D-Dl MS Löbau 50 [Quintus]

Sächsische Landesbibliothek, Dresden, Germany

partbook: c. 1610-60

Archive Sächsische Landesbibliothek, Dresden, Germany (D-Dl)
Shelfmark MS Löbau 50 [Quintus]
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System None / Unknown
Measurements 148 x 192 mm
Other Identifiers
  • CCM: DresSL Löbau 50
Notations
  • black void mensural
Relationships
External Links
External Authorities
Provenance
Contents 59 pieces from 21 composers
General Description

A Quintus partbook from an incomplete set originally of 8 books, each of which consists of the prints RISM F721 and L1298, with manuscript additions. 6 books survive (though with many losses); a single leaf preserved separately appears to come from the 6th, 7th (lost) or 8th book. Copied by several scribes. Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

DIAMM, 2023
Physical Description

The books are in poor condition; only the Tenor and Bassus volumes are complete.

DIAMM, 2017
Binding

Tenor rebound in modern brown cardboard covers; Bassus has original covers but folios are loose; folios of other books are loose and are kept in envelopes

DIAMM, 2017
Notation

black void mensural

DIAMM, 2023
Foliation

No foliation. Modern pencil foliation.

DIAMM, 2023
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 Mass Proper sections, 5 psalms, 12 motets, 86 German sacred pieces (14 in organ tablature) = 105 + 1 duplicate = 106

(Amon)-1, (Burck)-1, (Demantius)-5, (Dressler)-2, Dulichius-1, Gesius-4, Hammerschmidt-1, (Händl)-3, Hassler-2, C. Hollander-1, Josquin/(Gombert)-1, (Lohr)-1, Massaini-1, Pinello di Ghirardi? [Johannes Baptista]-1, H. Praetorius-1, Quagliati-1, (Raselius)-1, (Alessandro Romano)-1, Schröter-1, Selich-1, Stabile-1, Vierdanck-1, Walliser-1, Weber-1, anon-70

7 paper partbooks, each consisting of the prints RISM F721 and L1298, with manuscript additions (T-103 folios; number of folios in other books not available), 148 x 192. The books are in poor condition; only T and B are complete. No foliation. T rebound in modern brown cardboard covers; B has original covers but folios are loose; folios of other books are loose and are kept in envelopes. Copied by several scribes.

Ca. 1610-60 (SteudeMS). Originated at the Löbau Latin school. The manuscript was at one time in the Löbau Ratsbibliothek, but was deposited at the library in Dresden in 1890.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
70–71 An wasserflüssen Babylon da sassen wir Anon. Anonymous
Appears on: 70–71
Genres: Psalm
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: An wasserflüssen Babÿlon da sassen wir
71v–72v Allein zu dir Herr Jesu Christ mein Hoffnung Georgius Weber
Appears on: 71v–72v
Genres: Motet
Source Attribution: Georgius Weber
Voice: [no designation]
Languages: German
Voice Text: Allein zu dir Herr Jhesu Christ mein hoffnung
72v–73v Wer ist das kindt? Wo ists geborn? Anon. Anonymous
Appears on: 72v–73v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Wer ist das kindt? Wo ists geborn?
73v–74 Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden Anon. Anonymous
Appears on: 73v–74
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Victimae paschali laudes immolant Christiani II: Dic nobis Maria quid vidisti III: Credendum est magis soli Mariae
74–74v Victimae paschali - 2a pars (of 3): Dic nobis Maria - Anonymous
Appears on: 74–74v
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Dic nobis Maria [part 2]
74v–75 Victimae paschali - 3a pars (of 3): Credendum est magis - Anonymous
Appears on: 74v–75
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Credendum est magis [part 3]
75v–76 Gaudent in caelis animae sanctorum Christoph: Thomas Walliser
Appears on: 75v–76
Genres: Motet
Source Attribution: Christoph: Thomas Walliser
Voice: [no designation]
Languages: Latin
Voice Text: Gaudent in caelis animae sanctorum
76v–77 Decantabat populus Israel laudem Domino Pauli Quagliadi [= Quagliati]
Appears on: 76v–77
Genres: Motet
Source Attribution: Pauli Quagliadi [= Quagliati]
Voice: [no designation]
Languages: Latin
Voice Text: Decantabat populus Israel laudem domino
Concordances

printed in RISM B/I 1592¦2 (p.11).

77v–79 Lobet den Herren in seinen heiligthumb Johannes Baptista [= Pinello di Ghirardi]
Appears on: 77v–79
Genres: Motet
Source Attribution: Johannes Baptista [= Pinello di Ghirardi]
Voice: [no designation]
Languages: German
Voice Text: Lobet den Herren in seinen heiligthumb
79–79v Victimae paschali laudes inmolent Christiani Annibal Stabilis
Appears on: 79–79v
Genres: Motet
Source Attribution: Annibal Stabilis
Voice: [no designation]
Languages: Latin
Voice Text: Victimae paschali laudes inmolent Christiani
79v–80v Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) Josquini de Pres/ [Gombert]
Appears on: 79v–80v
Genres: Motet
Source Attribution: Josquini de Pres/ [Gombert]
Voice: [no designation]
Languages: Latin
Voice Text: Tulerunt dominum meum et nescio ubi 14.7 [= Lugabat David Absalom pius pater]
General Note

1a pars only

Concordances

RISM 1554^10:41

80v–82 Verlass mich nicht Gott in Alter Leonh: Schröteri [= Schröter]
Appears on: 80v–82
Genres: Motet
Source Attribution: Leonh: Schröteri [= Schröter]
Voice: [no designation]
Languages: German
Voice Text: Verlass mich nicht Ghott in alter
82–83 Hymnum cantate nobis de canticis Sion Tiburtii Massaini
Appears on: 82–83
Genres: Motet
Source Attribution: Tiburtii Massaini
Voice: [no designation]
Languages: Latin
Voice Text: Hymnum cantate nobis decanticis Sion
83v–84v Exultate justi in Domino rectos decet Philippi Dulichi [= Dulichius]
Appears on: 83v–84v
Genres: Motet
Source Attribution: Philippi Dulichi [= Dulichius]
Voice: [no designation]
Languages: Latin
Voice Text: Exultate iusti in domino rectos decet
85–85v Gaudete filiae Jerusalem nam flores (8vv) Barthol: Gesius
Appears on: 85–85v
Genres: Motet
Source Attribution: Barthol: Gesius
Voice: [no designation]
Languages: Latin
Voice Text: Gaudete filiae Hierusalem nam flores
86–86v Du bist aller dinge schöne meine freunden (8vv) Anon. Anonymous
Appears on: 86–86v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Du bist aller dinge schöne meine freunden
Concordances

also in Mus.Löb.42

87–88 Cantate Domino canticum novum (8vv) [Amon]
Appears on: 87–88
Genres: Motet
Source Attribution: [Amon]
Voice: [no designation]
Languages: Latin
Voice Text: Cantate domino canticum novum laus eius
General Note

RISM 1618^1:18

88–89 Lieblich und schöne sein ist nichts [Gesius]
Appears on: 88–89
Genres: Motet
Source Attribution: [Gesius]
Voice: [no designation]
Languages: German
Voice Text: Lieblich und schöne sein ist nichts
89–89v Lobet den Herren ihr seine engel Anon. Anonymous
Appears on: 89–89v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Lobett den Herren ihr seine engel
Concordances

also in Mus.Löb.53

90–90v Beati omnes qui timent Dominum qui ambulant (8vv) Christianus Holander
Appears on: 90–90v
Genres: Motet
Source Attribution: Christianus Holander
Voice: [no designation]
Languages: Latin
Voice Text: Beati omnes qui timent dominum qui ambulant
91–91v Saule Saule quid me - 1a pars (of 2): Saule Saule quid me persequeris quis es Anon. Anonymous
Appears on: 91–91v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Saule Saule quid me persequeris quis es II: Et tremens ac stupens dixit domine
91v–92 Saule Saule quid me - 2a pars (of 2): Et tremens ac stupens - Anonymous
Appears on: 91v–92
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Et tremens ac stupens [part 2]
92v–93v Exultate Deo adjutori nostro jubilate Johan: Leon. Hasleri
Appears on: 92v–93v
Genres: Motet
Source Attribution: Johan: Leon. Hasleri
Voice: [no designation]
Languages: Latin
Voice Text: Exultate deo adiutori nostro iubilate
94–95 Der ehlich Stand sein Ursprung hat Anon. Anonymous
Appears on: 94–95
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Der ehlich standt sein ursprung hat
95–96v Laudate Dominum in sanctis eius laudate Hieron: Praetor:
Appears on: 95–96v
Genres: Motet
Source Attribution: Hieron: Praetor:
Voice: [no designation]
Languages: Latin
Voice Text: Laudate dominum in sanctis eius laudate
97–97v Zion spricht der Herr hatt mich verlassen Anon. Anonymous
Appears on: 97–97v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Zion spricht der Herr hatt mich verlassen
97v–99 Herr Gott du bist unser zuflucht Anon. Anonymous
Appears on: 97v–99
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Herr Ghott du bist unser zuflucht
99–99v O wie selig ist - 1a pars (of 2): O wie selig ist der tod dem der verstirbt Ba: Gesii [= Gesius]
Appears on: 99–99v
Genres: Motet
Source Attribution: Ba: Gesii [= Gesius]
Voice: [no designation]
Languages: German
Voice Text: O wie selig ist der tod dem der verstirbt II: Darumb sollen wir nicht trauren
99v–100 O wie selig ist - 2a pars (of 2): Darum wir sollen nicht sorgen -
Appears on: 99v–100
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Darumb wir sollen nicht trawren [part 2]
Concordances

2a pars texted "Darum sollen wir nicht trauern" in Mus.Löb.15

100v Habn wir das gut empfangen von dem Herren Anon. Anonymous
Appears on: 100v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Habn wir das gut empfangen von dem Herren
General Note

Zahn 8649a var.

101–101v Also hatt Gott die Welt geliebt Anon. Anonymous
Appears on: 101–101v
Genres: Sacred Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Also hat Ghott die welt geliebt
101v–102 Justorum animae in manu Dei sunt Anon. Anonymous
Appears on: 101v–102
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Iustorum animae in manu dei sunt
102–102v Vade populus meus intra in cubilia tua Anon. Anonymous
Appears on: 102–102v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Vade populus meus intra in cubilia tua
102v–103 Kein Ding auf Erd mich freuen tut Anon. Anonymous
Appears on: 102v–103
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Kein ding auff erd mich frewen thut
103v Mein Herr und Gott wenn ich muss fort [i] Anon. Anonymous
Appears on: 103v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Mein Herr und Gott wen ich muss fort
104–105 O Welt ich muss dich lassen [Demantius]
Appears on: 104–105
Genres: Hymn
Source Attribution: [Demantius]
Voice: [no designation]
Languages: German
Voice Text: O welt ich muss dich lassen ich fahr
General Note

Hoffmann 1620:6

Concordances

printed in RISM A/I D 1542 (no.22). 4vv version in Schellenberg 35

105v–106 Ich war ein kleiness kindelein geborn [Demantius]
Appears on: 105v–106
Genres: Hymn
Source Attribution: [Demantius]
Voice: [no designation]
Languages: German
Voice Text: Ich war ein kleiness kindelein geborn
Concordances

printed in RISM A/I D 1542 (no.37).

General Note

Hoffmann 1620:37

106v–107 Mit fried und freud ich fahr dahin [Demantius]
Appears on: 106v–107
Genres: Hymn
Source Attribution: [Demantius]
Voice: [no designation]
Languages: German
Voice Text: Mitt fried und freud ich fahr dahin
General Note

Hoffmann 1620:10

Concordances

printed in RISM A/I D 1542 (no.10).

107v–108 Nu last unnss den leib begraben [Demantius]
Appears on: 107v–108
Genres: Chorale, Hymn
Source Attribution: [Demantius]
Voice: [no designation]
Languages: German
Voice Text: Nu last unnss den leib begraben
General Note

Hoffmann 1620:34

Concordances

printed in RISM A/I D 1542 (no.34).

108v Zion spricht der Herr hat mich verlassen (= Madonna più che mai) [Alessandro Romano]
Appears on: 108v
Genres: Contrafactum, Motet
Source Attribution: [Alessandro Romano]
Voice: [no designation]
Languages: German
Voice Text: Zion spricht der Herr hat mich verlassen
General Note

incomplete, beginning only

109–109v Aus der Tieffen - 2a pars (of 2): Ich harre dess Herren meiner seele -
Appears on: 109–109v
Genres: Motet
Voice: [no designation]
Languages: German
Voice Text: Ich harre deß herren [part 2]
General Note

Bohn 24. 30; incomplete, 1a pars & the beginning of the 2a pars missing owing to loss of page(s)

109v–111 Also hatt Gott die Welt geliebt [Raselius]
Appears on: 109v–111
Genres: Sacred Song
Source Attribution: [Raselius]
Voice: [no designation]
Languages: German
Voice Text: Also hatt Gott die welt geliebet
111v–112 Ich glaub und weiss dass Jesus Christ Anon. Anonymous
Appears on: 111v–112
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ich glaub und weiss dass Jesus Christ
112v–113 Was trotzestu du übermuth das Deine zunge Anon. Anonymous
Appears on: 112v–113
Genres: Song
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Was trotzestu du übermuth das deine zunge
General Note

damage at top of page affecting top line of music

113v–114 Jüngling Deiner Eltern beide stecken Anon. Anonymous
Appears on: 113v–114
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Jüngling deiner eltern beyde stecken
General Note

damage at top of page affecting top line of music

114v–115 Gott sorget für die seinen die ihn Anon. Anonymous
Appears on: 114v–115
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Gott sorget für die seinen die ihn
General Note

damage at top of page affecting music

115v–116 Den Ehstandt niemand nicht veracht Anon. Anonymous
Appears on: 115v–116
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Den ehstandt niemand nicht veracht
116v–117 Wer will des höchsten grosse Barmherzigkeit Anon. Anonymous
Appears on: 116v–117
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Wer will des höchsten grosse barmhertzigkeitt
117v Freue dich mitt guten leuten gönnet Anon. Anonymous
Appears on: 117v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Freue dich mitt guten leuten gönnet
118–119 Lass viel und mancher güter erfreuen Anon. Anonymous
Appears on: 118–119
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Lass viel undt mancher güter erfreuen
119v–120v Gehet nun gehet ihr edeles paar Anon. Anonymous
Appears on: 119v–120v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Ghehet nun gehet ihr edeles paar
120v–121v Ehre sei Gott in der Höhe Friede auf Erden Andr. Hammerschm[idt]
Appears on: 120v–121v
Genres: Motet
Source Attribution: Andr. Hammerschm[idt]
Voice: [no designation]
Languages: German
Voice Text: Ehre sey Ghott in der höhe friede auf erden
General Note

pages damaged with loss of some music

121v Der Herr erhöre dich Dan. Selichii
Appears on: 121v
Genres: Motet
Source Attribution: Dan. Selichii
Voice: [no designation]
Languages: German
Voice Text: [Der Herr erhöre dich] [Symphonia only]
General Note

pages damaged with loss of some music. Two voice parts copied

122–122v Komm zu uns, O Heiliger Geist, gib Anon. Anonymous
Appears on: 122–122v
Genres: Hymn, Veni sancte spiritus
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Kom zu unss O heiliger geist gieb
General Note

pages damaged with loss of some music

123 Sei gegrüsset Jesu gütig über alle Anon. Anonymous
Appears on: 123
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Sey gegrüsset Jesu gütig über alle
General Note

Zahn 3889a - Vopelius S. 1102 (Satz) ; pages damaged with loss of some music

123v Ave Jesu summe bonus ad parcendum (= Sei gegrüsset) Anon. Anonymous
Appears on: 123v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: Latin
Voice Text: Ave Jesu summe bonus ad parcendum
General Note

Zahn 3889a - Vopelius S. 1102 (Satz) ; pages damaged with loss of some music.

Concordances

Musically the same as the previous piece

124 untexted Anon. Anonymous

untexted

Anonymous
Appears on: 124
Genres: textless
Source Attribution: Anon.
General Note

part for 'violino & flauto'

124v–125, 127-127v Singet nun mit herz und munde Anon. Anonymous
Appears on: 124v–125, 127-127v
Genres: Hymn
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Singet nun mit herz und munde
General Note

Incomplete - pages badly damaged with substantial losses of music

126–126v, 128-128v Allein zu dir Herr Jesu Christ Anon. Anonymous
Appears on: 126–126v, 128-128v
Genres: Motet
Source Attribution: Anon.
Voice: [no designation]
Languages: German
Voice Text: Allein zu dir Herr Jesu Christ
General Note

Zahn 7292b. Incomplete - pages badly damaged with substantial losses of music

Composer Compositions
Ammon, Blasius (fl. c1440)
Anonymous
Demantius, Christoph
Despres, Josquin (ca. 1450–1521)
Dulichius, Philipp
Gesius, Bartholomäus (ca. 1555–1613)
Gombert, Nicolas (ca. 1495–ca. 1560)
Hammerschmidt, Andreas (ca. 1611–1675)
Hassler, Hans Leo (1564–1612)
Hollander, Christian
Massaino, Tiburzio
Pinello di Ghirardi, Giovanni Battista
Praetorius, Hieronymus (1560–1629)
Quagliati, Paulo
Raselius, Andreas (ca. 1563–1602)
Romano, Alessandro (ca. 1533–1592)
Schroeter, Leonhard
Selich, Daniel
Stabile, Annibale (ca. 1535–1595)
Walliser, Christoph Thomas (1568–1648)
Weber, Georg (ca. 1540–1599)
Composition Composers (? Uncertain) Folios / Pages
Allein zu dir Herr Jesu Christ Anonymous 126–126v, 128-128v
Allein zu dir Herr Jesu Christ mein Hoffnung 71v–72v
Also hatt Gott die Welt geliebt Anonymous 101–101v
Also hatt Gott die Welt geliebt 109v–111
An wasserflüssen Babylon da sassen wir Anonymous 70–71
Aus der Tieffen - 2a pars (of 2): Ich harre dess Herren meiner seele 109–109v
Ave Jesu summe bonus ad parcendum (= Sei gegrüsset) Anonymous 123v
Beati omnes qui timent Dominum qui ambulant (8vv) 90–90v
Cantate Domino canticum novum (8vv) 87–88
Decantabat populus Israel laudem Domino 76v–77
Den Ehstandt niemand nicht veracht Anonymous 115v–116
Der ehlich Stand sein Ursprung hat Anonymous 94–95
Der Herr erhöre dich 121v
Du bist aller dinge schöne meine freunden (8vv) Anonymous 86–86v
Ehre sei Gott in der Höhe Friede auf Erden 120v–121v
Exultate Deo adjutori nostro jubilate 92v–93v
Exultate justi in Domino rectos decet 83v–84v
Freue dich mitt guten leuten gönnet Anonymous 117v
Gaudent in caelis animae sanctorum 75v–76
Gaudete filiae Jerusalem nam flores (8vv) 85–85v
Gehet nun gehet ihr edeles paar Anonymous 119v–120v
Gott sorget für die seinen die ihn Anonymous 114v–115
Habn wir das gut empfangen von dem Herren Anonymous 100v
Herr Gott du bist unser zuflucht Anonymous 97v–99
Hymnum cantate nobis de canticis Sion 82–83
Ich glaub und weiss dass Jesus Christ Anonymous 111v–112
Ich war ein kleiness kindelein geborn 105v–106
Justorum animae in manu Dei sunt Anonymous 101v–102
Jüngling Deiner Eltern beide stecken Anonymous 113v–114
Kein Ding auf Erd mich freuen tut Anonymous 102v–103
Komm zu uns, O Heiliger Geist, gib Anonymous 122–122v
Lass viel und mancher güter erfreuen Anonymous 118–119
Laudate Dominum in sanctis eius laudate 95–96v
Lieblich und schöne sein ist nichts 88–89
Lobet den Herren ihr seine engel Anonymous 89–89v
Lobet den Herren in seinen heiligthumb 77v–79
Mein Herr und Gott wenn ich muss fort [i] Anonymous 103v
Mit fried und freud ich fahr dahin 106v–107
Nu last unnss den leib begraben 107v–108
O Welt ich muss dich lassen 104–105
O wie selig ist - 1a pars (of 2): O wie selig ist der tod dem der verstirbt 99–99v
O wie selig ist - 2a pars (of 2): Darum wir sollen nicht sorgen 99v–100
Saule Saule quid me - 1a pars (of 2): Saule Saule quid me persequeris quis es Anonymous 91–91v
Saule Saule quid me - 2a pars (of 2): Et tremens ac stupens Anonymous 91v–92
Sei gegrüsset Jesu gütig über alle Anonymous 123
Singet nun mit herz und munde Anonymous 124v–125, 127-127v
Tulerunt Dominum (8vv) 14.7 - 1a pars (of 2): Tulerunt dominum meum et nescio ubi (= Lugebat David Absalon) 79v–80v
untexted Anonymous 124
Vade populus meus intra in cubilia tua Anonymous 102–102v
Verlass mich nicht Gott in Alter 80v–82
Victimae paschali - 1a pars (of 3): [Victimae paschali] Agnus redemit oves / Christ ist erstanden Anonymous 73v–74
Victimae paschali - 2a pars (of 3): Dic nobis Maria Anonymous 74–74v
Victimae paschali - 3a pars (of 3): Credendum est magis Anonymous 74v–75
Victimae paschali laudes inmolent Christiani 79–79v
Was trotzestu du übermuth das Deine zunge Anonymous 112v–113
Wer ist das kindt? Wo ists geborn? Anonymous 72v–73v
Wer will des höchsten grosse Barmherzigkeit Anonymous 116v–117
Zion spricht der Herr hat mich verlassen (= Madonna più che mai) 108v
Zion spricht der Herr hatt mich verlassen Anonymous 97–97v

Set: MS Löbau 50 (1-7)

Type: Partbooks

No images available

D-Dl MS Löbau 50 (7?)

No images available

D-Dl MS Löbau 50 (8)

No images available

D-Dl MS Löbau 50 [Altus]

No images available

D-Dl MS Löbau 50 [Bassus]

No images available

D-Dl MS Löbau 50 [Quintus]

No images available

D-Dl MS Löbau 50 [Sextus]

No images available

D-Dl MS Löbau 50 [Tenor]

denotes primary source study

Steude, Wolfram. 1974. Die Musiksammeihandschriften des 16. und 17. Jahrhunderts in der Sächsischen Landesbibliothek zu Dresden. Quellenkataloge zur Musikgeschichte.  Wilhelmshaven. Pages: 141-4. Notes: physical description (partial); contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Notation Note; Foliation Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description