D-Dl MS Löbau 50 [Quintus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1610-60

Archive	Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark	MS Löbau 50 [Quintus]
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	None / Unknown
Measurements	148 x 192 mm
Other Identifiers	CCM: DresSL Löbau 50
Notations	black void mensural
Relationships	Landesbibliothek (owner) Ratsbibliothek (Town Council Library), Löbau (owner) Latin school (copied at)
External Links	images images of the single leaf from book 6, 7 or 8
External Authorities	RISM Online (sources/211006044)
Provenance	Latin school , Löbau, Bavaria, Germany
Contents	Contains 59 compositions, 26 from 20 composers, 33 are anonymous.

General Description

A Quintus partbook from an incomplete set originally of 8 books, each of which consists of the prints RISM F721 and L1298, with manuscript additions. 6 books survive (though with many losses); a single leaf preserved separately appears to come from the 6th, 7th (lost) or 8th book. Copied by several scribes. Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2023

Physical Description

The books are in poor condition; only the Tenor and Bassus volumes are complete.

DIAMM, 2017

Binding

Tenor rebound in modern brown cardboard covers; Bassus has original covers but folios are loose; folios of other books are loose and are kept in envelopes

DIAMM, 2017

Notation

black void mensural

DIAMM, 2023

Foliation

No foliation. Modern pencil foliation.

DIAMM, 2023

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Mass Proper sections, 5 psalms, 12 motets, 86 German sacred pieces (14 in organ tablature) = 105 + 1 duplicate = 106

(Amon)-1, (Burck)-1, (Demantius)-5, (Dressler)-2, Dulichius-1, Gesius-4, Hammerschmidt-1, (Händl)-3, Hassler-2, C. Hollander-1, Josquin/(Gombert)-1, (Lohr)-1, Massaini-1, Pinello di Ghirardi? [Johannes Baptista]-1, H. Praetorius-1, Quagliati-1, (Raselius)-1, (Alessandro Romano)-1, Schröter-1, Selich-1, Stabile-1, Vierdanck-1, Walliser-1, Weber-1, anon-70

7 paper partbooks, each consisting of the prints RISM F721 and L1298, with manuscript additions (T-103 folios; number of folios in other books not available), 148 x 192. The books are in poor condition; only T and B are complete. No foliation. T rebound in modern brown cardboard covers; B has original covers but folios are loose; folios of other books are loose and are kept in envelopes. Copied by several scribes.

Ca. 1610-60 (SteudeMS). Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Number of voices	Source attribution	Composers (? Uncertain)
70–71	An wasserflüssen Babylon da sassen wir	8	Anon.	Anonymous
An wasserflüssen Babylon da sassen wir Anonymous Appears on: 70–71 Genres: Psalm Source Attribution: Anon. Number of voices: 8 Voice: [no designation] Languages: German Voice Text: An wasserflüssen Babÿlon da sassen wir
71v–72v	Allein zu dir Herr Jesu Christ mein Hoffnung	8	Georgius Weber	Weber, Georg (ca. 1540–1599)
Allein zu dir Herr Jesu Christ mein Hoffnung Weber, Georg (ca. 1540–1599) Appears on: 71v–72v Genres: Motet Source Attribution: Georgius Weber Number of voices: 8 Voice: [no designation] Languages: German Voice Text: Allein zu dir Herr Jhesu Christ mein hoffnung
72v–73v	Wer ist das kindt? Wo ists geborn?	8	Anon.	Anonymous
Wer ist das kindt? Wo ists geborn? Anonymous Appears on: 72v–73v Genres: Hymn Source Attribution: Anon. Number of voices: 8 Voice: [no designation] Languages: German Voice Text: Wer ist das kindt? Wo ists geborn?
73v–74	Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	5	Anon.	Anonymous
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden Anonymous Appears on: 73v–74 Genres: Motet Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes immolant Christiani II: Dic nobis Maria quid vidisti III: Credendum est magis soli Mariae
74–74v	Victimae paschali - 2a pars (of 3): Dic nobis Maria	5	-	Anonymous
Victimae paschali - 2a pars (of 3): Dic nobis Maria Anonymous Appears on: 74–74v Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Dic nobis Maria [part 2]
74v–75	Victimae paschali - 3a pars (of 3): Credendum est magis	5	-	Anonymous
Victimae paschali - 3a pars (of 3): Credendum est magis Anonymous Appears on: 74v–75 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Credendum est magis [part 3]
75v–76	Gaudent in caelis animae sanctorum	8	Christoph: Thomas Walliser	Walliser, Christoph Thomas (1568–1648)
Gaudent in caelis animae sanctorum Walliser, Christoph Thomas (1568–1648) Appears on: 75v–76 Genres: Motet Source Attribution: Christoph: Thomas Walliser Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Gaudent in caelis animae sanctorum
76v–77	Decantabat populus Israel laudem Domino	8	Pauli Quagliadi [= Quagliati]	Quagliati, Paulo
Decantabat populus Israel laudem Domino Quagliati, Paulo Appears on: 76v–77 Genres: Motet Source Attribution: Pauli Quagliadi [= Quagliati] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Decantabat populus Israel laudem domino Concordances printed in RISM B/I 1592¦2 (p.11).
77v–79	Lobet den Herren in seinen heiligthumb	8	Johannes Baptista [= Pinello di Ghirardi]	Pinello di Ghirardi, Giovanni Battista (?)
Lobet den Herren in seinen heiligthumb Pinello di Ghirardi, Giovanni Battista (?) Appears on: 77v–79 Genres: Motet Source Attribution: Johannes Baptista [= Pinello di Ghirardi] Number of voices: 8 Voice: [no designation] Languages: German Voice Text: Lobet den Herren in seinen heiligthumb
79–79v	Victimae paschali laudes inmolent Christiani	8	Annibal Stabilis	Stabile, Annibale (ca. 1535–1595)
Victimae paschali laudes inmolent Christiani Stabile, Annibale (ca. 1535–1595) Appears on: 79–79v Genres: Motet Source Attribution: Annibal Stabilis Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Victimae paschali laudes inmolent Christiani
79v–80v	Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon)	8	Josquini de Pres/ [Gombert]	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Despres, Josquin (ca. 1450–1521) (?)
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) Gombert, Nicolas (ca. 1495–ca. 1560) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 79v–80v Genres: Motet Source Attribution: Josquini de Pres/ [Gombert] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugabat David Absalom pius pater] General Note 1a pars only Concordances RISM 1554^10:41
80v–82	Verlass mich nicht Gott in Alter	8	Leonh: Schröteri [= Schröter]	Schroeter, Leonhard
Verlass mich nicht Gott in Alter Schroeter, Leonhard Appears on: 80v–82 Genres: Motet Source Attribution: Leonh: Schröteri [= Schröter] Number of voices: 8 Voice: [no designation] Languages: German Voice Text: Verlass mich nicht Ghott in alter
82–83	Hymnum cantate nobis de canticis Sion	8	Tiburtii Massaini	Massaino, Tiburzio
Hymnum cantate nobis de canticis Sion Massaino, Tiburzio Appears on: 82–83 Genres: Motet Source Attribution: Tiburtii Massaini Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Hymnum cantate nobis decanticis Sion
83v–84v	Exultate justi in Domino rectos decet	8	Philippi Dulichi [= Dulichius]	Dulichius, Philipp
Exultate justi in Domino rectos decet Dulichius, Philipp Appears on: 83v–84v Genres: Motet Source Attribution: Philippi Dulichi [= Dulichius] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Exultate iusti in domino rectos decet
85–85v	Gaudete filiae Jerusalem nam flores (8vv)	8	Barthol: Gesius	Gesius, Bartholomäus (ca. 1555–1613)
Gaudete filiae Jerusalem nam flores (8vv) Gesius, Bartholomäus (ca. 1555–1613) Appears on: 85–85v Genres: Motet Source Attribution: Barthol: Gesius Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Gaudete filiae Hierusalem nam flores
86–86v	Du bist aller dinge schöne meine freunden (8vv)	8	Anon.	Anonymous
Du bist aller dinge schöne meine freunden (8vv) Anonymous Appears on: 86–86v Genres: Motet Source Attribution: Anon. Number of voices: 8 Voice: [no designation] Languages: German Voice Text: Du bist aller dinge schöne meine freunden Concordances also in Mus.Löb.42
87–88	Cantate Domino canticum novum (8vv)	8	[Amon]	Ammon, Blasius (fl. c1440)
Cantate Domino canticum novum (8vv) Ammon, Blasius (fl. c1440) Appears on: 87–88 Genres: Motet Source Attribution: [Amon] Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Cantate domino canticum novum laus eius General Note RISM 1618^1:18
88–89	Lieblich und schöne sein ist nichts	8	[Gesius]	Gesius, Bartholomäus (ca. 1555–1613)
Lieblich und schöne sein ist nichts Gesius, Bartholomäus (ca. 1555–1613) Appears on: 88–89 Genres: Motet Source Attribution: [Gesius] Number of voices: 8 Voice: [no designation] Languages: German Voice Text: Lieblich und schöne sein ist nichts
89–89v	Lobet den Herren ihr seine engel	8	Anon.	Anonymous
Lobet den Herren ihr seine engel Anonymous Appears on: 89–89v Genres: Motet Source Attribution: Anon. Number of voices: 8 Voice: [no designation] Languages: German Voice Text: Lobett den Herren ihr seine engel Concordances also in Mus.Löb.53
90–90v	Beati omnes qui timent Dominum qui ambulant (8vv)	8	Christianus Holander	Hollander, Christian
Beati omnes qui timent Dominum qui ambulant (8vv) Hollander, Christian Appears on: 90–90v Genres: Motet Source Attribution: Christianus Holander Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Beati omnes qui timent dominum qui ambulant
91–91v	Saule Saule quid me - 1a pars (of 2): Saule Saule quid me persequeris quis es	8	Anon.	Anonymous
Saule Saule quid me - 1a pars (of 2): Saule Saule quid me persequeris quis es Anonymous Appears on: 91–91v Genres: Motet Source Attribution: Anon. Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Saule Saule quid me persequeris quis es II: Et tremens ac stupens dixit domine
91v–92	Saule Saule quid me - 2a pars (of 2): Et tremens ac stupens	8	-	Anonymous
Saule Saule quid me - 2a pars (of 2): Et tremens ac stupens Anonymous Appears on: 91v–92 Genres: Motet Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Et tremens ac stupens [part 2]
92v–93v	Exultate Deo adjutori nostro jubilate	5	Johan: Leon. Hasleri	Hassler, Hans Leo (1564–1612)
Exultate Deo adjutori nostro jubilate Hassler, Hans Leo (1564–1612) Appears on: 92v–93v Genres: Motet Source Attribution: Johan: Leon. Hasleri Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Exultate deo adiutori nostro iubilate
94–95	Der ehlich Stand sein Ursprung hat	5	Anon.	Anonymous
Der ehlich Stand sein Ursprung hat Anonymous Appears on: 94–95 Genres: Motet Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Der ehlich standt sein ursprung hat
95–96v	Laudate Dominum in sanctis eius laudate	8	Hieron: Praetor:	Praetorius, Hieronymus (1560–1629)
Laudate Dominum in sanctis eius laudate Praetorius, Hieronymus (1560–1629) Appears on: 95–96v Genres: Motet Source Attribution: Hieron: Praetor: Number of voices: 8 Voice: [no designation] Languages: Latin Voice Text: Laudate dominum in sanctis eius laudate
97–97v	Zion spricht der Herr hatt mich verlassen	-	Anon.	Anonymous
Zion spricht der Herr hatt mich verlassen Anonymous Appears on: 97–97v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Zion spricht der Herr hatt mich verlassen
97v–99	Herr Gott du bist unser zuflucht	-	Anon.	Anonymous
Herr Gott du bist unser zuflucht Anonymous Appears on: 97v–99 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Herr Ghott du bist unser zuflucht
99–99v	O wie selig ist - 1a pars (of 2): O wie selig ist der tod dem der verstirbt	5	Ba: Gesii [= Gesius]	Gesius, Bartholomäus (ca. 1555–1613)
O wie selig ist - 1a pars (of 2): O wie selig ist der tod dem der verstirbt Gesius, Bartholomäus (ca. 1555–1613) Appears on: 99–99v Genres: Motet Source Attribution: Ba: Gesii [= Gesius] Number of voices: 5 Voice: [no designation] Languages: German Voice Text: O wie selig ist der tod dem der verstirbt II: Darumb sollen wir nicht trauren
99v–100	O wie selig ist - 2a pars (of 2): Darum wir sollen nicht sorgen	5	-	Gesius, Bartholomäus (ca. 1555–1613)
O wie selig ist - 2a pars (of 2): Darum wir sollen nicht sorgen Gesius, Bartholomäus (ca. 1555–1613) Appears on: 99v–100 Genres: Motet Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Darumb wir sollen nicht trawren [part 2] Concordances 2a pars texted "Darum sollen wir nicht trauern" in Mus.Löb.15
100v	Habn wir das gut empfangen von dem Herren	-	Anon.	Anonymous
Habn wir das gut empfangen von dem Herren Anonymous Appears on: 100v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Habn wir das gut empfangen von dem Herren General Note Zahn 8649a var.
101–101v	Also hatt Gott die Welt geliebt	5	Anon.	Anonymous
Also hatt Gott die Welt geliebt Anonymous Appears on: 101–101v Genres: Sacred Song Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Also hat Ghott die welt geliebt
101v–102	Justorum animae in manu Dei sunt	-	Anon.	Anonymous
Justorum animae in manu Dei sunt Anonymous Appears on: 101v–102 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Iustorum animae in manu dei sunt
102–102v	Vade populus meus intra in cubilia tua	-	Anon.	Anonymous
Vade populus meus intra in cubilia tua Anonymous Appears on: 102–102v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Vade populus meus intra in cubilia tua
102v–103	Kein Ding auf Erd mich freuen tut	-	Anon.	Anonymous
Kein Ding auf Erd mich freuen tut Anonymous Appears on: 102v–103 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Kein ding auff erd mich frewen thut
103v	Mein Herr und Gott wenn ich muss fort [i]	-	Anon.	Anonymous
Mein Herr und Gott wenn ich muss fort [i] Anonymous Appears on: 103v Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Mein Herr und Gott wen ich muss fort
104–105	O Welt ich muss dich lassen	5	[Demantius]	Demantius, Christoph
O Welt ich muss dich lassen Demantius, Christoph Appears on: 104–105 Genres: Hymn Source Attribution: [Demantius] Number of voices: 5 Voice: [no designation] Languages: German Voice Text: O welt ich muss dich lassen ich fahr General Note Hoffmann 1620:6 Concordances printed in RISM A/I D 1542 (no.22). 4vv version in Schellenberg 35
105v–106	Ich war ein kleiness kindelein geborn	5	[Demantius]	Demantius, Christoph
Ich war ein kleiness kindelein geborn Demantius, Christoph Appears on: 105v–106 Genres: Hymn Source Attribution: [Demantius] Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Ich war ein kleiness kindelein geborn General Note Hoffmann 1620:37 Concordances printed in RISM A/I D 1542 (no.37).
106v–107	Mit fried und freud ich fahr dahin	5	[Demantius]	Demantius, Christoph
Mit fried und freud ich fahr dahin Demantius, Christoph Appears on: 106v–107 Genres: Hymn Source Attribution: [Demantius] Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Mitt fried und freud ich fahr dahin General Note Hoffmann 1620:10 Concordances printed in RISM A/I D 1542 (no.10).
107v–108	Nu last unnss den leib begraben	5	[Demantius]	Demantius, Christoph
Nu last unnss den leib begraben Demantius, Christoph Appears on: 107v–108 Genres: Chorale, Hymn Source Attribution: [Demantius] Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Nu last unnss den leib begraben General Note Hoffmann 1620:34 Concordances printed in RISM A/I D 1542 (no.34).
108v	Zion spricht der Herr hat mich verlassen (= Madonna più che mai)	5	[Alessandro Romano]	Romano, Alessandro (ca. 1533–1592)
Zion spricht der Herr hat mich verlassen (= Madonna più che mai) Romano, Alessandro (ca. 1533–1592) Appears on: 108v Genres: Contrafactum, Motet Source Attribution: [Alessandro Romano] Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Zion spricht der Herr hat mich verlassen General Note incomplete, beginning only
109–109v	Aus der Tieffen - 2a pars (of 2): Ich harre dess Herren meiner seele	8	-	Gesius, Bartholomäus (ca. 1555–1613)
Aus der Tieffen - 2a pars (of 2): Ich harre dess Herren meiner seele Gesius, Bartholomäus (ca. 1555–1613) Appears on: 109–109v Genres: Motet Number of voices: 8 Voice: [no designation] Languages: German Voice Text: Ich harre deß herren [part 2] General Note Bohn 24. 30; incomplete, 1a pars & the beginning of the 2a pars missing owing to loss of page(s)
109v–111	Also hatt Gott die Welt geliebt	8	[Raselius]	Raselius, Andreas (ca. 1563–1602)
Also hatt Gott die Welt geliebt Raselius, Andreas (ca. 1563–1602) Appears on: 109v–111 Genres: Sacred Song Source Attribution: [Raselius] Number of voices: 8 Voice: [no designation] Languages: German Voice Text: Also hatt Gott die welt geliebet
111v–112	Ich glaub und weiss dass Jesus Christ	-	Anon.	Anonymous
Ich glaub und weiss dass Jesus Christ Anonymous Appears on: 111v–112 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ich glaub und weiss dass Jesus Christ
112v–113	Was trotzestu du übermuth das Deine zunge	3	Anon.	Anonymous
Was trotzestu du übermuth das Deine zunge Anonymous Appears on: 112v–113 Genres: Song Source Attribution: Anon. Number of voices: 3 Voice: [no designation] Languages: German Voice Text: Was trotzestu du übermuth das deine zunge General Note damage at top of page affecting top line of music
113v–114	Jüngling Deiner Eltern beide stecken	5	Anon.	Anonymous
Jüngling Deiner Eltern beide stecken Anonymous Appears on: 113v–114 Genres: Hymn Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Jüngling deiner eltern beyde stecken General Note damage at top of page affecting top line of music
114v–115	Gott sorget für die seinen die ihn	5	Anon.	Anonymous
Gott sorget für die seinen die ihn Anonymous Appears on: 114v–115 Genres: Hymn Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Gott sorget für die seinen die ihn General Note damage at top of page affecting music
115v–116	Den Ehstandt niemand nicht veracht	5	Anon.	Anonymous
Den Ehstandt niemand nicht veracht Anonymous Appears on: 115v–116 Genres: Hymn Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Den ehstandt niemand nicht veracht
116v–117	Wer will des höchsten grosse Barmherzigkeit	5	Anon.	Anonymous
Wer will des höchsten grosse Barmherzigkeit Anonymous Appears on: 116v–117 Genres: Hymn Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Wer will des höchsten grosse barmhertzigkeitt
117v	Freue dich mitt guten leuten gönnet	5	Anon.	Anonymous
Freue dich mitt guten leuten gönnet Anonymous Appears on: 117v Genres: Hymn Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Freue dich mitt guten leuten gönnet
118–119	Lass viel und mancher güter erfreuen	5	Anon.	Anonymous
Lass viel und mancher güter erfreuen Anonymous Appears on: 118–119 Genres: Hymn Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Lass viel undt mancher güter erfreuen
119v–120v	Gehet nun gehet ihr edeles paar	5	Anon.	Anonymous
Gehet nun gehet ihr edeles paar Anonymous Appears on: 119v–120v Genres: Hymn Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Ghehet nun gehet ihr edeles paar
120v–121v	Ehre sei Gott in der Höhe Friede auf Erden	5	Andr. Hammerschm[idt]	Hammerschmidt, Andreas (ca. 1611–1675)
Ehre sei Gott in der Höhe Friede auf Erden Hammerschmidt, Andreas (ca. 1611–1675) Appears on: 120v–121v Genres: Motet Source Attribution: Andr. Hammerschm[idt] Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Ehre sey Ghott in der höhe friede auf erden General Note pages damaged with loss of some music
121v	Der Herr erhöre dich	5	Dan. Selichii	Selich, Daniel
Der Herr erhöre dich Selich, Daniel Appears on: 121v Genres: Motet Source Attribution: Dan. Selichii Number of voices: 5 Voice: [no designation] Languages: German Voice Text: [Der Herr erhöre dich] [Symphonia only] General Note pages damaged with loss of some music. Two voice parts copied
122–122v	Komm zu uns, O Heiliger Geist, gib	5	Anon.	Anonymous
Komm zu uns, O Heiliger Geist, gib Anonymous Appears on: 122–122v Genres: Hymn, Veni sancte spiritus Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Kom zu unss O heiliger geist gieb General Note pages damaged with loss of some music
123	Sei gegrüsset Jesu gütig über alle	5	Anon.	Anonymous
Sei gegrüsset Jesu gütig über alle Anonymous Appears on: 123 Genres: Hymn Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Sey gegrüsset Jesu gütig über alle General Note Zahn 3889a - Vopelius S. 1102 (Satz) ; pages damaged with loss of some music
123v	Ave Jesu summe bonus ad parcendum (= Sei gegrüsset)	5	Anon.	Anonymous
Ave Jesu summe bonus ad parcendum (= Sei gegrüsset) Anonymous Appears on: 123v Genres: Hymn Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: Latin Voice Text: Ave Jesu summe bonus ad parcendum General Note Zahn 3889a - Vopelius S. 1102 (Satz) ; pages damaged with loss of some music. Concordances Musically the same as the previous piece
124	untexted	-	Anon.	Anonymous
untexted Anonymous Appears on: 124 Genres: textless Source Attribution: Anon. General Note part for 'violino & flauto'
124v–125, 127-127v	Singet nun mit herz und munde	5	Anon.	Anonymous
Singet nun mit herz und munde Anonymous Appears on: 124v–125, 127-127v Genres: Hymn Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Singet nun mit herz und munde General Note Incomplete - pages badly damaged with substantial losses of music
126–126v, 128-128v	Allein zu dir Herr Jesu Christ	5	Anon.	Anonymous
Allein zu dir Herr Jesu Christ Anonymous Appears on: 126–126v, 128-128v Genres: Motet Source Attribution: Anon. Number of voices: 5 Voice: [no designation] Languages: German Voice Text: Allein zu dir Herr Jesu Christ General Note Zahn 7292b. Incomplete - pages badly damaged with substantial losses of music

Composer	Compositions
Ammon, Blasius (c1440)	Cantate Domino canticum novum (8vv) – 87–88
Anonymous	Allein zu dir Herr Jesu Christ – 126–126v, 128-128v Also hatt Gott die Welt geliebt – 101–101v An wasserflüssen Babylon da sassen wir – 70–71 Ave Jesu summe bonus ad parcendum (= Sei gegrüsset) – 123v Den Ehstandt niemand nicht veracht – 115v–116 Der ehlich Stand sein Ursprung hat – 94–95 Du bist aller dinge schöne meine freunden (8vv) – 86–86v Freue dich mitt guten leuten gönnet – 117v Gehet nun gehet ihr edeles paar – 119v–120v Gott sorget für die seinen die ihn – 114v–115 Habn wir das gut empfangen von dem Herren – 100v Herr Gott du bist unser zuflucht – 97v–99 Ich glaub und weiss dass Jesus Christ – 111v–112 Justorum animae in manu Dei sunt – 101v–102 Jüngling Deiner Eltern beide stecken – 113v–114 Kein Ding auf Erd mich freuen tut – 102v–103 Komm zu uns, O Heiliger Geist, gib – 122–122v Lass viel und mancher güter erfreuen – 118–119 Lobet den Herren ihr seine engel – 89–89v Mein Herr und Gott wenn ich muss fort [i] – 103v Saule Saule quid me - 1a pars (of 2): Saule Saule quid me persequeris quis es – 91–91v Saule Saule quid me - 2a pars (of 2): Et tremens ac stupens – 91v–92 Sei gegrüsset Jesu gütig über alle – 123 Singet nun mit herz und munde – 124v–125, 127-127v Vade populus meus intra in cubilia tua – 102–102v Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden – 73v–74 Victimae paschali - 2a pars (of 3): Dic nobis Maria – 74–74v Victimae paschali - 3a pars (of 3): Credendum est magis – 74v–75 Was trotzestu du übermuth das Deine zunge – 112v–113 Wer ist das kindt? Wo ists geborn? – 72v–73v Wer will des höchsten grosse Barmherzigkeit – 116v–117 Zion spricht der Herr hatt mich verlassen – 97–97v untexted – 124
Demantius, Christoph	Ich war ein kleiness kindelein geborn – 105v–106 Mit fried und freud ich fahr dahin – 106v–107 Nu last unnss den leib begraben – 107v–108 O Welt ich muss dich lassen – 104–105
Despres, Josquin (ca. 1450-1521)	(?) Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) – 79v–80v
Dulichius, Philipp	Exultate justi in Domino rectos decet – 83v–84v
Gesius, Bartholomäus (ca. 1555-1613)	Aus der Tieffen - 2a pars (of 2): Ich harre dess Herren meiner seele – 109–109v Gaudete filiae Jerusalem nam flores (8vv) – 85–85v Lieblich und schöne sein ist nichts – 88–89 O wie selig ist - 1a pars (of 2): O wie selig ist der tod dem der verstirbt – 99–99v O wie selig ist - 2a pars (of 2): Darum wir sollen nicht sorgen – 99v–100
Gombert, Nicolas (ca. 1495-ca. 1560)	(?) Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) – 79v–80v
Hammerschmidt, Andreas (ca. 1611-1675)	Ehre sei Gott in der Höhe Friede auf Erden – 120v–121v
Hassler, Hans Leo (1564-1612)	Exultate Deo adjutori nostro jubilate – 92v–93v
Hollander, Christian	Beati omnes qui timent Dominum qui ambulant (8vv) – 90–90v
Massaino, Tiburzio	Hymnum cantate nobis de canticis Sion – 82–83
Pinello di Ghirardi, Giovanni Battista	(?) Lobet den Herren in seinen heiligthumb – 77v–79
Praetorius, Hieronymus (1560-1629)	Laudate Dominum in sanctis eius laudate – 95–96v
Quagliati, Paulo	Decantabat populus Israel laudem Domino – 76v–77
Raselius, Andreas (ca. 1563-1602)	Also hatt Gott die Welt geliebt – 109v–111
Romano, Alessandro (ca. 1533-1592)	Zion spricht der Herr hat mich verlassen (= Madonna più che mai) – 108v
Schroeter, Leonhard	Verlass mich nicht Gott in Alter – 80v–82
Selich, Daniel	Der Herr erhöre dich – 121v
Stabile, Annibale (ca. 1535-1595)	Victimae paschali laudes inmolent Christiani – 79–79v
Walliser, Christoph Thomas (1568-1648)	Gaudent in caelis animae sanctorum – 75v–76
Weber, Georg (ca. 1540-1599)	Allein zu dir Herr Jesu Christ mein Hoffnung – 71v–72v

Composition	Composers (? Uncertain)	Folios / Pages
Allein zu dir Herr Jesu Christ	Anonymous	126–126v, 128-128v
Allein zu dir Herr Jesu Christ mein Hoffnung	Weber, Georg (ca. 1540–1599)	71v–72v
Also hatt Gott die Welt geliebt	Anonymous	101–101v
Also hatt Gott die Welt geliebt	Raselius, Andreas (ca. 1563–1602)	109v–111
An wasserflüssen Babylon da sassen wir	Anonymous	70–71
Aus der Tieffen - 2a pars (of 2): Ich harre dess Herren meiner seele	Gesius, Bartholomäus (ca. 1555–1613)	109–109v
Ave Jesu summe bonus ad parcendum (= Sei gegrüsset)	Anonymous	123v
Beati omnes qui timent Dominum qui ambulant (8vv)	Hollander, Christian	90–90v
Cantate Domino canticum novum (8vv)	Ammon, Blasius (fl. c1440)	87–88
Decantabat populus Israel laudem Domino	Quagliati, Paulo	76v–77
Den Ehstandt niemand nicht veracht	Anonymous	115v–116
Der ehlich Stand sein Ursprung hat	Anonymous	94–95
Der Herr erhöre dich	Selich, Daniel	121v
Du bist aller dinge schöne meine freunden (8vv)	Anonymous	86–86v
Ehre sei Gott in der Höhe Friede auf Erden	Hammerschmidt, Andreas (ca. 1611–1675)	120v–121v
Exultate Deo adjutori nostro jubilate	Hassler, Hans Leo (1564–1612)	92v–93v
Exultate justi in Domino rectos decet	Dulichius, Philipp	83v–84v
Freue dich mitt guten leuten gönnet	Anonymous	117v
Gaudent in caelis animae sanctorum	Walliser, Christoph Thomas (1568–1648)	75v–76
Gaudete filiae Jerusalem nam flores (8vv)	Gesius, Bartholomäus (ca. 1555–1613)	85–85v
Gehet nun gehet ihr edeles paar	Anonymous	119v–120v
Gott sorget für die seinen die ihn	Anonymous	114v–115
Habn wir das gut empfangen von dem Herren	Anonymous	100v
Herr Gott du bist unser zuflucht	Anonymous	97v–99
Hymnum cantate nobis de canticis Sion	Massaino, Tiburzio	82–83
Ich glaub und weiss dass Jesus Christ	Anonymous	111v–112
Ich war ein kleiness kindelein geborn	Demantius, Christoph	105v–106
Justorum animae in manu Dei sunt	Anonymous	101v–102
Jüngling Deiner Eltern beide stecken	Anonymous	113v–114
Kein Ding auf Erd mich freuen tut	Anonymous	102v–103
Komm zu uns, O Heiliger Geist, gib	Anonymous	122–122v
Lass viel und mancher güter erfreuen	Anonymous	118–119
Laudate Dominum in sanctis eius laudate	Praetorius, Hieronymus (1560–1629)	95–96v
Lieblich und schöne sein ist nichts	Gesius, Bartholomäus (ca. 1555–1613)	88–89
Lobet den Herren ihr seine engel	Anonymous	89–89v
Lobet den Herren in seinen heiligthumb	Pinello di Ghirardi, Giovanni Battista (?)	77v–79
Mein Herr und Gott wenn ich muss fort [i]	Anonymous	103v
Mit fried und freud ich fahr dahin	Demantius, Christoph	106v–107
Nu last unnss den leib begraben	Demantius, Christoph	107v–108
O Welt ich muss dich lassen	Demantius, Christoph	104–105
O wie selig ist - 1a pars (of 2): O wie selig ist der tod dem der verstirbt	Gesius, Bartholomäus (ca. 1555–1613)	99–99v
O wie selig ist - 2a pars (of 2): Darum wir sollen nicht sorgen	Gesius, Bartholomäus (ca. 1555–1613)	99v–100
Saule Saule quid me - 1a pars (of 2): Saule Saule quid me persequeris quis es	Anonymous	91–91v
Saule Saule quid me - 2a pars (of 2): Et tremens ac stupens	Anonymous	91v–92
Sei gegrüsset Jesu gütig über alle	Anonymous	123
Singet nun mit herz und munde	Anonymous	124v–125, 127-127v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon)	Gombert, Nicolas (ca. 1495–ca. 1560) (?) Despres, Josquin (ca. 1450–1521) (?)	79v–80v
untexted	Anonymous	124
Vade populus meus intra in cubilia tua	Anonymous	102–102v
Verlass mich nicht Gott in Alter	Schroeter, Leonhard	80v–82
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden	Anonymous	73v–74
Victimae paschali - 2a pars (of 3): Dic nobis Maria	Anonymous	74–74v
Victimae paschali - 3a pars (of 3): Credendum est magis	Anonymous	74v–75
Victimae paschali laudes inmolent Christiani	Stabile, Annibale (ca. 1535–1595)	79–79v
Was trotzestu du übermuth das Deine zunge	Anonymous	112v–113
Wer ist das kindt? Wo ists geborn?	Anonymous	72v–73v
Wer will des höchsten grosse Barmherzigkeit	Anonymous	116v–117
Zion spricht der Herr hat mich verlassen (= Madonna più che mai)	Romano, Alessandro (ca. 1533–1592)	108v
Zion spricht der Herr hatt mich verlassen	Anonymous	97–97v

Set: MS Löbau 50 (1-7)

Type: Partbooks

No images available

D-Dl MS Löbau 50 (7?)

No images available

D-Dl MS Löbau 50 (8)

No images available

D-Dl MS Löbau 50 [Altus]

No images available

D-Dl MS Löbau 50 [Bassus]

No images available

D-Dl MS Löbau 50 [Quintus]

No images available

D-Dl MS Löbau 50 [Sextus]

No images available

D-Dl MS Löbau 50 [Tenor]

‡ denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte, vol. 6. Wilhelmshaven. Pages: 141-4. Notes: physical description (partial); contents list; concordances (partial).

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Monday, 23 January, 2017

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description