-1, Knöfel-2, LaCourt-1, Lassus-4, Mahu-2, Meiland-1, Paminger-6, Peu d'argent-1, Phinot-1, Regnart-1, Resinarius-2, Senfl-2, Stoltzer-1, Tonsor-1, Utendal-2, Willaert-1, anon-6

6 paper partbooks (D-127 folios, A-133, T-128, B-121, Q-71, S-19), 148 x 212. Each partbook is composite of several originally separate fascicles later bound together. New pencil foliation in each book (two consecutive folios in D book numbered "108"). Original ink numbering of pieces in several series, 1 + 1-31 + 1-12 (six pieces not numbered). Original covers of parchment over cardboard, with leather ties; paper slip pasted to front cover of D book bears inscription: "Mutetae et Psalmi de / festo Paschalis 6 vocum / No. 7." Incomplete original index on ff. 2-2' of D book lists 18 pieces in order of appearance, with attributions and number of voices.

Psalm/antiphon settings copied in chant notation, including some Hufnagel notation; remaining contents in white mensural notation. Possibly copied by Erasmus Zollner, cantor at Gymnasium Poeticum in Regensburg during 1570's; see general index for other manuscripts copied by the same scribe. Last piece is later addition in a different hand. Staff height 19-20. Red or black inked initials, some in Gothic style, others in plain block or calligraphic style; some headings and dates in red ink. Watermark is coat of arms of city of Regensburg (resembles Briquet #1142-4).

1576-9 (dates in manuscript). Copied in Regensburg, probably for use by choir of Gymnasium Poeticum in local evangelical services.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
(1) Domine ad adjuvandum me festina gloria Orlandus
Appears on: (1)
Genres: Motet
Source Attribution: Orlandus
(18) Also heilig ist der Tag, dass ihn niemand Ludovicus Senfel
Appears on: (18)
Genres: Sacred Song
Source Attribution: Ludovicus Senfel
(19) Christ ist erstanden (6vv) [S39] Ludovicus Senfel
Appears on: (19)
Genres: Sacred Song
Source Attribution: Ludovicus Senfel
(20) Dum transisset - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena Joannes Kneffelius Laubensis
Appears on: (20)
Genres: Motet
Source Attribution: Joannes Kneffelius Laubensis
(20) Dum transisset - 2a pars (of 2): Et valde mane una sabbatorum veniunt -
Appears on: (20)
Genres: Motet
(21) Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes Orlandus di Lassus
Appears on: (21)
Genres: Motet
Source Attribution: Orlandus di Lassus
(21) Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi -
Appears on: (21)
Genres: Motet
(29) Victimae paschali - 1a pars (of 2): Victimae paschali laudes Adrianus Willart
Appears on: (29)
Genres: Motet
Source Attribution: Adrianus Willart
(29) Victimae paschali - 2a pars (of 2): Dic nobis Maria quid vidisti in via -
Appears on: (29)
Genres: Motet
(32) Aperuit Christus - 1a pars (of 2): Aperuit Christus mentem discipulorum Alexander Utendal
Appears on: (32)
Genres: Motet
Source Attribution: Alexander Utendal
(32) Aperuit Christus - 2a pars (of 2): Videte manus meas et pedes meos -
Appears on: (32)
Genres: Motet
(33) Fratres expurgate vetus fermentum ut sitis Alexander Utendal
Appears on: (33)
Genres: Motet
Source Attribution: Alexander Utendal
(37) Christ ist erstanden - 1a pars (of 3): Christ ist erstanden - Anonymous
Appears on: (37)
Genres: Hymn
(37) Christ ist erstanden - 2a pars (of 3): Wer er nt erstanden - Anonymous
Appears on: (37)
Genres: Hymn
(37) Christ ist erstanden - 3a pars (of 3): Alleluia. Des sollen wir alle - Anonymous
Appears on: (37)
Genres: Hymn
(51) Vita sanctorum decus angelorum (6vv) - Anonymous
Appears on: (51)
Genres: Hymn
Composition Composers (? Uncertain) Folios / Pages
Also heilig ist der Tag, dass ihn niemand (18)
Aperuit Christus - 1a pars (of 2): Aperuit Christus mentem discipulorum (32)
Aperuit Christus - 2a pars (of 2): Videte manus meas et pedes meos (32)
Christ ist erstanden (6vv) [S39] (19)
Christ ist erstanden - 1a pars (of 3): Christ ist erstanden Anonymous (37)
Christ ist erstanden - 2a pars (of 3): Wer er nt erstanden Anonymous (37)
Christ ist erstanden - 3a pars (of 3): Alleluia. Des sollen wir alle Anonymous (37)
Congratulamini mihi omnes - 1a pars (of 2): Congratulamini mihi omnes (21)
Congratulamini mihi omnes - 2a pars (of 2): Tulerunt Dominum meum et nescio ubi (21)
Domine ad adjuvandum me festina gloria (1)
Dum transisset - 1a pars (of 2): Dum transisset sabbatum Maria Magdalena (20)
Dum transisset - 2a pars (of 2): Et valde mane una sabbatorum veniunt (20)
Fratres expurgate vetus fermentum ut sitis (33)
Victimae paschali - 1a pars (of 2): Victimae paschali laudes (29)
Victimae paschali - 2a pars (of 2): Dic nobis Maria quid vidisti in via (29)
Vita sanctorum decus angelorum (6vv) Anonymous (51)

Set: A. R. 871-874

Type: Partbooks

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D-Rp A. R. 871-874 (A)

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D-Rp A. R. 871-874 (B)

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D-Rp A. R. 871-874 (D)

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D-Rp A. R. 871-874 (Q)

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D-Rp A. R. 871-874 (S)

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D-Rp A. R. 871-874 (T)

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description