D-Dl MS Löbau 14 (5)

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1600

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Löbau 14 (5)
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Pagination
Measurements c. 155 x 190 mm
Other Identifiers
  • CCM: DresSL Löbau 14
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents 45 pieces from 15 composers
General Description

A Quintus partbook from a set of five volumes, each consisting of the prints Wanningus: Sententiae insigniores (Dresden, 1584), and Quinos: Cantiones aliquot (Wittenberg, 1575), with manuscript additions. Copied by Christoph Nostwitz. Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2017
Physical Description

loss of pages in all books rendering many pieces incomplete

DIAMM, 2023
Binding

Restored and rebound in modern brown cardboard covers

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: original numbering of added motets 1-30. These come before (nos.1-2), between (nos.3-13) and after (nos. 14-30) the prints.

DIAMM, 2023
Foliation

Modern pencil foliation (includes the prints)

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Mass Proper section, 3 psalms, 22 motets, 3 German sacred pieces, 1 textless piece = 30

(Burck)-1, Clemens non Papa-1, S. Cornet/(Händl)-1, Feys-1, Formellis-1, Händl-6, Jhan of Ferrara? [Maistre Jehan]-1, Lassus-4, (Manchicourt)-1, Meiland-1, M. Neander-1, Nostwitz [C.N.P.]-1, C. Porta-1, Schede-2, Schlegel-1, Schröter-1, anon-5

5 paper partbooks, each consisting of the prints Wanningus: Sententiae insigniores (Dresden, 1584), and Quinos: Cantiones aliquot (Wittenberg, 1575), with manuscript additions (D-21 folios, A-25, T-24, B-24, Q-25), ca. 155 x 190. Modern pencil pagination. Restored and rebound in modern brown cardboard covers. Copied by Christoph Nostwitz.

Ca. 1600 (SteudeMS). Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

Vol 4

Physical: Quinos print = RISM Q109; Wanningus print = RISM W204.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
94 [blank staves] - -

[blank staves]

Appears on: 94
Voice: [no designation]
Languages: Latin
Voice Text: Rorate coeli de super
General Note

DTÖ 6, S. 32

94v [blank page] - -

[blank page]

Appears on: 94v
Voice: [no designation]
Languages: Latin
Voice Text: Ingenuit Susanna
General Note

Bk 50:87

95 Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria -
Appears on: 95
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Tibi laus tibi gloria
95v–96 Tibi laus, tibi gloria - 2a pars (of 2): Et benedictum nomen gloriae -
Appears on: 95v–96
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et benedictum nomen gloriae [part 2]
96–97v Jam non dicam vos servos sed amicos Jacob: Händel
Appears on: 96–97v
Genres: Motet
Source Attribution: Jacob: Händel
Voice: [no designation]
Languages: Latin
Voice Text: Iam non dicam vos servos
97v–98v Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur Leonhardus Schröter
Appears on: 97v–98v
Genres: Motet
Source Attribution: Leonhardus Schröter
Voice: [no designation]
Languages: Latin
Voice Text: Homo quidam erat dives
99–99v Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus -
Appears on: 99–99v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Accidit autem [part 2]
100–101 Lucerna pedibus meis Pauli Schedii
Appears on: 100–101
Genres: Psalm
Source Attribution: Pauli Schedii
Voice: [no designation]
Languages: Latin
Voice Text: Lucerna pedibus meis
101–101v Laudate Dominum omnes gentes, laudate eum -
Appears on: 101–101v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum omnes gentes
102–102v Deus meus in simplicitate cordis mei Orland:
Appears on: 102–102v
Genres: Motet
Source Attribution: Orland:
Voice: [no designation]
Languages: Latin
Voice Text: Deus meus in simplicitate cordis
103–103v Domine dirige - 1a pars (of 2): Domine dirige gressus meos Josephus Schlegel
Appears on: 103–103v
Genres: Motet
Source Attribution: Josephus Schlegel
Voice: [no designation]
Languages: Latin
Voice Text: Domine dirige gressus meos
104–104v Domine dirige - 2a pars (of 2): Doce me vias tuas -
Appears on: 104–104v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Doce me vias tuas [part 2]
105–106 Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter Arnoldus Feys
Appears on: 105–106
Genres: Motet
Source Attribution: Arnoldus Feys
Voice: [no designation]
Languages: Latin
Voice Text: Emendemus in melius
106–106v Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus -
Appears on: 106–106v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Peccavimus cum patribus part 2
107–107v Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor Clemens non papa
Appears on: 107–107v
Genres: Motet
Source Attribution: Clemens non papa
Voice: [no designation]
Languages: Latin
Voice Text: Adesto dolori meo
108–108v Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie -
Appears on: 108–108v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Interiora mea [part 2]
109 Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino M. Jehan
Appears on: 109
Genres: Motet
Source Attribution: M. Jehan
Voice: [no designation]
Languages: Latin
Voice Text: Hodie in Jordane baptizato
General Note

Incomplete: only the first 2 lines of text & music copied, remainder of opening & the following opening blank

109v–110 [blank staves] - -

[blank staves]

Appears on: 109v–110
Voice: [no designation]
Languages: Latin
Voice Text: Descendit spiritus sanctus [part 2]
110v–114v [blank pages] - -

[blank pages]

Appears on: 110v–114v
162–162v untexted - -
Appears on: 162–162v
Genres: textless
Voice: [no designation]
Languages: none
Voice Text: [Textless]
163 Surge propera - 1a pars (of 2): Surge propera amica mea columba mea -
Appears on: 163
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surge propera amica mea
General Note

Henricus 1604:369

163v–164 Surge propera - 2a pars (of 2): Surge amica mea speciosa mea -
Appears on: 163v–164
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Surge propera amica mea [part 2]
General Note

Henricus 1604:369

164–164v Repleatur os meum - 1a pars (of 2): Repleatur os meum Jacob Händl
Appears on: 164–164v
Genres: Motet
Source Attribution: Jacob Händl
Voice: [no designation]
Languages: Latin
Voice Text: Repleatur os meum
164v–166 Repleatur os meum - 2a pars (of 2): Exsurge gloria mea -
Appears on: 164v–166
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Exurge gloria mea [part 2]
166–166v Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat Orlandus
Appears on: 166–166v
Genres: Alleluia, Motet
Source Attribution: Orlandus
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia. Vox laeta personat [1a pars]
166v–167 Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant -
Appears on: 166v–167
Genres: Alleluia
Voice: [no designation]
Languages: Latin
Voice Text: Alleluia praegaudio resultant [part 2]
167v–168v Domine Dominus noster quam admirabile est (6vv) Orland:
Appears on: 167v–168v
Genres: Motet
Source Attribution: Orland:
Voice: [no designation]
Languages: Latin
Voice Text: Domine Dominus noster
168v–169v Der ehlich Stand ist ehrenwert - Anonymous
Appears on: 168v–169v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Der ehliche Standt ist ehrenwert
170–170v Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort Paulus Schedius
Appears on: 170–170v
Genres: Motet
Source Attribution: Paulus Schedius
Voice: [no designation]
Languages: German
Voice Text: Erhalt uns herr bey deinem wortt
170v–171 Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ -
Appears on: 170v–171
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Beweis dein macht [part 2]
171–172 Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist -
Appears on: 171–172
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Gott heiliger Geist [part 3]
172–172v Erhalt unns herr - 4a pars (of 6): Verleih uns frieden -
Appears on: 172–172v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Verley uns fried [part 4]
173–173v Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] -
Appears on: 173–173v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Gib unserm Kayser [part 5]
173v Erhalt unns herr - 6a pars (of 6): Amen -
Appears on: 173v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Amen [part 6]
173v–174v Sancta Trinitas unus Deus miserere nostri Jacob Händl
Appears on: 173v–174v
Genres: Motet
Source Attribution: Jacob Händl
Voice: [no designation]
Languages: Latin
Voice Text: Sancta Trinitas unus Deus
175–175v Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Jacob: Händl
Appears on: 175–175v
Genres: Motet
Source Attribution: Jacob: Händl
Voice: [no designation]
Languages: Latin
Voice Text: Tota pulchra es amica mea
175v–176v Tota pulchra es - 2a pars (of 2): Vulnerasti cor meum -
Appears on: 175v–176v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Vulnerasti cor meum [part 2]
176v–177v Certus sermo et dignus quem modis omnibus -
Appears on: 176v–177v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Certus sermo et dignus
General Note

Neuber, Montanus Erben 1566:18

178–178v O vos omnes - 1a pars (of 2): O vos omnes qui transitis - Anonymous
Appears on: 178–178v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O vos omnes qui transitis
178v–179v O vos omnes - 2a pars (of 2): Omnes amici mei - Anonymous
Appears on: 178v–179v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Omnes amici mei [part 2]
179v–181 Ego flos campi et lilium convalium C.N.P. [= Clemens non Papa]
Appears on: 179v–181
Genres: Motet
Source Attribution: C.N.P. [= Clemens non Papa]
Voice: [no designation]
Languages: Latin
Voice Text: Ego flos campi
181–182v Cantate Domino canticum novum cantate Wilhelm Formellus
Appears on: 181–182v
Genres: Motet
Source Attribution: Wilhelm Formellus
Voice: [no designation]
Languages: Latin
Voice Text: Cantate Domino canticum novum
182v–183v Dilectus meus mihi et ego illi Constantinus de Parta [sic]
Appears on: 182v–183v
Genres: Motet
Source Attribution: Constantinus de Parta [sic]
Voice: [no designation]
Languages: Latin
Voice Text: Dilectus meus mihi
184–184v Komm zu uns, O Heiliger Geist, gib - Anonymous
Appears on: 184–184v
Genres: Hymn, Veni sancte spiritus
Voice: [no designation]
Languages: German
Voice Text: Komm zu uns o heiliger Geist
Layout

added in a different hand and in a different layout on the page

185–186v [blank pages] - -

[blank pages]

Appears on: 185–186v
Composer Compositions
Anonymous
Burck, Joachim à (1546–1610)
Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Cornet, Severin (ca. 1520–1582)
Ferrara, Maistre Jhan of (ca. 1485–1538)
Feys, Arnoldus
Formellis, Wilhelmus (ca. 1541–1582)
Handl (Gallus), Jacobus (1550–1591)
Judex, Valentin
Lassus, Orlande de (ca. 1532–1594)
Porta, Costanzo
Porta, Franciscus
Schede, Paul Melissus
Schlegel, Joseph
Schroeter, Leonhard
Composition Composers (? Uncertain) Folios / Pages
Adesto dolori meo - 1a pars (of 2): Adesto dolori meo deus nimium fatigor 107–107v
Adesto dolori meo - 2a pars (of 2): Interiora mea efferbuerunt absque ulla requie 108–108v
Alleluia. Vox laeta personat - 1a pars (of 2): Alleluia. Vox laeta personat 166–166v
Alleluia. Vox laeta personat - 2a pars (of 2): Alleluia. Praegaudio resultant 166v–167
Cantate Domino canticum novum cantate 181–182v
Certus sermo et dignus quem modis omnibus 176v–177v
Der ehlich Stand ist ehrenwert Anonymous 168v–169v
Deus meus in simplicitate cordis mei 102–102v
Dilectus meus mihi et ego illi 182v–183v
Domine dirige - 1a pars (of 2): Domine dirige gressus meos 103–103v
Domine dirige - 2a pars (of 2): Doce me vias tuas 104–104v
Domine Dominus noster quam admirabile est (6vv) 167v–168v
Ego flos campi et lilium convalium 179v–181
Emendemus in melius - 1a pars (of 2): Emendemus in melius que ignoranter 105–106
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus 106–106v
Erhalt unns herr - 1a pars (of 6): Erhalt unns herr bei Deinem wort 170–170v
Erhalt unns herr - 2a pars (of 6): Beweiss Dein macht Herr Jesu Christ 170v–171
Erhalt unns herr - 3a pars (of 6): Gott heiliger Geist 171–172
Erhalt unns herr - 4a pars (of 6): Verleih uns frieden 172–172v
Erhalt unns herr - 5a pars (of 6): Gib unserm Kayser [Gib unsern fürsten] 173–173v
Erhalt unns herr - 6a pars (of 6): Amen 173v
Hodie in Jordane - 1a pars (of 2): Hodie in Jordane baptizato Domino 109
Homo quidam erat - 1a pars (of 2): Homo quidam erat dives qui induebatur 97v–98v
Homo quidam erat - 2a pars (of 2): Accidit autem ut moreretur Lazarus 99–99v
Jam non dicam vos servos sed amicos 96–97v
Komm zu uns, O Heiliger Geist, gib Anonymous 184–184v
Laudate Dominum omnes gentes, laudate eum 101–101v
Lucerna pedibus meis 100–101
O vos omnes - 1a pars (of 2): O vos omnes qui transitis Anonymous 178–178v
O vos omnes - 2a pars (of 2): Omnes amici mei Anonymous 178v–179v
Repleatur os meum - 1a pars (of 2): Repleatur os meum 164–164v
Repleatur os meum - 2a pars (of 2): Exsurge gloria mea 164v–166
Sancta Trinitas unus Deus miserere nostri 173v–174v
Surge propera - 1a pars (of 2): Surge propera amica mea columba mea 163
Surge propera - 2a pars (of 2): Surge amica mea speciosa mea 163v–164
Tibi laus, tibi gloria - 1a pars (of 2): Tibi laus, tibi gloria 95
Tibi laus, tibi gloria - 2a pars (of 2): Et benedictum nomen gloriae 95v–96
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula 175–175v
Tota pulchra es - 2a pars (of 2): Vulnerasti cor meum 175v–176v
untexted - 162–162v

Set: MS Löbau 14 (1-5)

Type: Partbooks

No images available

D-Dl MS Löbau 14 (1)

No images available

D-Dl MS Löbau 14 (2)

No images available

D-Dl MS Löbau 14 (3)

No images available

D-Dl MS Löbau 14 (4)

No images available

D-Dl MS Löbau 14 (5)

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 128-9. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description