I-Rsld Armadio IV, Vol. 13

San Lorenzo in Damaso. Registri Amministrativi e Corali della Capella Musicale, Rome, Italy

partbook: Late 16th century

Archive	San Lorenzo in Damaso. Registri Amministrativi e Corali della Capella Musicale, Rome, Italy (I-Rsld)
Shelfmark	Armadio IV, Vol. 13
Image Availability	DIAMM does not have images of this source.
Numbering System	Foliation
Measurements	320 x 225 mm
Other Identifiers	CCM: RomeSL IV / 13
Relationships	Church of San Lorenzo in Dámaso (copied at)
Provenance	Church of San Lorenzo in Dámaso , Rome, Italy
Contents	30 pieces from 3 composers

General Description

A Discantus partbook. Copied by several scribes. Copied in Rome, for use at Church of San Lorenzo in Dámaso.

DIAMM, 2017

Binding

Original covers of dark parchment inscribed with voice designation; two ties.

DIAMM, 2017

Watermark

(1) crossbow in circle surmounted by fleur-de-lis; (2) anchor in circle surmounted by six-pointed star; (3) crossed arrows surmounted by six-pointed star; (4) generally resembles Briquet #5931; (5) ladder on shield.

DIAMM, 2017

Notation

black void mensural notation

DIAMM, 2017

Ruling

Staff height 18.

DIAMM, 2017

Foliation

Modern pencil foliation, 1-46, on lower right rectos (rear flyleaf unnumbered).

DIAMM, 2017

Decoration

A few inked initials, mostly in plain block style.

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

6 hymns, 25 motets = 31

Hellinck [Lupus]-1, Morales-1, anon-29

1 paper partbook (D-i + 45 + i folios), 320 x 225. Modern pencil foliation, 1-46, on lower right rectos (rear flyleaf unnumbered). Original covers of dark parchment inscribed with voice designation; two ties. No index. Copied by several scribes. Staff height 18. A few inked initials, mostly in plain block style. Watermarks: (1) crossbow in circle surmounted by fleur-de-lis; (2) anchor in circle surmounted by six-pointed star; (3) crossed arrows surmounted by six-pointed star; (4) generally resembles Briquet #5931; (5) ladder on shield.

Late 16th century. Copied in Rome, for use at Church of San Lorenzo in Dámaso.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2v–3	Responsum accepit Simeon	-	Anonymous
Responsum accepit Simeon Anonymous Appears on: 2v–3 Genres: Motet
3v–4	Cum inducerent puerum	-	Anonymous
Cum inducerent puerum Anonymous Appears on: 3v–4 Genres: Motet
5v–6	Pueri Hebraeorum	-	Anonymous
Pueri Hebraeorum Anonymous Appears on: 5v–6 Genres: Motet
6v–7	Ingredientem Domino	-	Anonymous
Ingredientem Domino Anonymous Appears on: 6v–7 Genres: Motet
7v–8	Ante sex dies	-	Anonymous
Ante sex dies Anonymous Appears on: 7v–8 Genres: Motet
10	Vexilla regis	-	Anonymous
Vexilla regis Anonymous Appears on: 10 Genres: Hymn
10v–12	Hic acetum fel arundo	-	Anonymous
Hic acetum fel arundo Anonymous Appears on: 10v–12 Genres: Hymn
12v	Salvator mundi salva nos	-	Anonymous
Salvator mundi salva nos Anonymous Appears on: 12v Genres: Hymn
13	O vos omnes qui transitis	-	Anonymous
O vos omnes qui transitis Anonymous Appears on: 13 Genres: Motet
13v–14	Trstis est anima mea	-	Anonymous
Trstis est anima mea Anonymous Appears on: 13v–14 Genres: Motet
14v–15v	Nos autem gloriari	-	Anonymous
Nos autem gloriari Anonymous Appears on: 14v–15v Genres: Motet
16–16v	Ad cenam agni Cuius corpus sanctissimum	-	Anonymous
Ad cenam agni Cuius corpus sanctissimum Anonymous Appears on: 16–16v Genres: Hymn
17–17v	Tristes erant apostoli Sermone blando angelus	-	Anonymous
Tristes erant apostoli Sermone blando angelus Anonymous Appears on: 17–17v Genres: Hymn
18–18v	Isti sunt viri sancti	-	Anonymous
Isti sunt viri sancti Anonymous Appears on: 18–18v Genres: Motet
19v–20	Ecce ego mitto vos	-	Anonymous
Ecce ego mitto vos Anonymous Appears on: 19v–20 Genres: Motet
20v–21	Convocatis Jesus	-	Anonymous
Convocatis Jesus Anonymous Appears on: 20v–21 Genres: Motet
21v	Petite petite petite	-	Anonymous
Petite petite petite Anonymous Appears on: 21v Genres: Motet
22	Regina caeli laetare	-	Anonymous
Regina caeli laetare Anonymous Appears on: 22 Genres: Motet
22v	Angelus autem Domini	-	Anonymous
Angelus autem Domini Anonymous Appears on: 22v Genres: Motet
24v–25	Ego sum panis vivus	-	Anonymous
Ego sum panis vivus Anonymous Appears on: 24v–25 Genres: Motet
25v–26	Homo quidam fecit cenam magnam	-	Anonymous
Homo quidam fecit cenam magnam Anonymous Appears on: 25v–26 Genres: Motet
26v–27	Caro mea vere est cibus	-	Anonymous
Caro mea vere est cibus Anonymous Appears on: 26v–27 Genres: Motet
27v–28	[hymn]	Morales	Morales, Cristóbal de (ca. 1500–1553)
[hymn] Morales, Cristóbal de (ca. 1500–1553) Appears on: 27v–28 Genres: Hymn Source Attribution: Morales General Note (the Andrae catalogue does not specify the text or incipit, but does cross-reference Angles edityion (vol II, no. XVI)
28v–29	O quam suavis est	-	Anonymous
O quam suavis est Anonymous Appears on: 28v–29 Genres: Motet
29v–30	Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum)	Lupus	Hellinck, Lupus (ca. 1494–1541)
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) Hellinck, Lupus (ca. 1494–1541) Appears on: 29v–30 Genres: Motet Source Attribution: Lupus
30v–31	Pange lingua Nobis natus nobis datus	-	Anonymous
Pange lingua Nobis natus nobis datus Anonymous Appears on: 30v–31 Genres: Hymn
31v	Tantum ergo sacramentum	-	Anonymous
Tantum ergo sacramentum Anonymous Appears on: 31v Genres: Motet
32v–33	Cenantibus illis	-	Anonymous
Cenantibus illis Anonymous Appears on: 32v–33 Genres: Motet
33v–34	Homo quidam fecit cenam	-	Anonymous
Homo quidam fecit cenam Anonymous Appears on: 33v–34 Genres: Motet
35–46	[blank pages]	-	-
[blank pages] Appears on: 35–46

Composer	Compositions
Anonymous	Ad cenam agni Cuius corpus sanctissimum – 16–16v Angelus autem Domini – 22v Ante sex dies – 7v–8 Caro mea vere est cibus – 26v–27 Cenantibus illis – 32v–33 Convocatis Jesus – 20v–21 Cum inducerent puerum – 3v–4 Ecce ego mitto vos – 19v–20 Ego sum panis vivus – 24v–25 Hic acetum fel arundo – 10v–12 Homo quidam fecit cenam – 33v–34 Homo quidam fecit cenam magnam – 25v–26 Ingredientem Domino – 6v–7 Isti sunt viri sancti – 18–18v Nos autem gloriari – 14v–15v O quam suavis est – 28v–29 O vos omnes qui transitis – 13 Pange lingua Nobis natus nobis datus – 30v–31 Petite petite petite – 21v Pueri Hebraeorum – 5v–6 Regina caeli laetare – 22 Responsum accepit Simeon – 2v–3 Salvator mundi salva nos – 12v Tantum ergo sacramentum – 31v Tristes erant apostoli Sermone blando angelus – 17–17v Trstis est anima mea – 13v–14 Vexilla regis – 10 [No description] – 35–46
Hellinck, Lupus (ca. 1494–1541)	Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum) – 29v–30
Morales, Cristóbal de (ca. 1500–1553)	[hymn] – 27v–28

Composition	Composers (? Uncertain)	Folios / Pages
[hymn]	Morales, Cristóbal de (ca. 1500–1553)	27v–28
Ad cenam agni Cuius corpus sanctissimum	Anonymous	16–16v
Angelus autem Domini	Anonymous	22v
Ante sex dies	Anonymous	7v–8
Caro mea vere est cibus	Anonymous	26v–27
Cenantibus illis	Anonymous	32v–33
Convocatis Jesus	Anonymous	20v–21
Cum inducerent puerum	Anonymous	3v–4
Ecce ego mitto vos	Anonymous	19v–20
Ego sum panis vivus	Anonymous	24v–25
Hic acetum fel arundo	Anonymous	10v–12
Homo quidam fecit cenam	Anonymous	33v–34
Homo quidam fecit cenam magnam	Anonymous	25v–26
Ingredientem Domino	Anonymous	6v–7
Isti sunt viri sancti	Anonymous	18–18v
Nos autem gloriari	Anonymous	14v–15v
O quam suavis est	Anonymous	28v–29
O vos omnes qui transitis	Anonymous	13
Pange lingua Nobis natus nobis datus	Anonymous	30v–31
Panis quem ego dabo caro mea est (2p. Locutus est populus ad Dominum)	Hellinck, Lupus (ca. 1494–1541)	29v–30
Petite petite petite	Anonymous	21v
Pueri Hebraeorum	Anonymous	5v–6
Regina caeli laetare	Anonymous	22
Responsum accepit Simeon	Anonymous	2v–3
Salvator mundi salva nos	Anonymous	12v
Tantum ergo sacramentum	Anonymous	31v
Tristes erant apostoli Sermone blando angelus	Anonymous	17–17v
Trstis est anima mea	Anonymous	13v–14
Vexilla regis	Anonymous	10

‡ denotes primary source study

Andrae, Karin. 1985. Der Musikalienfonds der Basilica di S. Lorenzo in Damaso in Rom. Note d'Archivio [Nuova Serie], 119-157. Pages: 150-4. Notes: physical description (partial); contents list; incipits.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description