I-Rsld Armadio IV, Vol. 12

San Lorenzo in Damaso. Registri Amministrativi e Corali della Capella Musicale, Rome, Italy

manuscript of polyphony: Last third of 16th century

Archive San Lorenzo in Damaso. Registri Amministrativi e Corali della Capella Musicale, Rome, Italy (I-Rsld)
Shelfmark Armadio IV, Vol. 12
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Foliation
Measurements 409 x 275 mm
Other Identifiers
  • CCM: RomeSL IV / 12
Copyists
Relationships
Provenance
Contents 25 pieces from 4 composers
General Description

Copied by two scribes; one scribe possibly Jean Matelart, maestro di cappella at San Lorenzo in Dámaso (AndraeM). Copied in Rome, for use at Church of San Lorenzo in Dámaso.

DIAMM, 2017
Physical Description

Folios in very poor condition due to ink corrosion.

DIAMM, 2017
Binding

Original covers of parchment over pasteboard, in poor condition.

DIAMM, 2017
Watermark

(1) letter 'M' and star on shield (not in Briquet, but see Briquet #8390-2 for general pattern); (2) ladder on shield.

DIAMM, 2017
Notation

black void mensural notation

DIAMM, 2017
Date

date 1590 in manuscript, but not in hand of either original scribe

DIAMM, 2017
Ruling

Staff height 16-17.

DIAMM, 2017
Foliation

Original ink foliation, 1-124, on upper right rectos (f. 124' now glued to inside back cover).

DIAMM, 2017
Decoration

Small inked initials, in calligraphic and plain block styles.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

3 Mass Proper sections, 2 canticles, 5 psalms, 3 hymns, 10 Lamentations, 2 Passions, 1 motet = 26

(C. Festa/Morales)-1, Matelart-21, Morales-1, anon-3

124 paper folios, 409 x 275. Folios in very poor condition due to ink corrosion. Original ink foliation, 1-124, on upper right rectos (f. 124' now glued to inside back cover). Original covers of parchment over pasteboard, in poor condition. No index. Copied by two scribes; one scribe possibly Jean Matelart, maestro di cappella at San Lorenzo in Dámaso (AndraeM). Staff height 16-17. Small inked initials, in calligraphic and plain block styles. Watermarks: (1) letter "M" and star on shield (not in Briquet, but see Briquet #8390-2 for general pattern); (2) ladder on shield.

Last third of 16th century (date 1590 in manuscript, but not in hand of either original scribe). Copied in Rome, for use at Church of San Lorenzo in Dámaso.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1v–7 Domine Non secundum peccata nostra Joannis Matelart
Appears on: 1v–7
Genres: Tract
Source Attribution: Joannis Matelart
7v–10 Te lucis ante terminum Rerum creator poscimus Giovannis Matelart
Appears on: 7v–10
Genres: Hymn
Source Attribution: Giovannis Matelart
12v–13 Te lucis ante terminum Procul recedant somnia Matelart
Appears on: 12v–13
Genres: Hymn
Source Attribution: Matelart
13v–14 Nunc dimittis - Anonymous

Nunc dimittis

Anonymous
Appears on: 13v–14
Genres: Canticle, Nunc Dimittis
15v–21 Passio Domini ... secundum Mattheum - Anonymous
Appears on: 15v–21
Genres: Passion
21v–26 Passio diei veneris sancti [secundum Joannem] - Anonymous
Appears on: 21v–26
Genres: Passion
27v–30 Lamentations (1): Incipit Lamentatio - Aleph - Beth - Jerusalem convertere -
Appears on: 27v–30
Genres: Lamentations, Motet
31v–34 Lamentation: lectio 2, in cena Domini - Zain Matelart
Appears on: 31v–34
Genres: Lamentations
Source Attribution: Matelart
35v–38 Lamentation: lectio 3, in cena Domini - Lamed Matelart
Appears on: 35v–38
Genres: Lamentations
Source Attribution: Matelart
38v–43 Lamentations (2): Num. Vigilavit jugum iniquitatum Christophori Moralis
Appears on: 38v–43
Genres: Lamentations, Motet
Source Attribution: Christophori Moralis
45v–48 Lamentation: lectio 1 in parasceve - De lamentatione Jeremiae Matelart
Appears on: 45v–48
Genres: Lamentations
Source Attribution: Matelart
49v–52 Lamentation: lectio 2 in parasceve - Coph Matelart
Appears on: 49v–52
Genres: Lamentations
Source Attribution: Matelart
53v–57 Lamentation: lectio 3 in parasceve - Aleph Matelart
Appears on: 53v–57
Genres: Lamentations
Source Attribution: Matelart
59v–61 Lamentation: lectio 1 in sabbato sancto - De lamentatione Jeremiae prophetae Matelart
Appears on: 59v–61
Genres: Lamentations
Source Attribution: Matelart
65v–68 Lamentation: lectio 2 in sabbato sancto - Aleph Matelart
Appears on: 65v–68
Genres: Lamentations
Source Attribution: Matelart
70v–73 Lamentation: lectio 3 in sabbato sancto - Incipit oratio Jeremiae Matelart
Appears on: 70v–73
Genres: Lamentations
Source Attribution: Matelart
79v–81 Victimae paschali laudes Joannis Matelart
Appears on: 79v–81
Genres: Hymn, Sequence
Source Attribution: Joannis Matelart
81v–83 Veni sancte spiritus Et emitte celitus lucis Matelart
Appears on: 81v–83
Genres: Hymn, Sequence
Source Attribution: Matelart
83b–89 Lauda Sion salvatorem Lauda ducem et pastorem Matelart Anonymous
Appears on: 83b–89
Genres: Hymn, Sequence
Source Attribution: Matelart
93v–96 Benedictus Dominus Deus Israel - Anonymous
Appears on: 93v–96
Genres: Psalm
98v–100 Dixit Dominus Sede a dextris (tone 1) Joan. Matelart
Appears on: 98v–100
Genres: Psalm
Source Attribution: Joan. Matelart
100v–103 Confitebor tibi In consilio (tone 6) Joan: Matelart
Appears on: 100v–103
Genres: Psalm
Source Attribution: Joan: Matelart
103v–106 Beatus vir In mandatis eius (tone 3) Joan. Matelart
Appears on: 103v–106
Genres: Psalm
Source Attribution: Joan. Matelart
107v–111 Laudate pueri Sit nomen Domini Matelart
Appears on: 107v–111
Genres: Psalm
Source Attribution: Matelart
112v–119 In exitu Israel Facta est Judea Matelart
Appears on: 112v–119
Genres: Psalm
Source Attribution: Matelart
Composer Compositions
Anonymous
Festa, Costanzo (ca. 1485–1545)
Matelart, Joannes (ca. 1538–1607)
Morales, Cristóbal de (ca. 1500–1553)
Composition Composers (? Uncertain) Folios / Pages
Beatus vir In mandatis eius (tone 3) 103v–106
Benedictus Dominus Deus Israel Anonymous 93v–96
Confitebor tibi In consilio (tone 6) 100v–103
Dixit Dominus Sede a dextris (tone 1) 98v–100
Domine Non secundum peccata nostra 1v–7
In exitu Israel Facta est Judea 112v–119
Lamentation: lectio 1 in parasceve - De lamentatione Jeremiae 45v–48
Lamentation: lectio 1 in sabbato sancto - De lamentatione Jeremiae prophetae 59v–61
Lamentation: lectio 2 in parasceve - Coph 49v–52
Lamentation: lectio 2 in sabbato sancto - Aleph 65v–68
Lamentation: lectio 2, in cena Domini - Zain 31v–34
Lamentation: lectio 3 in parasceve - Aleph 53v–57
Lamentation: lectio 3 in sabbato sancto - Incipit oratio Jeremiae 70v–73
Lamentation: lectio 3, in cena Domini - Lamed 35v–38
Lamentations (1): Incipit Lamentatio - Aleph - Beth - Jerusalem convertere 27v–30
Lamentations (2): Num. Vigilavit jugum iniquitatum 38v–43
Lauda Sion salvatorem Lauda ducem et pastorem Anonymous 83b–89
Laudate pueri Sit nomen Domini 107v–111
Nunc dimittis Anonymous 13v–14
Passio diei veneris sancti [secundum Joannem] Anonymous 21v–26
Passio Domini ... secundum Mattheum Anonymous 15v–21
Te lucis ante terminum Procul recedant somnia 12v–13
Te lucis ante terminum Rerum creator poscimus 7v–10
Veni sancte spiritus Et emitte celitus lucis 81v–83
Victimae paschali laudes 79v–81

denotes primary source study

Del Sol, Manuel. 2014. Lamentaciones de Cristobal de Morales: Historia y Autenticidad. Revista de Musicologia, 107-139.

Andrae, Karin. 1985. Der Musikalienfonds der Basilica di S. Lorenzo in Damaso in Rom. Note d'Archivio [Nuova Serie], 119-157. Pages: 143-50. Notes: physical description (partial); contents list; incipits.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description